Written by
Shel Silverstein |
Well, my daddy left home when I was three,
and he didn't leave much to Ma and me,
just this old guitar and a bottle of booze.
Now I don't blame him because he run and hid,
but the meanest thing that he ever did was
before he left he went and named me Sue.
Well, he must have thought it was quite a joke,
and it got lots of laughs from a lot of folks,
it seems I had to fight my whole life through.
Some gal would giggle and I'd get red
and some guy would laugh and I'd bust his head,
I tell you, life ain't easy for a boy named Sue.
Well, I grew up quick and I grew up mean.
My fist got hard and my wits got keen.
Roamed from town to town to hide my shame,
but I made me a vow to the moon and the stars,
I'd search the honky tonks and bars and kill
that man that gave me that awful name.
But it was Gatlinburg in mid July and I had
just hit town and my throat was dry.
I'd thought i'd stop and have myself a brew.
At an old saloon in a street of mud
and at a table dealing stud sat the dirty,
mangy dog that named me Sue.
Well, I knew that snake was my own sweet dad
from a worn-out picture that my mother had
and I knew the scar on his cheek and his evil eye.
He was big and bent and gray and old
and I looked at him and my blood ran cold,
and I said, "My name is Sue. How do you do?
Now you're gonna die." Yeah, that's what I told him.
Well, I hit him right between the eyes and he went down
but to my surprise he came up with a knife
and cut off a piece of my ear. But I busted a chair
right across his teeth. And we crashed through
the wall and into the street kicking and a-gouging
in the mud and the blood and the beer.
I tell you I've fought tougher men but I really can't remember when.
He kicked like a mule and bit like a crocodile.
I heard him laughin' and then I heard him cussin',
he went for his gun and I pulled mine first.
He stood there looking at me and I saw him smile.
And he said, "Son, this world is rough and if
a man's gonna make it, he's gotta be tough
and I knew I wouldn't be there to help you along.
So I gave you that name and I said 'Goodbye'.
I knew you'd have to get tough or die. And it's
that name that helped to make you strong."
Yeah, he said, "Now you have just fought one
helluva fight, and I know you hate me and you've
got the right to kill me now and I wouldn't blame you
if you do. But you ought to thank me
before I die for the gravel in your guts and the spit
in your eye because I'm the nut that named you Sue."
Yeah, what could I do? What could I do?
I got all choked up and I threw down my gun,
called him pa and he called me a son,
and I came away with a different point of view
and I think about him now and then.
Every time I tried, every time I win and if I
ever have a son I think I am gonna name him
Bill or George - anything but Sue.
|
Written by
Robert William Service |
No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.,
But though he skips his dinner,
And each day he's growing thinner,
If he thinks he is a winner,
Then he is.
But when I say Success I mean the sublimated kind;
A man may gain it yet be on the dole.
To me it's music of the heart and sunshine of the mind,
Serenity and sweetness of the soul.
You may not have a brace of bucks to jingle in your jeans,
Far less the dough to buy a motor car;
But though the row you're hoeing
May be grim, ungodly going,
If you think the skies are glowing -
Then they are.
For a poor man may be wealthy and a millionaire may fail,
It all depends upon the point of view.
It's the sterling of your spirit tips the balance of the scale,
It's optimism, and it's up to you.
For what I figure as success is simple Happiness,
The consummate contentment of your mood:
You may toil with brain and sinew,
And though little wealth is win you,
If there's health and hope within you -
You've made good.
|
Written by
Billy Collins |
This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,
as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.
In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude
to Tommy Potter for taking the time
to join us on this breezy afternoon
with his most unwieldy bass
and to the esteemed Arthur Taylor
who is somehow managing to navigate
this crowd with his cumbersome drums.
And I bow deeply to Thelonious Monk
for figuring out a way
to motorize -- or whatever -- his huge piano
so he could be with us today.
This music is loud yet so confidential.
I cannot help feeling even more
like the center of the universe
than usual as I walk along to a rapid
little version of "The Way You Look Tonight,"
and all I can say to my fellow pedestrians,
to the woman in the white sweater,
the man in the tan raincoat and the heavy glasses,
who mistake themselves for the center of the universe --
all I can say is watch your step,
because the five of us, instruments and all,
are about to angle over
to the south side of the street
and then, in our own tightly knit way,
turn the corner at Sixth Avenue.
And if any of you are curious
about where this aggregation,
this whole battery-powered crew,
is headed, let us just say
that the real center of the universe,
the only true point of view,
is full of hope that he,
the hub of the cosmos
with his hair blown sideways,
will eventually make it all the way downtown.
|
Written by
Jorie Graham |
Shall I move the flowers again?
Shall I put them further to the left
into the light?
Win that fix it, will that arrange the
thing?
Yellow sky.
Faint cricket in the dried-out bush.
As I approach, my footfall in the leaves
drowns out the cricket-chirping I was
coming close to hear
Yellow sky with black leaves rearranging it.
Wind rearranging the black leaves in it.
But anyway I am indoors, of course, and this is a pane, here,
and I have arranged the flowers for you
again. Have taken the dead cordless ones, the yellow bits past apogee,
the faded cloth, the pollen-free abandoned marriage-hymn
back out, leaving the few crisp blooms to swagger, winglets, limpid
debris
Shall I arrange these few remaining flowers?
Shall I rearrange these gossamer efficiencies?
Please don't touch me with your skin.
Please let the thing evaporate.
Please tell me clearly what it is.
The party is so loud downstairs, bristling with souvenirs.
It's a philosophy of life, of course,
drinks fluorescent, whips of syntax in the air
above the heads -- how small they seem from here,
the bobbing universal heads, stuffing the void with eloquence,
and also tiny merciless darts
of truth. It's pulled on tight, the air they breathe and rip.
It's like a prize the way it's stretched on tight
over the voices, keeping them intermingling, forcing the breaths to
marry, marry,
cunning little hermeneutic cupola,
dome of occasion in which the thoughts re-
group, the footprints stall and gnaw in tiny ruts,
the napkins wave, are waved , the honeycombing
thoughts are felt to dialogue, a form of self-
congratulation, no?, or is it suffering? I'm a bit
dizzy up here rearranging things,
they will come up here soon, and need a setting for their fears,
and loves, an architecture for their evolutionary
morphic needs -- what will they need if I don't make the place? --
what will they know to miss?, what cry out for, what feel the bitter
restless irritations
for? A bit dizzy from the altitude of everlastingness,
the tireless altitudes of the created place,
in which to make a life -- a liberty -- the hollow, fetishized, and starry
place,
a bit gossamer with dream, a vortex of evaporations,
oh little dream, invisible city, invisible hill
I make here on the upper floors for you --
down there, where you are entertained, where you are passing
time, there's glass and moss on air,
there's the feeling of being numerous, mouths submitting to air, lips
to protocol,
and dreams of sense, tongues, hinges, forceps clicking
in anticipation ofas if the moment, freeze-burned by accuracies--of
could be thawed open into life again
by gladnesses, by rectitude -- no, no -- by the sinewy efforts at
sincerity -- can't you feel it gliding round you,
mutating, yielding the effort-filled phrases of your talk to air,
compounding, stemming them, honeying-open the sheerest
innuendoes till
the rightness seems to root, in the air, in the compact indoor sky,
and the rest, all round, feels like desert, falls away,
and you have the sensation of muscular timeliness,and you feel the calligraphic in you reach out like a soul
into the midst of others, in conversation,
gloved by desire, into the tiny carnage
of opinionsSo dizzy. Life buzzing beneath me
though my feeling says the hive is gone, queen gone,
the continuum continuing beneath, busy, earnest, in con-
versation. Shall I prepare. Shall I put this further
to the left, shall I move the light, the point-of-view, the shades are
drawn, to cast a glow resembling disappearance, slightly red,
will that fix it, will that make clear the task, the trellised ongoingness
and all these tiny purposes, these parables, this marketplace
of tightening truths?
Oh knit me that am crumpled dust,
the heap is all dispersed. Knit me that am. Say therefore. Say
philosophy and mean by that the pane.
Let us look out again. The yellow sky.
With black leaves rearranging it
|
Written by
Robert William Service |
"The North has got him." --Yukonism.
I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could;
I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold,
With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit;
In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls;
But I killed the galoot when he started to shoot electricity into my walls.
God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals;
And "Chuck it," says he, "don't persecute me with your cant and your saving of souls."
I'll swear I was mild as I'd be with a child, but he called me the son of a ****;
And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth;
Then he was alone, and I was alone, and over us menaced the North.
Our cabins were near; I could see, I could hear; but between us there rippled the creek;
And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away;
The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose;
The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream;
So still I could hear quite loud in my ear the swish of the pinions of time;
So bright I could see, as plain as could be, the wings of God's angels ashine.
As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak!
I knew that full well like a devil in hell he was hatching out, early and late,
A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still;
But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame;
I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.
Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue;
If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark;
If you'd seen them rebound with a horrible sound, and spitefully spitting a spark;
If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls--
You'd have settled the brute that attempted to shoot electricity into your walls.
Oh, some they were blue, and they slithered right through; they were silent and squashy and round;
And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.
And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed;
So softly it crept with feelers that swept and quivered like fine copper wire;
Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night;
And deathlike I lay till the dawn of the day. (Was ever so welcome the light?)
I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about;
His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget;
Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet
As I rested my gaze in a misty amaze on the scurvy-degenerate wreck,
I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute,
And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!"
* * * * *
They're taking me out with an escort about, and under a sergeant's care;
I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls--
That I settled Sam Noot when he started to shoot electricity into my walls.
|
Written by
Robert William Service |
The Greatest Writer of to-day
(With Maupassant I almost set him)
Said to me in a weary way,
The last occasion that I met him:
"Old chap, this world is more and more
Becoming bourgeois, blasé, blousy:
Thank God I've lived so long before
It got so definitely lousy."
Said I: "Old chap, I don't agree.
Why should one so dispraise the present?
For gainful guys like you and me,
It still can be extremely pleasant.
Have we not Women, Wine and Song -
A gleeful trio to my thinking;
So blithely we can get along
With laughing, loving, eating, drinking."
Said he: "Dear Boy, it may be so,
But I'm fed up with war and worry;
I would escape this world of woe,
Of wrath and wrong, of hate and hurry.
I fain would gain the peace of mind
Of Lamas on Thibetan highlands,
Or maybe sanctuary find
With beach-combers on coral islands."
Said I: "Dear Boy, don't go so far:
Just live a life of simple being;
Forgetting all the ills that are,
Be satisfied with hearing, seeing.
The sense of smell and taste and touch
Can bring you bliss in ample measure:
If only you don't think too much,
Your programme can be packed with pleasure.
"But do not try to probe below
This fairy film of Nature's screening;
Look on it as a surface show,
Without a purpose of a meaning.
Take no account of social strife,
And dread no coming cataclysm:
Let your philosophy of life
Be what I call: EXTERNALISM.
The moon shines down with borrowed light,
So savants say - I do not doubt it.
Suffice its silver trance my sight,
That's all I want to know about it.
A fig for science - 'how' and 'why'
Distract me in my happy dreaming:
Through line and form and colour I
Am all content with outward seeming. . . ."
The Greatest Writer of to-day
(I would have loved to call him Willie),
looked wry at me and went his way -
I think he thought me rather silly.
Maybe I am, but I insist
My point of view will take some beating:
Don't mock this old Externalist -
The pudding's proof is in the eating.
|
Written by
Andrew Barton Paterson |
Weary and listless, sad and slow,
Without any conversation,
Was a man that worked on The Overflow,
The butt of the shed and the station.
The shearers christened him Noisy Ned,
With an alias "Silent Waters",
But never a needless word he said
In the hut or the shearers' quarters.
Which caused annoyance to Big Barcoo,
The shed's unquestioned ringer,
Whose name was famous Australia through
As a dancer, fighter and singer.
He was fit for the ring, if he'd had his rights
As an agent of devastation;
And the number of men he had killed in fights
Was his principal conversation.
"I have known blokes go to their doom," said he,
"Through actin' with haste and rashness:
But the style that this Noisy Ned assumes,
It's nothing but silent flashness.
"We may just be dirt, from his point of view,
Unworthy a word in season;
But I'll make him talk like a cockatoo
Or I'll get him to show the reason."
Was it chance or fate, that King Condamine,
A king who had turned a black tracker,
Had captured a baby purcupine,
Which he swapped for a "fig tobacker"?
With the porcupine in the Silent's bed
The shearers were quite elated,
And the things to be done, and the words to be said,
Were anxiously awaited.
With a screech and a howl and an eldritch cry
That nearly deafened his hearers
He sprang from his bunk, and his fishy eye
Looked over the laughing shearers.
He looked them over and he looked them through
As a cook might look through a larder;
"Now, Big Barcoo, I must pick on you,
You're big, but you'll fall the harder."
Now, the silent man was but slight and thin
And of middleweight conformation,
But he hung one punch on the Barcoo's chin
And it ended the altercation.
"You've heard of the One-round Kid," said he,
"That hunted 'em all to shelter?
The One-round Finisher -- that was me,
When I fought as the Champion Welter.
"And this Barcoo bloke on his back reclines
For being a bit too clever,
For snakes and wombats and porcupines
Are nothing to me whatever.
"But the golden rule that I've had to learn
In the ring, and for years I've tried it,
Is only to talk when it comes your turn,
And never to talk outside it."
|
Written by
Robert William Service |
Two blind men met. Said one: "This earth
Has been a blackout from my birth.
Through darkness I have groped my way,
Forlorn, unknowing night from day.
But you - though War destroyed your sight,
Still have your memories of Light,
And to allay your present pain
Can live your golden youth again."
Then said the second: "Aye, it's true,
It must seem magical to you
To know the shape of things that are,
A women's lips, a rose, a star.
But therein lies the hell of it;
Better my eyes had never lit
to love of bluebells in a wood,
Or daffodils in dancing mood.
"You do not know what you have lost,
But I, alas! can count the cost -
Than memories that goad and gall,
Far better not to see at all.
And as for love, you know it not,
For pity is our sorry lot.
So there you see my point of view:
'Tis I, my friend, who envy you.
And which was right still puzzles me:
Perhaps one should be blind to see.
|
Written by
Edwin Arlington Robinson |
Well, Bokardo, here we are;
Make yourself at home.
Look around—you haven’t far
To look—and why be dumb?
Not the place that used to be,
Not so many things to see;
But there’s room for you and me.
And you—you’ve come.
Talk a little; or, if not,
Show me with a sign
Why it was that you forgot
What was yours and mine.
Friends, I gather, are small things
In an age when coins are kings;
Even at that, one hardly flings
Friends before swine.
Rather strong? I knew as much,
For it made you speak.
No offense to swine, as such,
But why this hide-and-seek?
You have something on your side,
And you wish you might have died,
So you tell me. And you tried
One night last week?
You tried hard? And even then
Found a time to pause?
When you try as hard again,
You’ll have another cause.
When you find yourself at odds
With all dreamers of all gods,
You may smite yourself with rods—
But not the laws.
Though they seem to show a spite
Rather devilish,
They move on as with a might
Stronger than your wish.
Still, however strong they be,
They bide man’s authority:
Xerxes, when he flogged the sea,
May’ve scared a fish.
It’s a comfort, if you like,
To keep honor warm,
But as often as you strike
The laws, you do no harm.
To the laws, I mean. To you—
That’s another point of view,
One you may as well indue
With some alarm.
Not the most heroic face
To present, I grant;
Nor will you insure disgrace
By fearing what you want.
Freedom has a world of sides,
And if reason once derides
Courage, then your courage hides
A deal of cant.
Learn a little to forget
Life was once a feast;
You aren’t fit for dying yet,
So don’t be a beast.
Few men with a mind will say,
Thinking twice, that they can pay
Half their debts of yesterday,
Or be released.
There’s a debt now on your mind
More than any gold?
And there’s nothing you can find
Out there in the cold?
Only—what’s his name?—Remorse?
And Death riding on his horse?
Well, be glad there’s nothing worse
Than you have told.
Leave Remorse to warm his hands
Outside in the rain.
As for Death, he understands,
And he will come again.
Therefore, till your wits are clear,
Flourish and be quiet—here.
But a devil at each ear
Will be a strain?
Past a doubt they will indeed,
More than you have earned.
I say that because you need
Ablution, being burned?
Well, if you must have it so,
Your last flight went rather low.
Better say you had to know
What you have learned.
And that’s over. Here you are,
Battered by the past.
Time will have his little scar,
But the wound won’t last.
Nor shall harrowing surprise
Find a world without its eyes
If a star fades when the skies
Are overcast.
God knows there are lives enough,
Crushed, and too far gone
Longer to make sermons of,
And those we leave alone.
Others, if they will, may rend
The worn patience of a friend
Who, though smiling, sees the end,
With nothing done.
But your fervor to be free
Fled the faith it scorned;
Death demands a decency
Of you, and you are warned.
But for all we give we get
Mostly blows? Don’t be upset;
You, Bokardo, are not yet
Consumed or mourned.
There’ll be falling into view
Much to rearrange;
And there’ll be a time for you
To marvel at the change.
They that have the least to fear
Question hardest what is here;
When long-hidden skies are clear,
The stars look strange.
|
Written by
Robert William Service |
Because I love the soothing weed
And am of sober type,
I'd choose me for a friend in need
A man who smokes a pipe.
A cove who hasn't much to say,
And spits into the fire,
Puffing like me a pipe of clay,
Corn-cob or briar.
A chap original of thought,
With cheery point of view,
Who has of gumption quite a lot,
And streaks of humour too.
He need not be a whiskered sage,
With wisdom over-ripe:
Just give me in the old of age
A pal who smokes a pipe.
A cigarette may make for wit,
Although I like it not;
A good cigar, I must admit,
Gives dignity to thought.
But as my glass of grog I sip
I never, never gripe
If I have for companionship
A guy who smokes a pipe.
|