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Best Famous Praising Poems

Here is a collection of the all-time best famous Praising poems. This is a select list of the best famous Praising poetry. Reading, writing, and enjoying famous Praising poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of praising poems.

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Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness, Eyes of my Soul, seeing perfection, Natural life of me, faithfully praising things; Corroborating forever the triumph of things.
Illustrious every one! Illustrious what we name space—sphere of unnumber’d spirits; Illustrious the mystery of motion, in all beings, even the tiniest insect; Illustrious the attribute of speech—the senses—the body; Illustrious the passing light! Illustrious the pale reflection on the new moon in the western sky! Illustrious whatever I see, or hear, or touch, to the last.
Good in all, In the satisfaction and aplomb of animals, In the annual return of the seasons, In the hilarity of youth, In the strength and flush of manhood, In the grandeur and exquisiteness of old age, In the superb vistas of Death.
Wonderful to depart; Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak! to walk! to seize something by the hand! To prepare for sleep, for bed—to look on my rose-color’d flesh; To be conscious of my body, so satisfied, so large; To be this incredible God I am; To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself! How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead! How the earth darts on and on! and how the sun, moon, stars, dart on and on! How the water sports and sings! (Surely it is alive!) How the trees rise and stand up—with strong trunks—with branches and leaves! (Surely there is something more in each of the tree—some living Soul.
) O amazement of things! even the least particle! O spirituality of things! O strain musical, flowing through ages and continents—now reaching me and America! I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting, I too throb to the brain and beauty of the earth, and of all the growths of the earth, I too have felt the resistless call of myself.
As I sail’d down the Mississippi, As I wander’d over the prairies, As I have lived—As I have look’d through my windows, my eyes, As I went forth in the morning—As I beheld the light breaking in the east; As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; As I roam’d the streets of inland Chicago—whatever streets I have roam’d; Or cities, or silent woods, or peace, or even amid the sights of war; Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old, I sing the endless finales of things; I say Nature continues—Glory continues; I praise with electric voice; For I do not see one imperfection in the universe; And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come, I still warble under you, if none else does, unmitigated adoration.


Written by Rainer Maria Rilke | Create an image from this poem

DUINO ELEGIES

The First Elegy


Who if I cried out would hear me among the angels'
hierarchies? and even if one of them pressed me 
suddenly against his heart: I would be consumed
I that overwhelming existence.
For beauty is nothing but the beginning of terror which we still are just able to endure and we are so awed because it serenely disdains to annihilate us.
Every angel is terrifying.
And so I hold myself back and swallow the call-note Of my dark sobbing.
Ah whom can we ever turn to in our need? Not angels not humans and already the knowing animals are aware that we are not really at home in our interpreted world.
Perhaps there remains for us some tree on a hillside which every day we can take into our vision; there remains for us yesterday's street and the loyalty of a habit so much at ease when it stayed with us that it moved in and never left.
Oh and night: there is night when a wind full of infinite space gnaws at out faces.
Whom would it not remain for-that longed-after mildly disillusioning presence which the solitary heart so painfully meets.
Is it any less difficult for lovers? But they keep on using each other to hide their own fate.
Don't you know yet? Fling the emptiness out of your arms Into the spaces we breathe; perhaps the birds will feel the expanded air with more passionate flying.
Yes-the springtime needed you.
Often a star was waiting for you to notice it.
A wave rolled toward you out of the distant past or as you walked under an open window a violin yielded itself to your hearing.
All this was mission.
But could you accomplish it? Weren't you always Distracted by expectation as if every event announced a beloved? (Where can you find a place to keep her with all the huge strange thoughts inside you going and coming and often staying all night.
) But when you feel longing sing of women in love; for their famous passion is still not immortal.
Sing of women abandoned and desolate (you envy them almost) who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising; remember: the hero lives on; even his downfall was merely a pretext for achieving his final birth.
But Nature spent and exhausted takes lovers back into herself as if there were not enough strength to create them a second time.
Have you imagined Gaspara Stampa intensely enough so that any girl deserted by her beloved might be inspired by that fierce example of soaring objectless love and might say to herself Perhaps I can be like her ? Shouldn't this most ancient suffering finally grow more fruitful for us? Isn't it time that we lovingly freed ourselves from the beloved and quivering endured: as the arrow endures the bowstring's tension so that gathered in the snap of release it can be more than itself.
For there is no place where we can remain.
Voices.
Voices.
Listen my heart as only Saints have listened: until the gigantic call lifted them off the ground; yet they kept on impossibly kneeling and didn't notice at all: so complete was their listening.
Not that you could endure God's voice-far from it.
But listen to the voice of the wind and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate whenever you stepped into a church In Naples or Rome quietly come to address you? Or high up some eulogy entrusted you with a mission as last year on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance of injustice about their death-which at times slightly hinders their souls from proceeding onward.
Of course it is strange to inhabit the earth no longer to give up customs one barely had time to learn not to see roses and other promising Things in terms of a human future; no longer to be what one was in infinitely anxious hands; to leave even one's own first name behind forgetting it as easily as a child abandons a broken toy.
Strange to no longer desire one's desires.
Strange to see meanings that clung together once floating away in every direction.
And being dead is hard work and full of retrieval before one can gradually feel a trace of eternity.
-Though the living are wrong to believe in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living they are moving among or the dead.
The eternal torrent whirls all ages along in it through both realms forever and their voices are drowned out in its thunderous roar.
In the end those who were carried off early no longer need us: they are weaned from earth's sorrows and joys as gently as children outgrow the soft breasts of their mothers.
But we who do need such great mysteries we for whom grief is so often the source of our spirit's growth-: could we exist without them? Is the legend meaningless that tells how in the lament for Linus the daring first notes of song pierced through the barren numbness; and then in the startled space which a youth as lovely as a god had suddenly left forever the Void felt for the first time that harmony which now enraptures and comforts and helps us.
Written by Henry Van Dyke | Create an image from this poem

The Vain King

 In robes of Tyrian blue the King was drest,
A jewelled collar shone upon his breast,
A giant ruby glittered in his crown -----
Lord of rich lands and many a splendid town.
In him the glories of an ancient line Of sober kings, who ruled by right divine, Were centred; and to him with loyal awe The people looked for leadership and law.
Ten thousand knights, the safeguard of the land, Lay like a single sword within his hand; A hundred courts, with power of life and death, Proclaimed decrees justice by his breath; And all the sacred growths that men had known Of order and of rule upheld his throne.
Proud was the King: yet not with such a heart As fits a man to play a royal part.
Not his the pride that honours as a trust The right to rule, the duty to be just: Not his the dignity that bends to bear The monarch's yoke, the master's load of care, And labours like the peasant at his gate, To serve the people and protect the State.
Another pride was his, and other joys: To him the crown and sceptre were but toys, With which he played at glory's idle game, To please himself and win the wreaths of fame.
The throne his fathers held from age to age Built for King Martin to diplay at will, His mighty strength and universal skill.
No conscious child, that, spoiled with praising, tries At every step to win admiring eyes, ---- No favourite mountebank, whose acting draws From gaping crowds loud thunder of applause, Was vainer than the King: his only thirst Was to be hailed, in every race, the first.
When tournament was held, in knightly guise The King would ride the lists and win the prize; When music charmed the court, with golden lyre The King would take the stage and lead the choir; In hunting, his the lance to slay the boar; In hawking, see his falcon highest soar; In painting, he would wield the master's brush; In high debate, -----"the King is speaking! Hush!" Thus, with a restless heart, in every field He sought renown, and found his subjects yield As if he were a demi-god revealed.
But while he played the petty games of life His kingdom fell a prey to inward strife; Corruption through the court unheeded crept, And on the seat of honour justice slept.
The strong trod down the weak; the helpless poor Groaned under burdens grievous to endure.
The nation's wealth was spent in vain display, And weakness wore the nation's heart away.
Yet think not Earth is blind to human woes --- Man has more friends and helpers than he knows; And when a patient people are oppressed, The land that bore them feels it in her breast.
Spirits of field and flood, of heath and hill, Are grieved and angry at the spreading ill; The trees complain together in the night, Voices of wrath are heard along the height, And secret vows are sworn, by stream and strand, To bring the tyrant low and liberate the land.
But little recked the pampered King of these; He heard no voice but such as praise and please.
Flattered and fooled, victor in every sport, One day he wandered idly with his court Beside the river, seeking to devise New ways to show his skill to wondering eyes.
There in the stream a patient fisher stood, And cast his line across the rippling flood.
His silver spoil lay near him on the green: "Such fish," the courtiers cried, "were never seen!" "Three salmon larger than a cloth-yard shaft--- "This man must be the master of his craft!" "An easy art!" the jealous King replied: "Myself could learn it better, if I tried, "And catch a hundred larger fish a week--- "Wilt thou accept the challenge, fellow? Speak!" The fisher turned, came near, and bent his knee: "'Tis not for kings to strive with such as me; "Yet if the King commands it, I obey.
"But one condition of the strife I pray: "The fisherman who brings the least to land "Shall do whate'er the other may command.
" Loud laughed the King: "A foolish fisher thou! "For I shall win and rule thee then as now.
" So to Prince John, a sober soul, sedate And slow, King Martin left the helm of state, While to the novel game with eager zest He all his time and all his powers addrest.
Sure such a sight was never seen before! For robed and crowned the monarch trod the shore; His golden hooks were decked with feathers fine, His jewelled reel ran out a silken line.
With kingly strokes he flogged the crystal stream, Far-off the salmon saw his tackle gleam; Careless of kings, they eyed with calm disdain The gaudy lure, and Martin fished in vain.
On Friday, when the week was almost spent, He scanned his empty creel with discontent, Called for a net, and cast it far and wide, And drew --- a thousand minnows from the tide! Then came the fisher to conclude the match, And at the monarch's feet spread out his catch --- A hundred salmon, greater than before --- "I win!" he cried: "the King must pay the score.
" Then Martin, angry, threw his tackle down: "Rather than lose this game I'd lose me crown!" "Nay, thou has lost them both," the fisher said; And as he spoke a wondrous light was shed Around his form; he dropped his garments mean, And in his place the River-god was seen.
"Thy vanity hast brought thee in my power, "And thou shalt pay the forfeit at this hour: "For thou hast shown thyself a royal fool, "Too proud to angle, and too vain to rule.
"Eager to win in every trivial strife, --- "Go! Thou shalt fish for minnows all thy life!" Wrathful, the King the scornful sentence heard; He strove to answer, but he only chirr-r-ed: His Tyrian robe was changed to wings of blue, His crown became a crest, --- away he flew! And still, along the reaches of the stream, The vain King-fisher flits, an azure gleam, --- You see his ruby crest, you hear his jealous scream.
Written by William Butler Yeats | Create an image from this poem

The Tower

 I

What shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
 Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack, Choose Plato and Plotinus for a friend Until imagination, ear and eye, Can be content with argument and deal In abstract things; or be derided by A sort of battered kettle at the heel.
II I pace upon the battlements and stare On the foundations of a house, or where Tree, like a sooty finger, starts from the earth; And send imagination forth Under the day's declining beam, and call Images and memories From ruin or from ancient trees, For I would ask a question of them all.
Beyond that ridge lived Mrs.
French, and once When every silver candlestick or sconce Lit up the dark mahogany and the wine.
A serving-man, that could divine That most respected lady's every wish, Ran and with the garden shears Clipped an insolent farmer's ears And brought them in a little covered dish.
Some few remembered still when I was young A peasant girl commended by a Song, Who'd lived somewhere upon that rocky place, And praised the colour of her face, And had the greater joy in praising her, Remembering that, if walked she there, Farmers jostled at the fair So great a glory did the song confer.
And certain men, being maddened by those rhymes, Or else by toasting her a score of times, Rose from the table and declared it right To test their fancy by their sight; But they mistook the brightness of the moon For the prosaic light of day - Music had driven their wits astray - And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind; Yet, now I have considered it, I find That nothing strange; the tragedy began With Homer that was a blind man, And Helen has all living hearts betrayed.
O may the moon and sunlight seem One inextricable beam, For if I triumph I must make men mad.
And I myself created Hanrahan And drove him drunk or sober through the dawn From somewhere in the neighbouring cottages.
Caught by an old man's juggleries He stumbled, tumbled, fumbled to and fro And had but broken knees for hire And horrible splendour of desire; I thought it all out twenty years ago: Good fellows shuffled cards in an old bawn; And when that ancient ruffian's turn was on He so bewitched the cards under his thumb That all but the one card became A pack of hounds and not a pack of cards, And that he changed into a hare.
Hanrahan rose in frenzy there And followed up those baying creatures towards - O towards I have forgotten what - enough! I must recall a man that neither love Nor music nor an enemy's clipped ear Could, he was so harried, cheer; A figure that has grown so fabulous There's not a neighbour left to say When he finished his dog's day: An ancient bankrupt master of this house.
Before that ruin came, for centuries, Rough men-at-arms, cross-gartered to the knees Or shod in iron, climbed the narrow stairs, And certain men-at-arms there were Whose images, in the Great Memory stored, Come with loud cry and panting breast To break upon a sleeper's rest While their great wooden dice beat on the board.
As I would question all, come all who can; Come old, necessitous.
half-mounted man; And bring beauty's blind rambling celebrant; The red man the juggler sent Through God-forsaken meadows; Mrs.
French, Gifted with so fine an ear; The man drowned in a bog's mire, When mocking Muses chose the country wench.
Did all old men and women, rich and poor, Who trod upon these rocks or passed this door, Whether in public or in secret rage As I do now against old age? But I have found an answer in those eyes That are impatient to be gone; Go therefore; but leave Hanrahan, For I need all his mighty memories.
Old lecher with a love on every wind, Bring up out of that deep considering mind All that you have discovered in the grave, For it is certain that you have Reckoned up every unforeknown, unseeing plunge, lured by a softening eye, Or by a touch or a sigh, Into the labyrinth of another's being; Does the imagination dwell the most Upon a woman won or woman lost? If on the lost, admit you turned aside From a great labyrinth out of pride, Cowardice, some silly over-subtle thought Or anything called conscience once; And that if memory recur, the sun's Under eclipse and the day blotted out.
III It is time that I wrote my will; I choose upstanding men That climb the streams until The fountain leap, and at dawn Drop their cast at the side Of dripping stone; I declare They shall inherit my pride, The pride of people that were Bound neither to Cause nor to State.
Neither to slaves that were spat on, Nor to the tyrants that spat, The people of Burke and of Grattan That gave, though free to refuse - pride, like that of the morn, When the headlong light is loose, Or that of the fabulous horn, Or that of the sudden shower When all streams are dry, Or that of the hour When the swan must fix his eye Upon a fading gleam, Float out upon a long Last reach of glittering stream And there sing his last song.
And I declare my faith: I mock plotinus' thought And cry in plato's teeth, Death and life were not Till man made up the whole, Made lock, stock and barrel Out of his bitter soul, Aye, sun and moon and star, all, And further add to that That, being dead, we rise, Dream and so create Translunar paradise.
I have prepared my peace With learned Italian things And the proud stones of Greece, Poet's imaginings And memories of love, Memories of the words of women, All those things whereof Man makes a superhuman, Mirror-resembling dream.
As at the loophole there The daws chatter and scream, And drop twigs layer upon layer.
When they have mounted up, The mother bird will rest On their hollow top, And so warm her wild nest.
I leave both faith and pride To young upstanding men Climbing the mountain-side, That under bursting dawn They may drop a fly; Being of that metal made Till it was broken by This sedentary trade.
Now shall I make my soul, Compelling it to study In a learned school Till the wreck of body, Slow decay of blood, Testy delirium Or dull decrepitude, Or what worse evil come - The death of friends, or death Of every brilliant eye That made a catch in the breath - Seem but the clouds of the sky When the horizon fades; Or a bird's sleepy cry Among the deepening shades.
Written by Czeslaw Milosz | Create an image from this poem

Ars Poetica?

 I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.
In the very essence of poetry there is something indecent: a thing is brought forth which we didn't know we had in us, so we blink our eyes, as if a tiger had sprung out and stood in the light, lashing his tail.
That's why poetry is rightly said to be dictated by a daimonion, though its an exaggeration to maintain that he must be an angel.
It's hard to guess where that pride of poets comes from, when so often they're put to shame by the disclosure of their frailty.
What reasonable man would like to be a city of demons, who behave as if they were at home, speak in many tongues, and who, not satisfied with stealing his lips or hand, work at changing his destiny for their convenience? It's true that what is morbid is highly valued today, and so you may think that I am only joking or that I've devised just one more means of praising Art with thehelp of irony.
There was a time when only wise books were read helping us to bear our pain and misery.
This, after all, is not quite the same as leafing through a thousand works fresh from psychiatric clinics.
And yet the world is different from what it seems to be and we are other than how we see ourselves in our ravings.
People therefore preserve silent integrity thus earning the respect of their relatives and neighbors.
The purpose of poetry is to remind us how difficult it is to remain just one person, for our house is open, there are no keys in the doors, and invisible guests come in and out at will.
What I'm saying here is not, I agree, poetry, as poems should be written rarely and reluctantly, under unbearable duress and only with the hope that good spirits, not evil ones, choose us for their instrument.


Written by Robinson Jeffers | Create an image from this poem

Meditation On Saviors

 I
When I considered it too closely, when I wore it like an element
 and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
 little troublesome, a little terrible.
I pledged myself awhile ago not to seek refuge, neither in death nor in a walled garden, In lies nor gated loyalties, nor in the gates of contempt, that easily lock the world out of doors.
Here on the rock it is great and beautiful, here on the foam-wet granite sea-fang it is easy to praise Life and water and the shining stones: but whose cattle are the herds of the people that one should love them? If they were yours, then you might take a cattle-breeder's delight in the herds of the future.
Not yours.
Where the power ends let love, before it sours to jealousy.
Leave the joys of government to Caesar.
Who is born when the world wanes, when the brave soul of the world falls on decay in the flesh increasing Comes one with a great level mind, sufficient vision, sufficient blindness, and clemency for love.
This is the breath of rottenness I smelt; from the world waiting, stalled between storms, decaying a little, Bitterly afraid to be hurt, but knowing it cannot draw the savior Caesar but out of the blood-bath.
The apes of Christ lift up their hands to praise love: but wisdom without love is the present savior, Power without hatred, mind like a many-bladed machine subduing the world with deep indifference.
The apes of Christ itch for a sickness they have never known; words and the little envies will hardly Measure against that blinding fire behind the tragic eyes they have never dared to confront.
II Point Lobos lies over the hollowed water like a humped whale swimming to shoal; Point Lobos Was wounded with that fire; the hills at Point Sur endured it; the palace at Thebes; the hill Calvary.
Out of incestuous love power and then ruin.
A man forcing the imaginations of men, Possessing with love and power the people: a man defiling his own household with impious desire.
King Oedipus reeling blinded from the palace doorway, red tears pouring from the torn pits Under the forehead; and the young Jew writhing on the domed hill in the earthquake, against the eclipse Frightfully uplifted for having turned inward to love the people: -that root was so sweet O dreadful agonist? - I saw the same pierced feet, that walked in the same crime to its expiation; I heard the same cry.
A bad mountain to build your world on.
Am I another keeper of the people, that on my own shore, On the gray rock, by the grooved mass of the ocean, the sicknesses I left behind me concern me? Here where the surf has come incredible ways out of the splendid west, over the deeps Light nor life sounds forever; here where enormous sundowns flower and burn through color to quietness; Then the ecstasy of the stars is present? As for the people, I have found my rock, let them find theirs.
Let them lie down at Caesar's feet and be saved; and he in his time reap their daggers of gratitude.
III Yet I am the one made pledges against the refuge contempt, that easily locks the world out of doors.
This people as much as the sea-granite is part of the God from whom I desire not to be fugitive.
I see them: they are always crying.
The shored Pacific makes perpetual music, and the stone mountains Their music of silence, the stars blow long pipings of light: the people are always crying in their hearts.
One need not pity; certainly one must not love.
But who has seen peace, if he should tell them where peace Lives in the world.
.
.
they would be powerless to understand; and he is not willing to be reinvolved.
IV How should one caught in the stone of his own person dare tell the people anything but relative to that? But if a man could hold in his mind all the conditions at once, of man and woman, of civilized And barbarous, of sick and well, of happy and under torture, of living and dead, of human and not Human, and dimly all the human future: -what should persuade him to speak? And what could his words change? The mountain ahead of the world is not forming but fixed.
But the man's words would be fixed also, Part of that mountain, under equal compulsion; under the same present compulsion in the iron consistency.
And nobody sees good or evil but out of a brain a hundred centuries quieted, some desert Prophet's, a man humped like a camel, gone mad between the mud- walled village and the mountain sepulchres.
V Broad wagons before sunrise bring food into the city from the open farms, and the people are fed.
They import and they consume reality.
Before sunrise a hawk in the desert made them their thoughts.
VI Here is an anxious people, rank with suppressed bloodthirstiness.
Among the mild and unwarlike Gautama needed but live greatly and be heard, Confucius needed but live greatly and be heard: This people has not outgrown blood-sacrifice, one must writhe on the high cross to catch at their memories; The price is known.
I have quieted love; for love of the people I would not do it.
For power I would do it.
--But that stands against reason: what is power to a dead man, dead under torture? --What is power to a man Living, after the flesh is content? Reason is never a root, neither of act nor desire.
For power living I would never do it; they'are not delightful to touch, one wants to be separate.
For power After the nerves are put away underground, to lighten the abstract unborn children toward peace.
.
.
A man might have paid anguish indeed.
Except he had found the standing sea-rock that even this last Temptation breaks on; quieter than death but lovelier; peace that quiets the desire even of praising it.
VII Yet look: are they not pitiable? No: if they lived forever they would be pitiable: But a huge gift reserved quite overwhelms them at the end; they are able then to be still and not cry.
And having touched a little of the beauty and seen a little of the beauty of things, magically grow Across the funeral fire or the hidden stench of burial themselves into the beauty they admired, Themselves into the God, themselves into the sacred steep unconsciousness they used to mimic Asleep between lamp's death and dawn, while the last drunkard stumbled homeward down the dark street.
They are not to be pitied but very fortunate; they need no savior, salvation comes and takes them by force, It gathers them into the great kingdoms of dust and stone, the blown storms, the stream's-end ocean.
With this advantage over their granite grave-marks, of having realized the petulant human consciousness Before, and then the greatness, the peace: drunk from both pitchers: these to be pitied? These not fortunate But while he lives let each man make his health in his mind, to love the coast opposite humanity And so be freed of love, laying it like bread on the waters; it is worst turned inward, it is best shot farthest.
Love, the mad wine of good and evil, the saint's and murderer's, the mote in the eye that makes its object Shine the sun black; the trap in which it is better to catch the inhuman God than the hunter's own image.
Written by Dylan Thomas | Create an image from this poem

My Hero Bares His Nerves

 My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.
And these poor nerves so wired to the skull Ache on the lovelorn paper I hug to love with my unruly scrawl That utters all love hunger And tells the page the empty ill.
My hero bares my side and sees his heart Tread; like a naked Venus, The beach of flesh, and wind her bloodred plait; Stripping my loin of promise, He promises a secret heat.
He holds the wire from this box of nerves Praising the mortal error Of birth and death, the two sad knaves of thieves, And the hunger's emperor; He pulls that chain, the cistern moves.
Written by D A Levy | Create an image from this poem

Reality Jew

When i was a little kid
my parents never told me
i didn't find out until
i got out of high school
then when people asked me,
I ASKED THEM,
"Nationality or Religion?"

When i was a little kid
my parents brought me up as a christian
that when i discovered,
i was different
i wasnt THAT sick!
so at sixteen
still being a virgin forest
i decided
i must be a buddhist monk,
Then when people asked me
I TOLD THEM, i told them
"Not me, man, i don't belong to No-thing

In the navy
a swabby once asked me,
if i wanted to go to the
temple with him,
i told him
"NOt me, man, im the last
of the full blooded american indians.
" it became confusing so after a while when people inquired "Hey.
.
ah.
.
you arnt……are you?" i answered, "with a name like levy, what the hell do you think i am?" A Ritz Cracker? A flying bathtub? An arab? etc.
But now its getting pretty hip to be a jew and some of my best friend are becoming converted to halavah, even the crones who suddenly became World War 2 catholics are now praising bagels & lox i still dont feel on ethnic things like "Ok, we all niggers so lets hold hands.
" & "OK, we're all wops so lets support the mafia," & "Ok, we're all jews so lets weep on each others shoulders.
" so now when people smile and say, "Hey, you're one of us," i smile and say, "**** you, man, im still alive.
"
Written by Wang Wei | Create an image from this poem

THE BEAUTIFUL XI SHI

Since beauty is honoured all over the Empire, 
How could Xi Shi remain humbly at home? -- 
Washing clothes at dawn by a southern lake -- 
And that evening a great lady in a palace of the north: 
Lowly one day, no different from the others, 
The next day exalted, everyone praising her.
No more would her own hands powder her face Or arrange on her shoulders a silken robe.
And the more the King loved her, the lovelier she looked, Blinding him away from wisdom.
.
.
.
Girls who had once washed silk beside her Were kept at a distance from her chariot.
And none of the girls in her neighbours' houses By pursing their brows could copy her beauty.
Written by Robert Browning | Create an image from this poem

The Boy And the Angel

 Morning, evening, noon and night,
``Praise God!; sang Theocrite.
Then to his poor trade he turned, Whereby the daily meal was earned.
Hard he laboured, long and well; O'er his work the boy's curls fell.
But ever, at each period, He stopped and sang, ``Praise God!'' Then back again his curls he threw, And cheerful turned to work anew.
Said Blaise, the listening monk, ``Well done; ``I doubt not thou art heard, my son: ``As well as if thy voice to-day ``Were praising God, the Pope's great way.
``This Easter Day, the Pope at Rome ``Praises God from Peter's dome.
'' Said Theocrite, ``Would God that I ``Might praise him, that great way, and die!'' Night passed, day shone, And Theocrite was gone.
With God a day endures alway, A thousand years are but a day.
God said in heaven, ``Nor day nor night ``Now brings the voice of my delight.
'' Then Gabriel, like a rainbow's birth, Spread his wings and sank to earth; Entered, in flesh, the empty cell, Lived there, and played the craftsman well; And morning, evening, noon and night, Praised God in place of Theocrite.
And from a boy, to youth he grew: The man put off the stripling's hue: The man matured and fell away Into the season of decay: And ever o'er the trade he bent, And ever lived on earth content.
(He did God's will; to him, all one If on the earth or in the sun.
) God said, ``A praise is in mine ear; ``There is no doubt in it, no fear: ``So sing old worlds, and so ``New worlds that from my footstool go.
``Clearer loves sound other ways: ``I miss my little human praise.
'' Then forth sprang Gabriel's wings, off fell The flesh disguise, remained the cell.
'Twas Easter Day: he flew to Rome, And paused above Saint Peter's dome.
In the tiring-room close by The great outer gallery, With his holy vestments dight, Stood the new Pope, Theocrite: And all his past career Came back upon him clear, Since when, a boy, he plied his trade, Till on his life the sickness weighed; And in his cell, when death drew near, An angel in a dream brought cheer: And rising from the sickness drear He grew a priest, and now stood here.
To the East with praise he turned, And on his sight the angel burned.
``I bore thee from thy craftsman's cell ``And set thee here; I did not well.
``Vainly I left my angel-sphere, ``Vain was thy dream of many a year.
``Thy voice's praise seemed weak; it dropped--- ``Creation's chorus stopped! ``Go back and praise again ``The early way, while I remain.
``With that weak voice of our disdain, ``Take up creation's pausing strain.
``Back to the cell and poor employ: ``Resume the craftsman and the boy!'' Theocrite grew old at home; A new Pope dwelt in Peter's dome.
One vanished as the other died: They sought God side by side.

Book: Reflection on the Important Things