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Best Famous Pliers Poems

Here is a collection of the all-time best famous Pliers poems. This is a select list of the best famous Pliers poetry. Reading, writing, and enjoying famous Pliers poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of pliers poems.

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Written by Charles Bukowski | Create an image from this poem

Cows In Art Class

 good weather
is like
good women-
it doesn't always happen
and when it does
it doesn't
always last.
man is more stable: if he's bad there's more chance he'll stay that way, or if he's good he might hang on, but a woman is changed by children age diet conversation sex the moon the absence or presence of sun or good times.
a woman must be nursed into subsistence by love where a man can become stronger by being hated.
I am drinking tonight in Spangler's Bar and I remember the cows I once painted in Art class and they looked good they looked better than anything in here.
I am drinking in Spangler's Bar wondering which to love and which to hate, but the rules are gone: I love and hate only myself- they stand outside me like an orange dropped from the table and rolling away; it's what I've got to decide: kill myself or love myself? which is the treason? where's the information coming from? books.
.
.
like broken glass: I wouldn't wipe my ass with 'em yet, it's getting darker, see? (we drink here and speak to each other and seem knowing.
) buy the cow with the biggest **** buy the cow with the biggest rump.
present arms.
the bartender slides me a beer it runs down the bar like an Olympic sprinter and the pair of pliers that is my hand stops it, lifts it, golden piss of dull temptation, I drink and stand there the weather bad for cows but my brush is ready to stroke up the green grass straw eye sadness takes me all over and I drink the beer straight down order a shot fast to give me the guts and the love to go on.
from "poems written before jumping out of an 8 story window" - 1966


Written by Sharon Olds | Create an image from this poem

Crab

 When I eat crab, slide the rosy
rubbery claw across my tongue
I think of my mother.
She'd drive down to the edge of the Bay, tiny woman in a huge car, she'd ask the crab-man to crack it for her.
She'd stand and wait as the pliers broke those chalky homes, wild- red and knobby, those cartilage wrists, the thin orange roof of the back.
I'd come home, and find her at the table crisply unhousing the parts, laying the fierce shell on one side, the soft body on the other.
She gave us lots, because we loved it so much, so there was always enough, a mound of crab like a cross between breast-milk and meat.
The back even had the shape of a perfect ruined breast, upright flakes white as the flesh of a chrysanthemum, but the best part was the claw, she'd slide it out so slowly the tip was unbroken, scarlet bulb of the feeler—it was such a kick to easily eat that weapon, wreck its delicate hooked pulp between palate and tongue.
She loved to feed us and all she gave us was fresh, she was willing to grasp shell, membrane, stem, to go close to dirt and salt to feed us, the way she had gone near our father himself to give us life.
I look back and see us dripping at the table, feeding, her row of pink eaters, the platter of flawless limp claws, I look back further and see her in the kitchen, shelling flesh, her small hands curled—she is like a fish-hawk, wild, tearing the meat deftly, living out her life of fear and desire.
Written by Bob Hicok | Create an image from this poem

Spirit Dity Of No Fax Line Dial Tone

 The telephone company calls and asks what the fuss is.
Betty from the telephone company, who's not concerned with the particulars of my life.
For instance if I believe in the transubstantiation of Christ or am gladdened at 7:02 in the morning to repeat an eighth time why a man wearing a hula skirt of tools slung low on his hips must a fifth time track mud across my white kitchen tile to look down at a phone jack.
Up to a work order.
Down at a phone jack.
Up to a work order.
Over at me.
Down at a phone jack.
Up to a work order before announcing the problem I have is not the problem I have because the problem I have cannot occur in this universe though possibly in an alternate universe which is not the responsibility or in any way the product, child or subsidiary of AT&T.
With practice I've come to respect this moment.
One man in jeans, t-shirt and socks looking across space at a man with probes and pliers of various inclinations, nothing being said for five or ten seconds, perhaps I'm still in pajamas and he has a cleft pallet or is so tall that gigantism comes to mind but I can't remember what causes flesh to pile that high, five or ten seconds of taking in and being taken in by eyes and a brain, during which I don't build a shotgun from what's at hand, oatmeal and National Geographics or a taser from hair caught in the drain and the million volts of frustration popping through my body.
Even though.
Even though his face is an abstract painting called Void.
Even though I'm wondering if my pajama flap is open, placing me at a postural disadvantage.
Breathe I say inside my head, which is where I store thoughts for the winter.
All is an illusion I say by disassembling my fists, letting each finger loose to graze.
Thank you I say to kill the silence with my mouth, meaning **** you, meaning die you shoulder-shrugging fusion of chipped chromosomes and puss, meaning enough.
That a portal exists in my wall that even its makers can't govern seems an accurate mirror of life.
Here's the truce I offer: I'll pay whatever's asked to be left alone.
To receive a fax from me stand beside your mailbox for a week.
It will come in what appears to be an envelope.
While waiting for the fax reintroduce yourself to the sky.
It's often blue and will transmit without fail everything clouds have been trying to say to you.
Written by Robert William Service | Create an image from this poem

Two Men (J. L. And R. B.)

 In the Northland there were three
Pukka Pliers of the pen;
Two of them had Fame in fee
And were loud and lusty men;
By them like a shrimp was I -
Yet alas! they had to die.
Jack was genius through and through.
Who his future could foretell? What we sweated blood to do He would deem a bagatelle.
Yet in youth he had to die, And an ancient man am I.
Rex was rugged as an oak; Story-teller born was he.
First of writing, fighting folk, How he lived prodigiously! Better man he was than I, Yet forlorn he had to die.
Jack was made of god-like stuff, Born to battle for the right; Rex of fighting had enough When the gods destroyed his sight .
.
.
Craven heart - I wonder why Lingering alone am I? They were men of valiant breed, Fit and fearless in the fight, Who in every thought and deed Burned the flame of life too bright.
Cowards live, while heroes die .
.
.
They have gone and - here am I.

Book: Shattered Sighs