Written by
Henry Van Dyke |
I
Once, only once, I saw it clear, --
That Eden every human heart has dreamed
A hundred times, but always far away!
Ah, well do I remember how it seemed,
Through the still atmosphere
Of that enchanted day,
To lie wide open to my weary feet:
A little land of love and joy and rest,
With meadows of soft green,
Rosy with cyclamen, and sweet
With delicate breath of violets unseen, --
And, tranquil 'mid the bloom
As if it waited for a coming guest,
A little house of peace and joy and love
Was nested like a snow-white dove
From the rough mountain where I stood,
Homesick for happiness,
Only a narrow valley and a darkling wood
To cross, and then the long distress
Of solitude would be forever past, --
I should be home at last.
But not too soon! oh, let me linger here
And feed my eyes, hungry with sorrow,
On all this loveliness, so near,
And mine to-morrow!
Then, from the wood, across the silvery blue,
A dark bird flew,
Silent, with sable wings.
Close in his wake another came, --
Fragments of midnight floating through
The sunset flame, --
Another and another, weaving rings
Of blackness on the primrose sky, --
Another, and another, look, a score,
A hundred, yes, a thousand rising heavily
From that accursed, dumb, and ancient wood, --
They boiled into the lucid air
Like smoke from some deep caldron of despair!
And more, and more, and ever more,
The numberless, ill-omened brood,
Flapping their ragged plumes,
Possessed the landscape and the evening light
With menaces and glooms.
Oh, dark, dark, dark they hovered o'er the place
Where once I saw the little house so white
Amid the flowers, covering every trace
Of beauty from my troubled sight, --
And suddenly it was night!
II
At break of day I crossed the wooded vale;
And while the morning made
A trembling light among the tree-tops pale,
I saw the sable birds on every limb,
Clinging together closely in the shade,
And croaking placidly their surly hymn.
But, oh, the little land of peace and love
That those night-loving wings had poised above, --
Where was it gone?
Lost, lost forevermore!
Only a cottage, dull and gray,
In the cold light of dawn,
With iron bars across the door:
Only a garden where the withering heads
Of flowers, presaging decay,
Hung over barren beds:
Only a desolate field that lay
Untilled beneath the desolate day, --
Where Eden seemed to bloom I found but these!
So, wondering, I passed along my way,
With anger in my heart, too deep for words,
Against that grove of evil-sheltering trees,
And the black magic of the croaking birds.
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Written by
Kahlil Gibran |
A prince stood on the balcony of his palace addressing a great multitude summoned for the occasion and said, "Let me offer you and this whole fortunate country my congratulations upon the birth of a new prince who will carry the name of my noble family, and of whom you will be justly proud.
He is the new bearer of a great and illustrious ancestry, and upon him depends the brilliant future of this realm.
Sing and be merry!" The voices of the throngs, full of joy and thankfulness, flooded the sky with exhilarating song, welcoming the new tyrant who would affix the yoke of oppression to their necks by ruling the weak with bitter authority, and exploiting their bodies and killing their souls.
For that destiny, the people were singing and drinking ecstatically to the heady of the new Emir.
Another child entered life and that kingdom at the same time.
While the crowds were glorifying the strong and belittling themselves by singing praise to a potential despot, and while the angels of heaven were weeping over the people's weakness and servitude, a sick woman was thinking.
She lived in an old, deserted hovel and, lying in her hard bed beside her newly born infant wrapped with ragged swaddles, was starving to death.
She was a penurious and miserable young wife neglected by humanity; her husband had fallen into the trap of death set by the prince's oppression, leaving a solitary woman to whom God had sent, that night, a tiny companion to prevent her from working and sustaining life.
As the mass dispersed and silence was restored to the vicinity, the wretched woman placed the infant on her lap and looked into his face and wept as if she were to baptize him with tears.
And with a hunger weakened voice she spoke to the child saying, "Why have you left the spiritual world and come to share with me the bitterness of earthly life? Why have you deserted the angels and the spacious firmament and come to this miserable land of humans, filled with agony, oppression, and heartlessness? I have nothing to give you except tears; will you be nourished on tears instead of milk? I have no silk clothes to put on you; will my naked, shivering arms give you warmth? The little animals graze in the pasture and return safely to their shed; and the small birds pick the seeds and sleep placidly between the branches.
But you, my beloved, have naught save a loving but destitute mother.
"
Then she took the infant to her withered breast and clasped her arms around him as if wanting to join the two bodies in one, as before.
She lifted her burning eyes slowly toward heaven and cried, "God! Have mercy on my unfortunate countrymen!"
At that moment the clouds floated from the face of the moon, whose beams penetrated the transom of that poor home and fell upon two corpses.
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Written by
George Eliot |
Your soul was lifted by the wings today
Hearing the master of the violin:
You praised him, praised the great Sabastian too
Who made that fine Chaconne; but did you think
Of old Antonio Stradivari? -him
Who a good century and a half ago
Put his true work in that brown instrument
And by the nice adjustment of its frame
Gave it responsive life, continuous
With the master's finger-tips and perfected
Like them by delicate rectitude of use.
That plain white-aproned man, who stood at work
Patient and accurate full fourscore years,
Cherished his sight and touch by temperance,
And since keen sense is love of perfectness
Made perfect violins, the needed paths
For inspiration and high mastery.
No simpler man than he; he never cried,
"why was I born to this monotonous task
Of making violins?" or flung them down
To suit with hurling act well-hurled curse
At labor on such perishable stuff.
Hence neighbors in Cremona held him dull,
Called him a slave, a mill-horse, a machine.
Naldo, a painter of eclectic school,
Knowing all tricks of style at thirty-one,
And weary of them, while Antonio
At sixty-nine wrought placidly his best,
Making the violin you heard today -
Naldo would tease him oft to tell his aims.
"Perhaps thou hast some pleasant vice to feed -
the love of louis d'ors in heaps of four,
Each violin a heap - I've naught to blame;
My vices waste such heaps.
But then, why work
With painful nicety?"
Antonio then:
"I like the gold - well, yes - but not for meals.
And as my stomach, so my eye and hand,
And inward sense that works along with both,
Have hunger that can never feed on coin.
Who draws a line and satisfies his soul,
Making it crooked where it should be straight?
Antonio Stradivari has an eye
That winces at false work and loves the true.
"
Then Naldo: "'Tis a petty kind of fame
At best, that comes of making violins;
And saves no masses, either.
Thou wilt go
To purgatory none the less.
"
But he:
"'Twere purgatory here to make them ill;
And for my fame - when any master holds
'Twixt chin and hand a violin of mine,
He will be glad that Stradivari lived,
Made violins, and made them of the best.
The masters only know whose work is good:
They will choose mine, and while God gives them skill
I give them instruments to play upon,
God choosing me to help him.
"What! Were God
at fault for violins, thou absent?"
"Yes;
He were at fault for Stradivari's work.
"
"Why, many hold Giuseppe's violins
As good as thine.
"
"May be: they are different.
His quality declines: he spoils his hand
With over-drinking.
But were his the best,
He could not work for two.
My work is mine,
And, heresy or not, if my hand slacked
I should rob God - since his is fullest good -
Leaving a blank instead of violins.
I say, not God himself can make man's best
Without best men to help him.
'Tis God gives skill,
But not without men's hands: he could not make
Antonio Stradivari's violins
Without Antonio.
Get thee to thy easel.
"
|
Written by
Randall Jarrell |
Each day brings its toad, each night its dragon.
Der heilige Hieronymus--his lion is at the zoo--
Listens, listens.
All the long, soft, summer day
Dreams affright his couch, the deep boils like a pot.
As the sun sets, the last patient rises,
Says to him, Father, trembles, turns away.
Often, to the lion, the saint said, Son.
To the man the saint says--but the man is gone.
Under a plaque of Gradiva, at gloaming.
The old man boils an egg.
When he has eaten
He listens a while.
The patients have not stopped.
At midnight, he lies down where his patients lay.
All night the old man whispers to the night.
It listens evenly.
The great armored paws
Of its forelegs put together in reflection.
It thinks: Where Ego was, there Id shall be.
The world wrestles with it and is changed into it
And after a long time changes it.
The dragon
Listens as the old man says, at dawn: I see
--There is an old man, naked in a desert, by a cliff.
He has set out his books, his hat, his ink, his shears
Among scorpions, toads, the wild beasts of the desert.
I lie beside him--I am a lion.
He kneels listening.
He holds in his left hand
The stone with which he beats his breat, and holds
In his right hand, the pen with which he puts
Into his book, the words of the angel:
The angel up into whose face he looks.
But the angel does not speak.
He looks into the face
Of the night, and the night says--but the night is gone.
He has slept.
.
.
.
At morning, when man's flesh is young
And man's soul thankful for it knows not what,
The air is washed, and smells of boiling coffee,
And the sun lights it.
The old man walks placidly
To the grocer's; walks on, under leaves, in light,
To a lynx, a leopard--he has come;
The man holds out a lump of liver to the lion,
And the lion licks the man's hand with his tongue.
|
Written by
Helen Hunt Jackson |
The lakes of ice gleam bluer than the lakes
Of water 'neath the summer sunshine gleamed:
Far fairer than when placidly it streamed,
The brook its frozen architecture makes,
And under bridges white its swift way takes.
Snow comes and goes as messenger who dreamed
Might linger on the road; or one who deemed
His message hostile gently for their sakes
Who listened might reveal it by degrees.
We gird against the cold of winter wind
Our loins now with mighty bands of sleep,
In longest, darkest nights take rest and ease,
And every shortening day, as shadows creep
O'er the brief noontide, fresh surprises find.
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Written by
Robert William Service |
There were twin artists A.
and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".
Now although A.
(and this is *****)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B.
(though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.
Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square .
.
.
And yet, I thought: It's very *****,
Unbought they linger there.
Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.
Well, maybe A.
and B.
were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss .
.
.
These guys believe in what they paint,
Or .
.
.
are they spoofing us?
|
Written by
Edward Lear |
There was an Old Man of the Coast,
Who placidly sat on a post;
But when it was cold he relinquished his hold,
And called for some hot buttered toast.
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Written by
Max Ehrmann |
Go placidly amid the noise and the haste, and remember what peace there may be in silence. As far as possible, without surrender, be on good terms with all persons.
Speak your truth quietly and clearly; and listen to others, even to the dull and the ignorant; they too have their story.
Avoid loud and aggressive persons; they are vexatious to the spirit. If you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans. Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs, for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals, and everywhere life is full of heroism.
Be yourself. Especially do not feign affection. Neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.
Take kindly the counsel of the years, gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with dark imaginings. Many fears are born of fatigue and loneliness.
Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe no less than the trees and the stars; you have a right to be here.
And whether or not it is clear to you, no doubt the universe is unfolding as it should. Therefore be at peace with God, whatever you conceive Him to be. And whatever your labors and aspirations, in the noisy confusion of life, keep peace in your soul. With all its sham, drudgery and broken dreams, it is still a beautiful world. Be cheerful. Strive to be happy.
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