Get Your Premium Membership

Best Famous Plotted Poems

Here is a collection of the all-time best famous Plotted poems. This is a select list of the best famous Plotted poetry. Reading, writing, and enjoying famous Plotted poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of plotted poems.

Search and read the best famous Plotted poems, articles about Plotted poems, poetry blogs, or anything else Plotted poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Gerard Manley Hopkins | Create an image from this poem

Pied Beauty

Glory be to God for dappled things—
   For skies of couple-color as a brinded cow;
      For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
   Landscape plotted and pieced—fold, fallow, and plough;
      And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him.


Written by Robert William Service | Create an image from this poem

The Ballad Of Pious Pete

 "The North has got him.
" --Yukonism.
I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could; I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold, With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit; In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls; But I killed the galoot when he started to shoot electricity into my walls.
God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals; And "Chuck it," says he, "don't persecute me with your cant and your saving of souls.
" I'll swear I was mild as I'd be with a child, but he called me the son of a ****; And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth; Then he was alone, and I was alone, and over us menaced the North.
Our cabins were near; I could see, I could hear; but between us there rippled the creek; And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away; The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose; The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream; So still I could hear quite loud in my ear the swish of the pinions of time; So bright I could see, as plain as could be, the wings of God's angels ashine.
As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak! I knew that full well like a devil in hell he was hatching out, early and late, A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still; But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame; I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.
Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue; If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark; If you'd seen them rebound with a horrible sound, and spitefully spitting a spark; If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls-- You'd have settled the brute that attempted to shoot electricity into your walls.
Oh, some they were blue, and they slithered right through; they were silent and squashy and round; And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.
And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed; So softly it crept with feelers that swept and quivered like fine copper wire; Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night; And deathlike I lay till the dawn of the day.
(Was ever so welcome the light?) I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about; His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget; Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet As I rested my gaze in a misty amaze on the scurvy-degenerate wreck, I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute, And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!" * * * * * They're taking me out with an escort about, and under a sergeant's care; I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls-- That I settled Sam Noot when he started to shoot electricity into my walls.
Written by D. H. Lawrence | Create an image from this poem

Tortoise Shell

 The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise The scales are locked in an arch like a bridge, Scale-lapping, like a lobster's sections Or a bee's.
Then crossways down his sides Tiger-stripes and wasp-bands.
Five, and five again, and five again, And round the edges twenty-five little ones, The sections of the baby tortoise shell.
Four, and a keystone; Four, and a keystone; Four, and a keystone; Then twenty-four, and a tiny little keystone.
It needed Pythagoras to see life playing with counters on the living back Of the baby tortoise; Life establishing the first eternal mathematical tablet, Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise shell.
The first little mathematical gentleman Stepping, wee mite, in his loose trousers Under all the eternal dome of mathematical law.
Fives, and tens, Threes and fours and twelves, All the volte face of decimals, The whirligig of dozens and the pinnacle of seven.
Turn him on his back, The kicking little beetle, And there again, on his shell-tender, earth-touching belly, The long cleavage of division, upright of the eternal cross And on either side count five, On each side, two above, on each side, two below The dark bar horizontal.
The Cross! It goes right through him, the sprottling insect, Through his cross-wise cloven psyche, Through his five-fold complex-nature.
So turn him over on his toes again; Four pin-point toes, and a problematical thumb-piece, Four rowing limbs, and one wedge-balancing head, Four and one makes five, which is the clue to all mathematics.
The Lord wrote it all down on the little slate Of the baby tortoise.
Outward and visible indication of the plan within, The complex, manifold involvednes,s of an individual creature Plotted out On this small bird, this rudiment, This little dome, this pediment Of all creation, This slow one.
Written by Rudyard Kipling | Create an image from this poem

The Explorer

 There's no sense in going further -- it's the edge of cultivation,"
 So they said, and I believed it -- broke my land and sowed my crop --
Built my barns and strung my fences in the little border station
 Tucked away below the foothills where the trails run out and stop.
Till a voice, as bad as Conscience, rang interminable changes On one everlasting Whisper day and night repeated -- so: "Something hidden.
Go and find it.
Go and look behind the Ranges -- "Something lost behind the Ranges.
Lost in wating for you.
Go!" So I went, worn out of patience; never told my nearest neighbours -- Stole away with pack and ponies -- left 'em drinking in the town; And the faith that moveth mountains didn't seem to help my labours As I faced the sheer main-ranges, whipping up and leading down.
March by march I puzzled through 'em, turning flanks and dodging shoulders, Hurried on in hope of water, headed back for lack of grass; Till I camped above the tree-line -- drifted snow and naked boulders -- Felt free air astir to windward -- knew I'd stumbled on the Pass.
'Thought to name it for the finder: but that night the Norther found me -- Froze and killed the plains-bred ponies; so I called the camp Despair (It's the Railway Gap to-day, though).
Then my Whisper waked to hound me: -- "Something lost behind the Ranges.
Over yonder! Go you there!" Then I knew, the while I doubted -- knew His Hand was certain o'er me.
Still -- it might be self-delusion -- scores of better men had died -- I could reach the township living, but.
.
.
He knows what terror tore me .
.
.
But I didn't .
.
.
but I didn't.
I went down the other side, Till the snow ran out in flowers, and the flowers turned to aloes, And the aloes sprung to thickets and a brimming stream ran by; But the thickets dwined to thorn-scrub, and the water drained to shallows, And I dropped again on desert -- blasterd earth, and blasting sky.
.
.
.
I remember lighting fires; I remember sitting by 'em; I remember seeing faces, hearing voices, through the smoke; I remember they were fancy -- for I threw a stone to try 'em.
"Something lost behind the Ranges" was the only word they spoke.
But at last the country altered -- White Man's country past disputing -- Rolling grass and open timber, with a hint of hills behind -- There I found me food and water, and I lay a week recruiting.
Got my strength and lost my nightmares.
Then I entered on my find.
Thence I ran my first rough survey -- chose my trees and blazed and ringed 'em -- Week by week I pried and smhampled -- week by week my findings grew.
Saul he went to look for donkeys, and by God he found a kingdom! But by God, who sent His Whisper, I had struck the worth of two! Up along the hostile mountains, where the hair-poised snowslide shivers -- Down and through the big fat marshes that the virgin ore-bed stains, Till I heard the mile-wide mutterings of unimagined rivers, And beyond the nameless timber saw illimitable plains! 'Plotted sites of future cities, traced the easy grades between 'em; Watched unharnessed rapids wasting fifty thousand head an hour; Counted leagues of water-frontage through the axe-ripe woods that screen 'em -- Saw the plant to feed a people -- up and waiting for the power! Well, I know who'll take the credit -- all the clever chaps that followed -- Came, a dozen men together -- never knew my desert-fears; Tracked me by the camps I'd quitted, used the water-holes I hollowed.
They'll go back and do the talking.
They'll be called the Pioneers! They will find my sites of townships -- not the cities that I set there.
They will rediscover rivers -- not my rivers heard at night.
By my own old marks and bearings they will show me how to get there, By the lonely cairns I builded they will guide my feet aright.
Have I named one single river? Have I claimed one single acre? Have I kept one single nugget -- (barring samples)? No, not I! Because my price was paid me ten times over by my Maker.
But you wouldn't understand it.
You go up and occupy.
Ores you'll find there; wood and cattle; water-transit sure and steady (That should keep the railway rates down), coal and iron at your doors.
God took care to hide that country till He judged His people ready, Then He chose me for His Whisper, and I've found it, and it's yours! Yes, your "Never-never country" -- yes, your "edge of cultivation" And "no sense in going further" -- till I crossed the range to see.
God forgive me! No, I didn't.
It's God's present to our nation.
Anybody might have found it but -- His Whisper came to Me!
Written by Anne Sexton | Create an image from this poem

A Story For Rose On The Midnight Flight To Boston

 Until tonight they were separate specialties, 
different stories, the best of their own worst.
Riding my warm cabin home, I remember Betsy's laughter; she laughed as you did, Rose, at the first story.
Someday, I promised her, I'll be someone going somewhere and we plotted it in the humdrum school for proper girls.
The next April the plane bucked me like a horse, my elevators turned and fear blew down my throat, that last profane gauge of a stomach coming up.
And then returned to land, as unlovely as any seasick sailor, sincerely eighteen; my first story, my funny failure.
Maybe Rose, there is always another story, better unsaid, grim or flat or predatory.
Half a mile down the lights of the in-between cities turn up their eyes at me.
And I remember Betsy's story, the April night of the civilian air crash and her sudden name misspelled in the evening paper, the interior of shock and the paper gone in the trash ten years now.
She used the return ticket I gave her.
This was the rude kill of her; two planes cracking in mid-air over Washington, like blind birds.
And the picking up afterwards, the morticians tracking bodies in the Potomac and piecing them like boards to make a leg or a face.
There is only her miniature photograph left, too long now for fear to remember.
Special tonight because I made her into a story that I grew to know and savor.
A reason to worry, Rose, when you fix an old death like that, and outliving the impact, to find you've pretended.
We bank over Boston.
I am safe.
I put on my hat.
I am almost someone going home.
The story has ended.


Written by Robert Lowell | Create an image from this poem

Dolphin

 My Dolphin, you only guide me by surprise,
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Ph?dre.
When I was troubled in mind, you made for my body caught in its hangman's-knot of sinking lines, the glassy bowing and scraping of my will.
.
.
.
I have sat and listened to too many words of the collaborating muse, and plotted perhaps too freely with my life, not avoiding injury to others, not avoiding injury to myself-- to ask compassion .
.
.
this book, half fiction, an eelnet made by man for the eel fighting my eyes have seen what my hand did.
Written by John Matthew | Create an image from this poem

Delhi – A Re-visitation

 It’s akin to visiting my foster mother, today, 
That I am returning to you, mother city, after twenty years,
I look at your broad, bereft blood-stained streets, mater,
Through which emperors, prime ministers cavalcaded,
In victory and defeat, through gates and triumphal arches,
That murmur of the pains of your rape and impregnation.
The sudden shock of your poverty upsets me, It is evident in the desperation of the cycle-rickshaw puller, His eyes intent on the ground, standing on his pedals, He pulls his woes, as if there is no halcyon tomorrows.
Your grimy streets are dusty, high walled, impenetrable, As if you wish to guard the gory secrets within.
Is this where histories, dynasties were erected, to fall? A dynasty now rules by proxy the city of the great Akbar, And a fratricide of a politician now fills you with awe, When you are the city of kingly fratricides and parricides.
Remember how Dara Shukoh was marched and beheaded, In your own street of Chandni Chowk, of not long ago? The secrets of your devious present and past mingle, Where now stand glitzy malls, I know, blood had flowed, In your dark corners soldiers, spies, princes plotted to kill, You witnessed the dethroning of emperor Shah Jehan, And the ascendance of his wily progeny, Aurangazeb, And you covered your face in the folds of your veil.
Yet, now, mother city, your tears are dry, your sobs silent, Slowly you die, spent and ravaged by your many lovers.
Though it is kitsch melodies that you hum today, you were, Serenaded by Tansen, and Amir Khushro Dehlavi, In your parlor once, poets and artists did conclave, Over the “daughter of grapes” and the smell of hafim!
Written by Robert William Service | Create an image from this poem

The Ballad Of The Brand

 'Twas up in a land long famed for gold, where women were far and rare,
Tellus, the smith, had taken to wife a maiden amazingly fair;
Tellus, the brawny worker in iron, hairy and heavy of hand,
Saw her and loved her and bore her away from the tribe of a Southern land;
Deeming her worthy to queen his home and mother him little ones,
That the name of Tellus, the master smith, might live in his stalwart sons.
Now there was little of law in the land, and evil doings were rife, And every man who joyed in his home guarded the fame of his wife; For there were those of the silver tongue and the honeyed art to beguile, Who would cozen the heart from a woman's breast and damn her soul with a smile.
And there were women too quick to heed a look or a whispered word, And once in a while a man was slain, and the ire of the King was stirred; So far and wide he proclaimed his wrath, and this was the law he willed: "That whosoever killeth a man, even shall he be killed.
" Now Tellus, the smith, he trusted his wife; his heart was empty of fear.
High on the hill was the gleam of their hearth, a beacon of love and cheer.
High on the hill they builded their bower, where the broom and the bracken meet; Under a grave of oaks it was, hushed and drowsily sweet.
Here he enshrined her, his dearest saint, his idol, the light of his eye; Her kisses rested upon his lips as brushes a butterfly.
The weight of her arms around his neck was light as the thistle down; And sweetly she studied to win his smile, and gently she mocked his frown.
And when at the close of the dusty day his clangorous toil was done, She hastened to meet him down the way all lit by the amber sun.
Their dove-cot gleamed in the golden light, a temple of stainless love; Like the hanging cup of a big blue flower was the topaz sky above.
The roses and lilies yearned to her, as swift through their throng she pressed; A little white, fragile, fluttering thing that lay like a child on his breast.
Then the heart of Tellus, the smith, was proud, and sang for the joy of life, And there in the bronzing summertide he thanked the gods for his wife.
Now there was one called Philo, a scribe, a man of exquisite grace, Carved like the god Apollo in limb, fair as Adonis in face; Eager and winning in manner, full of such radiant charm, Womenkind fought for his favor and loved to their uttermost harm.
Such was his craft and his knowledge, such was his skill at the game, Never was woman could flout him, so be he plotted her shame.
And so he drank deep of pleasure, and then it fell on a day He gazed on the wife of Tellus and marked her out for his prey.
Tellus, the smith, was merry, and the time of the year it was June, So he said to his stalwart helpers: "Shut down the forge at noon.
Go ye and joy in the sunshine, rest in the coolth of the grove, Drift on the dreamy river, every man with his love.
" Then to himself: "Oh, Beloved, sweet will be your surprise; To-day will we sport like children, laugh in each other's eyes; Weave gay garlands of poppies, crown each other with flowers, Pull plump carp from the lilies, rifle the ferny bowers.
To-day with feasting and gladness the wine of Cyprus will flow; To-day is the day we were wedded only a twelvemonth ago.
" The larks trilled high in the heavens; his heart was lyric with joy; He plucked a posy of lilies; he sped like a love-sick boy.
He stole up the velvety pathway--his cottage was sunsteeped and still; Vines honeysuckled the window; softly he peeped o'er the sill.
The lilies dropped from his fingers; devils were choking his breath; Rigid with horror, he stiffened; ghastly his face was as death.
Like a nun whose faith in the Virgin is met with a prurient jibe, He shrank--'twas the wife of his bosom in the arms of Philo, the scribe.
Tellus went back to his smithy; he reeled like a drunken man; His heart was riven with anguish; his brain was brooding a plan.
Straight to his anvil he hurried; started his furnace aglow; Heated his iron and shaped it with savage and masterful blow.
Sparks showered over and round him; swiftly under his hand There at last it was finished--a hideous and infamous Brand.
That night the wife of his bosom, the light of joy in her eyes, Kissed him with words of rapture; but he knew that her words were lies.
Never was she so beguiling, never so merry of speech (For passion ripens a woman as the sunshine ripens a peach).
He clenched his teeth into silence; he yielded up to her lure, Though he knew that her breasts were heaving from the fire of her paramour.
"To-morrow," he said, "to-morrow"--he wove her hair in a strand, Twisted it round his fingers and smiled as he thought of the Brand.
The morrow was come, and Tellus swiftly stole up the hill.
Butterflies drowsed in the noon-heat; coverts were sunsteeped and still.
Softly he padded the pathway unto the porch, and within Heard he the low laugh of dalliance, heard he the rapture of sin.
Knew he her eyes were mystic with light that no man should see, No man kindle and joy in, no man on earth save he.
And never for him would it kindle.
The bloodlust surged in his brain; Through the senseless stone could he see them, wanton and warily fain.
Horrible! Heaven he sought for, gained it and gloried and fell-- Oh, it was sudden--headlong into the nethermost hell.
.
.
.
Was this he, Tellus, this marble? Tellus .
.
.
not dreaming a dream? Ah! sharp-edged as a javelin, was that a woman's scream? Was it a door that shattered, shell-like, under his blow? Was it his saint, that strumpet, dishevelled and cowering low? Was it her lover, that wild thing, that twisted and gouged and tore? Was it a man he was crushing, whose head he beat on the floor? Laughing the while at its weakness, till sudden he stayed his hand-- Through the red ring of his madness flamed the thought of the Brand.
Then bound he the naked Philo with thongs that cut in the flesh, And the wife of his bosom, fear-frantic, he gagged with a silken mesh, Choking her screams into silence; bound her down by the hair; Dragged her lover unto her under her frenzied stare.
In the heat of the hearth-fire embers he heated the hideous Brand; Twisting her fingers open, he forced its haft in her hand.
He pressed it downward and downward; she felt the living flesh sear; She saw the throe of her lover; she heard the scream of his fear.
Once, twice and thrice he forced her, heedless of prayer and shriek-- Once on the forehead of Philo, twice in the soft of his cheek.
Then (for the thing was finished) he said to the woman: "See How you have branded your lover! Now will I let him go free.
" He severed the thongs that bound him, laughing: "Revenge is sweet", And Philo, sobbing in anguish, feebly rose to his feet.
The man who was fair as Apollo, god-like in woman's sight, Hideous now as a satyr, fled to the pity of night.
Then came they before the Judgment Seat, and thus spoke the Lord of the Land: "He who seeketh his neighbor's wife shall suffer the doom of the Brand.
Brutish and bold on his brow be it stamped, deep in his cheek let it sear, That every man may look on his shame, and shudder and sicken and fear.
He shall hear their mock in the market-place, their fleering jibe at the feast; He shall seek the caves and the shroud of night, and the fellowship of the beast.
Outcast forever from homes of men, far and far shall he roam.
Such be the doom, sadder than death, of him who shameth a home.
"
Written by Rudyard Kipling | Create an image from this poem

The Outlaws

 Through learned and laborious years
 They set themselves to find
Fresh terrors and undreamed-of fears
 To heap upon mankind.
ALl that they drew from Heaven above Or digged from earth beneath, They laid into their treasure-trove And arsenals of death: While, for well-weighed advantage sake, Ruler and ruled alike Built up the faith they meant to break When the fit hour should strike.
They traded with the careless earth, And good return it gave: They plotted by their neighbour's hearth The means to make him slave.
When all was ready to their hand They loosed their hidden sword, And utterly laid waste a land Their oath was pledged to guard.
Coldly they went about to raise To life and make more dread Abominations of old days, That men believed were dead.
They paid the price to reach their goal Across a world in flame; But their own hate slew their own soul Before that victory came.
Written by Constantine P Cavafy | Create an image from this poem

Understanding

 The years of my youth, my sensual life --
how clearly I see their meaning now.
What needless repentances, how futile.
.
.
.
But I did not understand the meaning then.
In the dissolute life of my youth the desires of my poetry were being formed, the scope of my art was being plotted.
This is why my repentances were never stable.
And my resolutions to control myself, to change lasted for two weeks at the very most.

Book: Shattered Sighs