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Best Famous Posted Poems

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Written by Gwendolyn Brooks | Create an image from this poem

The Lovers of the Poor

 arrive.
The Ladies from the Ladies' Betterment League Arrive in the afternoon, the late light slanting In diluted gold bars across the boulevard brag Of proud, seamed faces with mercy and murder hinting Here, there, interrupting, all deep and debonair, The pink paint on the innocence of fear; Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care, Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel! You had better not throw stones upon the wrens! Herein they kiss and coddle and assault Anew and dearly in the innocence With which they baffle nature.
Who are full, Sleek, tender-clad, fit, fiftyish, a-glow, all Sweetly abortive, hinting at fat fruit, Judge it high time that fiftyish fingers felt Beneath the lovelier planes of enterprise.
To resurrect.
To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor.
The very very worthy And beautiful poor.
Perhaps just not too swarthy? Perhaps just not too dirty nor too dim Nor--passionate.
In truth, what they could wish Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze! God shield them sharply from the beggar-bold! The noxious needy ones whose battle's bald Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans, Dead porridges of assorted dusty grains, The old smoke, heavy diapers, and, they're told, Something called chitterlings.
The darkness.
Drawn Darkness, or dirty light.
The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness.
Old Wood.
Old marble.
Old tile.
Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic, There is no quiet drama, no rubbed glaze, no Unkillable infirmity of such A tasteful turn as lately they have left, Glencoe, Lake Forest, and to which their cars Must presently restore them.
When they're done With dullards and distortions of this fistic Patience of the poor and put-upon.
They've never seen such a make-do-ness as Newspaper rugs before! In this, this "flat," Their hostess is gathering up the oozed, the rich Rugs of the morning (tattered! the bespattered .
.
.
), Readies to spread clean rugs for afternoon.
Here is a scene for you.
The Ladies look, In horror, behind a substantial citizeness Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor And tortured thereover, potato peelings, soft- Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put Their money collected from delicate rose-fingers Tipped with their hundred flawless rose-nails seems .
.
.
They own Spode, Lowestoft, candelabra, Mantels, and hostess gowns, and sunburst clocks, Turtle soup, Chippendale, red satin "hangings," Aubussons and Hattie Carnegie.
They Winter In Palm Beach; cross the Water in June; attend, When suitable, the nice Art Institute; Buy the right books in the best bindings; saunter On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre With fissures everywhere! Why, what are bringings Of loathe-love largesse? What shall peril hungers So old old, what shall flatter the desolate? Tin can, blocked fire escape and chitterling And swaggering seeking youth and the puzzled wreckage Of the middle passage, and urine and stale shames And, again, the porridges of the underslung And children children children.
Heavens! That Was a rat, surely, off there, in the shadows? Long And long-tailed? Gray? The Ladies from the Ladies' Betterment League agree it will be better To achieve the outer air that rights and steadies, To hie to a house that does not holler, to ring Bells elsetime, better presently to cater To no more Possibilities, to get Away.
Perhaps the money can be posted.
Perhaps they two may choose another Slum! Some serious sooty half-unhappy home!-- Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center Of the hall as they walk down the hysterical hall, They allow their lovely skirts to graze no wall, Are off at what they manage of a canter, And, resuming all the clues of what they were, Try to avoid inhaling the laden air.


Written by Billy Collins | Create an image from this poem

Dear Reader

 Baudelaire considers you his brother,
and Fielding calls out to you every few paragraphs 
as if to make sure you have not closed the book,
and now I am summoning you up again,
attentive ghost, dark silent figure standing 
in the doorway of these words.
Pope welcomes you into the glow of his study, takes down a leather-bound Ovid to show you.
Tennyson lifts the latch to a moated garden, and with Yeats you lean against a broken pear tree, the day hooded by low clouds.
But now you are here with me, composed in the open field of this page, no room or manicured garden to enclose us, no Zeitgeist marching in the background, no heavy ethos thrown over us like a cloak.
Instead, our meeting is so brief and accidental, unnoticed by the monocled eye of History, you could be the man I held the door for this morning at the bank or post office or the one who wrapped my speckled fish.
You could be someone I passed on the street or the face behind the wheel of an oncoming car.
The sunlight flashes off your windshield, and when I look up into the small, posted mirror, I watch you diminish—my echo, my twin— and vanish around a curve in this whip of a road we can't help traveling together.
Written by Anne Sexton | Create an image from this poem

Some Foreign Letters

 I knew you forever and you were always old,
soft white lady of my heart.
Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house.
And I see you as a young girl in a good world still, writing three generations before mine.
I try to reach into your page and breathe it back.
.
.
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz.
I loved you last, a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover.
Tonight your letters reduce history to a guess.
The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors.
When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago.
I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body.
You let the Count choose your next climb.
You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser.
You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne.
The Count sweated with his coat off as you waded through top snow.
He held your hand and kissed you.
You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome.
This is Italy.
You learn its mother tongue.
I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here with your best hat over your face.
I cried because I was seventeen.
I am older now.
I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July.
One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze.
You worked your New England conscience out beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice; learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine.
I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony.
And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Written by Robert Browning | Create an image from this poem

Childe Roland to the Dark Tower Came

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare, If at his council I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower.
Yet acquiescingly I did turn as he pointed: neither pride Nor hope rekindling at the end descried, So much as gladness that some end might be.
For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, - I hardly tried now to rebuke the spring My heart made, finding failure in its scope.
As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bid the other go, draw breath Freelier outside, ('since all is o'er,' he saith, 'And the blow fallen no grieving can amend';) While some discuss if near the other graves Be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves: And still the man hears all, and only craves He may not shame such tender love and stay.
Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' - to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? So, quiet as despair, I turned from him, That hateful cripple, out of his highway Into the path he pointed.
All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray.
For mark! no sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backward a last view O'er the safe road, 'twas gone; grey plain all round: Nothing but plain to the horizon's bound.
I might go on; naught else remained to do.
So, on I went.
I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind, with none to awe, You'd think: a burr had been a treasure-trove.
No! penury, inertness and grimace, In some strange sort, were the land's portion.
'See Or shut your eyes,' said Nature peevishly, 'It nothing skills: I cannot help my case: 'Tis the Last Judgement's fire must cure this place, Calcine its clods and set my prisoners free.
' If there pushed any ragged thistle-stalk Above its mates, the head was chopped; the bents Were jealous else.
What made those holes and rents In the dock's harsh swarth leaves, bruised as to balk All hope of greeness? 'tis a brute must walk Pushing their life out, with a brute's intents.
As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare, Stood stupefied, however he came there: Thrust out past service from the devil's stud! Alive? he might be dead for aught I know, With that red gaunt and colloped neck a-strain, And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain.
I shut my eyes and turned them on my heart.
As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part.
Think first, fight afterwards - this soldier's art: One taste of the old time sets all to rights.
Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm in mine to fix me to the place, That way he used.
Alas, one night's disgrace! Out went my heart's new fire and left it cold.
Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman-hands Pin to his breast a parchment? His own bands Read it.
Poor traitor, spit upon and curst! Better this present than a past like that; Back therefore to my darkening path again! No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train.
A sudden little river crossed my path As unexpected as a serpent comes.
No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes.
So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit.
Which, while I forded, - good saints, how I feared To set my foot upon a dead man's cheek, Each step, or feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek.
Glad was I when I reached the other bank.
Now for a better country.
Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank Soil to a plash? Toads in a poisoned tank, Or wild cats in a red-hot iron cage - The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose? No foot-print leading to that horrid mews, None out of it.
Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? with all the air Of Tophet's tool, on earth left unaware, Or brought to sharpen its rusty teeth of steel.
Then came a bit of stubbed ground, once a wood, Next a marsh, it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand and stark black dearth.
Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils.
And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom-friend, Sailed past, not beat his wide wing dragon-penned That brushed my cap - perchance the guide I sought.
For, looking up, aware I somehow grew, 'Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view.
How thus they had surprised me, - solve it, you! How to get from then was no clearer case.
Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps.
Here ended, the, Progress this way.
When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den! Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left, a tall scalped mountain.
.
.
Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world.
The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start.
Not see? because of night perhaps? - why, day Came back again for that! before it left, The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - 'Now stab and end the creature - to the heft!' Not hear? when noise was everywhere! it tolled Increasing like a bell.
Names in my ears Of all the lost adventurers my peers, - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years.
There they stood, ranged along the hill-sides, met To view the last of me, a living frame For one more picture! in a sheet of flame I saw them and I knew them all.
And yet Dauntless the slug-horn to my lips I set, And blew.
'Childe Roland to the Dark Tower came.
'
Written by Majeed Amjad | Create an image from this poem

A Poem

Sons, my native land has sons
born on soil
barren and rocky and lone
for ages lone
across the gaping wilderness tear
ruthless winds and torrents of pain
sweep in epochs.
sweep them out.
Sons of mountains radiant petals of jasmine gay specks of time-less age-less rocks elegant, fair and tender moulds lumps of leathern coarsened hearts damned by sun and wind and time dashed from tops.
they seek a home lost in dust beneath their feet On a heap of squalid unscrubbed pans immersed in simmering scalding water the toiling sweating hands do seek the blessed home for ages they have thought and dreamed.
In towns flourshing along the banks of mountain brooks stays a-while a fleeting cloud of gloom.
.
.
.
.
.
.
The Home! and from an urban sheeted roof curls into waves of trailing smoke.
The brook is limpid murmuring gold the smoke is trailing meandering gold the killers are killers of conscience grace and candid souls if ever they marked the wave of anguish a dash, a span among the torrents of water and sweat the rocks in hearts the dark sinister rocks would fall.
(Translated from Urdu By Balraj Komal, Posted By Anila A.
)


Written by Walt Whitman | Create an image from this poem

Eidólons

 I MET a Seer, 
Passing the hues and objects of the world, 
The fields of art and learning, pleasure, sense, To glean Eidólons.
Put in thy chants, said he, No more the puzzling hour, nor day—nor segments, parts, put in, Put first before the rest, as light for all, and entrance-song of all, That of Eidólons.
Ever the dim beginning; Ever the growth, the rounding of the circle; Ever the summit, and the merge at last, (to surely start again,) Eidólons! Eidólons! Ever the mutable! Ever materials, changing, crumbling, re-cohering; Ever the ateliers, the factories divine, Issuing Eidólons! Lo! I or you! Or woman, man, or State, known or unknown, We seeming solid wealth, strength, beauty build, But really build Eidólons.
The ostent evanescent; The substance of an artist’s mood, or savan’s studies long, Or warrior’s, martyr’s, hero’s toils, To fashion his Eidólon.
Of every human life, (The units gather’d, posted—not a thought, emotion, deed, left out;) The whole, or large or small, summ’d, added up, In its Eidólon.
The old, old urge; Based on the ancient pinnacles, lo! newer, higher pinnacles; From Science and the Modern still impell’d, The old, old urge, Eidólons.
The present, now and here, America’s busy, teeming, intricate whirl, Of aggregate and segregate, for only thence releasing, To-day’s Eidólons.
These, with the past, Of vanish’d lands—of all the reigns of kings across the sea, Old conquerors, old campaigns, old sailors’ voyages, Joining Eidólons.
Densities, growth, façades, Strata of mountains, soils, rocks, giant trees, Far-born, far-dying, living long, to leave, Eidólons everlasting.
Exaltè, rapt, extatic, The visible but their womb of birth, Of orbic tendencies to shape, and shape, and shape, The mighty Earth-Eidólon.
All space, all time, (The stars, the terrible perturbations of the suns, Swelling, collapsing, ending—serving their longer, shorter use,) Fill’d with Eidólons only.
The noiseless myriads! The infinite oceans where the rivers empty! The separate, countless free identities, like eyesight; The true realities, Eidólons.
Not this the World, Nor these the Universes—they the Universes, Purport and end—ever the permanent life of life, Eidólons, Eidólons.
Beyond thy lectures, learn’d professor, Beyond thy telescope or spectroscope, observer keen—beyond all mathematics, Beyond the doctor’s surgery, anatomy—beyond the chemist with his chemistry, The entities of entities, Eidólons.
Unfix’d, yet fix’d; Ever shall be—ever have been, and are, Sweeping the present to the infinite future, Eidólons, Eidólons, Eidólons.
The prophet and the bard, Shall yet maintain themselves—in higher stages yet, Shall mediate to the Modern, to Democracy—interpret yet to them, God, and Eidólons.
And thee, My Soul! Joys, ceaseless exercises, exaltations! Thy yearning amply fed at last, prepared to meet, Thy mates, Eidólons.
Thy Body permanent, The Body lurking there within thy Body, The only purport of the Form thou art—the real I myself, An image, an Eidólon.
Thy very songs, not in thy songs; No special strains to sing—none for itself; But from the whole resulting, rising at last and floating, A round, full-orb’d Eidólon.
Written by William Topaz McGonagall | Create an image from this poem

The Battle of Sheriffmuir

 'Twas in the year 1715, and on the 10th of November,
Which the people of Scotland have cause to remember;
On that day the Earl of Mar left Perth bound for Sheriffmuir,
At the same time leaving behind a garrison under Colonel Balfour.
Besides leaving a force of about three thousand men quartered in different parts of Fife, To protect the people's property, and quell party strife, The army along with him amounted to three thousand foot and twelve hundred cavalry, All in the best of order, a most pleasant sight to see.
The two armies bivouacked near Sheriffmuir during the night, And around their camp-fires they talked concerning the coming fight.
The Duke of Argyle's English army numbered eight thousand strong, Besides four hundred horse, posted in the rear all along.
And the centre of the first line was composed of ten battalions of foot, Consisting of about four thousand, under the command of Clanranald and Glengarry to boot; And at the head of these battalions Sir John Maclean and Brigadier Ogilvie, And the two brothers of Sir Donald Macdonald of Sleat, all in high glee.
The Marquis of Huntly's squadron of horse was also there; Likewise the Stirling squadron, carrying the Chevalier's standard, I do declare; And the Perthshire squadron formed the left wing, And with their boisterous shouts they made the welkin ring.
The centre of the second line consisted of eight battalions of infantry, And three of the Earl of Seaforth's foot, famous for their bravery; There were also two battalions of the Marquis of Huntly, Besides the Earl of Panmure's battalion, all men of high degree.
And those of the Marquis of Tullibardine, commanded by the Viscount of Strathallan, And of Logie Almond, and likewise Robertson of Strowan; Besides two squadrons of horse under the Earl Marischal, And the Angus squadron was on the left: these include them all.
During this formation, the Duke of Argyle was watching all the time, But owing to the ground occupied by them he couldn't see their line, Which was unfortunately obstructed by the brow of a hill, At the thought thereof the Duke's heart with fear did fill.
The hill was occupied by a party of Earl Mar's troops looking towards Dunblane, Which the Earl of Mar no doubt resolved to maintain; Then the Duke returned to the army, and ordered the drums to beat, But an hour elapsed before his army were ready Mar's to meet.
As soon as the Earl of Mar perceived Argyle's line was partially formed, He gave orders that Argyle's army should be instantly stormed.
Then Mar placed himself at the head of the clans, and led forward his men, As a noble hero would do, which no one can condemn.
Then he pulled off his hat, which he waved in his right hand, And when he arrived within pistol-shot the Highlanders made·a bold stand, And they poured in a volley upon the English infantry, And to the dismay of the Highlanders the English returned fire instantly.
And to the horror of the Highlanders Alan Muidartach was wounded mortally, Then he was carried off the field, a most pitiful sight to see; And as his men clustered around him they stood aghast, And before he died he told them to hold their posts fast.
While lamenting the death of the Captain of Clanranald most pitifully, Glengarry at this juncture sprang forward right manfully, And throwing his bonnet into the air, he cried, heroically, Revenge! revenge! revenge to-day ! and mourning to-morrow ye shall see! No sooner had he pronounced these words than the Highlanders rushed forward, sword in hand, Upon the royal battalions with the utmost fury, which they could not withstand, And with their broadswords among the enemy they spread death and dismay, Until the three battalions of Argyle's left wing instantly gave way.
Then a complete rout ensued, and the Earl of Mar pursued them half-a-mile; Then he ordered his men to halt and rest a while, Until he should put them into order right speedily, Then follow the enemy at the double-march and complete the victory.
Then the Highlanders chased them and poured in a volley, Besides they hewed them down with their broadswords mercilessly; But somehow both armies got mixed together, and a general rout ensued, While the Highlanders eagerly the English army hotly pursued.
The success on either side is doubtful to this day, And all that can be said is, both armies ran away; And on whichsoever side success lay it was toward the Government, And to allay all doubts about which party won, we must feel content.
Written by Seamus Heaney | Create an image from this poem

From The Frontier Of Writing

 The tightness and the nilness round that space 
when the car stops in the road, the troops inspect 
its make and number and, as one bends his face 

towards your window, you catch sight of more 
on a hill beyond, eyeing with intent 
down cradled guns that hold you under cover 

and everything is pure interrogation 
until a rifle motions and you move 
with guarded unconcerned acceleration— 

a little emptier, a little spent 
as always by that quiver in the self, 
subjugated, yes, and obedient.
So you drive on to the frontier of writing where it happens again.
The guns on tripods; the sergeant with his on-off mike repeating data about you, waiting for the squawk of clearance; the marksman training down out of the sun upon you like a hawk.
And suddenly you're through, arraigned yet freed, as if you'd passed from behind a waterfall on the black current of a tarmac road past armor-plated vehicles, out between the posted soldiers flowing and receding like tree shadows into the polished windscreen.
Written by William Topaz McGonagall | Create an image from this poem

The Battle of Alexandria

 It was on the 21st of March in the year of 1801,
The British were at their posts every man;
And their position was naturally very strong,
And the whole line from sea to lake was about a mile long.
And on the ruins of a Roman Palace, rested the right, And every man amongst them was eager for the fight, And the reserve was under the command of Major General Moore, A hero brave, whose courage was both firm and sure.
And in the valley between the right were the cavalry, Which was really a most beautiful sight to see; And the 28th were posted in a redoubt open in the rear, Determined to hold it to the last without the least fear.
And the Guards and the Inniskillings were eager for the fray, Also the Gordon Highlanders and Cameron Highlanders in grand array; Likewise the dismounted Cavalry and the noble Dragoons, Who never fear'd the cannons shot when it loudly booms.
And between the two armies stretched a sandy plain, Which the French tried to chase the British off, but it was all in vain, And a more imposing battle-field seldom has been chosen, But alack the valour of the French soon got frozen.
Major General Moore was the general officer of the night, And had galloped off to the left and to the right, The instant he heard the enemy briskly firing; He guessed by their firing they had no thought of retiring.
Then a wild broken huzza was heard from the plain below, And followed by a rattle of musketry from the foe; Then the French advanced in column with their drums loudly beating, While their officers cried forward men and no retreating.
Then the colonel of the 58th reserved his fire, Until the enemy drew near, which was his desire; Then he ordered his men to attack them from behind the palace wall, Then he opened fire at thirty yards, which did the enemy appal.
And thus assailed in front, flank and rear, The French soon began to shake with fear; Then the 58th charged them with the bayonet, with courage unshaken, And all the enemy that entered the palace ruins were killed or taken.
Then the French Invincibles, stimulated by liquor and the promise of gold, Stole silently along the valley with tact and courage bold, Proceeded by a 6 pounder gun, between the right of the guards, But brave Lieutenant-Colonel Stewart quickly their progress retards.
Then Colonel Stewart cried to the right wing, Forward! My lads, and make the valley ring, And charge them with your bayonets and capture their gun, And before very long they will be glad to run.
Then loudly grew the din of battle, like to rend the skies, As Major Stirling's left wing faced, and charged them likewise; Then the Invincibles maddened by this double attack, Dashed forward on the palace ruins, but they soon were driven back.
And by the 58th, and Black Watch they were brought to bay, here, But still they were resolved to sell their lives most dear, And it was only after 650 of them had fallen in the fray, That the rest threw down their arms and quickly ran away.
Then unexpected, another great body of the enemy was seen, With their banners waving in the breeze, most beautiful and green; And advancing on the left of the redoubt, But General Moore instantly ordered the Black Watch out.
And he cried, brave Highlanders you are always in the hottest of the fight, Now make ready for the bayonet charge with all your might; And remember our country and your forefathers As soon as the enemy and ye foregathers.
Then the Black Watch responded with a loud shout, And charged them with their bayonets without fear or doubt; And the French tried hard to stand the charge, but it was all in vain, And in confusion they all fled across the sandy plain.
Oh! It was a glorious victory, the British gained that day, But the joy of it, alas! Was unfortunately taken away, Because Sir Ralph Abercrombie, in the hottest of the fight, was shot, And for his undaunted bravery, his name will never be forgot.
Written by Siegfried Sassoon | Create an image from this poem

Counter-Attack

 We’d gained our first objective hours before 
While dawn broke like a face with blinking eyes, 
Pallid, unshaved and thirsty, blind with smoke.
Things seemed all right at first.
We held their line, With bombers posted, Lewis guns well placed, And clink of shovels deepening the shallow trench.
The place was rotten with dead; green clumsy legs High-booted, sprawled and grovelled along the saps And trunks, face downward, in the sucking mud, Wallowed like trodden sand-bags loosely filled; And naked sodden buttocks, mats of hair, Bulged, clotted heads slept in the plastering slime.
And then the rain began,—the jolly old rain! A yawning soldier knelt against the bank, Staring across the morning blear with fog; He wondered when the Allemands would get busy; And then, of course, they started with five-nines Traversing, sure as fate, and never a dud.
Mute in the clamour of shells he watched them burst Spouting dark earth and wire with gusts from hell, While posturing giants dissolved in drifts of smoke.
He crouched and flinched, dizzy with galloping fear, Sick for escape,—loathing the strangled horror And butchered, frantic gestures of the dead.
An officer came blundering down the trench: ‘Stand-to and man the fire-step!’ On he went.
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Gasping and bawling, ‘Fire-step .
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counter-attack!’ Then the haze lifted.
Bombing on the right Down the old sap: machine-guns on the left; And stumbling figures looming out in front.
‘O Christ, they’re coming at us!’ Bullets spat, And he remembered his rifle .
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rapid fire.
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And started blazing wildly .
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then a bang Crumpled and spun him sideways, knocked him out To grunt and wriggle: none heeded him; he choked And fought the flapping veils of smothering gloom, Lost in a blurred confusion of yells and groans.
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Down, and down, and down, he sank and drowned, Bleeding to death.
The counter-attack had failed.

Book: Reflection on the Important Things