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Best Famous Proffer Poems

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Ash Wednesday

 I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.


II 
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been
contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each
other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.



III 

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man's mouth drivelling, beyond
repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs's fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair, 
Fading, fading; strength beyond hope and despair
Climbing the third stair.


Lord, I am not worthy
Lord, I am not worthy

 but speak the word only. 

IV 
Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary's colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary's colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile


V 
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny
the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.


O my people.


VI 
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.


Written by Robert Burns | Create an image from this poem

83. The Cotter's Saturday Night

 MY lov’d, my honour’d, much respected friend!
 No mercenary bard his homage pays;
With honest pride, I scorn each selfish end,
 My dearest meed, a friend’s esteem and praise:
 To you I sing, in simple Scottish lays,
The lowly train in life’s sequester’d scene,
 The native feelings strong, the guileless ways,
What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there I ween!


November chill blaws loud wi’ angry sugh;
 The short’ning winter-day is near a close;
The miry beasts retreating frae the pleugh;
 The black’ning trains o’ craws to their repose:
 The toil-worn Cotter frae his labour goes,—
This night his weekly moil is at an end,
 Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.


At length his lonely cot appears in view,
 Beneath the shelter of an aged tree;
Th’ expectant wee-things, toddlin, stacher through
 To meet their dead, wi’ flichterin noise and glee.
 His wee bit ingle, blinkin bonilie,
His clean hearth-stane, his thrifty wifie’s smile,
 The lisping infant, prattling on his knee,
Does a’ his weary kiaugh and care beguile,
And makes him quite forget his labour and his toil.


Belyve, the elder bairns come drapping in,
 At service out, amang the farmers roun’;
Some ca’ the pleugh, some herd, some tentie rin
 A cannie errand to a neibor town:
 Their eldest hope, their Jenny, woman-grown,
In youthfu’ bloom-love sparkling in her e’e—
 Comes hame, perhaps to shew a braw new gown,
Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.


With joy unfeign’d, brothers and sisters meet,
 And each for other’s weelfare kindly speirs:
The social hours, swift-wing’d, unnotic’d fleet:
 Each tells the uncos that he sees or hears.
 The parents, partial, eye their hopeful years;
Anticipation forward points the view;
 The mother, wi’ her needle and her shears,
Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.


Their master’s and their mistress’ command,
 The younkers a’ are warned to obey;
And mind their labours wi’ an eydent hand,
 And ne’er, tho’ out o’ sight, to jauk or play;
 “And O! be sure to fear the Lord alway,
And mind your duty, duly, morn and night;
 Lest in temptation’s path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain that sought the Lord aright.”


But hark! a rap comes gently to the door;
 Jenny, wha kens the meaning o’ the same,
Tells how a neibor lad came o’er the moor,
 To do some errands, and convoy her hame.
 The wily mother sees the conscious flame
Sparkle in Jenny’s e’e, and flush her cheek;
 With heart-struck anxious care, enquires his name,
While Jenny hafflins is afraid to speak;
Weel-pleased the mother hears, it’s nae wild, worthless rake.


Wi’ kindly welcome, Jenny brings him ben;
 A strappin youth, he takes the mother’s eye;
Blythe Jenny sees the visit’s no ill ta’en;
 The father cracks of horses, pleughs, and kye.
 The youngster’s artless heart o’erflows wi’ joy,
But blate an’ laithfu’, scarce can weel behave;
 The mother, wi’ a woman’s wiles, can spy
What makes the youth sae bashfu’ and sae grave,
Weel-pleas’d to think her bairn’s respected like the lave.


O happy love! where love like this is found:
 O heart-felt raptures! bliss beyond compare!
I’ve paced much this weary, mortal round,
 And sage experience bids me this declare,—
 “If Heaven a draught of heavenly pleasure spare—
One cordial in this melancholy vale,
 ’Tis when a youthful, loving, modest pair
In other’sarms, breathe out the tender tale,
Beneath the milk-white thorn that scents the evening gale.”


Is there, in human form, that bears a heart,
 A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
 Betray sweet Jenny’s unsuspecting youth?
 Curse on his perjur’d arts! dissembling smooth!
Are honour, virtue, conscience, all exil’d?
 Is there no pity, no relenting ruth,
Points to the parents fondling o’er their child?
Then paints the ruin’d maid, and their distraction wild?


But now the supper crowns their simple board,
 The halesome parritch, chief of Scotia’s food;
The sowp their only hawkie does afford,
 That, ’yont the hallan snugly chows her cood:
 The dame brings forth, in complimental mood,
To grace the lad, her weel-hain’d kebbuck, fell;
 And aft he’s prest, and aft he ca’s it guid:
The frugal wifie, garrulous, will tell
How t’was a towmond auld, sin’ lint was i’ the bell.


The cheerfu’ supper done, wi’ serious face,
 They, round the ingle, form a circle wide;
The sire turns o’er, with patriarchal grace,
 The big ha’bible, ance his father’s pride:
 His bonnet rev’rently is laid aside,
His lyart haffets wearing thin and bare;
 Those strains that once did sweet in Zion glide,
He wales a portion with judicious care;
And “Let us worship God!” he says with solemn air.


They chant their artless notes in simple guise,
 They tune their hearts, by far the noblest aim;
Perhaps Dundee’s wild-warbling measures rise;
 Or plaintive Martyrs, worthy of the name;
 Or noble Elgin beets the heaven-ward flame;
The sweetest far of Scotia’s holy lays:
 Compar’d with these, Italian trills are tame;
The tickl’d ears no heart-felt raptures raise;
Nae unison hae they with our Creator’s praise.


The priest-like father reads the sacred page,
 How Abram was the friend of God on high;
Or Moses bade eternal warfare wage
 With Amalek’s ungracious progeny;
 Or how the royal bard did groaning lie
Beneath the stroke of Heaven’s avenging ire;
 Or Job’s pathetic plaint, and wailing cry;
Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.


Perhaps the Christian volume is the theme,
 How guiltless blood for guilty man was shed;
How He, who bore in Heaven the second name,
 Had not on earth whereon to lay His head:
 How His first followers and servants sped;
The precepts sage they wrote to many a land:
 How he, who lone in Patmos banished,
Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.


Then, kneeling down to Heaven’s Eternal King,
 The saint, the father, and the husband prays:
Hope “springs exulting on triumphant wing,” 1
 That thus they all shall meet in future days,
 There, ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
 Together hymning their Creator’s praise,
In such society, yet still more dear;
While circling Time moves round in an eternal sphere


Compar’d with this, how poor Religion’s pride,
 In all the pomp of method, and of art;
When men display to congregations wide
 Devotion’s ev’ry grace, except the heart!
 The Power, incens’d, the pageant will desert,
The pompous strain, the sacerdotal stole;
 But haply, in some cottage far apart,
May hear, well-pleas’d, the language of the soul;
And in His Book of Life the inmates poor enroll.


Then homeward all take off their sev’ral way;
 The youngling cottagers retire to rest:
The parent-pair their secret homage pay,
 And proffer up to Heaven the warm request,
 That he who stills the raven’s clam’rous nest,
And decks the lily fair in flow’ry pride,
 Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.


From scenes like these, old Scotia’s grandeur springs,
 That makes her lov’d at home, rever’d abroad:
Princes and lords are but the breath of kings,
 “An honest man’s the noblest work of God;”
 And certes, in fair virtue’s heavenly road,
The cottage leaves the palace far behind;
 What is a lordling’s pomp? a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!


O Scotia! my dear, my native soil!
 For whom my warmest wish to Heaven is sent,
Long may thy hardy sons of rustic toil
 Be blest with health, and peace, and sweet content!
 And O! may Heaven their simple lives prevent
From luxury’s contagion, weak and vile!
 Then howe’er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.


O Thou! who pour’d the patriotic tide,
 That stream’d thro’ Wallace’s undaunted heart,
Who dar’d to nobly stem tyrannic pride,
 Or nobly die, the second glorious part:
 (The patriot’s God peculiarly thou art,
His friend, inspirer, guardian, and reward!)
 O never, never Scotia’s realm desert;
But still the patriot, and the patriot-bard
In bright succession raise, her ornament and guard!


 Note 1. Pope’s “Windsor Forest.”—R. B. [back]
Written by John Greenleaf Whittier | Create an image from this poem

Massachusetts To Virginia

 The blast from Freedom's Northern hills, upon its Southern way,
Bears greeting to Virginia from Massachusetts Bay:
No word of haughty challenging, nor battle bugle's peal,
Nor steady tread of marching files, nor clang of horsemen's steel,

No trains of deep-mouthed cannon along our highways go;
Around our silent arsenals untrodden lies the snow;
And to the land-breeze of our ports, upon their errands far,
A thousand sails of commerce swell, but none are spread for war.

We hear thy threats, Virginia! thy stormy words and high
Swell harshly on the Southern winds which melt along our sky;
Yet not one brown, hard hand foregoes its honest labor here,
No hewer of our mountain oaks suspends his axe in fear.

Wild are the waves which lash the reefs along St. George's bank;
Cold on the shores of Labrador the fog lies white and dank;
Through storm, and wave, and blinding mist, stout are the hearts which man
The fishing-smacks of Marblehead, the sea-boats of Cape Ann.

The cold north light and wintry sun glare on their icy forms,
Bent grimly o'er their straining lines or wrestling with the storms;
Free as the winds they drive before, rough as the waves they roam,
They laugh to scorn the slaver's threat against their rocky home.

What means the Old Dominion? Hath she forgot the day
When o'er her conquered valleys swept the Briton's steel array?
How, side by side with sons of hers, the Massachusetts men
Encountered Tarleton's charge of fire, and stout Cornwallis, then?

Forgets she how the Bay State, in answer to the call
Of her old House of Burgesses, spoke out from Faneuil Hall?
When, echoing back her Henry's cry, came pulsing on each breath
Of Northern winds the thrilling sounds of 'Liberty or Death!'

What asks the Old Dominion? If now her sons have proved
False to their fathers' memory, false to the faith they loved;
If she can scoff at Freedom, and its great charter spurn,
Must we of Massachusetts from truth and duty turn?

We hunt your bondmen, flying from Slavery's hateful hell;
Our voices, at your bidding, take up the bloodhound's yell;
We gather, at your summons, above our fathers' graves,
From Freedom's holy altar-horns to tear your wretched slaves!

Thank God! not yet so vilely can Massachusetts bow;
The spirit of her early time is with her even now;
Dream not because her Pilgrim blood moves slow and calm and cool,
She thus can stoop her chainless neck, a sister's slave and tool!

All that a sister State should do, all that a free State may,
Heart, hand, and purse we proffer, as in our early day;
But that one dark loathsome burden ye must stagger with alone,
And reap the bitter harvest which ye yourselves have sown!

Hold, while ye may, your struggling slaves, and burden God's free air
With woman's shriek beneath the lash, and manhood's wild despair;
Cling closer to the 'cleaving curse' that writes upon your plains
The blasting of Almighty wrath against a land of chains.

Still shame your gallant ancestry, the cavaliers of old,
By watching round the shambles where human flesh is sold;
Gloat o'er the new-born child, and count his market value, when
The maddened mother's cry of woe shall pierce the slaver's den!

Lower than plummet soundeth, sink the Virginia name;
Plant, if ye will, your fathers' graves with rankest weeds of shame;
Be, if ye will, the scandal of God's fair universe;
We wash our hands forever of your sin and shame and curse.

A voice from lips whereon the coal from Freedom's shrine hath been,
Thrilled, as but yesterday, the hearts of Berkshire's mountain men:
The echoes of that solemn voice are sadly lingering still
In all our sunny valleys, on every wind-swept hill.

And when the prowling man-thief came hunting for his prey
Beneath the very shadow of Bunker's shaft of gray,
How, through the free lips of the son, the father's warning spoke;
How, from its bonds of trade and sect, the Pilgrim city broke!

A hundred thousand right arms were lifted up on high,
A hundred thousand voices sent back their loud reply;
Through the thronged towns of Essex the startling summons rang,
And up from bench and loom and wheel her young mechanics sprang!

The voice of free, broad Middlesex, of thousands as of one,
The shaft of Bunker calling to that Lexington;
From Norfolk's ancient villages, from Plymouth's rocky bound
To where Nantucket feels the arms of ocean close to her round;

From rich and rural Worcester, where through the calm repose
Of cultured vales and fringing woods the gentle Nashua flows,
To where Wachuset's wintry blasts the mountain larches stir,
Swelled up to Heaven the thrilling cry of 'God save Latimer!'

And sandy Barnstable rose up, wet with the salt sea spray;
And Bristol sent her answering shout down Narragansett Bay!
Along the broad Connecticut old Hampden felt the thrill,
And the cheer of Hampshire's woodmen swept down from Holyoke Hill.

The voice of Massachusetts! Of her free sons and daughters,
Deep calling unto deep aloud, the sound of many waters!
Against the burden of that voice what tyrant power shall stand?
No fetters in the Bay State! No slave upon her land!

Look to it well, Virginians! In calmness we have borne,
In answer to our faith and trust, your insult and your scorn;
You've spurned our kindest counsels; you've hunted for our lives;
And shaken round our hearths and homes your manacles and gyves!

We wage no war, we lift no arm, we fling no torch within
The fire-damps of the quaking mine beneath your soil of sin;
We leave ye with your bondmen, to wrestle, while ye can,
With the strong upward tendencies and God-like soul of man!

But for us and for our children, the vow which we have given
For freedom and humanity is registered in heaven;
No slave-hunt in our borders, - no pirate on our strand!
No fetters in the Bay State, - no slave upon our land!
Written by Rudyard Kipling | Create an image from this poem

The Naulahka

 There was a strife 'twixt man and maid--
Oh, that was at the birth of time!
But what befell 'twixt man and maid,
Oh, that's beyond the grip of rhyme.
'Twas "Sweet, I must not bide with you,"
And, "Love, I cannot bide alone";
For both were young and both were true.
And both were hard as the nether stone.

Beware the man who's crossed in love;
 For pent-up steam must find its vent.
Stand back when he is on the move,
 And lend him all the Continent.

Your patience, Sirs. The Devil took me up
To the burned mountain over Sicily
(Fit place for me) and thence I saw my Earth--
(Not all Earth's splendour, 'twas beyond my need--)
And that one spot I love--all Earth to me,
And her I love, my Heaven. What said I?
My love was safe from all the powers of Hell-
For you--e'en you--acquit her of my guilt--
But Sula, nestling by our sail--specked sea,
My city, child of mine, my heart, my home--
Mine and my pride--evil might visit there!
It was for Sula and her naked port,
Prey to the galleys of the Algerine,
Our city Sula, that I drove my price--
For love of Sula and for love of her.
The twain were woven--gold on sackcloth--twined
Past any sundering till God shall judge
The evil and the good.
Now it is not good for the Christian's health to hustle the Aryan
 brown,
For the Christian riles, and the Aryan smiles and he weareth the
 Christian down;
And the end of the fight is a tombstone white with the name of
 the late deceased,
And the epitaph drear: "A Fool lies here who tried to hustle the
 East."

There is pleasure in the wet, wet clay
When the artist's hand is potting it.
There is pleasure in the wet, wet lay --
When the poet's pad is blotting it.
There is pleasure in the shine of your picture on the line
At the Royal Acade-my;
But the pleasure felt in these is as chalk to Cheddar cheese
When it comes to a well-made Lie--

 To a quite unwreckable Lie,
 To a most impeccable Lie!
 To a water-right, fire-proof, angle-iron, sunk-hinge, time-lock,
 steel-faced Lie!
 Not a private handsome Lie, 
 But a pair-and-brougham Lie,
 Not a little-place-at-Tooting, but a country-house-with-shooting
 And a ring-fence-deer-park Lie.

 When a lover hies abroad
 Looking for his love,
 Azrael smiling sheathes his sword,
 Heaven smiles above.
 Earth and sea
 His servants be,
 And to lesser compass round,
 That his love be sooner found!

 We meet in an evil land
 That is near to the gates of Hell.
 I wait for thy command
 To serve, to speed or withstand.
 And thou sayest I do not well?

 Oh Love, the flowers so red
 Are only tongues of flame,
 The earth is full of the dead,
 The new-killed, restless dead.
 There is danger beneath and o'erhead,
 And I guard thy gates in fear
 Of words thou canst not hear,
 Of peril and jeopardy,
 Of signs thou canst not see--
. And thou sayest 'tis ill that I came?

 This I saw when the rites were done,
 And the lamps were dead and the Gods alone,
 And the grey snake coiled on the altar stone--
 Ere I fled from a Fear that I could not see,
 And the Gods of the East made mouths at me.

 Beat off in our last fight were we?
 The greater need to seek the sea.
 For Fortune changeth as the moon
 To caravel and picaroon.
 Then Eastward Ho! or Westward Ho!
 Whichever wind may meetest blow.
 Our quarry sails on either sea,
 Fat prey for such bold lads as we,
 And every sun-dried buccaneer
 Must hand and reef and watch and steer,
 And bear great wrath of sea and sky
 Before the plate-ships wallow by.
 Now, as our tall bows take the foam,
 Let no man turn his heart to home,
 Save to desire plunder more
 And larger warehouse for his store,
 When treasure won from Santos Bay
 Shall make our sea-washed village gay.

 Because I sought it far from men,
 In deserts and alone,
 I found it burning overhead,
 The jewel of a Throne.

 Because I sought--I sought it so
 And spent my days to find--
 It blazed one moment ere it left
 The blacker night behind.

 We be the Gods of the East--
 Older than all--
 Masters of Mourning and Feast--
 How shall we fall?

Will they gape for the husks that ye proffer
 Or yearn to your song
And we--have we nothing to offer
 Who ruled them so long--
In the fume of incense, the clash of the cymbals, the blare of 
 the conch and the gong?
Over the strife of the schools
 Low the day burns--
Back with the kine from the pools
 Each one returns
To the life that he knows where the altar-flame glows and the
 tulsi is trimmed in the urns.
Written by Andrew Barton Paterson | Create an image from this poem

Ambition and Art

 Ambition 
I am the maid of the lustrous eyes 
Of great fruition, 
Whom the sons of men that are over-wise 
Have called Ambition. 

And the world's success is the only goal 
I have within me; 
The meanest man with the smallest soul 
May woo and win me. 

For the lust of power and the pride of place 
To all I proffer. 
Wilt thou take thy part in the crowded race 
For what I offer? 

The choice is thine, and the world is wide -- 
Thy path is lonely. 
I may not lead and I may not guide -- 
I urge thee only. 

I am just a whip and a spur that smites 
To fierce endeavour. 
In the restless days and the sleepless nights 
I urge thee ever. 

Thou shalt wake from sleep with a startled cry, 
In fright unleaping 
At a rival's step as it passes by 
Whilst thou art sleeping. 

Honour and truth shall be overthrown 
In fierce desire; 
Thou shalt use thy friend as a stepping-stone 
To mount thee higher. 

When the curtain falls on the sordid strife 
That seemed so splendid, 
Thou shalt look with pain on the wasted life 
That thou hast ended. 

Thou hast sold thy life for a guerdon small 
In fitful flashes; 
There has been reward -- but the end of all 
Is dust and ashes. 

For the night has come and it brings to naught 
Thy projects cherished, 
And thine epitaph shall in brass be wrought -- 
"He lived, and perished." 





Art 
I wait for thee at the outer gate, 
My love, mine only; 
Wherefore tarriest thou so late 
While I am lonely? 

Thou shalt seek my side with a footstep swift; 
In thee implanted 
Is the love of Art and the greatest gift 
That God has granted. 

And the world's concerns with its rights and wrongs 
Shall seem but small things -- 
Poet or painter, or singer of songs, 
Thine art is all things. 

For the wine of life is a woman's love 
To keep beside thee; 
But the love of Art is a thing above -- 
A star to guide thee. 

As the years go by with the love of Art 
All undiminished, 
Thou shalt end thy days with a quiet geart -- 
Thy work is finished. 

So the painter fashions a picture strong 
That fadeth never, 
And the singer singeth a wondrous song 
That lives for ever.


Written by Ella Wheeler Wilcox | Create an image from this poem

Loves Supremacy

 As yon great Sun in his supreme condition 
Absorbs small worlds and makes them all his own, 
So does my love absorb each vain ambition 
Each outside purpose which my life has known. 
Stars cannot shine so near that vast orb's splendor, 
They are content to feed his flames of fire; 
And so my heart is satisfied to render 
Its strength, its all, to meet thy strong desire.

As in a forest when dead leaves are falling, 
From all save some perennial green tree, 
So one by one I find all pleasures palling 
That are not linked with or enjoyed by thee. 
And all the homage that the world may proffer, 
I take as perfumed oils or incense sweet, 
And think of it as one thing more to offer 
And sacrifice to Love, at thy dear feet.

I love myself because thou art my lover, 
My name seems dear since uttered by thy voice; 
Yet argus-eyed I watch and would discover 
Each blemish in the object of thy choice. 
I coldly sit in judgment on each error, 
To my soul's gaze I hold each fault of me, 
Until my pride is lost in abject terror, 
Lest I become inadequate to thee.

Like some swift-rushing and sea-seeking river, 
Which gathers force the farther on it goes, 
So does the current of my love forever 
Find added strength and beauty as it flows. 
The more I give, the more remains for giving, 
The more receive, the more remains to win. 
Ah! only in eternities of living 
Will life be long enough to love thee in.
Written by Robert William Service | Create an image from this poem

Learn To Like

 School yourself to savour most
Joys that have but little cost;
Prove the best of life is free,
Sun and stars and sky and sea;
Eager in your eyes to please,
Proffer meadows, brooks and trees;
Nature strives for your content,
Never charging you a cent.

Learn to love a garden gay,
Flowers and fruit in rich array.
Care for dogs and singing birds,
Have for children cheery words.
Find plain food and comfort are
More than luxury by far.
Music, books and honest friends
Outweigh golden dividends.

Love your work and do it well,
Scorning not a leisure spell.
Hold the truest form of wealth
Body fit and ruddy health.
Let your smile of happiness
Rustic peace serenely stress:
Home to love and heart to pray--
Thank your God for every day.
Written by Ellis Parker Butler | Create an image from this poem

Outbid

 When Cupid held an auction sale,
 I hastened to his mart,
For I had heard that he would sell
 The blue-eyed Dora’s heart.

I brought a wealth of truest love,
 The most that I could proffer,
Because, forsooth, of stocks or bonds
 I had not one to offer.

When Cupid offered Dora’s heart,
 I bid my whole heart’s love,
A love that reached from sea to sea
 And to the sky above;

And When Sir Cupid called for more,
 I bid my hands and life,
That should be hers for servitude
 If she became my wife.

Then “Going! going!” Cupid cried;
 The silence was intense
Until old Goldbags said, “I bid
 My stocks and four per cents!”

Then Cupid cried, “Fair Dora’s heart,
 That ne’er was sold before!
Does anybody raise the bid?
 Will any offer more?”

“If not—,” but Count Decrepit rose,
 Infirm, decayed and slim;
“I hid my title!” and her heart
 Was there knocked down to him.

Well! titles may be more than love!
 I shall not rant nor rail;
For after all I much prefer
 Some heart that’s not for sale!
Written by Robert Louis Stevenson | Create an image from this poem

Tales Of Arabia

 YES, friend, I own these tales of Arabia
Smile not, as smiled their flawless originals,
Age-old but yet untamed, for ages
Pass and the magic is undiminished.

Thus, friend, the tales of the old Camaralzaman,
Ayoub, the Slave of Love, or the Calendars,
Blind-eyed and ill-starred royal scions,
Charm us in age as they charmed in childhood.

Fair ones, beyond all numerability,
Beam from the palace, beam on humanity,
Bright-eyed, in truth, yet soul-less houris
Offering pleasure and only pleasure.

Thus they, the venal Muses Arabian,
Unlike, indeed, the nobler divinities,
Greek Gods or old time-honoured muses,
Easily proffer unloved caresses.

Lost, lost, the man who mindeth the minstrelsy;
Since still, in sandy, glittering pleasances,
Cold, stony fruits, gem-like but quite in-
Edible, flatter and wholly starve him.
Written by Adela Florence Cory Nicolson | Create an image from this poem

"In the Early, Pearly Morning":

   Song by Valgovind

   The fields are full of Poppies, and the skies are very blue,
   By the Temple in the coppice, I wait, Beloved, for you.
   The level land is sunny, and the errant air is gay,
   With scent of rose and honey; will you come to me to-day?

   From carven walls above me, smile lovers; many a pair.
   "Oh, take this rose and love me!" she has twined it in her hair.
   He advances, she retreating, pursues and holds her fast,
   The sculptor left them meeting, in a close embrace at last.

   Through centuries together, in the carven stone they lie,
   In the glow of golden weather, and endless azure sky.
   Oh, that we, who have for pleasure so short and scant a stay,
   Should waste our summer leisure; will you come to me to-day?

   The Temple bells are ringing, for the marriage month has come.
   I hear the women singing, and the throbbing of the drum.
   And when the song is failing, or the drums a moment mute,
   The weirdly wistful wailing of the melancholy flute.

   Little life has got to offer, and little man to lose,
   Since to-day Fate deigns to proffer, Oh wherefore, then, refuse
   To take this transient hour, in the dusky Temple gloom
   While the poppies are in flower, and the mangoe trees abloom.

   And if Fate remember later, and come to claim her due,
   What sorrow will be greater than the Joy I had with you?
   For to-day, lit by your laughter, between the crushing years,
   I will chance, in the hereafter, eternities of tears.

Book: Reflection on the Important Things