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Best Famous Pleistocene Poems

Here is a collection of the all-time best famous Pleistocene poems. This is a select list of the best famous Pleistocene poetry. Reading, writing, and enjoying famous Pleistocene poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of pleistocene poems.

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Written by Les Murray | Create an image from this poem

Towards The Imminent Days (Section 4)

 In my aunt's house, the milk jug's beaded crochet cover
tickles the ear. We've eaten boiled things with butter. 
Pie spiced like islands, dissolving in cream, is now
dissolving in us. We've reached the teapot of calm. 
The table we sit at is fashioned of three immense
beech boards out of England. The minute widths of the year
have been refined in the wood by daughters' daughters. 
In the year of Nelson, I notice, the winter was mild. 

But our talk is cattle and cricket. My quiet uncle
has spent the whole forenoon sailing a stump-ridden field
of blady-grass and Pleistocene clay never ploughed 
since the world's beginning. The Georgic furrow lengthens 

in ever more intimate country. But we're talking bails,
stray cattle, brands. In the village of Merchandise Creek
there's a post in a ruined blacksmith shop that bears
a charred-in black-letter script of iron characters, 

hooks, bars, conjoined letters, a weird bush syllabary. 
It is the language of property seared into skin
but descends beyond speech into the muscles of cattle, 
the world of feed as it shimmers in cattle minds. 

My uncle, nodding, identifies the owners
(I gather M-bar was mourned by thousands of head).
It has its roots in meadows deeper than Gaelic, 
my uncle's knowledge. Farmers longest in heaven 

share slyly with him in my aunt's grave mischievous smile
that shines out of every object in my sight
in these loved timber rooms at the threshold of grass.
The depth in this marriage will heal the twentieth century.


Written by Amy Clampitt | Create an image from this poem

Salvage

 Daily the cortege of crumpled 
defunct cars 
goes by by the lasagna-
layered flatbed 
truckload: hardtop 

reverting to tar smudge,
wax shine antiqued to crusted 
winepress smear, 
windshield battered to
intact ice-tint, a rarity

fresh from the Pleistocene. 
I like it; privately 
I find esthetic 
satisfaction in these 
ceremonial removals

from the category of
received ideas
to regions where pigeons' 
svelte smoke-velvet
limousines, taxiing 

in whirligigs, reclaim 
a parking lot,
and the bag-laden
hermit woman, disencumbered 
of a greater incubus,

the crush of unexamined
attitudes, stoutly
follows her routine,
mining the mountainsides
of our daily refuse

for artifacts: subversive
re-establishing
with each arcane
trash-basket dig
the pleasures of the ruined.

Book: Reflection on the Important Things