Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly.
.
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks.
Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat.
.
.
.
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.
Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete.
It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Jane Kenyon |
1FROM THE NURSERY
When I was born, you waited
behind a pile of linen in the nursery,
and when we were alone, you lay down
on top of me, pressing
the bile of desolation into every pore.
And from that day on
everything under the sun and moon
made me sad -- even the yellow
wooden beads that slid and spun
along a spindle on my crib.
You taught me to exist without gratitude.
You ruined my manners toward God:
"We're here simply to wait for death;
the pleasures of earth are overrated.
"
I only appeared to belong to my mother,
to live among blocks and cotton undershirts
with snaps; among red tin lunch boxes
and report cards in ugly brown slipcases.
I was already yours -- the anti-urge,
the mutilator of souls.
2BOTTLES
Elavil, Ludiomil, Doxepin,
Norpramin, Prozac, Lithium, Xanax,
Wellbutrin, Parnate, Nardil, Zoloft.
The coated ones smell sweet or have
no smell; the powdery ones smell
like the chemistry lab at school
that made me hold my breath.
3SUGGESTION FROM A FRIEND
You wouldn't be so depressed
if you really believed in God.
4OFTEN
Often I go to bed as soon after dinner
as seems adult
(I mean I try to wait for dark)
in order to push away
from the massive pain in sleep's
frail wicker coracle.
5ONCE THERE WAS LIGHT
Once, in my early thirties, I saw
that I was a speck of light in the great
river of light that undulates through time.
I was floating with the whole
human family.
We were all colors -- those
who are living now, those who have died,
those who are not yet born.
For a few
moments I floated, completely calm,
and I no longer hated having to exist.
Like a crow who smells hot blood
you came flying to pull me out
of the glowing stream.
"I'll hold you up.
I never let my dear
ones drown!" After that, I wept for days.
6IN AND OUT
The dog searches until he finds me
upstairs, lies down with a clatter
of elbows, puts his head on my foot.
Sometimes the sound of his breathing
saves my life -- in and out, in
and out; a pause, a long sigh.
.
.
.
7PARDON
A piece of burned meat
wears my clothes, speaks
in my voice, dispatches obligations
haltingly, or not at all.
It is tired of trying
to be stouthearted, tired
beyond measure.
We move on to the monoamine
oxidase inhibitors.
Day and night
I feel as if I had drunk six cups
of coffee, but the pain stops
abruptly.
With the wonder
and bitterness of someone pardoned
for a crime she did not commit
I come back to marriage and friends,
to pink fringed hollyhocks; come back
to my desk, books, and chair.
8CREDO
Pharmaceutical wonders are at work
but I believe only in this moment
of well-being.
Unholy ghost,
you are certain to come again.
Coarse, mean, you'll put your feet
on the coffee table, lean back,
and turn me into someone who can't
take the trouble to speak; someone
who can't sleep, or who does nothing
but sleep; can't read, or call
for an appointment for help.
There is nothing I can do
against your coming.
When I awake, I am still with thee.
9WOOD THRUSH
High on Nardil and June light
I wake at four,
waiting greedily for the first
note of the wood thrush.
Easeful air
presses through the screen
with the wild, complex song
of the bird, and I am overcome
by ordinary contentment.
What hurt me so terribly
all my life until this moment?
How I love the small, swiftly
beating heart of the bird
singing in the great maples;
its bright, unequivocal eye.
|
Written by
Bliss Carman |
I
The rutted roads are all like iron; skies
Are keen and brilliant; only the oak-leaves cling
In the bare woods, or the hardy bitter-sweet;
Drivers have put their sheepskin jackets on;
And all the ponds are sealed with sheeted ice
That rings with stroke of skate and hockey-stick,
Or in the twilight cracks with running whoop.
Bring in the logs of oak and hickory,
And make an ample blaze on the wide hearth.
Now is the time, with winter o'er the world,
For books and friends and yellow candle-light,
And timeless lingering by the settling fire.
While all the shuddering stars are keen with cold.
II
Out from the silent portal of the hours,
When frosts are come and all the hosts put on.
Their burnished gear to march across the night
And o'er a darkened earth in splendor shine,
Slowly above the world Orion wheels
His glittering square, while on the shadowy hill
And throbbing like a sea-light through the dusk,
Great Sirius rises in his flashing blue.
Lord of the winter night, august and pure,
Returning year on year untouched by time,
To hearten faith with thine unfaltering fire,
There are no hurts that beauty cannot ease,
No ills that love cannot at last repair,
In the victorious progress of the soul.
III
Russet and white and gray is the oak wood
In the great snow.
Still from the North it comes,
Whispering, settling, sifting through the trees,
O'erloading branch and twig.
The road is lost.
Clearing and meadow, stream and ice-bound pond
Are made once more a trackless wilderness
In the white hush where not a creature stirs;
And the pale sun is blotted from the sky.
In that strange twilight the lone traveller halts
To listen to the stealthy snowflakes fall.
And then far off toward the Stamford shore,
Where through the storm the coastwise liners go,
Faint and recurrent on the muffled air,
A foghorn booming through the Smother--hark!
IV
When the day changed and the mad wind died down,
The powdery drifts that all day long had blown
Across the meadows and the open fields,
Or whirled like diamond dust in the bright sun,
Settled to rest, and for a tranquil hour
The lengthening bluish shadows on the snow
Stole down the orchard slope, and a rose light
Flooded the earth with beauty and with peace.
Then in the west behind the cedars black
The sinking sun stained red the winter dusk
With sullen flare upon the snowy ridge,--
As in a masterpiece by Hokusai,
Where on a background gray, with flaming breath
A scarlet dragon dies in dusky gold.
|
Written by
Laura Riding Jackson |
The little quids, the million quids,
The everywhere, everything, always quids,
The atoms of the Monoton—
Each turned three essences where it stood
And ground a gisty dust from its neighbors' edges
Until a powdery thoughtfall stormed in and out,
The cerebration of a slippery quid enterprise.
Each quid stirred.
The united quids
Waved through a sinuous decision.
The quids, that had never done anything before
But be, be, be, be, be,
The quids resolved to predicate
And dissipate in a little grammar.
Oh, the Monoton didn't care,
For whatever they did—
The Monoton's contributing quids—
The Monoton would always remain the same.
A quid here and there gyrated in place-position,
While many essential quids turned inside-out
For the fun of it
And a few refused to be anything but
Simple, unpredicated copulatives.
Little by little, this commotion of quids,
By threes, by tens, by casual millions,
Squirming within the state of things—
The metaphysical acrobats,
The naked, immaterial quids—
Turned inside on themselves
And came out dressed,
Each similar quid of the inward same,
Each similar quid dressed in a different way—
The quid's idea of a holiday.
The quids could never tell what was happening.
But the Monoton felt itself differently the same
In its different parts.
The silly quids upon their rambling exercise
Never knew, could never tell
What their pleasure was about,
What their carnival was like,
Being in, being in, being always in
Where they never could get out
Of the everywhere, everything, always in,
To derive themselves from the Monoton.
But I know, with a quid inside of me,
But I know what a quid's disguise is like,
Being one myself,
The gymnastic device
That a quid puts on for exercise.
And so should the trees,
And so should the worms,
And so should you,
And all the other predicates,
And all the other accessories
Of the quid's masquerade.
|
Written by
John Davidson |
No breath of wind,
No gleam of sun –
Still the white snow
Whirls softly down
Twig and bough
And blade and thorn
All in an icy
Quiet, forlorn.
Whispering, rustling,
Through the air
On still and stone,
Roof, - everywhere,
It heaps its powdery
Crystal flakes,
Of every tree
A mountain makes;
‘Til pale and faint
At shut of day
Stoops from the West
One wint’ry ray,
And, feathered in fire
Where ghosts the moon,
A robin shrills
His lonely tune.
|
Written by
Henry Van Dyke |
I
LEGEND
Long ago Apollo called to Aristæus,
youngest of the shepherds,
Saying, "I will make you keeper of my bees.
"
Golden were the hives, and golden was the honey;
golden, too, the music,
Where the honey-makers hummed among the trees.
Happy Aristæus loitered in the garden, wandered
in the orchard,
Careless and contented, indolent and free;
Lightly took his labour, lightly took his pleasure,
till the fated moment
When across his pathway came Eurydice.
Then her eyes enkindled burning love within him;
drove him wild with longing,
For the perfect sweetness of her flower-like face;
Eagerly he followed, while she fled before him,
over mead and mountain,
On through field and forest, in a breathless race.
But the nymph, in flying, trod upon a serpent;
like a dream she vanished;
Pluto's chariot bore her down among the dead;
Lonely Aristæus, sadly home returning, found his
garden empty,
All the hives deserted, all the music fled.
Mournfully bewailing, -- "ah, my honey-makers,
where have you departed?" --
Far and wide he sought them, over sea and shore;
Foolish is the tale that says he ever found them,
brought them home in triumph,
Joys that once escape us fly for evermore.
Yet I dream that somewhere, clad in downy
whiteness, dwell the honey-makers,
In aerial gardens that no mortal sees:
And at times returning, lo, they flutter round us,
gathering mystic harvest,
So I weave the legend of the long-lost bees.
II
THE SWARMING OF THE BEES
I
WHO can tell the hiding of the white bees' nest?
Who can trace the guiding of their swift home flight?
Far would be his riding on a life-long quest:
Surely ere it ended would his beard grow white.
Never in the coming of the rose-red Spring,
Never in the passing of the wine-red Fall,
May you hear the humming of the white bee's wing
Murmur o'er the meadow, ere the night bells call.
Wait till winter hardens in the cold grey sky,
Wait till leaves are fallen and the brooks all freeze,
Then above the gardens where the dead flowers lie,
Swarm the merry millions of the wild white bees.
II
Out of the high-built airy hive,
Deep in the clouds that veil the sun,
Look how the first of the swarm arrive;
Timidly venturing, one by one,
Down through the tranquil air,
Wavering here and there,
Large, and lazy in flight, --
Caught by a lift of the breeze,
Tangled among the naked trees, --
Dropping then, without a sound,
Feather-white, feather-light,
To their rest on the ground.
III
Thus the swarming is begun.
Count the leaders, every one
Perfect as a perfect star
Till the slow descent is done.
Look beyond them, see how far
Down the vistas dim and grey,
Multitudes are on the way.
Now a sudden brightness
Dawns within the sombre day,
Over fields of whiteness;
And the sky is swiftly alive
With the flutter and the flight
Of the shimmering bees, that pour
From the hidden door of the hive
Till you can count no more.
IV
Now on the branches of hemlock and pine
Thickly they settle and cluster and swing,
Bending them low; and the trellised vine
And the dark elm-boughs are traced with a line
Of beauty wherever the white bees cling.
Now they are hiding the wrecks of the flowers,
Softly, softly, covering all,
Over the grave of the summer hours
Spreading a silver pall.
Now they are building the broad roof ledge,
Into a cornice smooth and fair,
Moulding the terrace, from edge to edge,
Into the sweep of a marble stair.
Wonderful workers, swift and dumb,
Numberless myriads, still they come,
Thronging ever faster, faster, faster!
Where is their queen? Who is their master?
The gardens are faded, the fields are frore,
How will they fare in a world so bleak?
Where is the hidden honey they seek?
What is the sweetness they toil to store
In the desolate day, where no blossoms gleam?
Forgetfulness and a dream!
V
But now the fretful wind awakes;
I hear him girding at the trees;
He strikes the bending boughs, and shakes
The quiet clusters of the bees
To powdery drift;
He tosses them away,
He drives them like spray;
He makes them veer and shift
Around his blustering path.
In clouds blindly whirling,
In rings madly swirling,
Full of crazy wrath,
So furious and fast they fly
They blur the earth and blot the sky
In wild, white mirk.
They fill the air with frozen wings
And tiny, angry, icy stings;
They blind the eyes, and choke the breath,
They dance a maddening dance of death
Around their work,
Sweeping the cover from the hill,
Heaping the hollows deeper still,
Effacing every line and mark,
And swarming, storming in the dark
Through the long night;
Until, at dawn, the wind lies down,
Weary of fight.
The last torn cloud, with trailing gown,
Passes the open gates of light;
And the white bees are lost in flight.
VI
Look how the landscape glitters wide and still,
Bright with a pure surprise!
The day begins with joy, and all past ill,
Buried in white oblivion, lies
Beneath the snowdrifts under crystal skies.
New hope, new love, new life, new cheer,
Flow in the sunrise beam,--
The gladness of Apollo when he sees,
Upon the bosom of the wintry year,
The honey-harvest of his wild white bees,
Forgetfulness and a dream!
III
LEGEND
LISTEN, my beloved, while the silver morning,
like a tranquil vision,
Fills the world around us and our hearts with peace;
Quiet is the close of Aristæus' legend, happy is
the ending --
Listen while I tell you how he found release.
Many months he wandered far away in sadness,
desolately thinking
Only of the vanished joys he could not find;
Till the great Apollo, pitying his shepherd, loosed
him from the burden
Of a dark, reluctant, backward-looking mind.
Then he saw around him all the changeful beauty
of the changing seasons,
In the world-wide regions where his journey lay;
Birds that sang to cheer him, flowers that bloomed
beside him, stars that shone to guide him, --
Traveller's joy was plenty all along the way!
Everywhere he journeyed strangers made him
welcome, listened while he taught them
Secret lore of field and forest he had learned:
How to train the vines and make the olives fruit-
ful; how to guard the sheepfolds;
How to stay the fever when the dog-star burned.
Friendliness and blessing followed in his foot-
steps; richer were the harvests,
Happier the dwellings, wheresoe'er he came;
Little children loved him, and he left behind him,
in the hour of parting,
Memories of kindness and a god-like name.
So he travelled onward, desolate no longer,
patient in his seeking,
Reaping all the wayside comfort of his quest;
Till at last in Thracia, high upon Mount Hæmus,
far from human dwelling,
Weary Aristæus laid him down to rest.
Then the honey-makers, clad in downy whiteness,
fluttered soft around him,
Wrapt him in a dreamful slumber pure and deep.
This is life, beloved: first a sheltered garden,
then a troubled journey,
Joy and pain of seeking, -- and at last we sleep!
|