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Written by Anna Akhmatova | Create an image from this poem

Requiem

 Not under foreign skies
 Nor under foreign wings protected -
 I shared all this with my own people
 There, where misfortune had abandoned us.
[1961] INSTEAD OF A PREFACE During the frightening years of the Yezhov terror, I spent seventeen months waiting in prison queues in Leningrad.
One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me, her lips blue with cold, who, of course, had never in her life heard my name.
Jolted out of the torpor characteristic of all of us, she said into my ear (everyone whispered there) - 'Could one ever describe this?' And I answered - 'I can.
' It was then that something like a smile slid across what had previously been just a face.
[The 1st of April in the year 1957.
Leningrad] DEDICATION Mountains fall before this grief, A mighty river stops its flow, But prison doors stay firmly bolted Shutting off the convict burrows And an anguish close to death.
Fresh winds softly blow for someone, Gentle sunsets warm them through; we don't know this, We are everywhere the same, listening To the scrape and turn of hateful keys And the heavy tread of marching soldiers.
Waking early, as if for early mass, Walking through the capital run wild, gone to seed, We'd meet - the dead, lifeless; the sun, Lower every day; the Neva, mistier: But hope still sings forever in the distance.
The verdict.
Immediately a flood of tears, Followed by a total isolation, As if a beating heart is painfully ripped out, or, Thumped, she lies there brutally laid out, But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends, Captives of my two satanic years? What miracle do you see in a Siberian blizzard? What shimmering mirage around the circle of the moon? I send each one of you my salutation, and farewell.
[March 1940] INTRODUCTION [PRELUDE] It happened like this when only the dead Were smiling, glad of their release, That Leningrad hung around its prisons Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang Short songs of farewell To the ranks of convicted, demented by suffering, As they, in regiments, walked along - Stars of death stood over us As innocent Russia squirmed Under the blood-spattered boots and tyres Of the black marias.
I You were taken away at dawn.
I followed you As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God.
.
.
The cold of an icon was on your lips, a death-cold sweat On your brow - I will never forget this; I will gather To wail with the wives of the murdered streltsy (1) Inconsolably, beneath the Kremlin towers.
[1935.
Autumn.
Moscow] II Silent flows the river Don A yellow moon looks quietly on Swanking about, with cap askew It sees through the window a shadow of you Gravely ill, all alone The moon sees a woman lying at home Her son is in jail, her husband is dead Say a prayer for her instead.
III It isn't me, someone else is suffering.
I couldn't.
Not like this.
Everything that has happened, Cover it with a black cloth, Then let the torches be removed.
.
.
Night.
IV Giggling, poking fun, everyone's darling, The carefree sinner of Tsarskoye Selo (2) If only you could have foreseen What life would do with you - That you would stand, parcel in hand, Beneath the Crosses (3), three hundredth in line, Burning the new year's ice With your hot tears.
Back and forth the prison poplar sways With not a sound - how many innocent Blameless lives are being taken away.
.
.
[1938] V For seventeen months I have been screaming, Calling you home.
I've thrown myself at the feet of butchers For you, my son and my horror.
Everything has become muddled forever - I can no longer distinguish Who is an animal, who a person, and how long The wait can be for an execution.
There are now only dusty flowers, The chinking of the thurible, Tracks from somewhere into nowhere And, staring me in the face And threatening me with swift annihilation, An enormous star.
[1939] VI Weeks fly lightly by.
Even so, I cannot understand what has arisen, How, my son, into your prison White nights stare so brilliantly.
Now once more they burn, Eyes that focus like a hawk, And, upon your cross, the talk Is again of death.
[1939.
Spring] VII THE VERDICT The word landed with a stony thud Onto my still-beating breast.
Nevermind, I was prepared, I will manage with the rest.
I have a lot of work to do today; I need to slaughter memory, Turn my living soul to stone Then teach myself to live again.
.
.
But how.
The hot summer rustles Like a carnival outside my window; I have long had this premonition Of a bright day and a deserted house.
[22 June 1939.
Summer.
Fontannyi Dom (4)] VIII TO DEATH You will come anyway - so why not now? I wait for you; things have become too hard.
I have turned out the lights and opened the door For you, so simple and so wonderful.
Assume whatever shape you wish.
Burst in Like a shell of noxious gas.
Creep up on me Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation, Or, with a simple tale prepared by you (And known by all to the point of nausea), take me Before the commander of the blue caps and let me glimpse The house administrator's terrified white face.
I don't care anymore.
The river Yenisey Swirls on.
The Pole star blazes.
The blue sparks of those much-loved eyes Close over and cover the final horror.
[19 August 1939.
Fontannyi Dom] IX Madness with its wings Has covered half my soul It feeds me fiery wine And lures me into the abyss.
That's when I understood While listening to my alien delirium That I must hand the victory To it.
However much I nag However much I beg It will not let me take One single thing away: Not my son's frightening eyes - A suffering set in stone, Or prison visiting hours Or days that end in storms Nor the sweet coolness of a hand The anxious shade of lime trees Nor the light distant sound Of final comforting words.
[14 May 1940.
Fontannyi Dom] X CRUCIFIXION Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour, The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!' But to his mother, 'Weep not for me.
.
.
' [1940.
Fontannyi Dom] 2.
Magdalena smote herself and wept, The favourite disciple turned to stone, But there, where the mother stood silent, Not one person dared to look.
[1943.
Tashkent] EPILOGUE 1.
I have learned how faces fall, How terror can escape from lowered eyes, How suffering can etch cruel pages Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair Can suddenly turn white.
I've learned to recognise The fading smiles upon submissive lips, The trembling fear inside a hollow laugh.
That's why I pray not for myself But all of you who stood there with me Through fiercest cold and scorching July heat Under a towering, completely blind red wall.
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you: The one who resisted the long drag to the open window; The one who could no longer feel the kick of familiar soil beneath her feet; The one who, with a sudden flick of her head, replied, 'I arrive here as if I've come home!' I'd like to name you all by name, but the list Has been removed and there is nowhere else to look.
So, I have woven you this wide shroud out of the humble words I overheard you use.
Everywhere, forever and always, I will never forget one single thing.
Even in new grief.
Even if they clamp shut my tormented mouth Through which one hundred million people scream; That's how I wish them to remember me when I am dead On the eve of my remembrance day.
If someone someday in this country Decides to raise a memorial to me, I give my consent to this festivity But only on this condition - do not build it By the sea where I was born, I have severed my last ties with the sea; Nor in the Tsar's Park by the hallowed stump Where an inconsolable shadow looks for me; Build it here where I stood for three hundred hours And no-one slid open the bolt.
Listen, even in blissful death I fear That I will forget the Black Marias, Forget how hatefully the door slammed and an old woman Howled like a wounded beast.
Let the thawing ice flow like tears From my immovable bronze eyelids And let the prison dove coo in the distance While ships sail quietly along the river.
[March 1940.
Fontannyi Dom] FOOTNOTES 1 An elite guard which rose up in rebellion against Peter the Great in 1698.
Most were either executed or exiled.
2 The imperial summer residence outside St Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the Finland Station, called The Crosses because of the shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.


Written by Barry Tebb | Create an image from this poem

TO THE SOUND OF VIOLINS

 Give me life at its most garish

Friday night in the Square, pink sequins dazzle

And dance on clubbers bare to the midriff

Young men in crisp shirts and pressed pants

‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’

And sing along its lyrics to the throng of which I’m one

My shorts, shoulder bag and white beard

Making me stand out in the teeming swarm

Of teens and twenties this foetid Friday night

On my way from the ward where our son paces

And fulminates I throw myself into the drowning

Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously "Are you on your own? Come and join us What’s your name?" Age has driven my shyness away As I join the crowd beneath the turning purple screens Bannered ‘****** lasts for ever’ and sip unending Halves of bitter, as I circulate among the crowd, Being complete in itself and out for a good night out, A relief from factory, shop floor and market stall Running from the reality of the ward where my son Pounds the ledge with his fist and seems out to blast My very existence with words like bullets.
The need to anaesthetise the pain resurfaces Again and again.
In Leeds City Square where Pugin’s church, the Black Prince and the Central Post Office In its Edwardian grandeur are startled by the arching spumes Or white water fountains and the steel barricades of Novotel Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew From Keighley and Dewsbury’s mills, hesitating At the thought of being told I’m past my Sell-by-date and turned away by the West Indian Bouncers, black-suited and city-council badged Who checked my bag but smiled at ‘The Lights of Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms- Was it guns or drugs they were after I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played, Where the crowd was thickest, the noise drowned out the pain ‘Sex Bomb, Sex Bomb’ the chorus rang The girls joined in but the young men knew The words no more than me.
Dancing as we knew it In the sixties has gone, you do your own thing And follow the beat, hampered by my bag I just kept going, letting the music and the crowd Hold me, my camera eye moving in search, in search… What I’m searching for I don’t know Searching’s a way of life that has to grow "All of us who are patients here are searchers after truth" My son kept saying, his legs shaking from the side effects Of God-knows- what, pacing the tiny ward kitchen cum smoking room, Denouncing his ‘illegal section’ and ‘poisonous medication’ To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me: I was beyond unravelling Meltzer on differentiation Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’ Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’ So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used To acute wards or worse where chairs fly across rooms, Windows disintegrate and double doors are triple locked And every nurse carries a white panic button and black pager To pinpoint the moment’s crisis.
Normality was a bit of adrenaline, A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us" People kept asking if I was alright and why I had that damned great shoulder bag.
I was introduced To three young men about to tie the knot, a handsome lothario In his midforties winked at me constantly, Dancing with practised ease with sixteen year olds Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds Disappeared to catch the last bus home.
The young aren’t As black as they are painted, one I danced with reminded me Of how Margaret would have been at sixteen With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon I’d tried to leave in the raftered lofts of City Square But failed to.
Girls from sixteen to twenty six kept grabbing me And making me dance and I found my teenage inhibitions Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’ Egged on by the throng by the fruit machine and continuous Thumbs-up signs from passing men.
I had to forgo A cheerful group of Aussies were intent on taking me clubbing "I’d get killed or turned into a pumpkin If I get home after midnight" I quipped to their delight But being there had somehow put things right.
Written by Matthew Arnold | Create an image from this poem

Rugby Chapel

 Coldly, sadly descends
The autumn-evening.
The field Strewn with its dank yellow drifts Of wither'd leaves, and the elms, Fade into dimness apace, Silent;--hardly a shout From a few boys late at their play! The lights come out in the street, In the school-room windows;--but cold, Solemn, unlighted, austere, Through the gathering darkness, arise The chapel-walls, in whose bound Thou, my father! art laid.
There thou dost lie, in the gloom Of the autumn evening.
But ah! That word, gloom, to my mind Brings thee back, in the light Of thy radiant vigour, again; In the gloom of November we pass'd Days not dark at thy side; Seasons impair'd not the ray Of thy buoyant cheerfulness clear.
Such thou wast! and I stand In the autumn evening, and think Of bygone autumns with thee.
Fifteen years have gone round Since thou arosest to tread, In the summer-morning, the road Of death, at a call unforeseen, Sudden.
For fifteen years, We who till then in thy shade Rested as under the boughs Of a mighty oak, have endured Sunshine and rain as we might, Bare, unshaded, alone, Lacking the shelter of thee.
O strong soul, by what shore Tarriest thou now? For that force, Surely, has not been left vain! Somewhere, surely afar, In the sounding labour-house vast Of being, is practised that strength, Zealous, beneficent, firm! Yes, in some far-shining sphere, Conscious or not of the past, Still thou performest the word Of the Spirit in whom thou dost live-- Prompt, unwearied, as here! Still thou upraisest with zeal The humble good from the ground, Sternly repressest the bad! Still, like a trumpet, dost rouse Those who with half-open eyes Tread the border-land dim 'Twixt vice and virtue; reviv'st, Succourest!--this was thy work, This was thy life upon earth.
What is the course of the life Of mortal men on the earth?-- Most men eddy about Here and there--eat and drink, Chatter and love and hate, Gather and squander, are raised Aloft, are hurl'd in the dust, Striving blindly, achieving Nothing; and then they die-- Perish;--and no one asks Who or what they have been, More than he asks what waves, In the moonlit solitudes mild Of the midmost Ocean, have swell'd, Foam'd for a moment, and gone.
And there are some, whom a thirst Ardent, unquenchable, fires, Not with the crowd to be spent, Not without aim to go round In an eddy of purposeless dust, Effort unmeaning and vain.
Ah yes! some of us strive Not without action to die Fruitless, but something to snatch From dull oblivion, nor all Glut the devouring grave! We, we have chosen our path-- Path to a clear-purposed goal, Path of advance!--but it leads A long, steep journey, through sunk Gorges, o'er mountains in snow.
Cheerful, with friends, we set forth-- Then on the height, comes the storm.
Thunder crashes from rock To rock, the cataracts reply, Lightnings dazzle our eyes.
Roaring torrents have breach'd The track, the stream-bed descends In the place where the wayfarer once Planted his footstep--the spray Boils o'er its borders! aloft The unseen snow-beds dislodge Their hanging ruin; alas, Havoc is made in our train! Friends, who set forth at our side, Falter, are lost in the storm.
We, we only are left! With frowning foreheads, with lips Sternly compress'd, we strain on, On--and at nightfall at last Come to the end of our way, To the lonely inn 'mid the rocks; Where the gaunt and taciturn host Stands on the threshold, the wind Shaking his thin white hairs-- Holds his lantern to scan Our storm-beat figures, and asks: Whom in our party we bring? Whom we have left in the snow? Sadly we answer: We bring Only ourselves! we lost Sight of the rest in the storm.
Hardly ourselves we fought through, Stripp'd, without friends, as we are.
Friends, companions, and train, The avalanche swept from our side.
But thou woulds't not alone Be saved, my father! alone Conquer and come to thy goal, Leaving the rest in the wild.
We were weary, and we Fearful, and we in our march Fain to drop down and to die.
Still thou turnedst, and still Beckonedst the trembler, and still Gavest the weary thy hand.
If, in the paths of the world, Stones might have wounded thy feet, Toil or dejection have tried Thy spirit, of that we saw Nothing--to us thou wage still Cheerful, and helpful, and firm! Therefore to thee it was given Many to save with thyself; And, at the end of thy day, O faithful shepherd! to come, Bringing thy sheep in thy hand.
And through thee I believe In the noble and great who are gone; Pure souls honour'd and blest By former ages, who else-- Such, so soulless, so poor, Is the race of men whom I see-- Seem'd but a dream of the heart, Seem'd but a cry of desire.
Yes! I believe that there lived Others like thee in the past, Not like the men of the crowd Who all round me to-day Bluster or cringe, and make life Hideous, and arid, and vile; But souls temper'd with fire, Fervent, heroic, and good, Helpers and friends of mankind.
Servants of God!--or sons Shall I not call you? Because Not as servants ye knew Your Father's innermost mind, His, who unwillingly sees One of his little ones lost-- Yours is the praise, if mankind Hath not as yet in its march Fainted, and fallen, and died! See! In the rocks of the world Marches the host of mankind, A feeble, wavering line.
Where are they tending?--A God Marshall'd them, gave them their goal.
Ah, but the way is so long! Years they have been in the wild! Sore thirst plagues them, the rocks Rising all round, overawe; Factions divide them, their host Threatens to break, to dissolve.
--Ah, keep, keep them combined! Else, of the myriads who fill That army, not one shall arrive; Sole they shall stray; in the rocks Stagger for ever in vain, Die one by one in the waste.
Then, in such hour of need Of your fainting, dispirited race, Ye, like angels, appear, Radiant with ardour divine! Beacons of hope, ye appear! Languor is not in your heart, Weakness is not in your word, Weariness not on your brow.
Ye alight in our van! at your voice, Panic, despair, flee away.
Ye move through the ranks, recall The stragglers, refresh the outworn, Praise, re-inspire the brave! Order, courage, return.
Eyes rekindling, and prayers, Follow your steps as ye go.
Ye fill up the gaps in our files, Strengthen the wavering line, Stablish, continue our march, On, to the bound of the waste, On, to the City of God.
Written by Lewis Carroll | Create an image from this poem

A Strange Wild Song

 He thought he saw an Elephant
That practised on a fife:
He looked again, and found it was
A letter from his wife.
"At length I realize," he said, "The bitterness of life!" He thought he saw a Buffalo Upon the chimney-piece: He looked again, and found it was His Sister's Husband's Niece.
"Unless you leave this house," he said, "I'll send for the police!" he thought he saw a Rattlesnake That questioned him in Greek: He looked again, and found it was The Middle of Next Week.
"The one thing I regret," he said, "Is that it cannot speak!" He thought he saw a Banker's Clerk Descending from the bus: He looked again, and found it was A Hippopotamus.
"If this should stay to dine," he said, "There won't be much for us!" He thought he saw a Kangaroo That worked a Coffee-mill: He looked again, and found it was A Vegetable-Pill.
"Were I to swallow this," he said, "I should be very ill!" He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear without a Head.
"Poor thing," he said, "poor silly thing! It's waiting to be fed!"
Written by John Donne | Create an image from this poem

Loves Deity

 I long to talk with some old lover's ghost,
Who died before the God of Love was born:
I cannot think that he, who then loved most,
Sunk so low as to love one which did scorn.
But since this god produced a destiny, And that vice-nature, Custom, lets it be, I must love her that loves not me.
Sure, they which made him god meant not so much, Nor he in his young godhead practised it; But when an even flame two hearts did touch, His office was indulgently to fit Actives to passives.
Correspondency Only his subject was; it cannot be Love, till I love her that loves me.
But every modern god will now extend His vast prerogative as far as Jove.
To rage, to lust, to write to, to commend, All is the purlieu of the God of Love.
Oh were we wakened by this tyranny To ungod this child again, it could not be I should love her who loves not me.
Rebel and atheist too, why murmur I As though I felt the worst that love could do? Love might make me leave loving, or might try A deeper plague, to make her love me too, Which, since she loves before, I'm loth to see; Falsehood is worse than hate; and that must be, If she whom I love should love me.


Written by Robert William Service | Create an image from this poem

The Ballad Of Hard-Luck Henry

 Now wouldn't you expect to find a man an awful crank
That's staked out nigh three hundred claims, and every one a blank;
That's followed every fool stampede, and seen the rise and fall
Of camps where men got gold in chunks and he got none at all;
That's prospected a bit of ground and sold it for a song
To see it yield a fortune to some fool that came along;
That's sunk a dozen bed-rock holes, and not a speck in sight,
Yet sees them take a million from the claims to left and right?
Now aren't things like that enough to drive a man to booze?
But Hard-Luck Smith was hoodoo-proof--he knew the way to lose.
'Twas in the fall of nineteen four--leap-year I've heard them say-- When Hard-Luck came to Hunker Creek and took a hillside lay.
And lo! as if to make amends for all the futile past, Late in the year he struck it rich, the real pay-streak at last.
The riffles of his sluicing-box were choked with speckled earth, And night and day he worked that lay for all that he was worth.
And when in chill December's gloom his lucky lease expired, He found that he had made a stake as big as he desired.
One day while meditating on the waywardness of fate, He felt the ache of lonely man to find a fitting mate; A petticoated pard to cheer his solitary life, A woman with soft, soothing ways, a confidant, a wife.
And while he cooked his supper on his little Yukon stove, He wished that he had staked a claim in Love's rich treasure-trove; When suddenly he paused and held aloft a Yukon egg, For there in pencilled letters was the magic name of Peg.
You know these Yukon eggs of ours--some pink, some green, some blue-- A dollar per, assorted tints, assorted flavors too.
The supercilious cheechako might designate them high, But one acquires a taste for them and likes them by-and-by.
Well, Hard-Luck Henry took this egg and held it to the light, And there was more faint pencilling that sorely taxed his sight.
At last he made it out, and then the legend ran like this-- "Will Klondike miner write to Peg, Plumhollow, Squashville, Wis.
?" That night he got to thinking of this far-off, unknown fair; It seemed so sort of opportune, an answer to his prayer.
She flitted sweetly through his dreams, she haunted him by day, She smiled through clouds of nicotine, she cheered his weary way.
At last he yielded to the spell; his course of love he set-- Wisconsin his objective point; his object, Margaret.
With every mile of sea and land his longing grew and grew.
He practised all his pretty words, and these, I fear, were few.
At last, one frosty evening, with a cold chill down his spine, He found himself before her house, the threshold of the shrine.
His courage flickered to a spark, then glowed with sudden flame-- He knocked; he heard a welcome word; she came--his goddess came.
Oh, she was fair as any flower, and huskily he spoke: "I'm all the way from Klondike, with a mighty heavy poke.
I'm looking for a lassie, one whose Christian name is Peg, Who sought a Klondike miner, and who wrote it on an egg.
" The lassie gazed at him a space, her cheeks grew rosy red; She gazed at him with tear-bright eyes, then tenderly she said: "Yes, lonely Klondike miner, it is true my name is Peg.
It's also true I longed for you and wrote it on an egg.
My heart went out to someone in that land of night and cold; But oh, I fear that Yukon egg must have been mighty old.
I waited long, I hoped and feared; you should have come before; I've been a wedded woman now for eighteen months or more.
I'm sorry, since you've come so far, you ain't the one that wins; But won't you take a step inside--I'll let you see the twins.
"
Written by Thomas Hardy | Create an image from this poem

The Dead Man Walking

 They hail me as one living,
But don't they know
That I have died of late years,
Untombed although?

I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening
Ashes gone cold.
Not at a minute's warning, Not in a loud hour, For me ceased Time's enchantments In hall and bower.
There was no tragic transit, No catch of breath, When silent seasons inched me On to this death .
.
.
-- A Troubadour-youth I rambled With Life for lyre, The beats of being raging In me like fire.
But when I practised eyeing The goal of men, It iced me, and I perished A little then.
When passed my friend, my kinsfolk, Through the Last Door, And left me standing bleakly, I died yet more; And when my Love's heart kindled In hate of me, Wherefore I knew not, died I One more degree.
And if when I died fully I cannot say, And changed into the corpse-thing I am to-day, Yet is it that, though whiling The time somehow In walking, talking, smiling, I live not now.
Written by Lewis Carroll | Create an image from this poem

The Mad Gardeners Song

 He thought he saw an Elephant,
That practised on a fife:
He looked again, and found it was
A letter from his wife.
'At length I realise,' he said, The bitterness of Life!' He thought he saw a Buffalo Upon the chimney-piece: He looked again, and found it was His Sister's Husband's Niece.
'Unless you leave this house,' he said, "I'll send for the Police!' He thought he saw a Rattlesnake That questioned him in Greek: He looked again, and found it was The Middle of Next Week.
'The one thing I regret,' he said, 'Is that it cannot speak!' He thought he saw a Banker's Clerk Descending from the bus: He looked again, and found it was A Hippopotamus.
'If this should stay to dine,' he said, 'There won't be much for us!' He thought he saw a Kangaroo That worked a coffee-mill: He looked again, and found it was A Vegetable-Pill.
'Were I to swallow this,' he said, 'I should be very ill!' He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear without a Head.
'Poor thing,' he said, 'poor silly thing! It's waiting to be fed!' He thought he saw an Albatross That fluttered round the lamp: He looked again, and found it was A Penny-Postage Stamp.
'You'd best be getting home,' he said: 'The nights are very damp!' He thought he saw a Garden-Door That opened with a key: He looked again, and found it was A Double Rule of Three: 'And all its mystery,' he said, 'Is clear as day to me!' He thought he saw a Argument That proved he was the Pope: He looked again, and found it was A Bar of Mottled Soap.
'A fact so dread,' he faintly said, 'Extinguishes all hope!'
Written by Emily Dickinson | Create an image from this poem

Going to him! Happy letter!

"Going to him! Happy letter! Tell him--
Tell him the page I didn't write;
Tell him I only said the syntax,
And left the verb and the pronoun out.
Tell him just how the fingers hurried Then how they waded, slow, slow, slow- And then you wished you had eyes in your pages, So you could see what moved them so.
"Tell him it wasn't a practised writer, You guessed, from the way the sentence toiled; You could hear the bodice tug, behind you, As if it held but the might of a child; You almost pitied it, you, it worked so.
Tell him--No, you may quibble there, For it would split his heart to know it, And then you and I were silenter.
"Tell him night finished before we finished And the old clock kept neighing 'day!' And you got sleepy and begged to be ended-- What could it hinder so, to say? Tell him just how she sealed you, cautious But if he ask where you are hid Until to-morrow,--happy letter! Gesture, coquette, and shake your head!"
Written by Thomas Hardy | Create an image from this poem

Wives in the Sere

 I 

Never a careworn wife but shows, 
 If a joy suffuse her, 
Something beautiful to those 
 Patient to peruse her, 
Some one charm the world unknows 
 Precious to a muser, 
Haply what, ere years were foes, 
 Moved her mate to choose her.
II But, be it a hint of rose That an instant hues her, Or some early light or pose Wherewith thought renews her - Seen by him at full, ere woes Practised to abuse her - Sparely comes it, swiftly goes, Time again subdues her.