by
C S Lewis
1
You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. at the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen's children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears ...
You said it. Did you mean it? Oh inordinate liar, stop.
2
Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
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by
Countee Cullen
Then call me traitor if you must,
Shout reason and default!
Say I betray a sacred trust
Aching beyond this vault.
I'll bear your censure as your praise,
For never shall the clan
Confine my singing to its ways
Beyond the ways of man.
No racial option narrows grief,
Pain is not patriot,
And sorrow plaits her dismal leaf
For all as lief as not.
With blind sheep groping every hill,
Searching an oriflamme,
How shall the shpherd heart then thrill
To only the darker lamb?
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by
Robert Browning
I.
All I believed is true!
I am able yet
All I want, to get
By a method as strange as new:
Dare I trust the same to you?
II.
If at night, when doors are shut,
And the wood-worm picks,
And the death-watch ticks,
And the bar has a flag of smut,
And a cat's in the water-butt---
III.
And the socket floats and flares,
And the house-beams groan,
And a foot unknown
Is surmised on the garret-stairs,
And the locks slip unawares---
IV.
And the spider, to serve his ends,
By a sudden thread,
Arms and legs outspread,
On the table's midst descends,
Comes to find, God knows what friends!---
V.
If since eve drew in, I say,
I have sat and brought
(So to speak) my thought
To bear on the woman away,
Till I felt my hair turn grey---
VI.
Till I seemed to have and hold,
In the vacancy
'Twixt the wall and me,
From the hair-plait's chestnut gold
To the foot in its muslin fold---
VII.
Have and hold, then and there,
Her, from head to foot,
Breathing and mute,
Passive and yet aware,
In the grasp of my steady stare---
VIII.
Hold and have, there and then,
All her body and soul
That completes my whole,
All that women add to men,
In the clutch of my steady ken---
IX.
Having and holding, till
I imprint her fast
On the void at last
As the sun does whom he will
By the calotypist's skill---
X.
Then,---if my heart's strength serve,
And through all and each
Of the veils I reach
To her soul and never swerve,
Knitting an iron nerve---
XI.
Command her soul to advance
And inform the shape
Which has made escape
And before my countenance
Answers me glance for glance---
XII.
I, still with a gesture fit
Of my hands that best
Do my soul's behest,
Pointing the power from it,
While myself do steadfast sit---
XIII.
Steadfast and still the same
On my object bent,
While the hands give vent
To my ardour and my aim
And break into very flame---
XIV.
Then I reach, I must believe,
Not her soul in vain,
For to me again
It reaches, and past retrieve
Is wound in the toils I weave;
XV.
And must follow as I require,
As befits a thrall,
Bringing flesh and all,
Essence and earth-attire,
To the source of the tractile fire:
XVI.
Till the house called hers, not mine,
With a growing weight
Seems to suffocate
If she break not its leaden line
And escape from its close confine.
XVII.
Out of doors into the night!
On to the maze
Of the wild wood-ways,
Not turning to left nor right
From the pathway, blind with sight---
XVIII.
Making thro' rain and wind
O'er the broken shrubs,
'Twixt the stems and stubs,
With a still, composed, strong mind,
Nor a care for the world behind---
XIX.
Swifter and still more swift,
As the crowding peace
Doth to joy increase
In the wide blind eyes uplift
Thro' the darkness and the drift!
XX.
While I---to the shape, I too
Feel my soul dilate
Nor a whit abate,
And relax not a gesture due,
As I see my belief come true.
XXI.
For, there! have I drawn or no
Life to that lip?
Do my fingers dip
In a flame which again they throw
On the cheek that breaks a-glow?
XXII.
Ha! was the hair so first?
What, unfilleted,
Made alive, and spread
Through the void with a rich outburst,
Chestnut gold-interspersed?
XXTII.
Like the doors of a casket-shrine,
See, on either side,
Her two arms divide
Till the heart betwixt makes sign,
Take me, for I am thine!
XXIV.
``Now---now''---the door is heard!
Hark, the stairs! and near---
Nearer---and here---
``Now!'' and at call the third
She enters without a word.
XXV.
On doth she march and on
To the fancied shape;
It is, past escape,
Herself, now: the dream is done
And the shadow and she are one.
XXVI.
First I will pray. Do Thou
That ownest the soul,
Yet wilt grant control
To another, nor disallow
For a time, restrain me now!
XXVII.
I admonish me while I may,
Not to squander guilt,
Since require Thou wilt
At my hand its price one day
What the price is, who can say?
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by
Emile Verhaeren
In his village grey
At foot of the dykes, that encompass him
With weary weaving of curves and lines
Toward the sea outstretching dim,
The rope-maker, visionary white.
Stepping backwards along the way,
Prudently 'twixt his hands combines
The distant threads, in their twisting play.
That come to him from the infinite.
When day is gone.
Through ardent, weary evenings, yon
The whirr of a wheel can yet be heard;
Something by unseen hands is stirred.
And parallel o'er the rakes, that trace
An even space
From point to point along all the way,
The flaxen hemp still plaits its chain
Ceaseless, for days and weeks amain.
With his poor, tired fingers, nimble still.
Fearing to break for want of skill
The fragments of gold that the gliding light
Threads through his toil so scantily—
Passing the walls and the houses by
The rope-maker, visionary white,
From depths of the evening's whirlpool dim,
Draws the horizons in to him.
Horizons that stretch back afar.
Where strife, regrets, hates, furies are:
Tears of the silence, and the tears
That find a voice: serenest years,
Or years convulsed with pang and throe:
Horizons of the long ago,
These gestures of the Past they shew.
Of old—as one in sleep, life, errant, strayed
Its wondrous morns and fabled evenings through;
When God's right hand toward far Canaan's blue
Traced golden paths, deep in the twilight shade.
Of old, 'twas life exasperate, huge and tense,
Swung savage at some stallion's mane—life, fleet.
With mighty lightnings flashing 'neath her feet,
Upreared immensely over space immense.
Of old, 'twas life evoking ardent will;
And hell's red cross and Heaven's cross of white
Each marched, with gleam of steely armours' light.
Through streams of blood, to heavens of victory still.
Of old—life, livid, foaming, came and went
'Mid strokes of tocsin and assassin's knife;
Proscribers, murderers, each with each at strife,
While, mad and splendid. Death above them bent.
'Twixt fields of flax and of osiers red.
On the road where nothing doth move or tread,
By houses and walls to left and right
The rope-maker, visionary white,
From depths of evening's treasury dim
Draws the horizons in to him.
Horizons that stretch yonder far.
Where work, strifes, ardours, science are;
Horizons that change—they pass and glide,
And on their way
They shew in mirrors of eventide
The mourning image of dark To-day.
Here—writhing fires that never rest nor end.
Where, in one giant effort all employed,
Sages cast down the Gods, to change the void
Whither the flights of human science tend.
Here—'tis a room where thought, assertive, saith
That there are weights exact to gauge her by,
That inane ether, only, rounds the sky.
And that in phials of glass men breed up death.
Here—'tis a workship, where, all fiery bright,
Matter intense vibrates with fierce turmoil
In vaults where wonders new, 'mid stress and toil,
Are forged, that can absorb space, time and night.
—A palace—of an architecture grown
Effete, and weary 'neath its hundred years.
Whence voices vast invoke, instinct with fears,
The thunder in its flights toward the Unknown.
On the silent, even road—his eyes
Still fixed towards the waning light
That skirts the houses and walls as it dies—
The rope-maker, visionary white,
From depths of the evening's halo dim
Draws the horizons in to him.
Horizons that are there afar
Where light, hope, wakenings, strivings are;
Horizons that he sees defined
As hope for some future, far and kind.
Beyond those distant shores and faint
That evening on the clouds doth paint.
Yon—'mid that distance calm and musical
Twin stairs of gold suspend their steps of blue,
The sage doth climb them, and the seer too,
Starting from sides opposed toward one goal.
Yon—contradiction's lightning-shocks lose power.
Doubt's sullen hand unclenches to the light,
The eye sees in their essence laws unite
Rays scattered once 'mid doctrines of an hour.
Yon—keenest spirits pierce beyond the land
Of seeming and of death. The heart hath ease,
And one would say that Mildness held the keys
Of the colossal silence in her hand.
Up yon—the God each soul is, once again
Creates, expands, gives, finds himself in all;
And rises higher, the lowlier he doth fall
Before meek tenderness and sacred pain.
And there is ardent, living peace—its urns
Of even bliss ranged 'mid these twilights, where
—Embers of hope upon the ashen air—
Each great nocturnal planet steadfast burns.
In his village at foot of the dykes, that bend,
Sinuous, weary, about him and wend
Toward that distance of eddying light,
The rope-maker, visionary white.
Along by each house and each garden wall.
Absorbs in himself the horizons all.
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by
D. H. Lawrence
My love looks like a girl to-night,
But she is old.
The plaits that lie along her pillow
Are not gold,
But threaded with filigree silver,
And uncanny cold.
She looks like a young maiden, since her brow
Is smooth and fair,
Her cheeks are very smooth, her eyes are closed.
She sleeps a rare
Still winsome sleep, so still, and so composed.
Nay, but she sleeps like a bride, and dreams her dreams
Of perfect things.
She lies at last, the darling, in the shape of her dream,
And her dead mouth sings
By its shape, like the thrushes in clear evenings.
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by
Lam Quang My
Add stars to summer
add frost to winter
add earthiness to spring
add evening plaits of smoke to winter
add a grain of love to me
add a pinch of charm to you
add dramatic songs to life
add just a little time for withering of love!
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by
Carl Sandburg
THEY have painted and sung
the women washing their hair,
and the plaits and strands in the sun,
and the golden combs
and the combs of elephant tusks
and the combs of buffalo horn and hoof.
The sun has been good to women,
drying their heads of hair
as they stooped and shook their shoulders
and framed their faces with copper
and framed their eyes with dusk or chestnut.
The rain has been good to women.
If the rain should forget,
if the rain left off for a year—
the heads of women would wither,
the copper, the dusk and chestnuts, go.
They have painted and sung
the women washing their hair—
reckon the sun and rain in, too.
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