Written by
Allen Ginsberg |
What thoughts I have of you tonight, Walt Whit-
man, for I walked down the sidestreets under the trees
with a headache self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images,
I went into the neon fruit supermarket, dreaming of
your enumerations!
What peaches and what penumbras! Whole fam-
ilies shopping at night! Aisles full of husbands! Wives
in the avocados, babies in the tomatoes!--and you,
Garcia Lorca, what were you doing down by the
watermelons?
I saw you, Walt Whitman, childless, lonely old
grubber, poking among the meats in the refrigerator
and eyeing the grocery boys.
I heard you asking questions of each: Who killed
the pork chops? What price bananas? Are you my
Angel?
I wandered in and out of the brilliant stacks of
cans following you, and followed in my imagination
by the store detective.
We strode down the open corridors together in
our solitary fancy tasting artichokes, possessing every
frozen delicacy, and never passing the cashier.
Where are we going, Walt Whitman? The doors
close in an hour.
Which way does your beard point
tonight?
(I touch your book and dream of our odyssey in the
supermarket and feel absurd.
)
Will we walk all night through solitary streets?
The trees add shade to shade, lights out in the houses,
we'll both be lonely.
Will we stroll dreaming ofthe lost America of love
past blue automobiles in driveways, home to our silent
cottage?
Ah, dear father, graybeard, lonely old courage-
teacher, what America did you have when Charon quit
poling his ferry and you got out on a smoking bank
and stood watching the boat disappear on the black
waters of Lethe?
|
Written by
Allen Ginsberg |
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts
Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go
One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad
Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone
Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan
Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts
Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise
Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there
on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry
Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek
No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.
On Jessore road Mother wept at my knees
Bengali tongue cried mister Please
Identity card torn up on the floor
Husband still waits at the camp office door
Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play our death curse
Two policemen surrounded by thousands of boys
Crowded waiting their daily bread joys
Carry big whistles & long bamboo sticks
to whack them in line They play hungry tricks
Breaking the line and jumping in front
Into the circle sneaks one skinny runt
Two brothers dance forward on the mud stage
Teh gaurds blow their whistles & chase them in rage
Why are these infants massed in this place
Laughing in play & pushing for space
Why do they wait here so cheerful & dread
Why this is the House where they give children bread
The man in the bread door Cries & comes out
Thousands of boys and girls Take up his shout
Is it joy? is it prayer? "No more bread today"
Thousands of Children at once scream "Hooray!"
Run home to tents where elders await
Messenger children with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.
Malnutrition skulls thousands for months
Dysentery drains bowels all at once
Nurse shows disease card Enterostrep
Suspension is wanting or else chlorostrep
Refugee camps in hospital shacks
Newborn lay naked on mother's thin laps
Monkeysized week old Rheumatic babe eye
Gastoenteritis Blood Poison thousands must die
September Jessore Road rickshaw
50,000 souls in one camp I saw
Rows of bamboo huts in the flood
Open drains, & wet families waiting for food
Border trucks flooded, food cant get past,
American Angel machine please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?
Where are the helicopters of U.
S.
AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?
Where are the President's Armies of Gold?
Billionaire Navies merciful Bold?
Bringing us medicine food and relief?
Napalming North Viet Nam and causing more grief?
Where are our tears? Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?
Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!
Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain
How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--
Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve in their mother's arms curled.
Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my loins?
What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?
How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and asphalt car dreams
Stinking the world and dimming star beams--
Finish the war in your breast with a sigh
Come tast the tears in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara on planet TV
How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast the children they've killed?
How many souls walk through Maya in pain
How many babes in illusory pain?
How many families hollow eyed lost?
How many grandmothers turning to ghost?
How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers make no more sound?
How many fathers in woe
How many sons nowhere to go?
How many daughters nothing to eat?
How many uncles with swollen sick feet?
Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children nowhere to go
New York, November 14-16, 1971
|
Written by
Charles Bukowski |
ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .
if it doesn't come, coax it out with a
laxative.
get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.
keep it coming like a miracle.
ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious .
.
.
in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage .
.
.
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
vomit.
hell, all our hearts are drowning in vomit,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.
and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D.
Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free pussy-
they .
.
.
FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!
poets.
and there's another
type.
I've met them at their country
places (don't ask me what I was doing there because
I don't know).
they were born with money and
they don't have to dirty their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling pot.
this gives them time to understand
Life.
they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.
you are drinking green beer which you
brought with you
because you have found out through the years
that rich bastards are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars.
but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything.
which once might have been
true but is no longer quite
true.
and-
he WRITES TOO.
POETRY, of
course.
everybody
writes
poetry.
he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.
he thinks that poverty is a weakness of the
soul.
he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.
he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out.
she has been crying for some
reason.
you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime.
"
but he doesn't say when or
where.
and then you find out that you are not even
IN HIS HOUSE.
you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.
he even has x-wives in some of his
houses.
his main concern is to keep his x-wives away from
you.
he doesn't want to give up a
damn thing.
and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.
and!: they
WRITE POETRY TOO.
or
PAINT.
or
****.
but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.
meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.
the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
dirty and
ignorant.
dirty? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.
he or they or somebody was supposed to meet me at
the
train station.
of course, they weren't
there.
"We'll be there to meet the great
Poet!"
well, I looked around and didn't see any
great poet.
besides it was 7 a.
m.
and
40 degrees.
those things
happen.
the trouble was there were no
bars open.
nothing open.
not even a
jail.
he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way.
he won't tell me whether I am crazy or
not-I don't have the
money.
he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.
my cheap green beer is killing
me.
he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.
he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.
"I'll buy you barrels of beer," he had
said.
I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky.
the town was ten miles away,
downhill.
I peeled my poor dollars from my poor
roll.
and the boy needed a tip, of
course.
the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley.
certainly Creeley wouldn't have
had beerstains on his
shirt.
anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.
scared too.
sure, I imagined him peering
through the window-
he didn't want to give up a damn thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the ass first and
my poor brain
later.
"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives.
"
I see him published in some of the magazines
now.
not very good stuff.
a poem about me
too: the Polack.
the Polack whines too much.
the Polack whines about his
country, other countries, all countries, the Polack
works overtime in a factory like a fool, among other
fools with "pre-drained spirits.
"
the Polack drinks seas of green beer
full of acid.
the Polack has an ulcerated
hemorrhoid.
the Polack picks on fags
"fragile fags.
" the Polack hates his
wife, hates his daughter.
his daughter will become
an alcoholic, a prostitute.
the Polack has an
"obese burned out wife.
" the Polack has a
spastic gut.
the Polack has a
"rectal brain.
"
thank you, Doctor (and poet).
any charge for
this? I know I still owe you for the
pill.
Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball.
but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare.
got an Indian friend who'd like to meet
you and yours.
he swears he's got the biggest
pecker in the state of California.
and guess what?
he writes
POETRY
too!
|
Written by
Gregory Corso |
Budger of history Brake of time You Bomb
Toy of universe Grandest of all snatched sky I cannot hate you
Do I hate the mischievous thunderbolt the jawbone of an ass
The bumpy club of One Million B.
C.
the mace the flail the axe
Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
And hath not St.
Michael a burning sword St.
George a lance David a sling
Bomb you are as cruel as man makes you and you're no crueller than cancer
All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
They'd rather die by anything but you Death's finger is free-lance
Not up to man whether you boom or not Death has long since distributed its
categorical blue I sing thee Bomb Death's extravagance Death's jubilee
Gem of Death's supremest blue The flyer will crash his death will differ
with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
O there are deaths like witches of Arc Scarey deaths like Boris Karloff
No-feeling deaths like birth-death sadless deaths like old pain Bowery
Abandoned deaths like Capital Punishment stately deaths like senators
And unthinkable deaths like Harpo Marx girls on Vogue covers my own
I do not know just how horrible Bombdeath is I can only imagine
Yet no other death I know has so laughable a preview I scope
a city New York City streaming starkeyed subway shelter
Scores and scores A fumble of humanity High heels bend
Hats whelming away Youth forgetting their combs
Ladies not knowing what to do with their shopping bags
Unperturbed gum machines Yet dangerous 3rd rail
Ritz Brothers from the Bronx caught in the A train
The smiling Schenley poster will always smile
Impish death Satyr Bomb Bombdeath
Turtles exploding over Istanbul
The jaguar's flying foot
soon to sink in arctic snow
Penguins plunged against the Sphinx
The top of the Empire state
arrowed in a broccoli field in Sicily
Eiffel shaped like a C in Magnolia Gardens
St.
Sophia peeling over Sudan
O athletic Death Sportive Bomb
the temples of ancient times
their grand ruin ceased
Electrons Protons Neutrons
gathering Hersperean hair
walking the dolorous gulf of Arcady
joining marble helmsmen
entering the final ampitheater
with a hymnody feeling of all Troys
heralding cypressean torches
racing plumes and banners
and yet knowing Homer with a step of grace
Lo the visiting team of Present
the home team of Past
Lyre and tube together joined
Hark the hotdog soda olive grape
gala galaxy robed and uniformed
commissary O the happy stands
Ethereal root and cheer and boo
The billioned all-time attendance
The Zeusian pandemonium
Hermes racing Owens
The Spitball of Buddha
Christ striking out
Luther stealing third
Planeterium Death Hosannah Bomb
Gush the final rose O Spring Bomb
Come with thy gown of dynamite green
unmenace Nature's inviolate eye
Before you the wimpled Past
behind you the hallooing Future O Bomb
Bound in the grassy clarion air
like the fox of the tally-ho
thy field the universe thy hedge the geo
Leap Bomb bound Bomb frolic zig and zag
The stars a swarm of bees in thy binging bag
Stick angels on your jubilee feet
wheels of rainlight on your bunky seat
You are due and behold you are due
and the heavens are with you
hosanna incalescent glorious liaison
BOMB O havoc antiphony molten cleft BOOM
Bomb mark infinity a sudden furnace
spread thy multitudinous encompassed Sweep
set forth awful agenda
Carrion stars charnel planets carcass elements
Corpse the universe tee-hee finger-in-the-mouth hop
over its long long dead Nor
From thy nimbled matted spastic eye
exhaust deluges of celestial ghouls
From thy appellational womb
spew birth-gusts of of great worms
Rip open your belly Bomb
from your belly outflock vulturic salutations
Battle forth your spangled hyena finger stumps
along the brink of Paradise
O Bomb O final Pied Piper
both sun and firefly behind your shock waltz
God abandoned mock-nude
beneath His thin false-talc's apocalypse
He cannot hear thy flute's
happy-the-day profanations
He is spilled deaf into the Silencer's warty ear
His Kingdom an eternity of crude wax
Clogged clarions untrumpet Him
Sealed angels unsing Him
A thunderless God A dead God
O Bomb thy BOOM His tomb
That I lean forward on a desk of science
an astrologer dabbling in dragon prose
half-smart about wars bombs especially bombs
That I am unable to hate what is necessary to love
That I can't exist in a world that consents
a child in a park a man dying in an electric-chair
That I am able to laugh at all things
all that I know and do not know thus to conceal my pain
That I say I am a poet and therefore love all man
knowing my words to be the acquainted prophecy of all men
and my unwords no less an acquaintanceship
That I am manifold
a man pursuing the big lies of gold
or a poet roaming in bright ashes
or that which I imagine myself to be
a shark-toothed sleep a man-eater of dreams
I need not then be all-smart about bombs
Happily so for if I felt bombs were caterpillars
I'd doubt not they'd become butterflies
There is a hell for bombs
They're there I see them there
They sit in bits and sing songs
mostly German songs
And two very long American songs
and they wish there were more songs
especially Russian and Chinese songs
and some more very long American songs
Poor little Bomb that'll never be
an Eskimo song I love thee
I want to put a lollipop
in thy furcal mouth
A wig of Goldilocks on thy baldy bean
and have you skip with me Hansel and Gretel
along the Hollywoodian screen
O Bomb in which all lovely things
moral and physical anxiously participate
O fairylike plucked from the
grandest universe tree
O piece of heaven which gives
both mountain and anthill a sun
I am standing before your fantastic lily door
I bring you Midgardian roses Arcadian musk
Reputed cosmetics from the girls of heaven
Welcome me fear not thy opened door
nor thy cold ghost's grey memory
nor the pimps of indefinite weather
their cruel terrestial thaw
Oppenheimer is seated
in the dark pocket of Light
Fermi is dry in Death's Mozambique
Einstein his mythmouth
a barnacled wreath on the moon-squid's head
Let me in Bomb rise from that pregnant-rat corner
nor fear the raised-broom nations of the world
O Bomb I love you
I want to kiss your clank eat your boom
You are a paean an acme of scream
a lyric hat of Mister Thunder
O resound thy tanky knees
BOOM BOOM BOOM BOOM BOOM
BOOM ye skies and BOOM ye suns
BOOM BOOM ye moons ye stars BOOM
nights ye BOOM ye days ye BOOM
BOOM BOOM ye winds ye clouds ye rains
go BANG ye lakes ye oceans BING
Barracuda BOOM and cougar BOOM
Ubangi BOOM orangutang
BING BANG BONG BOOM bee bear baboon
ye BANG ye BONG ye BING
the tail the fin the wing
Yes Yes into our midst a bomb will fall
Flowers will leap in joy their roots aching
Fields will kneel proud beneath the halleluyahs of the wind
Pinkbombs will blossom Elkbombs will perk their ears
Ah many a bomb that day will awe the bird a gentle look
Yet not enough to say a bomb will fall
or even contend celestial fire goes out
Know that the earth will madonna the Bomb
that in the hearts of men to come more bombs will be born
magisterial bombs wrapped in ermine all beautiful
and they'll sit plunk on earth's grumpy empires
fierce with moustaches of gold
|
Written by
Carolyn Kizer |
1.
Had the ham bone, had the lentils,
Got to meat store for the salt pork,
Got to grocery for the celery.
Had the onions, had the garlic,
Borrowed carrots from the neighbor.
Had the spices, had the parsley.
One big kettle I had not got;
Borrowed pot and lid from landlord.
2.
Dice the pork and chop the celery,
Chop the onions, chop the carrots,
Chop the tender index finger.
Put the kettle on the burner,
Drop the lentils into kettle:
Two quarts water, two cups lentils.
Afternoon is wearing on.
3.
Sauté pork and add the veggies,
Add the garlic, cook ten minutes,
Add to lentils, add to ham bone;
Add the bayleaf, cloves in cheesecloth,
Add the cayenne! Got no cayenne!
Got paprika, salt and pepper.
Bring to boil, reduce heat, simmer.
Did I say that this is summer?
Simmer, summer, summer, simmer.
Mop the floor and suck the finger.
Mop the brow with old potholder.
4.
Time is up! Discard the cheesecloth.
Force the mixture thru the foodmill
(having first discarded ham bone).
Add the lean meat from the ham bone;
Reheat soup and chop the parsley.
Now that sweating night has fallen,
Try at last the finished product:
5.
Tastes like mud, the finished product.
Looks like mud, the finished product.
Consistency of mud the dinner.
(Was it lentils, Claiborne, me?)
Flush the dinner down disposall,
Say to hell with ham bone, lentils,
New York Times's recipe.
Purchase Campbell's.
Just add water.
Concentrate on poetry:
By the shores of Gitche Gumee
You can bet the banks were muddy,
Not like Isle of Innisfree.
|
Written by
Henry Lawson |
From Woolwich and Brentford and Stamford Hill, from Richmond into the Strand,
Oh, the Cockney soul is a silent soul – as it is in every land!
But out on the sand with a broken band it's sarcasm spurs them through;
And, with never a laugh, in a gale and a half, 'tis the Cockney cheers the crew.
Oh, send them a tune from the music-halls with a chorus to shake the sky!
Oh, give them a deep-sea chanty now – and a star to steer them by!
Now this is a song of the great untrained, a song of the Unprepared,
Who had never the brains to plead unfit, or think of the things they dared;
Of the grocer-souled and the draper-souled, and the clerks of the four o'clock,
Who stood for London and died for home in the nineteen-fourteen shock.
Oh, this is a pork-shop warrior's chant – come back from it, maimed and blind,
To a little old counter in Grey's Inn-road and a tiny parlour behind;
And the bedroom above, where the wife and he go silently mourning yet
For a son-in-law who shall never come back and a dead son's room "To Let".
(But they have a boy "in the fried-fish line" in a shop across the "wye",
Who will take them "aht" and "abaht" to-night and cheer their old eyes dry.
)
And this is a song of the draper's clerk (what have you all to say?) –
He'd a tall top-hat and a walking-coat in the city every day –
He wears no flesh on his broken bones that lie in the shell-churned loam;
For he went over the top and struck with his cheating yard-wand – home.
(Oh, touch your hat to the tailor-made before you are aware,
And lilt us a lay of Bank-holiday and the lights of Leicester-square!)
Hats off to the dowager lady at home in her house in Russell-square!
Like the pork-shop back and the Brixton flat, they are silently mourning there;
For one lay out ahead of the rest in the slush 'neath a darkening sky,
With the blood of a hundred earls congealed and his eye-glass to his eye.
(He gave me a cheque in an envelope on a distant gloomy day;
He gave me his hand at the mansion door and he said: "Good-luck! Good-bai!")
|
Written by
Philip Levine |
Hungry and cold, I stood in a doorway
on Delancey Street in 1946
as the rain came down.
The worst part is this
is not from a bad movie.
I'd read Dos Passos'
USA and thought, "Before the night ends
my life will change.
" A stranger would stop
to ask for my help, a single stranger
more needy than I, if such a woman
were possible.
I still had cigarettes,
damp matches, and an inaccurate map
of Manhattan in my head, and the change
from the one $20 traveler's check
I'd cashed in a dairy restaurant where
the amazed owner actually proclaimed
to the busy heads, "They got Jews in Detroit!"
You can forgive the night.
No one else was dumb
enough to be out.
Sure, it was Easter.
Was I expecting crocus and lilac
to burst from the pavement and sweeten
the air the way they did in Michigan once
upon a time? This wouldn't be so bad
if you were only young once.
Once would be fine.
You stand out in the rain once and get wet
expecting to enter fiction.
You huddle
under the Williamsburg Bridge posing for Life.
You trek to the Owl Hotel to lie awake
in a room the size of a cat box and smell
the dawn as it leaks under the shade
with the damp welcome you deserve.
Just the once
you earn your doctorate in mismanagement.
So I was eighteen, once, fifty years ago,
a kid from a small town with big ideas.
Gatsby said if Detroit is your idea
of a small town you need another idea,
and I needed several.
I retied my shoes, washed
my face, brushed my teeth with a furry tongue,
counted out my $11.
80
on the broken bed, and decided the time
had come to mature.
How else can I explain
voting for Adlai Stevenson once and once
again, planting a lemon tree in hard pan,
loaning my Charlie Parker 78s
to an out-of-work actor, eating pork loin
barbecued on Passover, tangoing
perfectly without music even with you?
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Written by
Mari Evans |
I am a black woman
the music of my song
some sweet arpeggio of tears
is written in a minor key
and I
can be heard humming in the night
Can be heard
humming
in the night
I saw my mate leap screaming to the sea
and I/with these hands/cupped the lifebreath
from my issue in the canebrake
I lost Nat's swinging body in a rain of tears
and heard my son scream all the way from Anzio
for Peace he never knew....I
learned Da Nang and Pork Chop Hill
in anguish
Now my nostrils know the gas
and these trigger tire/d fingers
seek the softness in my warrior's beard
I am a black woman
tall as a cypress
strong
beyond all definition still
defying place
and time
and circumstance
assailed
impervious
indestructible
Look
on me and be
renewed
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Written by
G K Chesterton |
"Why shouldn't I have a purely vegetarian drink? Why shouldn't I take vegetables in their highest form, so to speak? The modest vegetarians ought to stick to wine or beer, plain vegetable drinks, instead of filling their goblets with the blood of bulls and elephants, as all conventional meat-eaters do, I suppose"--Dalroy.
You will find me drinking rum,
Like a sailor in a slum,
You will find me drinking beer like a Bavarian
You will find me drinking gin
In the lowest kind of inn
Because I am a rigid Vegetarian.
So I cleared the inn of wine,
And I tried to climb the sign,
And I tried to hail the constable as "Marion.
"
But he said I couldn't speak,
And he bowled me to the Beak
Because I was a Happy Vegetarian.
Oh, I know a Doctor Gluck,
And his nose it had a hook,
And his attitudes were anything but Aryan;
So I gave him all the pork
That I had, upon a fork
Because I am myself a Vegetarian.
I am silent in the Club,
I am silent in the pub.
,
I am silent on a bally peak in Darien;
For I stuff away for life
Shoving peas in with a knife,
Because I am a rigid Vegetarian.
No more the milk of cows
Shall pollute my private house
Than the milk of the wild mares of the Barbarian
I will stick to port and sherry,
For they are so very, very,
So very, very, very, Vegetarian.
|
Written by
Robert William Service |
With belly like a poisoned pup
Said I: 'I must give bacon up:
And also, I profanely fear,
I must abandon bread and beer
That make for portliness they say;
Yet of them copiously today
I ate with an increasingly sense
Of grievous corpulence.
I like a lot of thinks I like.
Too bad that I must go on strike
Against pork sausages and mash,
Spaghetti and fried corn-beef hash.
I deem he is a lucky soul
Who has no need of girth control;
For in the old of age: 'Il faut
Souffrir pour etre bean.
'
Yet let me not be unconsoled:
So many greybeards I behold,
Distinguished in affairs of state,
In culture counted with the Great,
Have tummies with a shameless bulge,
And so I think I'll still indulge
In eats I like without a qualm,
And damn my diaphragm!'
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