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Best Famous Pitchers Poems

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Written by Sylvia Plath | Create an image from this poem

Leaving Early

 Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards. The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends. They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.

The roses in the Toby jug
Gave up the ghost last night. High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid 
Littered with Chinese hands. Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the cracker packets. Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones. Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?


Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields. 

A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; 
A song tasting of new wheat, and of fresh-husk’d maize.

2
For the lands, and for these passionate days, and for myself, 
Now I awhile return to thee, O soil of Autumn fields, 
Reclining on thy breast, giving myself to thee, 
Answering the pulses of thy sane and equable heart, 
Tuning a verse for thee.

O Earth, that hast no voice, confide to me a voice! 
O harvest of my lands! O boundless summer growths! 
O lavish, brown, parturient earth! O infinite, teeming womb! 
A verse to seek, to see, to narrate thee. 

3
Ever upon this stage,
Is acted God’s calm, annual drama, 
Gorgeous processions, songs of birds, 
Sunrise, that fullest feeds and freshens most the soul, 
The heaving sea, the waves upon the shore, the musical, strong waves, 
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass, 
The heat, the showers, the measureless pasturages, 
The scenery of the snows, the winds’ free orchestra, 
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
 silvery
 fringes, 
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows, 
The shows of all the varied lands, and all the growths and products. 

4
Fecund America! To-day, 
Thou art all over set in births and joys! 
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions! 
A myriad-twining life, like interlacing vines, binds all thy vast demesne! 
As some huge ship, freighted to water’s edge, thou ridest into port! 
As rain falls from the heaven, and vapors rise from earth, so have the precious values
 fallen
 upon thee, and risen out of thee! 
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty! 
Thou lucky Mistress of the tranquil barns! 
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
 East,
 and lookest West! 
Dispensatress, that by a word givest a thousand miles—that giv’st a million
 farms,
 and missest nothing! 
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
 hospitable.)

5
When late I sang, sad was my voice; 
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; 
In the midst of the armies, the Heroes, I stood, 
Or pass’d with slow step through the wounded and dying. 

But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps, 
Nor the regiments hastily coming up, deploying in line of battle. 

No more the dead and wounded; 
No more the sad, unnatural shows of War. 

Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d. 

6
(Pass—pass, ye proud brigades! 
So handsome, dress’d in blue—with your tramping, sinewy legs; 
With your shoulders young and strong—with your knapsacks and your muskets; 
—How elate I stood and watch’d you, where, starting off, you march’d!

Pass;—then rattle, drums, again! 
Scream, you steamers on the river, out of whistles loud and shrill, your salutes! 
For an army heaves in sight—O another gathering army! 
Swarming, trailing on the rear—O you dread, accruing army! 
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! 
Lo! your pallid army follow’d!) 

7
But on these days of brightness, 
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
 farm-wagons, and
 the fruits and barns, 
Shall the dead intrude?

Ah, the dead to me mar not—they fit well in Nature; 
They fit very well in the landscape, under the trees and grass, 
And along the edge of the sky, in the horizon’s far margin. 

Nor do I forget you, departed; 
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
 phantoms, 
Your dear memories, rising, glide silently by me. 

8
I saw the day, the return of the Heroes; 
(Yet the Heroes never surpass’d, shall never return; 
Them, that day, I saw not.)

I saw the interminable Corps—I saw the processions of armies, 
I saw them approaching, defiling by, with divisions, 
Streaming northward, their work done, camping awhile in clusters of mighty camps. 

No holiday soldiers!—youthful, yet veterans; 
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march, 
Inured on many a hard-fought, bloody field. 

9
A pause—the armies wait; 
A million flush’d, embattled conquerors wait; 
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear. 

Exult, indeed, O lands! victorious lands! 
Not there your victory, on those red, shuddering fields; 
But here and hence your victory. 

Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms; 
Other the arms, the fields henceforth for you, or South or North, or East or West, 
With saner wars—sweet wars—life-giving wars. 

10
Loud, O my throat, and clear, O soul! 
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility. 

All till’d and untill’d fields expand before me; 
I see the true arenas of my race—or first, or last, 
Man’s innocent and strong arenas. 

I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons. 

11
I see where America, Mother of All, 
Well-pleased, with full-spanning eye, gazes forth, dwells long, 
And counts the varied gathering of the products. 

Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North, 
Cotton and rice of the South, and Louisianian cane; 
Open, unseeded fallows, rich fields of clover and timothy, 
Kine and horses feeding, and droves of sheep and swine, 
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes, 
And the good green grass—that delicate miracle, the ever-recurring grass. 

12
Toil on, Heroes! harvest the products! 
Not alone on those warlike fields, the Mother of All, 
With dilated form and lambent eyes, watch’d you.

Toil on, Heroes! toil well! Handle the weapons well! 
The Mother of All—yet here, as ever, she watches you. 

Well-pleased, America, thou beholdest, 
Over the fields of the West, those crawling monsters, 
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, 
The steam-power reaping-machines, and the horse-power machines, 
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
 nimble work of the patent pitch-fork; 
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser. 

Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest. 

All gather, and all harvest; 
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security; 
Not a maize-stalk dangle, as now, its silken tassels in peace.) 

13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; 
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
 sheath, 
Gather the hay to its myriad mows, in the odorous, tranquil barns, 
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; 
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
 potato of
 Georgia and the Carolinas,
Clip the wool of California or Pennsylvania, 
Cut the flax in the Middle States, or hemp, or tobacco in the Borders, 
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
 vines, 
Or aught that ripens in all These States, or North or South, 
Under the beaming sun, and under Thee.
Written by James Weldon Johnson | Create an image from this poem

Listen Lord: A Prayer

 O Lord, we come this morning
Knee-bowed and body-bent
Before Thy throne of grace.
O Lord--this morning--
Bow our hearts beneath our knees,
And our knees in some lonesome valley.
We come this morning--
Like empty pitchers to a full fountain,
With no merits of our own.
O Lord--open up a window of heaven,
And lean out far over the battlements of glory,
And listen this morning.

Lord, have mercy on proud and dying sinners--
Sinners hanging over the mouth of hell,
Who seem to love their distance well.
Lord--ride by this morning--
Mount Your milk-white horse,
And ride-a this morning--
And in Your ride, ride by old hell,
Ride by the dingy gates of hell,
And stop poor sinners in their headlong plunge.

And now, O Lord, this man of God,
Who breaks the bread of life this morning--
Shadow him in the hollow of Thy hand,
And keep him out of the gunshot of the devil.
Take him, Lord--this morning--
Wash him with hyssop inside and out,
Hang him up and drain him dry of sin.
Pin his ear to the wisdom-post,
And make his words sledge hammers of truth--
Beating on the iron heart of sin.
Lord God, this morning--
Put his eye to the telescope of eternity,
And let him look upon the paper walls of time.
Lord, turpentine his imagination,
Put perpetual motion in his arms,
Fill him full of the dynamite of Thy power,
Anoint him all over with the oil of Thy salvation,
And set his tongue on fire.

And now, O Lord--
When I've done drunk my last cup of sorrow--
When I've been called everything but a child of God--
When I'm done traveling up the rough side of the mountain--
O--Mary's Baby--
When I start down the steep and slippery steps of death--
When this old world begins to rock beneath my feet--
Lower me to my dusty grave in peace
To wait for that great gittin'-up morning--Amen.
Written by Robinson Jeffers | Create an image from this poem

Meditation On Saviors

 I
When I considered it too closely, when I wore it like an element
 and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
 little troublesome, a little terrible.

I pledged myself awhile ago not to seek refuge, neither in death
 nor in a walled garden,
In lies nor gated loyalties, nor in the gates of contempt, that
 easily lock the world out of doors.

Here on the rock it is great and beautiful, here on the foam-wet
 granite sea-fang it is easy to praise
Life and water and the shining stones: but whose cattle are the
 herds of the people that one should love them?

If they were yours, then you might take a cattle-breeder's
 delight in the herds of the future. Not yours.
Where the power ends let love, before it sours to jealousy.
 Leave the joys of government to Caesar.

Who is born when the world wanes, when the brave soul of the
 world falls on decay in the flesh increasing
Comes one with a great level mind, sufficient vision, sufficient
 blindness, and clemency for love.

This is the breath of rottenness I smelt; from the world
 waiting, stalled between storms, decaying a little,
Bitterly afraid to be hurt, but knowing it cannot draw the
 savior Caesar but out of the blood-bath.

The apes of Christ lift up their hands to praise love: but
 wisdom without love is the present savior,
Power without hatred, mind like a many-bladed machine subduing
 the world with deep indifference.

The apes of Christ itch for a sickness they have never known;
 words and the little envies will hardly
Measure against that blinding fire behind the tragic eyes they
 have never dared to confront.

II
Point Lobos lies over the hollowed water like a humped whale
 swimming to shoal; Point Lobos
Was wounded with that fire; the hills at Point Sur endured it;
 the palace at Thebes; the hill Calvary.

Out of incestuous love power and then ruin. A man forcing the
 imaginations of men,
Possessing with love and power the people: a man defiling his
 own household with impious desire.

King Oedipus reeling blinded from the palace doorway, red tears
 pouring from the torn pits
Under the forehead; and the young Jew writhing on the domed hill
 in the earthquake, against the eclipse

Frightfully uplifted for having turned inward to love the
 people: -that root was so sweet O dreadful agonist? -
I saw the same pierced feet, that walked in the same crime to
 its expiation; I heard the same cry.

A bad mountain to build your world on. Am I another keeper of
 the people, that on my own shore,
On the gray rock, by the grooved mass of the ocean, the
 sicknesses I left behind me concern me?

Here where the surf has come incredible ways out of the splendid
 west, over the deeps
Light nor life sounds forever; here where enormous sundowns
 flower and burn through color to quietness;

Then the ecstasy of the stars is present? As for the people, I
 have found my rock, let them find theirs.
Let them lie down at Caesar's feet and be saved; and he in his
 time reap their daggers of gratitude.

III
Yet I am the one made pledges against the refuge contempt, that
 easily locks the world out of doors.
This people as much as the sea-granite is part of the God from
 whom I desire not to be fugitive.

I see them: they are always crying. The shored Pacific makes
 perpetual music, and the stone mountains
Their music of silence, the stars blow long pipings of light:
 the people are always crying in their hearts.

One need not pity; certainly one must not love. But who has seen
 peace, if he should tell them where peace
Lives in the world...they would be powerless to understand; and
 he is not willing to be reinvolved.

IV
How should one caught in the stone of his own person dare tell
 the people anything but relative to that?
But if a man could hold in his mind all the conditions at once,
 of man and woman, of civilized

And barbarous, of sick and well, of happy and under torture, of
 living and dead, of human and not
Human, and dimly all the human future: -what should persuade him
 to speak? And what could his words change?

The mountain ahead of the world is not forming but fixed. But
 the man's words would be fixed also,
Part of that mountain, under equal compulsion; under the same
 present compulsion in the iron consistency.

And nobody sees good or evil but out of a brain a hundred
 centuries quieted, some desert
Prophet's, a man humped like a camel, gone mad between the mud-
 walled village and the mountain sepulchres.

V
Broad wagons before sunrise bring food into the city from the
 open farms, and the people are fed.
They import and they consume reality. Before sunrise a hawk in
 the desert made them their thoughts.

VI
Here is an anxious people, rank with suppressed
 bloodthirstiness. Among the mild and unwarlike
Gautama needed but live greatly and be heard, Confucius needed
 but live greatly and be heard:

This people has not outgrown blood-sacrifice, one must writhe on
 the high cross to catch at their memories;
The price is known. I have quieted love; for love of the people
 I would not do it. For power I would do it.

--But that stands against reason: what is power to a dead man,
 dead under torture? --What is power to a man
Living, after the flesh is content? Reason is never a root,
 neither of act nor desire.

For power living I would never do it; they'are not delightful to
 touch, one wants to be separate. For power
After the nerves are put away underground, to lighten the
 abstract unborn children toward peace...

A man might have paid anguish indeed. Except he had found the
 standing sea-rock that even this last
Temptation breaks on; quieter than death but lovelier; peace
 that quiets the desire even of praising it.

VII
Yet look: are they not pitiable? No: if they lived forever they
 would be pitiable:
But a huge gift reserved quite overwhelms them at the end; they
 are able then to be still and not cry.

And having touched a little of the beauty and seen a little of
 the beauty of things, magically grow
Across the funeral fire or the hidden stench of burial
 themselves into the beauty they admired,

Themselves into the God, themselves into the sacred steep
 unconsciousness they used to mimic
Asleep between lamp's death and dawn, while the last drunkard
 stumbled homeward down the dark street.

They are not to be pitied but very fortunate; they need no
 savior, salvation comes and takes them by force,
It gathers them into the great kingdoms of dust and stone, the
 blown storms, the stream's-end ocean.

With this advantage over their granite grave-marks, of having
 realized the petulant human consciousness
Before, and then the greatness, the peace: drunk from both
 pitchers: these to be pitied? These not fortunate

But while he lives let each man make his health in his mind, to
 love the coast opposite humanity
And so be freed of love, laying it like bread on the waters; it
 is worst turned inward, it is best shot farthest.

Love, the mad wine of good and evil, the saint's and murderer's,
 the mote in the eye that makes its object
Shine the sun black; the trap in which it is better to catch the
 inhuman God than the hunter's own image.
Written by David Berman | Create an image from this poem

The Charm Of 5:30

 It's too nice a day to read a novel set in England.

We're within inches of the perfect distance from the sun,
the sky is blueberries and cream,
and the wind is as warm as air from a tire.
Even the headstones in the graveyard
 Seem to stand up and say "Hello! My name is..."

It's enough to be sitting here on my porch,
thinking about Kermit Roosevelt,
following the course of an ant,
or walking out into the yard with a cordless phone
 to find out she is going to be there tonight

On a day like today, what looks like bad news in the distance
turns out to be something on my contact, carports and white
courtesy phones are spontaneously reappreciated
 and random "okay"s ring through the backyards.

This morning I discovered the red tints in cola
 when I held a glass of it up to the light
and found an expensive flashlight in the pocket of a winter coat
 I was packing away for summer.

It all reminds me of that moment when you take off your sunglasses
after a long drive and realize it's earlier
and lighter out than you had accounted for.

You know what I'm talking about,

and that's the kind of fellowship that's taking place in town, out in
the public spaces. You won't overhear anyone using the words
"dramaturgy" or "state inspection today. We're too busy getting along.

It occurs to me that the laws are in the regions and the regions are
in the laws, and it feels good to say this, something that I'm almost
sure is true, outside under the sun.

Then to say it again, around friends, in the resonant voice of a
nineteenth-century senator, just for a lark.

There's a shy looking fellow on the courthouse steps, holding up a
placard that says "But, I kinda liked Reagan." His head turns slowly
as a beautiful girl walks by, holding a refrigerated bottle up against
her flushed cheek.

She smiles at me and I allow myself to imagine her walking into
town to buy lotion at a brick pharmacy.
When she gets home she'll apply it with great lingering care before
moving into her parlor to play 78 records and drink gin-and-tonics
beside her homemade altar to James Madison.

In a town of this size, it's certainly possible that I'll be invited over
one night.

In fact I'll bet you something.

Somewhere in the future I am remembering today. I'll bet you
I'm remembering how I walked into the park at five thirty,
my favorite time of day, and how I found two cold pitchers
of just poured beer, sitting there on the bench.

I am remembering how my friend Chip showed up
with a catcher's mask hanging from his belt and how I said

great to see you, sit down, have a beer, how are you,
and how he turned to me with the sunset reflecting off his contacts
and said, wonderful, how are you.


Written by Jack Gilbert | Create an image from this poem

The Forgotten Dialect Of The Heart

 How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not laguage but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.
Written by John Clare | Create an image from this poem

Christmass

 Christmass is come and every hearth
Makes room to give him welcome now
Een want will dry its tears in mirth
And crown him wi a holly bough
Tho tramping neath a winters sky
Oer snow track paths and ryhmey stiles
The huswife sets her spining bye
And bids him welcome wi her smiles
Each house is swept the day before
And windows stuck wi evergreens
The snow is beesomd from the door
And comfort crowns the cottage scenes
Gilt holly wi its thorny pricks
And yew and box wi berrys small
These deck the unusd candlesticks
And pictures hanging by the wall

Neighbours resume their anual cheer
Wishing wi smiles and spirits high
Clad christmass and a happy year
To every morning passer bye
Milk maids their christmass journeys go
Accompanyd wi favourd swain
And childern pace the crumping snow
To taste their grannys cake again

Hung wi the ivys veining bough
The ash trees round the cottage farm
Are often stript of branches now
The cotters christmass hearth to warm
He swings and twists his hazel band
And lops them off wi sharpend hook
And oft brings ivy in his hand
To decorate the chimney nook

Old winter whipes his ides bye
And warms his fingers till he smiles
Where cottage hearths are blazing high
And labour resteth from his toils
Wi merry mirth beguiling care
Old customs keeping wi the day
Friends meet their christmass cheer to share
And pass it in a harmless way

Old customs O I love the sound
However simple they may be
What ere wi time has sanction found
Is welcome and is dear to me
Pride grows above simplicity
And spurns it from her haughty mind
And soon the poets song will be
The only refuge they can find

The shepherd now no more afraid
Since custom doth the chance bestow
Starts up to kiss the giggling maid
Beneath the branch of mizzletoe
That neath each cottage beam is seen
Wi pearl-like-berrys shining gay
The shadow still of what hath been
Which fashion yearly fades away

And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals

And when its past a merry crew
Bedeckt in masks and ribbons gay
The 'Morrice danse' their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his hump back and tinkling bell

And oft for pence and spicy ale
Wi winter nosgays pind before
The wassail singer tells her tale
And drawls her christmass carrols oer
The prentice boy wi ruddy face
And ryhme bepowderd dancing locks
From door to door wi happy pace
Runs round to claim his 'christmass box'

The block behind the fire is put
To sanction customs old desires
And many a faggots bands are cut
For the old farmers christmass fires
Where loud tongd gladness joins the throng
And winter meets the warmth of may
Feeling by times the heat too strong
And rubs his shins and draws away

While snows the window panes bedim
The fire curls up a sunny charm
Where creaming oer the pitchers rim
The flowering ale is set to warm
Mirth full of joy as summer bees
Sits there its pleasures to impart
While childern tween their parents knees
Sing scraps of carrols oer by heart

And some to view the winter weathers
Climb up the window seat wi glee
Likening the snow to falling feathers
In fancys infant extacy
Laughing wi superstitious love
Oer visions wild that youth supplyes
Of people pulling geese above
And keeping christmass in the skyes

As tho the homstead trees were drest
In lieu of snow wi dancing leaves
As. tho the sundryd martins nest
Instead of ides hung the eaves
The childern hail the happy day
As if the snow was april grass
And pleasd as neath the warmth of may
Sport oer the water froze to glass

Thou day of happy sound and mirth
That long wi childish memory stays
How blest around the cottage hearth
I met thee in my boyish days
Harping wi raptures dreaming joys
On presents that thy coming found
The welcome sight of little toys
The christmass gifts of comers round

'The wooden horse wi arching head
Drawn upon wheels around the room
The gilded coach of ginger bread
And many colord sugar plumb
Gilt coverd books for pictures sought
Or storys childhood loves to tell
Wi many a urgent promise bought
To get tomorrows lesson well

And many a thing a minutes sport
Left broken on the sanded floor
When we woud leave our play and court
Our parents promises for more
Tho manhood bids such raptures dye
And throws such toys away as vain
Yet memory loves to turn her eye
And talk such pleasures oer again

Around the glowing hearth at night
The harmless laugh and winter tale
Goes round-while parting friends delight
To toast each other oer their ale
The cotter oft wi quiet zeal
Will musing oer his bible lean
While in the dark the lovers steal
To kiss and toy behind the screen

The yule cake dotted thick wi plumbs
Is on each supper table found
And cats look up for falling crumbs
Which greedy childern litter round
And huswifes sage stuffd seasond chine
Long hung in chimney nook to drye
And boiling eldern berry wine
To drink the christmass eves 'good bye'
Written by Sarojini Naidu | Create an image from this poem

In Praise Of Henna

 A KOKILA called from a henna-spray: 
Lira! liree! Lira! liree! 
Hasten, maidens, hasten away 
To gather the leaves of the henna-tree. 
Send your pitchers afloat on the tide, 
Gather the leaves ere the dawn be old, 
Grind them in mortars of amber and gold, 
The fresh green leaves of the henna-tree.


A kokila called from a henna-spray: 
Lira! liree! Lira! liree! 
Hasten maidens, hasten away 
To gather the leaves of the henna-tree. 
The tilka's red for the brow of a bride, 
And betel-nut's red for lips that are sweet; 
But, for lily-like fingers and feet, 
The red, the red of the henna-tree.
Written by Naomi Shihab Nye | Create an image from this poem

Half-And-Half

 You can't be, says a Palestinian Christian
on the first feast day after Ramadan.
So, half-and-half and half-and-half.
He sells glass. He knows about broken bits,
chips. If you love Jesus you can't love
anyone else. Says he.

At his stall of blue pitchers on the Via Dolorosa,
he's sweeping. The rubbed stones
feel holy. Dusting of powdered sugar
across faces of date-stuffed mamool.

This morning we lit the slim white candles
which bend over at the waist by noon.
For once the priests weren't fighting
in the church for the best spots to stand.
As a boy, my father listened to them fight.
This is partly why he prays in no language
but his own. Why I press my lips
to every exception.

A woman opens a window—here and here and here—
placing a vase of blue flowers
on an orange cloth. I follow her.
She is making a soup from what she had left
in the bowl, the shriveled garlic and bent bean.
She is leaving nothing out.
Written by Rabindranath Tagore | Create an image from this poem

The Gardener XIII: I Asked Nothing

 I asked nothing, only stood at the 
edge of the wood behind the tree.
Languor was still upon the eyes
of the dawn, and the dew in the air.
The lazy smell of the damp grass
hung in the thin mist above the earth.
Under the banyan tree you were
milking the cow with your hands,
tender and fresh as butter.
And I was standing still.
I did not say a word. It was the
bird that sang unseen from the thicket.
The mango tree was shedding its
flowers upon the village road, and the 
bees came humming one by one.
On the side of the pond the gate of 
Shiva's temple was opened and the
worshipper had begun his chants.
With the vessel on your lap you
were milking the cow.
I stood with my empty can.
I did not come near you.
The sky woke with the sound of
the gong at the temple.
The dust was raised in the road
from the hoofs of the driven cattle.
With the gurgling pitchers at their 
hips, women came from the river.
Your bracelets were jingling, and 
foam brimming over the jar.
The morning wore on and I did not
come near you.

Book: Radiant Verses: A Journey Through Inspiring Poetry