Written by
Emily Dickinson |
Gratitude -- is not the mention
Of a Tenderness,
But its still appreciation
Out of Plumb of Speech.
When the Sea return no Answer
By the Line and Lead
Proves it there's no Sea, or rather
A remoter Bed?
|
Written by
Wole Soyinka |
Dedication
for Moremi, 1963
Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life
As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.
The air will not deny you. Like a top
Spin you on the navel of the storm, for the hoe
That roots the forests plows a path for squirrels.
Be ageless as dark peat, but only that rain's
Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.
Peppers green and red—child—your tongue arch
To scorpion tail, spit straight return to danger's threats
Yet coo with the brown pigeon, tendril dew between your lips.
Shield you like the flesh of palms, skyward held
Cuspids in thorn nesting, insealed as the heart of kernel—
A woman's flesh is oil—child, palm oil on your tongue
Is suppleness to life, and wine of this gourd
From self-same timeless run of runnels as refill
Your podlings, child, weaned from yours we embrace
Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are
Swarming honeycombs—your world needs sweetening, child.
Camwood round the heart, chalk for flight
Of blemish—see? it dawns!—antimony beneath
Armpits like a goddess, and leave this taste
Long on your lips, of salt, that you may seek
None from tears. This, rain-water, is the gift
Of gods—drink of its purity, bear fruits in season.
Fruits then to your lips: haste to repay
The debt of birth. Yield man-tides like the sea
And ebbing, leave a meaning of the fossilled sands.
|
Written by
Walter de la Mare |
Nay, nay, sweet England, do not grieve!
Not one of these poor men who died
But did within his soul believe
That death for thee was glorified.
Ever they watched it hovering near
That mystery 'yond thought to plumb,
Perchance sometimes in loathèd fear
They heard cold Danger whisper, Come! --
Heard and obeyed. O, if thou weep
Such courage and honour, beauty, care,
Be it for joy that those who sleep
Only thy joy could share.
|
Written by
Robert Browning |
Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'
Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'
Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.
Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?
Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.
Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!
For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.
What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?
Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'
Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'
For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!
Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'
Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.
And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.
Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.
For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.'
So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.'
For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.
As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.
Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!
Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?
Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:
But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:
Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.
Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'
Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.
He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.
What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?
Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?
But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:
So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!
|
Written by
Ellis Parker Butler |
The shades of night was fallin’ slow
As through New York a guy did go
And nail on ev’ry barroom door
A card that this here motter bore:
“No beer, no work.”
His brow was sad, his mouth was dry;
It was the first day of July,
And where, all parched and scorched it hung,
These words was stenciled on his tongue:
“No beer, no work.”
“Oh, stay,” the maiden said, “and sup
This malted milk from this here cup.”
A shudder passed through that there guy,
But with a moan he made reply:
“No beer, no work.”
At break of day, as through the town
The milkman put milk bottles down,
Onto one stoop a sort of snore
Was heard, and then was heard no more—
“No beer, no work.”
The poor old guy plumb dead was found
And planted in the buryin’ ground,
Still graspin’ in his hand of ice
Them placards with this sad device:
“No beer, no work.”
|
Written by
Conrad Aiken |
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . . Which now you've reached.
What, then's, the secret of this ultimate chamber—
Or innermost, rather? If I see it clearly
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
Sickness, humiliation, slow defeat,
Bareness, and ugliness, and iteration,—
Too meaningless; or, if it has a meaning,
Too tiresomely insistent on one meaning:
Futility . . . This world, I hear you saying,—
With lifted chin, and arm in outflung gesture,
Coldly imperious,—this transient world,
What has it then to give, if not containing
Deep hints of nobler worlds? We know its beauties,—
Momentary and trivial for the most part,
Perceived through flesh, passing like flesh away,—
And know how much outweighed they are by darkness.
We are like searchers in a house of darkness,
A house of dust; we creep with little lanterns,
Throwing our tremulous arcs of light at random,
Now here, now there, seeing a plane, an angle,
An edge, a curve, a wall, a broken stairway
Leading to who knows what; but never seeing
The whole at once . . . We grope our way a little,
And then grow tired. No matter what we touch,
Dust is the answer—dust: dust everywhere.
If this were all—what were the use, you ask?
But this is not: for why should we be seeking,
Why should we bring this need to seek for beauty,
To lift our minds, if there were only dust?
This is the central chamber you have come to:
Turning your back to the world, until you came
To this deep room, and looked through rose-stained windows,
And saw the hues of the world so sweetly changed.
Well, in a measure, so only do we all.
I am not sure that you can be refuted.
At the very last we all put faith in something,—
You in this ghost that animates your world,
This ethical ghost,—and I, you'll say, in reason,—
Or sensuous beauty,—or in my secret self . . .
Though as for that you put your faith in these,
As much as I do—and then, forsaking reason,—
Ascending, you would say, to intuition,—
You predicate this ghost of yours, as well.
Of course, you might have argued,—and you should have,—
That no such deep appearance of design
Could shape our world without entailing purpose:
For can design exist without a purpose?
Without conceiving mind? . . . We are like children
Who find, upon the sands, beside a sea,
Strange patterns drawn,—circles, arcs, ellipses,
Moulded in sand . . . Who put them there, we wonder?
Did someone draw them here before we came?
Or was it just the sea?—We pore upon them,
But find no answer—only suppositions.
And if these perfect shapes are evidence
Of immanent mind, it is but circumstantial:
We never come upon him at his work,
He never troubles us. He stands aloof—
Well, if he stands at all: is not concerned
With what we are or do. You, if you like,
May think he broods upon us, loves us, hates us,
Conceives some purpose of us. In so doing
You see, without much reason, will in law.
I am content to say, 'this world is ordered,
Happily so for us, by accident:
We go our ways untroubled save by laws
Of natural things.' Who makes the more assumption?
If we were wise—which God knows we are not—
(Notice I call on God!) we'd plumb this riddle
Not in the world we see, but in ourselves.
These brains of ours—these delicate spinal clusters—
Have limits: why not learn them, learn their cravings?
Which of the two minds, yours or mine, is sound?
Yours, which scorned the world that gave it freedom,
Until you managed to see that world as omen,—
Or mine, which likes the world, takes all for granted,
Sorrow as much as joy, and death as life?—
You lean on dreams, and take more credit for it.
I stand alone . . . Well, I take credit, too.
You find your pleasure in being at one with all things—
Fusing in lambent dream, rising and falling
As all things rise and fall . . . I do that too—
With reservations. I find more varied pleasure
In understanding: and so find beauty even
In this strange dream of yours you call the truth.
Well, I have bored you. And it's growing late.
For household news—what have you heard, I wonder?
You must have heard that Paul was dead, by this time—
Of spinal cancer. Nothing could be done—
We found it out too late. His death has changed me,
Deflected much of me that lived as he lived,
Saddened me, slowed me down. Such things will happen,
Life is composed of them; and it seems wisdom
To see them clearly, meditate upon them,
And understand what things flow out of them.
Otherwise, all goes on here much as always.
Why won't you come and see us, in the spring,
And bring old times with you?—If you could see me
Sitting here by the window, watching Venus
Go down behind my neighbor's poplar branches,—
Just where you used to sit,—I'm sure you'd come.
This year, they say, the springtime will be early.
|
Written by
John Clare |
Christmass is come and every hearth
Makes room to give him welcome now
Een want will dry its tears in mirth
And crown him wi a holly bough
Tho tramping neath a winters sky
Oer snow track paths and ryhmey stiles
The huswife sets her spining bye
And bids him welcome wi her smiles
Each house is swept the day before
And windows stuck wi evergreens
The snow is beesomd from the door
And comfort crowns the cottage scenes
Gilt holly wi its thorny pricks
And yew and box wi berrys small
These deck the unusd candlesticks
And pictures hanging by the wall
Neighbours resume their anual cheer
Wishing wi smiles and spirits high
Clad christmass and a happy year
To every morning passer bye
Milk maids their christmass journeys go
Accompanyd wi favourd swain
And childern pace the crumping snow
To taste their grannys cake again
Hung wi the ivys veining bough
The ash trees round the cottage farm
Are often stript of branches now
The cotters christmass hearth to warm
He swings and twists his hazel band
And lops them off wi sharpend hook
And oft brings ivy in his hand
To decorate the chimney nook
Old winter whipes his ides bye
And warms his fingers till he smiles
Where cottage hearths are blazing high
And labour resteth from his toils
Wi merry mirth beguiling care
Old customs keeping wi the day
Friends meet their christmass cheer to share
And pass it in a harmless way
Old customs O I love the sound
However simple they may be
What ere wi time has sanction found
Is welcome and is dear to me
Pride grows above simplicity
And spurns it from her haughty mind
And soon the poets song will be
The only refuge they can find
The shepherd now no more afraid
Since custom doth the chance bestow
Starts up to kiss the giggling maid
Beneath the branch of mizzletoe
That neath each cottage beam is seen
Wi pearl-like-berrys shining gay
The shadow still of what hath been
Which fashion yearly fades away
And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals
And when its past a merry crew
Bedeckt in masks and ribbons gay
The 'Morrice danse' their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his hump back and tinkling bell
And oft for pence and spicy ale
Wi winter nosgays pind before
The wassail singer tells her tale
And drawls her christmass carrols oer
The prentice boy wi ruddy face
And ryhme bepowderd dancing locks
From door to door wi happy pace
Runs round to claim his 'christmass box'
The block behind the fire is put
To sanction customs old desires
And many a faggots bands are cut
For the old farmers christmass fires
Where loud tongd gladness joins the throng
And winter meets the warmth of may
Feeling by times the heat too strong
And rubs his shins and draws away
While snows the window panes bedim
The fire curls up a sunny charm
Where creaming oer the pitchers rim
The flowering ale is set to warm
Mirth full of joy as summer bees
Sits there its pleasures to impart
While childern tween their parents knees
Sing scraps of carrols oer by heart
And some to view the winter weathers
Climb up the window seat wi glee
Likening the snow to falling feathers
In fancys infant extacy
Laughing wi superstitious love
Oer visions wild that youth supplyes
Of people pulling geese above
And keeping christmass in the skyes
As tho the homstead trees were drest
In lieu of snow wi dancing leaves
As. tho the sundryd martins nest
Instead of ides hung the eaves
The childern hail the happy day
As if the snow was april grass
And pleasd as neath the warmth of may
Sport oer the water froze to glass
Thou day of happy sound and mirth
That long wi childish memory stays
How blest around the cottage hearth
I met thee in my boyish days
Harping wi raptures dreaming joys
On presents that thy coming found
The welcome sight of little toys
The christmass gifts of comers round
'The wooden horse wi arching head
Drawn upon wheels around the room
The gilded coach of ginger bread
And many colord sugar plumb
Gilt coverd books for pictures sought
Or storys childhood loves to tell
Wi many a urgent promise bought
To get tomorrows lesson well
And many a thing a minutes sport
Left broken on the sanded floor
When we woud leave our play and court
Our parents promises for more
Tho manhood bids such raptures dye
And throws such toys away as vain
Yet memory loves to turn her eye
And talk such pleasures oer again
Around the glowing hearth at night
The harmless laugh and winter tale
Goes round-while parting friends delight
To toast each other oer their ale
The cotter oft wi quiet zeal
Will musing oer his bible lean
While in the dark the lovers steal
To kiss and toy behind the screen
The yule cake dotted thick wi plumbs
Is on each supper table found
And cats look up for falling crumbs
Which greedy childern litter round
And huswifes sage stuffd seasond chine
Long hung in chimney nook to drye
And boiling eldern berry wine
To drink the christmass eves 'good bye'
|
Written by
Robert William Service |
He used to say: There ain't a doubt
Misfortune is a bitter pill,
But if you only pry it out
You'll find there's good in every ill.
There's comfort in the worst of woe,
There's consolation in defeat . . .
Oh what a solace-seeker! So
We called him Compensation Pete.
He lost his wealth - but was he pipped?
Why no - "That's fine," he used to say.
"I've got the government plumb gypped -
No more damn income tax to pay.
From cares of property set free,
And with no pesky social ties,
Why, even poverty may be
A benediction in disguise."
He lost his health: "Okay," he said;
"I'm getting on, may be the best.
I've always loved to lie abed,
And now I have the right to rest.
Such heaps o' things I want to do,
I'll have no time to fret or brood.
I'll read the dam ol' Bible through:
Guess it'll do me plenty good."
He has that line of sunny shine
That makes a blessing of a curse,
And he would say: "Don't let's repine,
Though things are bad they might be worse."
And so he cherished to the end
Philosophy so sane and sweet
That everybody was his friend . . .
With optimism hard to beat -
God bless old Compensation Pete.
|
Written by
A R Ammons |
Fall fell: so that's it for the leaf poetry:
some flurries have whitened the edges of roads
and lawns: time for that, the snow stuff: &
turkeys and old St. Nick: where am I going to
find something to write about I haven't already
written away: I will have to stop short, look
down, look up, look close, think, think, think:
but in what range should I think: should I
figure colors and outlines, given forms, say
mailboxes, or should I try to plumb what is
behind what and what behind that, deep down
where the surface has lost its semblance: or
should I think personally, such as, this week
seems to have been crafted in hell: what: is
something going on: something besides this
diddledeediddle everyday matter-of-fact: I
could draw up an ancient memory which would
wipe this whole presence away: or I could fill
out my dreams with high syntheses turned into
concrete visionary forms: Lucre could lust
for Luster: bad angels could roar out of perdition
and kill the AIDS vaccine not quite
perfected yet: the gods could get down on
each other; the big gods could fly in from
nebulae unknown: but I'm only me: I have 4
interests--money, poetry, sex, death: I guess
I can jostle those. . . .
|
Written by
Rudyard Kipling |
So here's your Empire. No more wine, then?
Good.
We'll clear the Aides and khitmatgars away.
(You'll know that fat old fellow with the knife --
He keeps the Name Book, talks in English too,
And almost thinks himself the Government.)
O Youth, Youth, Youth! Forgive me, you're so young.
Forty from sixty -- twenty years of work
And power to back the working. Ay def mi!
You want to know, you want to see, to touch,
And, by your lights, to act. It's natural.
I wonder can I help you. Let me try.
You saw -- what did you see from Bombay east?
Enough to frighten any one but me?
Neat that! It frightened Me in Eighty-Four!
You shouldn't take a man from Canada
And bid him smoke in powder-magazines;
Nor with a Reputation such as -- Bah!
That ghost has haunted me for twenty years,
My Reputation now full blown -- Your fault --
Yours, with your stories of the strife at Home,
Who's up, who's down, who leads and who is led --
One reads so much, one hears so little here.
Well, now's your turn of exile. I go back
To Rome and leisure. All roads lead to Rome,
Or books -- the refuge of the destitute.
When you ... that brings me back to India. See!
Start clear. I couldn't. Egypt served my turn.
You'll never plumb the Oriental mind,
And if you did it isn't worth the toil.
Think of a sleek French priest in Canada;
Divide by twenty half-breeds. Multiply
By twice the Sphinx's silence. There's your East,
And you're as wise as ever. So am I.
Accept on trust and work in darkness, strike
At venture, stumble forward, make your mark,
(It's chalk on granite), then thank God no flame
Leaps from the rock to shrivel mark and man.
I'm clear -- my mark is made. Three months of drought
Had ruined much. It rained and washed away
The specks that might have gathered on my Name.
I took a country twice the size of France,
And shuttered up one doorway in the North.
I stand by those. You'll find that both will pay,
I pledged my Name on both -- they're yours to-night.
Hold to them -- they hold fame enough for two.
I'm old, but I shall live till Burma pays.
Men there -- not German traders -- Crsthw-te knows --
You'll find it in my papers. For the North
Guns always -- quietly -- but always guns.
You've seen your Council? Yes, they'll try to rule,
And prize their Reputations. Have you met
A grim lay-reader with a taste for coins,
And faith in Sin most men withhold from God?
He's gone to England. R-p-n knew his grip
And kicked. A Council always has its H-pes.
They look for nothing from the West but Death
Or Bath or Bournemouth. Here's their ground.
They fight
Until the middle classes take them back,
One of ten millions plus a C.S.I.
Or drop in harness. Legion of the Lost?
Not altogether -- earnest, narrow men,
But chiefly earnest, and they'll do your work,
And end by writing letters to the Times,
(Shall I write letters, answering H-nt-r -- fawn
With R-p-n on the Yorkshire grocers? Ugh!)
They have their Reputations. Look to one --
I work with him -- the smallest of them all,
White-haired, red-faced, who sat the plunging horse
Out in the garden. He's your right-hand man,
And dreams of tilting W-ls-y from the throne,
But while he dreams gives work we cannot buy;
He has his Reputation -- wants the Lords
By way of Frontier Roads. Meantime, I think,
He values very much the hand that falls
Upon his shoulder at the Council table --
Hates cats and knows his business; which is yours.
Your business! twice a hundered million souls.
Your business! I could tell you what I did
Some nights of Eighty-Five, at Simla, worth
A Kingdom's ransom. When a big ship drives,
God knows to what new reef the man at the whee!
Prays with the passengers. They lose their lives,
Or rescued go their way; but he's no man
To take his trick at the wheel again -- that's worse
Than drowning. Well, a galled Mashobra mule
(You'll see Mashobra) passed me on the Mall,
And I was -- some fool's wife and ducked and bowed
To show the others I would stop and speak.
Then the mule fell -- three galls, a hund-breadth each,
Behind the withers. Mrs. Whatsisname
Leers at the mule and me by turns, thweet thoul!
"How could they make him carry such a load!"
I saw -- it isn't often I dream dreams --
More than the mule that minute -- smoke and flame
From Simla to the haze below. That's weak.
You're younger. You'll dream dreams before you've done.
You've youth, that's one -- good workmen -- that means two
Fair chances in your favor. Fate's the third.
I know what I did. Do you ask me, "Preach"?
I answer by my past or else go back
To platitudes of rule -- or take you thus
In confidence and say: "You know the trick:
You've governed Canada. You know. You know!"
And all the while commend you to Fate's hand
(Here at the top on loses sight o' God),
Commend you, then, to something more than you --
The Other People's blunders and
. . . that's all.
I'd agonize to serve you if I could.
It's incommunicable, like the cast
That drops the tackle with the gut adry.
Too much -- too little -- there's your salmon lost!
And so I tell you nothing --with you luck,
And wonder -- how I wonder! -- for your sake
And triumph for my own. You're young, you're young,
You hold to half a hundred Shibboleths.
I'm old. I followed Power to the last,
Gave her my best, and Power followed Me.
It's worth it -- on my sould I'm speaking plain,
Here by the claret glasses! -- worth it all.
I gave -- no matter what I gave -- I win.
I know I win. Mine's work, good work that lives!
A country twice the size of France -- the North
Safeguarded. That's my record: sink the rest
And better if you can. The Rains may serve,
Rupees may rise -- three pence will give you Fame --
It's rash to hope for sixpence -- If they rise
Get guns, more guns, and lift the salt-tax.
Oh!
I told you what the Congress meant or thought?
I'll answer nothing. Half a year will prove
The full extent of time and thought you'll spare
To Congress. Ask a Lady Doctor once
How little Begums see the light -- deduce
Thence how the True Reformer's child is born.
It's interesting, curious . . . and vile.
I told the Turk he was a gentlman.
I told the Russian that his Tartar veins
Bled pure Parisian ichor; and he purred.
The Congress doesn't purr. I think it swears.
You're young -- you'll swear to ere you've reached the end.
The End! God help you, if there be a God.
(There must be one to startle Gl-dst-ne's soul
In that new land where all the wires are cut.
And Cr-ss snores anthems on the asphodel.)
God help you! And I'd help you if I could,
But that's beyond me. Yes, your speech was crude.
Sound claret after olives -- yours and mine;
But Medoc slips into vin ordinaire.
(I'll drink my first at Genoa to your health.)
Raise it to Hock. You'll never catch my style.
And, after all, the middle-classes grip
The middle-class -- for Brompton talk Earl's Court.
Perhaps you're right. I'll see you in the Times --
A quarter-column of eye-searing print,
A leader once a quarter -- then a war;
The Strand abellow through the fog: "Defeat!"
"'Orrible slaughter!" While you lie awake
And wonder. Oh, you'll wonder ere you're free!
I wonder now. The four years slide away
So fast, so fast, and leave me here alone.
R-y, C-lv-n, L-l, R-b-rts, B-ck, the rest,
Princes and Powers of Darkness troops and trains,
(I cannot sleep in trains), land piled on land,
Whitewash and weariness, red rockets, dust,
White snows that mocked me, palaces -- with draughts,
And W-stl-nd with the drafts he couldn't pay,
Poor W-ls-n reading his obituary.
Before he died, and H-pe, the man with bones,
And A-tch-s-n a dripping mackintosh
At Council in the Rains, his grating "Sirrr"
Half drowned by H-nt-r's silky: "Bat my lahnd."
Hunterian always: M-rsh-l spinning plates
Or standing on his head; the Rent Bill's roar,
A hundred thousand speeches, must red cloth,
And Smiths thrice happy if I call them Jones,
(I can't remember half their names) or reined
My pony on the Mall to greet their wives.
More trains, more troops, more dust, and then all's done.
Four years, and I forget. If I forget
How will they bear me in their minds? The North
Safeguarded -- nearly (R-b-rts knows the rest),
A country twice the size of France annexed.
That stays at least. The rest may pass -- may pass --
Your heritage -- and I can teach you nought.
"High trust," "vast honor," "interests twice as vast,"
"Due reverence to your Council" -- keep to those.
I envy you the twenty years you've gained,
But not the five to follow. What's that? One?
Two! -- Surely not so late. Good-night. Don't dream.
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