Written by
Sidney Lanier |
To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving.
Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.
I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.
As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.
|
Written by
Lewis Carroll |
All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.
Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?
Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes
"There will be nonsense in it"--
While Tertia interrupts the tale
Not more than once a minute.
Anon, to sudden silence won,
In fancy they pursue
The dream-child moving through a land
Of wonders wild and new,
In friendly chat with bird or beast--
And half believe it true.
And ever, as the story drained
The wells of fancy dry,
And faintly strove that weary one
To put the subject by,
"The rest next time"--"It is next time!"
The happy voices cry.
Thus grew the tale of Wonderland:
Thus slowly, one by one,
Its quaint events were hammered out--
And now the tale is done,
And home we steer, a merry crew,
Beneath the setting sun.
Alice! a childish story take,
And with a gentle hand
Lay it where Childhood's dreams are twined
In Memory's mystic band,
Like pilgrim's withered wreath of flowers
Plucked in a far-off land.
|
Written by
John Greenleaf Whittier |
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, -
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, -
Blessings on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
|
Written by
Ralph Waldo Emerson |
Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.
God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.
Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.
Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.
Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white breasts which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime.
"
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for bloody whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.
Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.
Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his bosom's door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.
And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.
|
Written by
Robert Browning |
Morning, evening, noon and night,
``Praise God!; sang Theocrite.
Then to his poor trade he turned,
Whereby the daily meal was earned.
Hard he laboured, long and well;
O'er his work the boy's curls fell.
But ever, at each period,
He stopped and sang, ``Praise God!''
Then back again his curls he threw,
And cheerful turned to work anew.
Said Blaise, the listening monk, ``Well done;
``I doubt not thou art heard, my son:
``As well as if thy voice to-day
``Were praising God, the Pope's great way.
``This Easter Day, the Pope at Rome
``Praises God from Peter's dome.
''
Said Theocrite, ``Would God that I
``Might praise him, that great way, and die!''
Night passed, day shone,
And Theocrite was gone.
With God a day endures alway,
A thousand years are but a day.
God said in heaven, ``Nor day nor night
``Now brings the voice of my delight.
''
Then Gabriel, like a rainbow's birth,
Spread his wings and sank to earth;
Entered, in flesh, the empty cell,
Lived there, and played the craftsman well;
And morning, evening, noon and night,
Praised God in place of Theocrite.
And from a boy, to youth he grew:
The man put off the stripling's hue:
The man matured and fell away
Into the season of decay:
And ever o'er the trade he bent,
And ever lived on earth content.
(He did God's will; to him, all one
If on the earth or in the sun.
)
God said, ``A praise is in mine ear;
``There is no doubt in it, no fear:
``So sing old worlds, and so
``New worlds that from my footstool go.
``Clearer loves sound other ways:
``I miss my little human praise.
''
Then forth sprang Gabriel's wings, off fell
The flesh disguise, remained the cell.
'Twas Easter Day: he flew to Rome,
And paused above Saint Peter's dome.
In the tiring-room close by
The great outer gallery,
With his holy vestments dight,
Stood the new Pope, Theocrite:
And all his past career
Came back upon him clear,
Since when, a boy, he plied his trade,
Till on his life the sickness weighed;
And in his cell, when death drew near,
An angel in a dream brought cheer:
And rising from the sickness drear
He grew a priest, and now stood here.
To the East with praise he turned,
And on his sight the angel burned.
``I bore thee from thy craftsman's cell
``And set thee here; I did not well.
``Vainly I left my angel-sphere,
``Vain was thy dream of many a year.
``Thy voice's praise seemed weak; it dropped---
``Creation's chorus stopped!
``Go back and praise again
``The early way, while I remain.
``With that weak voice of our disdain,
``Take up creation's pausing strain.
``Back to the cell and poor employ:
``Resume the craftsman and the boy!''
Theocrite grew old at home;
A new Pope dwelt in Peter's dome.
One vanished as the other died:
They sought God side by side.
|
Written by
Samuel Butler |
i
She was too kind, wooed too persistently,
Wrote moving letters to me day by day;
The more she wrote, the more unmoved was I,
The more she gave, the less could I repay.
Therefore I grieve, not that I was not loved,
But that, being loved, I could not love again.
I liked, but like and love are far removed;
Hard though I tried to love I tried in vain.
For she was plain and lame and fat and short,
Forty and over-kind.
Hence it befell
That though I loved her in a certain sort,
Yet did I love too wisely but not well.
Ah! had she been more beauteous or less kind
She might have found me of another mind.
ii
And now, though twenty years are come and gone,
That little lame lady's face is with me still;
Never a day but what, on every one,
She dwells with me, as dwell she ever will.
She said she wished I knew not wrong from right;
It was not that; I knew, and would have chosen
Wrong if I could, but, in my own despite,
Power to choose wrong in my chilled veins was frozen.
'Tis said that if a woman woo, no man
Should leave her till she have prevailed; and, true,
A man will yield for pity, if he can,
But if the flesh rebels what can he do?
I could not.
Hence I grieve my whole life long
The wrong I did, in that I did no wrong.
iii
Had I been some young sailor, continent
Perforce three weeks and then well plied with wine,
I might in time have tried to yield consent
And almost (though I doubt it) made her mine.
Or had it been but once and never again,
Come what come might, she should have had her way;
But yielding once were yielding twice, and then
I had been hers for ever and a day.
Or had she only been content to crave
A marriage of true minds, her wish was granted;
My mind was hers, I was her willing slave
In all things else except the one she wanted:
And here, alas! at any rate to me
She was an all too, too impossible she.
|
Written by
Robert Burns |
OPPRESS’D with grief, oppress’d with care,
A burden more than I can bear,
I set me down and sigh;
O life! thou art a galling load,
Along a rough, a weary road,
To wretches such as I!
Dim backward as I cast my view,
What sick’ning scenes appear!
What sorrows yet may pierce me through,
Too justly I may fear!
Still caring, despairing,
Must be my bitter doom;
My woes here shall close ne’er
But with the closing tomb!
Happy! ye sons of busy life,
Who, equal to the bustling strife,
No other view regard!
Ev’n when the wished end’s denied,
Yet while the busy means are plied,
They bring their own reward:
Whilst I, a hope-abandon’d wight,
Unfitted with an aim,
Meet ev’ry sad returning night,
And joyless morn the same!
You, bustling, and justling,
Forget each grief and pain;
I, listless, yet restless,
Find ev’ry prospect vain.
How blest the solitary’s lot,
Who, all-forgetting, all forgot,
Within his humble cell,
The cavern, wild with tangling roots,
Sits o’er his newly gather’d fruits,
Beside his crystal well!
Or haply, to his ev’ning thought,
By unfrequented stream,
The ways of men are distant brought,
A faint, collected dream;
While praising, and raising
His thoughts to heav’n on high,
As wand’ring, meand’ring,
He views the solemn sky.
Than I, no lonely hermit plac’d
Where never human footstep trac’d,
Less fit to play the part,
The lucky moment to improve,
And just to stop, and just to move,
With self-respecting art:
But ah! those pleasures, loves, and joys,
Which I too keenly taste,
The solitary can despise,
Can want, and yet be blest!
He needs not, he heeds not,
Or human love or hate;
Whilst I here must cry here
At perfidy ingrate!
O, enviable, early days,
When dancing thoughtless pleasure’s maze,
To care, to guilt unknown!
How ill exchang’d for riper times,
To feel the follies, or the crimes,
Of others, or my own!
Ye tiny elves that guiltless sport,
Like linnets in the bush,
Ye little know the ills ye court,
When manhood is your wish!
The losses, the crosses,
That active man engage;
The fears all, the tears all,
Of dim declining age!
|
Written by
Amy Levy |
To B.
T.
Dead-tired, dog-tired, as the vivid day
Fails and slackens and fades away.
--
The sky that was so blue before
With sudden clouds is shrouded o'er.
Swiftly, stilly the mists uprise,
Till blurred and grey the landscape lies.
* * * * * * *
All day we have plied the oar; all day
Eager and keen have said our say
On life and death, on love and art,
On good or ill at Nature's heart.
Now, grown so tired, we scarce can lift
The lazy oars, but onward drift.
And the silence is only stirred
Here and there by a broken word.
* * * * * * *
O, sweeter far than strain and stress
Is the slow, creeping weariness.
And better far than thought I find
The drowsy blankness of the mind.
More than all joys of soul or sense
Is this divine indifference;
Where grief a shadow grows to be,
And peace a possibility.
|
Written by
Robert William Service |
My Daddy used to wallop me for every small offense:
"Its takes a hair-brush back," said he, "to teach kids common-sense.
"
And still to-day I scarce can look a hair-brush in the face.
Without I want in sympathy to pat a tender place.
For Dad declared with unction: "Spare the brush and spoil the brat.
"
The dear old man! What e'er his faults he never did do that;
And though a score of years have gone since he departed hence,
I still revere his deity, The God of Common-sense.
How often I have played the ass (Man's universal fate),
Yet always I have saved myself before it was too late;
How often tangled with a dame - you know how these things are,
Yet always had the gumption not to carry on too far;
Remembering that fancy skirts, however high they go,
Are not to be stacked up against a bunch of hard-earned dough;
And sentiment has little weight compared with pounds and pence,
According to the gospel of the God of Common-sense.
Oh blessing on that old hair-brush my Daddy used to whack
With such benign precision on the basement of my back.
Oh blessings on his wisdom, saying: "Son, don't play the fool,
Let prudence be your counselor and reason be your rule.
Don't get romantic notions, always act with judgment calm,
Poetical emotions ain't in practice worth a damn/
let solid comfort be your goal, self-interest your guide.
.
.
.
"
Then just as if to emphasize, whack! whack! the brush he plied.
And so I often wonder if my luck is Providence,
or just my humble tribute to the God of Common-sense.
|
Written by
Henry Wadsworth Longfellow |
IN the valley of the Pegnitz, where across broad meadowlands
Rise the blue Franconian mountains, Nuremberg, the ancient, stands.
Quaint old town of toil and traffic, quaint old town of art and song,
Memories haunt thy pointed gables, like the rooks that round them throng:
Memories of the Middle Ages, when the emperors, rough and bold, 5
Had their dwelling in thy castle, time-defying, centuries old;
And thy brave and thrifty burghers boasted, in their uncouth rhyme,
That their great imperial city stretched its hand through every clime.
In the court-yard of the castle, bound with many an iron band,
Stands the mighty linden planted by Queen Cunigunde's hand; 10
On the square the oriel window, where in old heroic days
Sat the poet Melchior singing Kaiser Maximilian's praise.
Everywhere I see around me rise the wondrous world of Art:
Fountains wrought with richest sculpture standing in the common mart;
And above cathedral doorways saints and bishops carved in stone, 15
By a former age commissioned as apostles to our own.
In the church of sainted Sebald sleeps enshrined his holy dust,
And in bronze the Twelve Apostles guard from age to age their trust;
In the church of sainted Lawrence stands a pix of sculpture rare,
Like the foamy sheaf of fountains, rising through the painted air.
20
Here, when Art was still religion, with a simple, reverent heart,
Lived and labored Albrecht D¨¹rer, the Evangelist of Art;
Hence in silence and in sorrow, toiling still with busy hand,
Like an emigrant he wandered, seeking for the Better Land.
Emigravit is the inscription on the tombstone where he lies; 25
Dead he is not, but departed,¡ªfor the artist never dies.
Fairer seems the ancient city, and the sunshine seems more fair,
That he once has trod its pavement, that he once has breathed its air!
Through these streets so broad and stately, these obscure and dismal lanes,
Walked of yore the Mastersingers, chanting rude poetic strains.
30
From remote and sunless suburbs came they to the friendly guild,
Building nests in Fame's great temple, as in spouts the swallows build.
As the weaver plied the shuttle, wove he too the mystic rhyme,
And the smith his iron measures hammered to the anvil's chime;
Thanking God, whose boundless wisdom makes the flowers of poesy bloom 35
In the forge's dust and cinders, in the tissues of the loom.
Here Hans Sachs, the cobbler-poet, laureate of the gentle craft,
Wisest of the Twelve Wise Masters, in huge folios sang and laughed.
But his house is now an ale-house, with a nicely sanded floor,
And a garland in the window, and his face above the door; 40
Painted by some humble artist, as in Adam Puschman's song,
As the old man gray and dove-like, with his great beard white and long.
And at night the swart mechanic comes to drown his cark and care,
Quaffing ale from pewter tankards, in the master's antique chair.
Vanished is the ancient splendor, and before my dreamy eye 45
Wave these mingled shapes and figures, like a faded tapestry.
Not thy Councils, not thy Kaisers, win for thee the world's regard;
But thy painter, Albrecht D¨¹rer, and Hans Sachs, thy cobbler bard.
Thus, O Nuremberg, a wanderer from a region far away,
As he paced thy streets and court-yards, sang in thought his careless lay: 50
Gathering from the pavement's crevice, as a floweret of the soil,
The nobility of labor,¡ªthe long pedigree of toil.
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