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Best Famous Plaits Poems

Here is a collection of the all-time best famous Plaits poems. This is a select list of the best famous Plaits poetry. Reading, writing, and enjoying famous Plaits poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of plaits poems.

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Written by C S Lewis | Create an image from this poem

Cliche Came Out of its Cage

 1

You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before The Lardergods.
Unmarried daughters with obedient hands Tended it By the hearth the white-armd venerable mother Domum servabat, lanam faciebat.
at the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen's children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods, Shun Hubris.
The middle of the road, the middle sort of men, Are best.
Aidos surpasses gold.
Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears .
.
.
You said it.
Did you mean it? Oh inordinate liar, stop.
2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll Look in, ready to invade it.
The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free.
The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence.
Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company.
The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).


Written by Countee Cullen | Create an image from this poem

To Certain Critics

 Then call me traitor if you must, 
Shout reason and default! 
Say I betray a sacred trust 
Aching beyond this vault.
I'll bear your censure as your praise, For never shall the clan Confine my singing to its ways Beyond the ways of man.
No racial option narrows grief, Pain is not patriot, And sorrow plaits her dismal leaf For all as lief as not.
With blind sheep groping every hill, Searching an oriflamme, How shall the shpherd heart then thrill To only the darker lamb?
Written by Emile Verhaeren | Create an image from this poem

THE ROPE-MAKER

In his village grey
At foot of the dykes, that encompass him
With weary weaving of curves and lines
Toward the sea outstretching dim,
The rope-maker, visionary white.
Stepping backwards along the way,
Prudently 'twixt his hands combines
The distant threads, in their twisting play.
That come to him from the infinite.


When day is gone.
Through ardent, weary evenings, yon
The whirr of a wheel can yet be heard;
Something by unseen hands is stirred.
And parallel o'er the rakes, that trace
An even space
From point to point along all the way,
The flaxen hemp still plaits its chain
Ceaseless, for days and weeks amain.
With his poor, tired fingers, nimble still.
Fearing to break for want of skill
The fragments of gold that the gliding light
Threads through his toil so scantily—
Passing the walls and the houses by
The rope-maker, visionary white,
From depths of the evening's whirlpool dim,
Draws the horizons in to him.


Horizons that stretch back afar.
Where strife, regrets, hates, furies are:
Tears of the silence, and the tears
That find a voice: serenest years,
Or years convulsed with pang and throe:
Horizons of the long ago,
These gestures of the Past they shew.


Of old—as one in sleep, life, errant, strayed
Its wondrous morns and fabled evenings through;
When God's right hand toward far Canaan's blue
Traced golden paths, deep in the twilight shade.


Of old, 'twas life exasperate, huge and tense,
Swung savage at some stallion's mane—life, fleet.
With mighty lightnings flashing 'neath her feet,
Upreared immensely over space immense.


Of old, 'twas life evoking ardent will;
And hell's red cross and Heaven's cross of white
Each marched, with gleam of steely armours' light.
Through streams of blood, to heavens of victory still.


Of old—life, livid, foaming, came and went
'Mid strokes of tocsin and assassin's knife;
Proscribers, murderers, each with each at strife,
While, mad and splendid. Death above them bent.


'Twixt fields of flax and of osiers red.
On the road where nothing doth move or tread,
By houses and walls to left and right
The rope-maker, visionary white,
From depths of evening's treasury dim
Draws the horizons in to him.


Horizons that stretch yonder far.
Where work, strifes, ardours, science are;
Horizons that change—they pass and glide,
And on their way
They shew in mirrors of eventide
The mourning image of dark To-day.


Here—writhing fires that never rest nor end.
Where, in one giant effort all employed,
Sages cast down the Gods, to change the void
Whither the flights of human science tend.


Here—'tis a room where thought, assertive, saith
That there are weights exact to gauge her by,
That inane ether, only, rounds the sky.
And that in phials of glass men breed up death.


Here—'tis a workship, where, all fiery bright,
Matter intense vibrates with fierce turmoil
In vaults where wonders new, 'mid stress and toil,
Are forged, that can absorb space, time and night.


—A palace—of an architecture grown
Effete, and weary 'neath its hundred years.
Whence voices vast invoke, instinct with fears,
The thunder in its flights toward the Unknown.


On the silent, even road—his eyes
Still fixed towards the waning light
That skirts the houses and walls as it dies—
The rope-maker, visionary white,
From depths of the evening's halo dim
Draws the horizons in to him.


Horizons that are there afar
Where light, hope, wakenings, strivings are;
Horizons that he sees defined
As hope for some future, far and kind.
Beyond those distant shores and faint
That evening on the clouds doth paint.


Yon—'mid that distance calm and musical
Twin stairs of gold suspend their steps of blue,
The sage doth climb them, and the seer too,
Starting from sides opposed toward one goal.


Yon—contradiction's lightning-shocks lose power.
Doubt's sullen hand unclenches to the light,
The eye sees in their essence laws unite
Rays scattered once 'mid doctrines of an hour.


Yon—keenest spirits pierce beyond the land
Of seeming and of death. The heart hath ease,
And one would say that Mildness held the keys
Of the colossal silence in her hand.


Up yon—the God each soul is, once again
Creates, expands, gives, finds himself in all;
And rises higher, the lowlier he doth fall
Before meek tenderness and sacred pain.


And there is ardent, living peace—its urns
Of even bliss ranged 'mid these twilights, where
—Embers of hope upon the ashen air—
Each great nocturnal planet steadfast burns.


In his village at foot of the dykes, that bend,
Sinuous, weary, about him and wend
Toward that distance of eddying light,
The rope-maker, visionary white.
Along by each house and each garden wall.
Absorbs in himself the horizons all.
Written by D. H. Lawrence | Create an image from this poem

The Bride

 My love looks like a girl to-night, 
But she is old.
The plaits that lie along her pillow Are not gold, But threaded with filigree silver, And uncanny cold.
She looks like a young maiden, since her brow Is smooth and fair, Her cheeks are very smooth, her eyes are closed.
She sleeps a rare Still winsome sleep, so still, and so composed.
Nay, but she sleeps like a bride, and dreams her dreams Of perfect things.
She lies at last, the darling, in the shape of her dream, And her dead mouth sings By its shape, like the thrushes in clear evenings.
Written by Lam Quang My | Create an image from this poem

Addition …

Add stars to summer
add frost to winter
add earthiness to spring
add evening plaits of smoke to winter
add a grain of love to me
add a pinch of charm to you
add dramatic songs to life
add just a little time for withering of love!


Written by Carl Sandburg | Create an image from this poem

Women Washing Their Hair

 THEY have painted and sung
the women washing their hair,
and the plaits and strands in the sun,
and the golden combs
and the combs of elephant tusks
and the combs of buffalo horn and hoof.
The sun has been good to women, drying their heads of hair as they stooped and shook their shoulders and framed their faces with copper and framed their eyes with dusk or chestnut.
The rain has been good to women.
If the rain should forget, if the rain left off for a year— the heads of women would wither, the copper, the dusk and chestnuts, go.
They have painted and sung the women washing their hair— reckon the sun and rain in, too.

Book: Reflection on the Important Things