Written by
Rg Gregory |
it began as a secret desire (an itch
in the marrow too vague to get through
to the bone) an idea that never could
make it as flesh - there wasn't a part of me
sane i could tell that would have spared
it a breath to get started
so i slept
one midday i woke up with a bang - light
was bashing in through the windows
and suddenly out of my pores
sprang this fully-fledged practical paeon
this triumphant brass-note of praise
for a why-hadn't-i-yelled-it-before
sort of answer to my life's rubbing-out
of my dreams
i’ll jump from the window
(i sang to myself)
and i'll fly
and be damned to daft icarus
i crowed
and i flew - or i fled (which is
very much the same grain of word
and it graciously covers the gap
between the experience i had in my head
and the one i met rushing up
from the ground where the glasshouse
splashed around to reflect me
as i passed on my way down to earth
and the squirt of my dad's best tomatoes
and my mum's angry mask of a face
that just wasn't brought up to be fruitful)
so i fled - or i flew - out the gate
up the street till i melted
just like that daft icarus before me
and i thought
well why the sod not
so i jumped in a pond till i cooled
and the blood from a scratch on my hand
turned the green water red but not a
thick peasant came to be in on the wonder
and i had to go home soaking wet
to a tongue that had blisters and a belt
round the head from my dad - but i lived
which is more than daft icarus did
|
Written by
John Donne |
As the sweet sweat of roses in a still,
As that which from chafed musk-cats' pores doth trill,
As the almighty balm of th' early East,
Such are the sweat drops of my mistress' breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress's brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the scum, which, by need's lawless law
Enforced, Sanserra's starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world's her head, on every side,
Like to the fatal ball which fell on Ide,
Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th' earth's shadows her embrace.
Like Proserpine's white beauty-keeping chest,
Or Jove's best fortunes urn, is her fair breast.
Thine's like worm-eaten trunks, clothed in seals' skin,
Or grave, that's dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin's lamentable state.
And like a bunch of ragged carrots stand
The short swol'n fingers of thy gouty hand.
Then like the Chimic's masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th' earth's worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine's like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm sucking an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath'ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is
As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.
|
Written by
Percy Bysshe Shelley |
I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
I sift the snow on the mountains below,
And their great pines groan aghast;
And all the night 'tis my pillow white,
While I sleep in the arms of the blast.
Sublime on the towers of my skiey bowers,
Lightning, my pilot, sits;
In a cavern under is fettered the thunder,
It struggles and howls at fits;
Over earth and ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.
The sanguine Sunrise, with his meteor eyes,
And his burning plumes outspread,
Leaps on the back of my sailing rack,
When the morning star shines dead;
As on the jag of a mountain crag,
Which an earthquake rocks and swings,
An eagle alit one moment may sit
In the light of its golden wings.
And when Sunset may breathe, from the lit sea beneath,
Its ardors of rest and of love,
And the crimson pall of eve may fall
From the depth of Heaven above,
With wings folded I rest, on mine aery nest,
As still as a brooding dove.
That orbed maiden with white fire laden,
Whom mortals call the Moon,
Glides glimmering o'er my fleece-like floor,
By the midnight breezes strewn;
And wherever the beat of her unseen feet,
Which only the angels hear,
May have broken the woof of my tent's thin roof,
The stars peep behind her and peer;
And I laugh to see them whirl and flee,
Like a swarm of golden bees,
When I widen the rent in my wind-built tent,
Till the calm rivers, lakes, and seas,
Like strips of the sky fallen through me on high,
Are each paved with the moon and these.
I bind the Sun's throne with a burning zone,
And the Moon's with a girdle of pearl;
The volcanoes are dim, and the stars reel and swim
When the whirlwinds my banner unfurl.
From cape to cape, with a bridge-like shape,
Over a torrent sea,
Sunbeam-proof, I hang like a roof,--
The mountains its columns be.
The triumphal arch through which I march
With hurricane, fire, and snow,
When the Powers of the air are chained to my chair,
Is the million-colored bow;
The sphere-fire above its soft colors wove,
While the moist Earth was laughing below.
I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores of the ocean and shores;
I change, but I cannot die.
For after the rain when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams with their convex gleams
Build up the blue dome of air,
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
|
Written by
Philip Levine |
The doctor fingers my bruise.
"Magnificent," he says, "black
at the edges and purple
cored.
" Seated, he spies for clues,
gingerly probing the slack
flesh, while I, standing, fazed, pull
for air, losing the battle.
Faced by his aged diploma,
the heavy head of the X-
ray, and the iron saddle,
I grow lonely.
He finds my
secrets common and my sex
neither objectionable
nor lovely, though he is on
the hunt for significance.
The shelved cutlery twinkles
behind glass, and I am on
the way out, "an instance
of the succumbed through extreme
fantasy.
" He is alarmed
at last, and would raise me, but
I am floorward in a dream
of lowered trousers, unarmed
and weakly fighting to shut
the window of my drawers.
There are others in the room,
voices of women above
white oxfords; and the old floor,
the friendly linoleum,
departs.
I whisper, "my love,"
and am safe, tabled, sniffing
spirits of ammonia
in the land of my fellows.
"Open house!" my openings
sing: pores, nose, anus let go
their charges, a shameless flow
into the outer world;
and the ceiling, equipped with
intelligence, surveys my
produce.
The doctor is thrilled
by my display, for he is half
the slave of necessity;
I, enormous in my need,
justify his sciences.
"We have alternatives," he
says, "Removal.
.
.
" (And my blood
whitens as on their dull trays
the tubes dance.
I must study
the dark bellows of the gas
machine, the painless maker.
)
".
.
.
and learning to live with it.
"
Oh, but I am learning fast
to live with any pain, ache,
growth to keep myself intact;
and in imagination
I hug my bruise like an old
Pooh Bear, already attuned
to its moods.
"Oh, my dark one,
tell of the coming of cold
and of Kings, ancient and ruined.
"
|
Written by
Anne Sexton |
Almost yesterday, those gentle ladies stole
to their baths in Atlantic Cuty, for the lost
rites of the first sea of the first salt
running from a faucet.
I have heard they sat
for hours in briny tubs, patting hotel towels
sweetly over shivered skin, smelling the stale
harbor of a lost ocean, praying at last
for impossible loves, or new skin, or still
another child.
And since this was the style,
I don't suppose they knew what they had lost.
Almost yesterday, pushing West, I lost
ten Utah driving minutes, stopped to steal
past postcard vendors, crossed the hot slit
of macadam to touch the marvelous loosed
bobbing of The Salt Lake, to honor and assault
it in its proof, to wash away some slight
need for Maine's coast.
Later the funny salt
itched in my pores and stung like bees or sleet.
I rinsed it off on Reno and hurried to steal
a better proof at tables where I always lost.
Today is made of yesterday, each time I steal
toward rites I do not know, waiting for the lost
ingredient, as if salt or money or even lust
would keep us calm and prove us whole at last.
|
Written by
Richard Crashaw |
I sing the Name which None can say
But touch’t with An interiour Ray:
The Name of our New Peace; our Good:
Our Blisse: and Supernaturall Blood:
The Name of All our Lives and Loves.
Hearken, And Help, ye holy Doves!
The high-born Brood of Day; you bright
Candidates of blissefull Light,
The Heirs Elect of Love; whose Names belong
Unto The everlasting life of Song;
All ye wise Soules, who in the wealthy Brest
Of This unbounded Name build your warm Nest.
Awake, My glory.
Soul, (if such thou be,
And That fair Word at all referr to Thee)
Awake and sing
And be All Wing;
Bring hither thy whole Self; and let me see
What of thy Parent Heaven yet speakes in thee,
O thou art Poore
Of noble Powres, I see,
And full of nothing else but empty Me,
Narrow, and low, and infinitely lesse
Then this Great mornings mighty Busynes.
One little World or two
(Alas) will never doe.
We must have store.
Goe, Soul, out of thy Self, and seek for More.
Goe and request
Great Nature for the Key of her huge Chest
Of Heavns, the self involving Sett of Sphears
(Which dull mortality more Feeles then heares)
Then rouse the nest
Of nimble, Art, and traverse round
The Aiery Shop of soul-appeasing Sound:
And beat a summons in the Same
All-soveraign Name
To warn each severall kind
And shape of sweetnes, Be they such
As sigh with supple wind
Or answer Artfull Touch,
That they convene and come away
To wait at the love-crowned Doores of
This Illustrious Day.
Shall we dare This, my Soul? we’l doe’t and bring
No Other note for’t, but the Name we sing.
Wake Lute and Harp
And every sweet-lipp’t Thing
That talkes with tunefull string;
Start into life, And leap with me
Into a hasty Fitt-tun’d Harmony.
Nor must you think it much
T’obey my bolder touch;
I have Authority in Love’s name to take you
And to the worke of Love this morning wake you;
Wake; In the Name
Of Him who never sleeps, All Things that Are,
Or, what’s the same,
Are Musicall;
Answer my Call
And come along;
Help me to meditate mine Immortall Song.
Come, ye soft ministers of sweet sad mirth,
Bring All your houshold stuffe of Heavn on earth;
O you, my Soul’s most certain Wings,
Complaining Pipes, and prattling Strings,
Bring All the store
Of Sweets you have; And murmur that you have no more.
Come, n? to part,
Nature and Art!
Come; and come strong,
To the conspiracy of our Spatious song.
Bring All the Powres of Praise
Your Provinces of well-united Worlds can raise;
Bring All your Lutes and Harps of Heaven and Earth;
What ?re cooperates to The common mirthe
Vessells of vocall Ioyes,
Or You, more noble Architects of Intellectuall Noise,
Cymballs of Heav’n, or Humane sphears,
Solliciters of Soules or Eares;
And when you’are come, with All
That you can bring or we can call;
O may you fix
For ever here, and mix
Your selves into the long
And everlasting series of a deathlesse Song;
Mix All your many Worlds, Above,
And loose them into One of Love.
Chear thee my Heart!
For Thou too hast thy Part
And Place in the Great Throng
Of This unbounded All-imbracing Song.
Powres of my Soul, be Proud!
And speake lowd
To All the dear-bought Nations This Redeeming Name,
And in the wealth of one Rich Word proclaim
New Similes to Nature.
May it be no wrong
Blest Heavns, to you, and your Superiour song,
That we, dark Sons of Dust and Sorrow,
A while Dare borrow
The Name of Your Dilights and our Desires,
And fitt it to so farr inferior Lyres.
Our Murmurs have their Musick too,
Ye mighty Orbes, as well as you,
Nor yeilds the noblest Nest
Of warbling Seraphim to the eares of Love,
A choicer Lesson then the joyfull Brest
Of a poor panting Turtle-Dove.
And we, low Wormes have leave to doe
The Same bright Busynes (ye Third Heavens) with you.
Gentle Spirits, doe not complain.
We will have care
To keep it fair,
And send it back to you again.
Come, lovely Name! Appeare from forth the Bright
Regions of peacefull Light,
Look from thine own Illustrious Home,
Fair King of Names, and come.
Leave All thy native Glories in their Georgeous Nest,
And give thy Self a while The gracious Guest
Of humble Soules, that seek to find
The hidden Sweets
Which man’s heart meets
When Thou art Master of the Mind.
Come, lovely Name; life of our hope!
Lo we hold our Hearts wide ope!
Unlock thy Cabinet of Day
Dearest Sweet, and come away.
Lo how the thirsty Lands
Gasp for thy Golden Showres! with longstretch’t Hands.
Lo how the laboring Earth
That hopes to be
All Heaven by Thee,
Leapes at thy Birth.
The’ attending World, to wait thy Rise,
First turn’d to eyes;
And then, not knowing what to doe;
Turn’d Them to Teares, and spent Them too.
Come Royall Name, and pay the expence
Of all this Pretious Patience.
O come away
And kill the Death of This Delay.
O see, so many Worlds of barren yeares
Melted and measur’d out is Seas of Teares.
O see, The Weary liddes of wakefull Hope
(Love’s Eastern windowes) All wide ope
With Curtains drawn,
To catch The Day-break of Thy Dawn.
O dawn, at last, long look’t for Day!
Take thine own wings, and come away.
Lo, where Aloft it comes! It comes, Among
The Conduct of Adoring Spirits, that throng
Like diligent Bees, And swarm about it.
O they are wise;
And know what Sweetes are suck’t from out it.
It is the Hive,
By which they thrive,
Where All their Hoard of Hony lyes.
Lo where it comes, upon The snowy Dove’s
Soft Back; And brings a Bosom big with Loves.
Welcome to our dark world, Thou
Womb of Day!
Unfold thy fair Conceptions; And display
The Birth of our Bright Ioyes.
O thou compacted
Body of Blessings: spirit of Soules extracted!
O dissipate thy spicy Powres
(Clowd of condensed sweets) and break upon us
In balmy showrs;
O fill our senses, And take from us
All force of so Prophane a Fallacy
To think ought sweet but that which smells of Thee.
Fair, flowry Name; In none but Thee
And Thy Nectareall Fragrancy,
Hourly there meetes
An universall Synod of All sweets;
By whom it is defined Thus
That no Perfume
For ever shall presume
To passe for Odoriferous,
But such alone whose sacred Pedigree
Can prove it Self some kin (sweet name) to Thee.
Sweet Name, in Thy each Syllable
A Thousand Blest Arabias dwell;
A Thousand Hills of Frankincense;
Mountains of myrrh, and Beds of species,
And ten Thousand Paradises,
The soul that tasts thee takes from thence.
How many unknown Worlds there are
Of Comforts, which Thou hast in keeping!
How many Thousand Mercyes there
In Pitty’s soft lap ly a sleeping!
Happy he who has the art
To awake them,
And to take them
Home, and lodge them in his Heart.
O that it were as it was wont to be!
When thy old Freinds of Fire, All full of Thee,
Fought against Frowns with smiles; gave Glorious chase
To Persecutions; And against the Face
Of Death and feircest Dangers, durst with Brave
And sober pace march on to meet A Grave.
On their Bold Brests about the world they bore thee
And to the Teeth of Hell stood up to teach thee,
In Center of their inmost Soules they wore thee,
Where Rackes and Torments striv’d, in vain, to reach thee.
Little, alas, thought They
Who tore the Fair Brests of thy Freinds,
Their Fury but made way
For Thee; And serv’d them in Thy glorious ends.
What did Their weapons but with wider pores
Inlarge thy flaming-brested Lovers
More freely to transpire
That impatient Fire
The Heart that hides Thee hardly covers.
What did their Weapons but sett wide the Doores
For Thee: Fair, purple Doores, of love’s devising;
The Ruby windowes which inrich’t the East
Of Thy so oft repeated Rising.
Each wound of Theirs was Thy new Morning;
And reinthron’d thee in thy Rosy Nest,
With blush of thine own Blood thy day adorning,
It was the witt of love ?reflowd the Bounds
Of Wrath, and made thee way through All Those wounds.
Wellcome dear, All-Adored Name!
For sure there is no Knee
That knowes not Thee.
Or if there be such sonns of shame,
Alas what will they doe
When stubborn Rocks shall bow
And Hills hang down their Heavn-saluting Heads
To seek for humble Beds
Of Dust, where in the Bashfull shades of night
Next to their own low Nothing they may ly,
And couch before the dazeling light of thy dread majesty.
They that by Love’s mild Dictate now
Will not adore thee,
Shall Then with Just Confusion, bow
And break before thee.
|
Written by
Barry Tebb |
Desks are straining on all fours, flanks
Heaving to hurl the hunched riders
Down crack and cranny, buck
Finger-snapping lids, consume
Scrap and scribble between tongue and teeth.
The blackboard is cleaning itself behind me,
Making my neck prick as it scatters dust
Like seed, empties its clogged pores of clich?,
Anoints its carved channels and cavities
With infinite black ooze and sap.
And I don’t trust that corner cupboard!
Opening its dark doors like the jaws of
Cerberus, shelving its stacks to heave
At my head, ready to snap its quick lock
Round my wrist like a crab.
I watch the windows wink and blink,
Tug at their catches, tempt my fingers
With their openings, crack flying cords
To noose my neck; they eye the bulging roof
Beams, bent like a bow above me.
This whole room has rushed to the world’s edge,
My fingers tip its tottering walls
Braced to hold definition, floorboards
Knotted tight against infinity’s axe, doors
Bolted to contain time and place in time and place together.
I cry ‘help’ as my world whirls,
Is loosed at the single eye of heaven.
|
Written by
Derek Walcott |
This coral's hape ecohes the hand
It hollowed.
Its
Immediate absence is heavy.
As pumice,
As your breast in my cupped palm.
Sea-cold, its nipple rasps like sand,
Its pores, like yours, shone with salt sweat.
Bodies in absence displace their weight,
And your smooth body, like none other,
Creates an exact absence like this stoneSet on a table with a whitening rack
Of souvenirs.
It dares my hand
To claim what lovers' hands have never known:
The nature of the body of another.
|
Written by
Denise Levertov |
White dawn.
Stillness.
When the rippling began
I took it for sea-wind, coming to our valley with rumors of salt, of treeless horizons.
But the white fog
didn't stir; the leaves of my brothers remained outstretched, unmoving.
Yet the rippling drew nearer – and then my own outermost branches began to tingle, almost as if
fire had been lit below them, too close, and their twig-tips were drying and curling.
Yet I was not afraid, only deeply alert.
I was the first to see him, for I grew out on the
pasture slope, beyond the forest.
He was a man, it seemed: the two moving stems, the short trunk, the two arm-branches, flexible, each with five leafless twigs at their ends,
and the head that's crowned by brown or golden grass,
bearing a face not like the beaked face of a bird,
more like a flower's.
He carried a burden made of some cut branch bent while it was green, strands of a vine tight-stretched across it.
From this, when he touched it, and from his voice
which unlike the wind's voice had no need of our
leaves and branches to complete its sound,
came the ripple.
But it was now no longer a ripple (he had come near and
stopped in my first shadow) it was a wave that bathed me as if rain rose from below and around me instead of falling.
And what I felt was no longer a dry tingling:
I seemed to be singing as he sang, I seemed to know
what the lark knows; all my sap was mounting towards the sun that by now had risen, the mist was rising, the grass was drying, yet my roots felt music moisten them
deep under earth.
He came still closer, leaned on my trunk:
the bark thrilled like a leaf still-folded.
Music! There was no twig of me not trembling with joy and fear.
Then as he sang it was no longer sounds only that made the music:
he spoke, and as no tree listens I listened, and language
came into my roots out of the earth, into my bark
out of the air, into the pores of my greenest shoots
gently as dew and there was no word he sang but I knew its meaning.
He told me of journeys, of where sun and moon go while we stand in dark, of an earth-journey he dreamed he would take some day deeper than roots .
.
.
He told of the dreams of man, wars, passions, griefs,
and I, a tree, understood words – ah, it seemed
my thick bark would split like a sapling's that grew too fast in the spring when a late frost wounds it.
Fire he sang, that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
As though his lyre (now I knew its name) were both frost and fire, its chords flamed up to the crown of me.
|
Written by
Robert Burns |
FAIR fa’ your honest, sonsie face,
Great chieftain o’ the pudding-race!
Aboon them a’ ye tak your place,
Painch, tripe, or thairm:
Weel are ye wordy o’a grace
As lang’s my arm.
The groaning trencher there ye fill,
Your hurdies like a distant hill,
Your pin was help to mend a mill
In time o’need,
While thro’ your pores the dews distil
Like amber bead.
His knife see rustic Labour dight,
An’ cut you up wi’ ready sleight,
Trenching your gushing entrails bright,
Like ony ditch;
And then, O what a glorious sight,
Warm-reekin’, rich!
Then, horn for horn, they stretch an’ strive:
Deil tak the hindmost! on they drive,
Till a’ their weel-swall’d kytes belyve
Are bent like drums;
Then auld Guidman, maist like to rive,
Bethankit! hums.
Is there that owre his French ragout
Or olio that wad staw a sow,
Or fricassee wad make her spew
Wi’ perfect sconner,
Looks down wi’ sneering, scornfu’ view
On sic a dinner?
Poor devil! see him owre his trash,
As feckles as wither’d rash,
His spindle shank, a guid whip-lash;
His nieve a nit;
Thro’ blody flood or field to dash,
O how unfit!
But mark the Rustic, haggis-fed,
The trembling earth resounds his tread.
Clap in his walie nieve a blade,
He’ll mak it whissle;
An’ legs an’ arms, an’ hands will sned,
Like taps o’ trissle.
Ye Pow’rs, wha mak mankind your care,
And dish them out their bill o’ fare,
Auld Scotland wants nae skinking ware
That jaups in luggies;
But, if ye wish her gratefu’ prayer
Gie her a haggis!
|