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Best Famous Proclaiming Poems

Here is a collection of the all-time best famous Proclaiming poems. This is a select list of the best famous Proclaiming poetry. Reading, writing, and enjoying famous Proclaiming poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of proclaiming poems.

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Written by Margaret Atwood | Create an image from this poem

The Moment

 The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.


Written by Henry Wadsworth Longfellow | Create an image from this poem

The Poets Calendar

 January

Janus am I; oldest of potentates; 
Forward I look, and backward, and below 
I count, as god of avenues and gates, 
The years that through my portals come and go. 
I block the roads, and drift the fields with snow; 
I chase the wild-fowl from the frozen fen; 
My frosts congeal the rivers in their flow, 
My fires light up the hearths and hearts of men. 

February

I am lustration, and the sea is mine! 
I wash the sands and headlands with my tide; 
My brow is crowned with branches of the pine; 
Before my chariot-wheels the fishes glide. 
By me all things unclean are purified, 
By me the souls of men washed white again; 
E'en the unlovely tombs of those who died 
Without a dirge, I cleanse from every stain. 

March

I Martius am! Once first, and now the third! 
To lead the Year was my appointed place; 
A mortal dispossessed me by a word, 
And set there Janus with the double face. 
Hence I make war on all the human race; 
I shake the cities with my hurricanes; 
I flood the rivers and their banks efface, 
And drown the farms and hamlets with my rains. 

April 

I open wide the portals of the Spring 
To welcome the procession of the flowers, 
With their gay banners, and the birds that sing 
Their song of songs from their aerial towers. 
I soften with my sunshine and my showers 
The heart of earth; with thoughts of love I glide 
Into the hearts of men; and with the Hours 
Upon the Bull with wreathed horns I ride. 

May 

Hark! The sea-faring wild-fowl loud proclaim 
My coming, and the swarming of the bees. 
These are my heralds, and behold! my name 
Is written in blossoms on the hawthorn-trees. 
I tell the mariner when to sail the seas; 
I waft o'er all the land from far away 
The breath and bloom of the Hesperides, 
My birthplace. I am Maia. I am May. 

June 

Mine is the Month of Roses; yes, and mine 
The Month of Marriages! All pleasant sights 
And scents, the fragrance of the blossoming vine, 
The foliage of the valleys and the heights. 
Mine are the longest days, the loveliest nights; 
The mower's scythe makes music to my ear; 
I am the mother of all dear delights; 
I am the fairest daughter of the year. 

July

My emblem is the Lion, and I breathe 
The breath of Libyan deserts o'er the land; 
My sickle as a sabre I unsheathe, 
And bent before me the pale harvests stand. 
The lakes and rivers shrink at my command, 
And there is thirst and fever in the air; 
The sky is changed to brass, the earth to sand; 
I am the Emperor whose name I bear. 

August

The Emperor Octavian, called the August, 
I being his favorite, bestowed his name 
Upon me, and I hold it still in trust, 
In memory of him and of his fame. 
I am the Virgin, and my vestal flame 
Burns less intensely than the Lion's rage; 
Sheaves are my only garlands, and I claim 
The golden Harvests as my heritage. 

September 

I bear the Scales, where hang in equipoise 
The night and day; and whenunto my lips 
I put my trumpet, with its stress and noise 
Fly the white clouds like tattered sails of ships; 
The tree-tops lash the air with sounding whips; 
Southward the clamorous sea-fowl wing their flight; 
The hedges are all red with haws and hips, 
The Hunter's Moon reigns empress of the night. 

October 

My ornaments are fruits; my garments leaves, 
Woven like cloth of gold, and crimson dyed; 
I do no boast the harvesting of sheaves, 
O'er orchards and o'er vineyards I preside. 
Though on the frigid Scorpion I ride, 
The dreamy air is full, and overflows 
With tender memories of the summer-tide, 
And mingled voices of the doves and crows. 

November

The Centaur, Sagittarius, am I, 
Born of Ixion's and the cloud's embrace; 
With sounding hoofs across the earth I fly, 
A steed Thessalian with a human face. 
Sharp winds the arrows are with which I chase 
The leaves, half dead already with affright; 
I shroud myself in gloom; and to the race 
Of mortals bring nor comfort nor delight. 

December

Riding upon the Goat, with snow-white hair, 
I come, the last of all. This crown of mine 
Is of the holly; in my hand I bear 
The thyrsus, tipped with fragrant cones of pine. 
I celebrate the birth of the Divine, 
And the return of the Saturnian reign;-- 
My songs are carols sung at every shrine, 
Proclaiming "Peace on earth, good will to men."
Written by Stanley Kunitz | Create an image from this poem

Halleys Comet

 Miss Murphy in first grade
wrote its name in chalk 
across the board and told us 
it was roaring down the stormtracks
of the Milky Way at frightful speed
and if it wandered off its course 
and smashed into the earth
there'd be no school tomorrow.
A red-bearded preacher from the hills 
with a wild look in his eyes 
stood in the public square 
at the playground's edge 
proclaiming he was sent by God 
to save every one of us,
even the little children.
"Repent, ye sinners!" he shouted, 
waving his hand-lettered sign. 
At supper I felt sad to think 
that it was probably 
the last meal I'd share 
with my mother and my sisters;
but I felt excited too
and scarcely touched my plate. 
So mother scolded me 
and sent me early to my room. 
The whole family's asleep 
except for me. They never heard me steal 
into the stairwell hall and climb 
the ladder to the fresh night air.

Look for me, Father, on the roof 
of the red brick building 
at the foot of Green Street --
that's where we live, you know, on the top floor.
I'm the boy in the white flannel gown
sprawled on this coarse gravel bed
searching the starry sky, 
waiting for the world to end.
Written by Vachel Lindsay | Create an image from this poem

The Light o the Moon

 [How different people and different animals look upon the moon: showing that each creature finds in it his own mood and disposition]


The Old Horse in the City

The moon's a peck of corn. It lies 
Heaped up for me to eat. 
I wish that I might climb the path 
And taste that supper sweet. 

Men feed me straw and scanty grain 
And beat me till I'm sore. 
Some day I'll break the halter-rope 
And smash the stable-door, 

Run down the street and mount the hill 
Just as the corn appears. 
I've seen it rise at certain times 
For years and years and years. 


What the Hyena Said

The moon is but a golden skull, 
She mounts the heavens now, 
And Moon-Worms, mighty Moon-Worms 
Are wreathed around her brow. 

The Moon-Worms are a doughty race: 
They eat her gray and golden face. 
Her eye-sockets dead, and molding head: 
These caverns are their dwelling-place. 

The Moon-Worms, serpents of the skies, 
From the great hollows of her eyes 
Behold all souls, and they are wise: 
With tiny, keen and icy eyes, 
Behold how each man sins and dies. 

When Earth in gold-corruption lies 
Long dead, the moon-worm butterflies 
On cyclone wings will reach this place — 
Yea, rear their brood on earth's dead face. 


What the Snow Man Said

The Moon's a snowball. See the drifts 
Of white that cross the sphere. 
The Moon's a snowball, melted down 
A dozen times a year. 

Yet rolled again in hot July 
When all my days are done 
And cool to greet the weary eye 
After the scorching sun. 

The moon's a piece of winter fair 
Renewed the year around, 
Behold it, deathless and unstained, 
Above the grimy ground! 

It rolls on high so brave and white 
Where the clear air-rivers flow, 
Proclaiming Christmas all the time 
And the glory of the snow! 


What the Scare-crow Said

The dim-winged spirits of the night 
Do fear and serve me well. 
They creep from out the hedges of 
The garden where I dwell. 

I wave my arms across the walk. 
The troops obey the sign, 
And bring me shimmering shadow-robes 
And cups of cowslip-wine. 

Then dig a treasure called the moon, 
A very precious thing, 
And keep it in the air for me 
Because I am a King. 


What Grandpa Mouse Said

The moon's a holy owl-queen. 
She keeps them in a jar 
Under her arm till evening, 
Then sallies forth to war. 

She pours the owls upon us. 
They hoot with horrid noise 
And eat the naughty mousie-girls 
And wicked mousie-boys. 

So climb the moonvine every night 
And to the owl-queen pray: 
Leave good green cheese by moonlit trees 
For her to take away. 

And never squeak, my children, 
Nor gnaw the smoke-house door: 
The owl-queen then will love us 
And send her birds no more. 


The Beggar Speaks

"What Mister Moon Said to Me."

Come, eat the bread of idleness, 
Come, sit beside the spring: 
Some of the flowers will keep awake, 
Some of the birds will sing. 

Come, eat the bread no man has sought 
For half a hundred years: 
Men hurry so they have no griefs, 
Nor even idle tears: 

They hurry so they have no loves: 
They cannot curse nor laugh — 
Their hearts die in their youth with neither 
Grave nor epitaph. 

My bread would make them careless, 
And never quite on time — 
Their eyelids would be heavy, 
Their fancies full of rhyme: 

Each soul a mystic rose-tree, 
Or a curious incense tree: 
Come, eat the bread of idleness, 
Said Mister Moon to me. 


What the Forester Said

The moon is but a candle-glow 
That flickers thro' the gloom: 
The starry space, a castle hall: 
And Earth, the children's room, 
Where all night long the old trees stand 
To watch the streams asleep: 
Grandmothers guarding trundle-beds: 
Good shepherds guarding sheep.
Written by Anne Kingsmill Finch | Create an image from this poem

The Spleen

 What art thou, SPLEEN, which ev'ry thing dost ape?
Thou Proteus to abus'd Mankind,
Who never yet thy real Cause cou'd find,
Or fix thee to remain in one continued Shape.
Still varying thy perplexing Form,
Now a Dead Sea thou'lt represent,
A Calm of stupid Discontent,
Then, dashing on the Rocks wilt rage into a Storm. 
Trembling sometimes thou dost appear,
Dissolv'd into a Panick Fear;
On Sleep intruding dost thy Shadows spread,
Thy gloomy Terrours round the silent Bed,
And croud with boading Dreams the Melancholy Head:
Or, when the Midnight Hour is told,
And drooping Lids thou still dost waking hold, 
Thy fond Delusions cheat the Eyes,
Before them antick Spectres dance,
Unusual Fires their pointed Heads advance,
And airy Phantoms rise.
Such was the monstrous Vision seen,
When Brutus (now beneath his Cares opprest,
And all Rome's Fortunes rolling in his Breast,
Before Philippi's latest Field,
Before his Fate did to Octavius lead)
Was vanquish'd by the Spleen. 

Falsly, the Mortal Part we blame
Of our deprest, and pond'rous Frame,
Which, till the First degrading Sin
Let Thee, its dull Attendant, in, 
Still with the Other did comply,
Nor clogg'd the Active Soul, dispos'd to fly,
And range the Mansions of it's native Sky. 
Nor, whilst in his own Heaven he dwelt,
Whilst Man his Paradice possest,
His fertile Garden in the fragrant East,
And all united Odours smelt,
No armed Sweets, until thy Reign,
Cou'd shock the Sense, or in the Face
A flusht, unhandsom Colour place.
Now the Jonquille o'ercomes the feeble Brain;
We faint beneath the Aromatick Pain, {6}
Till some offensive Scent thy Pow'rs appease,
And Pleasure we resign for short, and nauseous Ease. 

In ev'ry One thou dost possess,
New are thy Motions, and thy Dress:
Now in some Grove a list'ning Friend
Thy false Suggestions must attend,
Thy whisper'd Griefs, thy fancy'd Sorrows hear,
Breath'd in a Sigh, and witness'd by a Tear; 
Whilst in the light, and vulgar Croud,
Thy Slaves, more clamorous and loud,
By Laughters unprovok'd, thy Influence too confess.
In the Imperious Wife thou Vapours art,
Which from o'erheated Passions rise
In Clouds to the attractive Brain,
Until descending thence again,
Thro' the o'er-cast, and show'ring Eyes,
Upon her Husband's soften'd Heart,
He the disputed Point must yield,
Something resign of the contested Field;
Til Lordly Man, born to Imperial Sway,
Compounds for Peace, to make that Right away,
And Woman, arm'd with Spleen, do's servilely Obey. 

The Fool, to imitate the Wits,
Complains of thy pretended Fits,
And Dulness, born with him, wou'd lay
Upon thy accidental Sway; 
Because, sometimes, thou dost presume
Into the ablest Heads to come:
That, often, Men of Thoughts refin'd,
Impatient of unequal Sence,
Such slow Returns, where they so much dispense,
Retiring from the Croud, are to thy Shades inclin'd.
O'er me, alas! thou dost too much prevail:
I feel thy Force, whilst I against thee rail; 
I feel my Verse decay, and my crampt Numbers fail.
Thro' thy black Jaundice I all Objects see,
As Dark, and Terrible as Thee,
My Lines decry'd, and my Employment thought
An useless Folly, or presumptuous Fault:
Whilst in the Muses Paths I stray,
Whilst in their Groves, and by their secret Springs
My Hand delights to trace unusual Things,
And deviates from the known, and common way;
Nor will in fading Silks compose
Faintly th' inimitable Rose, 
Fill up an ill-drawn Bird, or paint on Glass 
The Sov'reign's blurr'd and undistinguish'd Face, 
The threatning Angel, and the speaking Ass.

Patron thou art to ev'ry gross Abuse,
The sullen Husband's feign'd Excuse,
When the ill Humour with his Wife he spends,
And bears recruited Wit, and Spirits to his Friends. 
The Son of Bacchus pleads thy Pow'r, 
As to the Glass he still repairs,
Pretends but to remove thy Cares,
Snatch from thy Shades one gay, and smiling Hour,
And drown thy Kingdom in a purple Show'r. 
When the Coquette, whom ev'ry Fool admires,
Wou'd in Variety be Fair,
And, changing hastily the Scene
From Light, Impertinent, and Vain,
Assumes a soft, a melancholy Air, 
And of her Eyes rebates the wand'ring Fires,
The careless Posture, and the Head reclin'd,
The thoughtful, and composed Face,
Proclaiming the withdrawn, the absent Mind,
Allows the Fop more liberty to gaze,
Who gently for the tender Cause inquires;
The Cause, indeed, is a Defect in Sense,
Yet is the Spleen alleg'd, and still the dull Pretence.
But these are thy fantastic Harms,
The Tricks of thy pernicious Stage,
Which do the weaker Sort engage;
Worse are the dire Effects of thy more pow'rful Charms.
By Thee Religion, all we know,
That shou'd enlighten here below,
Is veil'd in Darkness, and perplext
With anxious Doubts, with endless Scruples vext,
And some Restraint imply'd from each perverted Text. 

Whilst Touch not, Taste not, what is freely giv'n,
Is but thy niggard Voice, disgracing bounteous Heav'n. 
From Speech restrain'd, by thy Deceits abus'd,
To Desarts banish'd, or in Cells reclus'd,
Mistaken Vot'ries to the Pow'rs Divine, 
Whilst they a purer Sacrifice design,
Do but the Spleen obey, and worship at thy Shrine. 
In vain to chase thee ev'ry Art we try,
In vain all Remedies apply,
In vain the Indian Leaf infuse,
Or the parch'd Eastern Berry bruise;
Some pass, in vain, those Bounds, and nobler Liquors use.
Now Harmony, in vain, we bring,
Inspire the Flute, and touch the String. 
From Harmony no help is had;
Musick but soothes thee, if too sweetly sad,
And if too light, but turns thee gayly Mad. 

Tho' the Physicians greatest Gains,
Altho' his growing Wealth he sees
Daily increas'd by Ladies Fees,
Yet dost thou baffle all his studious Pains. 
Not skilful Lower thy Source cou'd find,
Or thro' the well-dissected Body trace
The secret, the mysterious ways,
By which thou dost surprize, and prey upon the Mind. 
Tho' in the Search, too deep for Humane Thought,
With unsuccessful Toil he wrought,
'Til thinking Thee to've catch'd, Himself by thee was caught,
Retain'd thy Pris'ner, thy acknowleg'd Slave,
And sunk beneath thy Chain to a lamented Grave.


Written by Michael Wigglesworth | Create an image from this poem

The Day Of Doom

 Still was the night, Serene & Bright, 
when all Men sleeping lay;
Calm was the season, & carnal reason 
thought so 'twould last for ay.
Soul, take thine ease, let sorrow cease,
much good thou hast in store:
This was their Song, their Cups among, 
the Evening before.

Wallowing in all kind of sin, 
vile wretches lay secure:
The best of men had scarcely then 
their Lamps kept in good ure.
Virgins unwise, who through disguise
amongst the best were number'd,
Had closed their eyes; yea, and the wise 
through sloth and frailty slumber'd.

For at midnight brake forth a Light, 
which turn'd the night to day,
And speedily a hideous cry 
did all the world dismay.
Sinners awake, their hearts do ake, 
trembling their loynes surprizeth;
Amaz'd with fear, by what they hear, 
each one of them ariseth.

They rush from Beds with giddy heads,
and to their windows run,
Viewing this light, which shines more bright
than doth the Noon-day Sun.
Straightway appears (they see 't with tears)
the Son of God most dread;
Who with his Train comes on amain
to Judge both Quick and Dead.

Before his face the Heav'ns gave place,
and Skies are rent asunder,
With mighty voice, and hideous noise,
more terrible than Thunder.
His brightness damps heav'ns glorious lamps
and makes them hang their heads,
As if afraid and quite dismay'd,
they quit their wonted steads.

No heart so bold, but now grows cold
and almost dead with fear:
No eye so dry, but now can cry,
and pour out many a tear.
Earth's Potentates and pow'rful States,
Captains and Men of Might
Are quite abasht, their courage dasht
at this most dreadful sight.

Mean men lament, great men do rent
their Robes, and tear their hair:
They do not spare their flesh to tear
through horrible despair.
All Kindreds wail: all hearts do fail:
horror the world doth fill
With weeping eyes, and loud out-cries,
yet knows not how to kill.

Some hide themselves in Caves and Delves,
in places under ground:
Some rashly leap into the Deep,
to scape by being drown'd:
Some to the Rocks (O senseless blocks!)
and woody Mountains run,
That there they might this fearful sight,
and dreaded Presence shun.

In vain do they to Mountains say,
fall on us and us hide
From Judges ire, more hot than fire,
for who may it abide?
No hiding place can from his Face
sinners at all conceal,
Whose flaming Eye hid things doth 'spy
and darkest things reveal.

The Judge draws nigh, exalted high,
upon a lofty Throne,
Amidst a throng of Angels strong,
lo, Israel's Holy One!
The excellence of whose presence
and awful Majesty,
Amazeth Nature, and every Creature,
doth more than terrify.

The Mountains smoak, the Hills are shook,
the Earth is rent and torn,
As if she should be clear dissolv'd,
or from the Center born.
The Sea doth roar, forsakes the shore,
and shrinks away for fear;
The wild beasts flee into the Sea,
so soon as he draws near.

Before his Throne a Trump is blown,
Proclaiming the day of Doom:
Forthwith he cries, Ye dead arise,
and unto Judgment come.
No sooner said, but 'tis obey'd;
Sepulchres opened are:
Dead bodies all rise at his call,
and 's mighty power declare.

His winged Hosts flie through all Coasts,
together gathering
Both good and bad, both quick and dead,
and all to Judgment bring.
Out of their holes those creeping Moles,
that hid themselves for fear,
By force they take, and quickly make
before the Judge appear.

Thus every one before the Throne
of Christ the Judge is brought,
Both righteous and impious
that good or ill hath wrought.
A separation, and diff'ring station
by Christ appointed is
(To sinners sad) 'twixt good and bad,
'twixt Heirs of woe and bliss.
Written by Vachel Lindsay | Create an image from this poem

I Heard Immanuel Singing

 (The poem shows the Master, with his work done, singing to free his heart in Heaven.)


I heard Immanuel singing 
Within his own good lands,
I saw him bend above his harp.
I watched his wandering hands
Lost amid the harp-strings;
Sweet, sweet I heard him play.
His wounds were altogether healed.
Old things had passed away.

All things were new, but music.
The blood of David ran
Within the Son of David,
Our God, the Son of Man.
He was ruddy like a shepherd.
His bold young face, how fair.
Apollo of the silver bow
Had not such flowing hair.

I saw Immanuel singing 
On a tree-girdled hill. 
The glad remembering branches 
Dimly echoed still
The grand new song proclaiming
The Lamb that had been slain.
New-built, the Holy City
Gleamed in the murmuring plain.

The crowning hours were over.
The pageants all were past.
Within the many mansions
The hosts, grown still at last,
In homes of holy mystery
Slept long by crooning springs
Or waked to peaceful glory,
A universe of Kings.

He left his people happy.
He wandered free to sigh
Alone in lowly friendship
With the green grass and the sky.
He murmured ancient music
His red heart burned to sing
Because his perfect conquest
Had grown a weary thing.

No chant of gilded triumph— 
His lonely song was made 
Of Art's deliberate freedom;
Of minor chords arrayed 
In soft and shadowy colors 
That once were radiant flowers:—
The Rose of Sharon, bleeding 
In Olive-shadowed bowers:— 

And all the other roses 
In the songs of East and West 
Of love and war and worshipping, 
And every shield and crest 
Of thistle or of lotus
Or sacred lily wrought
In creeds and psalms and palaces
And temples of white thought:—

All these he sang, half-smiling 
And weeping as he smiled, 
Laughing, talking to his harp 
As to a new-born child:—
As though the arts forgotten
But bloomed to prophecy
These careless, fearless harp-strings,
New-crying in the sky.
"When this his hour of sorrow 
For flowers and Arts of men
Has passed in ghostly music,"
I asked my wild heart then—
What will he sing to-morrow,
What wonder, all his own
Alone, set free, rejoicing,
With a green hill for his throne?
What will he sing to-morrow
What wonder all his own
Alone, set free, rejoicing,
With a green hill for his throne?
Written by Richard Wilbur | Create an image from this poem

Advice to a Prophet

 When you come, as you soon must, to the streets of our city,
Mad-eyed from stating the obvious,
Not proclaiming our fall but begging us
In God's name to have self-pity,

Spare us all word of the weapons, their force and range,
The long numbers that rocket the mind;
Our slow, unreckoning hearts will be left behind,
Unable to fear what is too strange.

Nor shall you scare us with talk of the death of the race.
How should we dream of this place without us?--
The sun mere fire, the leaves untroubled about us,
A stone look on the stone's face?

Speak of the world's own change. Though we cannot conceive
Of an undreamt thing, we know to our cost
How the dreamt cloud crumbles, the vines are blackened by frost,
How the view alters. We could believe,

If you told us so, that the white-tailed deer will slip
Into perfect shade, grown perfectly shy,
The lark avoid the reaches of our eye,
The jack-pine lose its knuckled grip

On the cold ledge, and every torrent burn
As Xanthus once, its gliding trout
Stunned in a twinkling. What should we be without
The dolphin's arc, the dove's return, 

These things in which we have seen ourselves and spoken?
Ask us, prophet, how we shall call
Our natures forth when that live tongue is all
Dispelled, that glass obscured or broken

In which we have said the rose of our love and the clean
Horse of our courage, in which beheld
The singing locust of the soul unshelled,
And all we mean or wish to mean.

Ask us, ask us whether with the worldless rose
Our hearts shall fail us; come demanding
Whether there shall be lofty or long standing
When the bronze annals of the oak-tree close.
Written by Vachel Lindsay | Create an image from this poem

A Rhyme About an Electrical Advertising Sign

 I LOOK on the specious electrical light 
Blatant, mechanical, crawling and white, 
Wickedly red or malignantly green 
Like the beads of a young Senegambian queen. 
Showing, while millions of souls hurry on, 
The virtues of collars, from sunset till dawn, 
By dart or by tumble of whirl within whirl, 
Starting new fads for the shame-weary girl, 
By maggotry motions in sickening line 
Proclaiming a hat or a soup or a wine, 
While there far above the steep cliffs of the street

The stars sing a message elusive and sweet. 
Now man cannot rest in his pleasure and toil 
His clumsy contraptions of coil upon coil 
Till the thing he invents, in its use and its range, 
Leads on to the marvelous CHANGE BEYOND CHANGE 
Some day this old Broadway shall climb to the skies, 
As a ribbon of cloud on a soul-wind shall rise. 
And we shall be lifted, rejoicing by night, 
Till we join with the planets who choir their delight. 
The signs in the street and the signs in the skies 
Shall make me a Zodiac, guiding and wise, 
And Broadway make one with that marvelous stair 
That is climbed by the rainbow-clad spirits of prayer.
Written by Thomas Moore | Create an image from this poem

The Donkey and His Panniers

 A Donkey, whose talent for burdens was wondrous,
So much that you'd swear he rejoic'd in a load,
One day had to jog under panniers so pond'rous,
That -- down the poor Donkey fell smack on the road!

His owners and drivers stood round in amaze --
What! Neddy, the patient, the prosperous Neddy,
So easy to drive, through the dirtiest ways,
For every description of job-work so ready!

One driver (whom Ned might have "hail'd" as a "brother")
Had just been proclaiming his Donkey's renown
For vigour, for spirit, for one thing or another --
When, lo, 'mid his praises, the Donkey came down!

But, how to upraise him? - one shouts, t'other whistles,
While Jenky, the Conjurer, wisest of all,
Declar'd that an "over-production of thistles" --
(Here Ned gave a stare) -- "was the cause of his fall."

Another wise Solomon cries, as he passes --
"There, let him alone, and the fit will soon cease;
The beast has been fighting with other jack-asses,
And this is his mode of "transition to peace"."

Some look'd at his hoofs, and with learned grimaces,
Pronounc'd that too long without shoes he had gone --
"Let the blacksmith provide him a sound metal basis
(The wise-acres said), and he's sure to jog on."

Meanwhile, the poor Neddy, in torture and fear,
Lay under his panniers, scarce able to groan;
And -- what was still dolefuller - lending an ear
To advisers, whose ears were a match for his own.

At length, a plain rustic, whose wit went so far
As to see others' folly, roar'd out, as he pass'd --
"Quick -- off with the panniers, all dolts as ye are,
Or, your prosperous Neddy will soon kick his last!"

Book: Radiant Verses: A Journey Through Inspiring Poetry