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Best Famous Pins Poems

Here is a collection of the all-time best famous Pins poems. This is a select list of the best famous Pins poetry. Reading, writing, and enjoying famous Pins poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of pins poems.

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Written by Lewis Carroll | Create an image from this poem

Little Birds

 Little Birds are dining
Warily and well,
Hid in mossy cell:
Hid, I say, by waiters
Gorgeous in their gaiters -
I've a Tale to tell.
Little Birds are feeding Justices with jam, Rich in frizzled ham: Rich, I say, in oysters Haunting shady cloisters - That is what I am.
Little Birds are teaching Tigresses to smile, Innocent of guile: Smile, I say, not smirkle - Mouth a semicircle, That's the proper style! Little Birds are sleeping All among the pins, Where the loser wins: Where, I say, he sneezes When and how he pleases - So the Tale begins.
Little Birds are writing Interesting books, To be read by cooks: Read, I say, not roasted - Letterpress, when toasted, Loses its good looks.
Little Birds are playing Bagpipes on the shore, Where the tourists snore: "Thanks!" they cry.
"'Tis thrilling! Take, oh take this shilling! Let us have no more!" Little Birds are bathing Crocodiles in cream, Like a happy dream: Like, but not so lasting - Crocodiles, when fasting, Are not all they seem! Little Birds are choking Baronets with bun, Taught to fire a gun: Taught, I say, to splinter Salmon in the winter - Merely for the fun.
Little Birds are hiding Crimes in carpet-bags, Blessed by happy stags: Blessed, I say, though beaten - Since our friends are eaten When the memory flags.
Little Birds are tasting Gratitude and gold, Pale with sudden cold: Pale, I say, and wrinkled - When the bells have tinkled, And the Tale is told.


Written by Elizabeth Bishop | Create an image from this poem

Roosters

 At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock

just below
the gun-metal blue window
and immediately there is an echo

off in the distance,
then one from the backyard fence,
then one, with horrible insistence,

grates like a wet match 
from the broccoli patch,
flares,and all over town begins to catch.
Cries galore come from the water-closet door, from the dropping-plastered henhouse floor, where in the blue blur their rusting wives admire, the roosters brace their cruel feet and glare with stupid eyes while from their beaks there rise the uncontrolled, traditional cries.
Deep from protruding chests in green-gold medals dressed, planned to command and terrorize the rest, the many wives who lead hens' lives of being courted and despised; deep from raw throats a senseless order floats all over town.
A rooster gloats over our beds from rusty irons sheds and fences made from old bedsteads, over our churches where the tin rooster perches, over our little wooden northern houses, making sallies from all the muddy alleys, marking out maps like Rand McNally's: glass-headed pins, oil-golds and copper greens, anthracite blues, alizarins, each one an active displacement in perspective; each screaming, "This is where I live!" Each screaming "Get up! Stop dreaming!" Roosters, what are you projecting? You, whom the Greeks elected to shoot at on a post, who struggled when sacrificed, you whom they labeled "Very combative.
.
.
" what right have you to give commands and tell us how to live, cry "Here!" and "Here!" and wake us here where are unwanted love, conceit and war? The crown of red set on your little head is charged with all your fighting blood Yes, that excrescence makes a most virile presence, plus all that vulgar beauty of iridescence Now in mid-air by two they fight each other.
Down comes a first flame-feather, and one is flying, with raging heroism defying even the sensation of dying.
And one has fallen but still above the town his torn-out, bloodied feathers drift down; and what he sung no matter.
He is flung on the gray ash-heap, lies in dung with his dead wives with open, bloody eyes, while those metallic feathers oxidize.
St.
Peter's sin was worse than that of Magdalen whose sin was of the flesh alone; of spirit, Peter's, falling, beneath the flares, among the "servants and officers.
" Old holy sculpture could set it all together in one small scene, past and future: Christ stands amazed, Peter, two fingers raised to surprised lips, both as if dazed.
But in between a little cock is seen carved on a dim column in the travertine, explained by gallus canit; flet Petrus underneath it, There is inescapable hope, the pivot; yes, and there Peter's tears run down our chanticleer's sides and gem his spurs.
Tear-encrusted thick as a medieval relic he waits.
Poor Peter, heart-sick, still cannot guess those cock-a-doodles yet might bless, his dreadful rooster come to mean forgiveness, a new weathervane on basilica and barn, and that outside the Lateran there would always be a bronze cock on a porphyry pillar so the people and the Pope might see that event the Prince of the Apostles long since had been forgiven, and to convince all the assembly that "Deny deny deny" is not all the roosters cry.
In the morning a low light is floating in the backyard, and gilding from underneath the broccoli, leaf by leaf; how could the night have come to grief? gilding the tiny floating swallow's belly and lines of pink cloud in the sky, the day's preamble like wandering lines in marble, The cocks are now almost inaudible.
The sun climbs in, following "to see the end," faithful as enemy, or friend.
Written by Andrew Barton Paterson | Create an image from this poem

The Scapegoat

 We have all of us read how the Israelites fled 
From Egypt with Pharaoh in eager pursuit of 'em, 
And Pharaoh's fierce troop were all put "in the soup" 
When the waters rolled softly o'er every galoot of 'em.
The Jews were so glad when old Pharaoh was "had" That they sounded their timbrels and capered like mad.
You see he was hated from Jordan to Cairo -- Whence comes the expression "to buck against faro".
For forty long years, 'midst perils and fears In deserts with never a famine to follow by, The Israelite horde went roaming abroad Like so many sundowners "out on the wallaby".
When Moses, who led 'em, and taught 'em, and fed 'em, Was dying, he murmured, "A rorty old hoss you are: I give you command of the whole of the band" -- And handed the Government over to Joshua.
But Moses told 'em before he died, "Wherever you are, whatever betide, Every year as the time draws near By lot or by rote choose you a goat, And let the high priest confess on the beast The sins of the people the worst and the least, Lay your sins on the goat! Sure the plan ought to suit yer.
Because all your sins are 'his troubles' in future.
Then lead him away to the wilderness black To die with the weight of your sins on his back: Of thirst let him perish alone and unshriven, For thus shall your sins be absolved and forgiven!" 'Tis needless to say, though it reeked of barbarity This scapegoat arrangement gained great popularity.
By this means a Jew, whate'er he might do, Though he burgled, or murdered, or cheated at loo, Or meat on Good Friday (a sin most terrific) ate, Could get his discharge, like a bankrupt's certificate; Just here let us note -- Did they choose their best goat? It's food for conjecture, to judge from the picture By Hunt in the Gallery close to our door, a Man well might suppose that the scapegoat they chose Was a long way from being their choicest Angora.
In fact I should think he was one of their weediest: 'Tis a rule that obtains, no matter who reigns, When making a sacrifice, offer the seediest; Which accounts for a theory known to my hearers Who live in the wild by the wattle beguiled, That a "stag" makes quite good enough mutton for shearers.
Be that as it may, as each year passed away, a scapegoat was led to the desert and freighted With sin (the poor brute must have been overweighted) And left there -- to die as his fancy dictated.
The day it has come, with trumpet and drum.
With pomp and solemnity fit for the tomb They lead the old billy-goat off to his doom: On every hand a reverend band, Prophets and preachers and elders stand And the oldest rabbi, with a tear in his eye, Delivers a sermon to all standing by.
(We haven't his name -- whether Cohen or Harris, he No doubt was the "poisonest" kind of Pharisee.
) The sermon was marked by a deal of humility And pointed the fact, with no end of ability.
That being a Gentile's no mark of gentility, And, according to Samuel, would certainly d--n you well.
Then, shedding his coat, he approaches the goat And, while a red fillet he carefully pins on him, Confesses the whole of the Israelites' sins on him.
With this eloquent burst he exhorts the accurst -- "Go forth in the desert and perish in woe, The sins of the people are whiter than snow!" Then signs to his pal "for to let the brute go".
(That "pal" as I've heard, is an elegant word, Derived from the Persian "Palaykhur" or "Pallaghur"), As the scapegoat strains and tugs at the reins The Rabbi yells rapidly, "Let her go, Gallagher!" The animal, freed from all restraint Lowered his head, made a kind of feint, And charged straight at that elderly saint.
So fierce his attack and so very severe, it Quite floored the Rabbi, who, ere he could fly, Was rammed on the -- no, not the back -- but just near it.
The scapegoat he snorted, and wildly cavorted, A light-hearted antelope "out on the ramp", Then stopped, looked around, got the "lay of the ground", And made a beeline back again to the camp.
The elderly priest, as he noticed the beast So gallantly making his way to the east, Says he, "From the tents may I never more roam again If that there old billy-goat ain't going home again.
He's hurrying, too! This never will do.
Can't somebody stop him? I'm all of a stew.
After all our confessions, so openly granted, He's taking our sins back to where they're not wanted.
We've come all this distance salvation to win agog, If he takes home our sins, it'll burst up the Synagogue!" He turned to an Acolyte who was making his bacca light, A fleet-footed youth who could run like a crack o' light.
"Run, Abraham, run! Hunt him over the plain, And drive back the brute to the desert again.
The Sphinx is a-watching, the Pyramids will frown on you, From those granite tops forty cent'ries look down on you -- Run, Abraham, run! I'll bet half-a-crown on you.
" So Abraham ran, like a man did he go for him, But the goat made it clear each time he drew near That he had what the racing men call "too much toe" for him.
The crowd with great eagerness studied the race -- "Great Scott! isn't Abraham forcing the pace -- And don't the goat spiel? It is hard to keep sight on him, The sins of the Israelites ride mighty light on him.
The scapegoat is leading a furlong or more, And Abraham's tiring -- I'll lay six to four! He rolls in his stride; he's done, there's no question!" But here the old Rabbi brought up a suggestion.
('Twas strange that in racing he showed so much cunning), "It's a hard race," said he, "and I think it would be A good thing for someone to take up the running.
" As soon said as done, they started to run -- The priests and the deacons, strong runners and weak 'uns All reckoned ere long to come up with the brute, And so the whole boiling set off in pursuit.
And then it came out, as the rabble and rout Streamed over the desert with many a shout -- The Rabbi so elderly, grave, and patrician, Had been in his youth a bold metallician, And offered, in gasps, as they merrily spieled, "Any price Abraham! Evens the field!" Alas! the whole clan, they raced and they ran, And Abraham proved him an "even time" man, But the goat -- now a speck they could scarce keep their eyes on -- Stretched out in his stride in a style most surprisin' And vanished ere long o'er the distant horizon.
Away in the camp the bill-sticker's tramp Is heard as he wanders with paste, brush, and notices, And paling and wall he plasters them all, "I wonder how's things gettin' on with the goat," he says, The pulls out his bills, "Use Solomon's Pills" "Great Stoning of Christians! To all devout Jews! you all Must each bring a stone -- Great sport will be shown; Enormous Attractions! And prices as usual! Roll up to the Hall!! Wives, children and all, For naught the most delicate feelings to hurt is meant!!" Here his eyes opened wide, for close by his side Was the scapegoat: And eating his latest advertisement! One shriek from him burst -- "You creature accurst!" And he ran from the spot like one fearing the worst.
His language was chaste, as he fled in his haste, But the goat stayed behind him -- and "scoffed up" the paste.
With downcast head, and sorrowful tread, The people came back from the desert in dread.
"The goat -- was he back there? Had anyone heard of him?" In very short order they got plenty word of him.
In fact as they wandered by street, lane and hall, "The trail of the serpent was over them all.
" A poor little child knocked out stiff in the gutter Proclaimed that the scapegoat was bred for a "butter".
The bill-sticker's pail told a sorrowful tale, The scapegoat had licked it as dry as a nail; He raced through their houses, and frightened their spouses, But his latest achievement most anger arouses, For while they were searching, and scratching their craniums, One little Ben Ourbed, who looked in the flow'r-bed, Discovered him eating the Rabbi's geraniums.
Moral The moral is patent to all the beholders -- Don't shift your own sins on to other folks' shoulders; Be kind to dumb creatures and never abuse them, Nor curse them nor kick them, nor spitefully use them: Take their lives if needs must -- when it comes to the worst, But don't let them perish of hunger or thirst.
Remember, no matter how far you may roam That dogs, goats, and chickens, it's simply the dickens, Their talent stupendous for "getting back home".
Your sins, without doubt, will aye find you out, And so will a scapegoat, he's bound to achieve it, But, die in the wilderness! Don't you believe it!
Written by Sylvia Plath | Create an image from this poem

The Swarm

 Somebody is shooting at something in our town --
A dull pom, pom in the Sunday street.
Jealousy can open the blood, It can make black roses.
Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The hump of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory.
The mud squirms with throats, Stepping stones for French bootsoles.
The gilt and pink domes of Russia melt and float off In the furnace of greed.
Clouds, clouds.
So the swarm balls and deserts Seventy feet up, in a black pine tree.
It must be shot down.
Pom! Pom! So dumb it thinks bullets are thunder.
It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody.
The bees have got so far.
Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed.
The bees argue, in their black ball, A flying hedgehog, all prickles.
The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country.
Pom! Pom! They fall Dismembered, to a tod of ivy.
So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory.
The swarm is knocked into a cocked straw hat.
Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches.
How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine.
The man with gray hands smiles -- The smile of a man of business, intensely practical.
They are not hands at all But asbestos receptacles.
Pom! Pom! 'They would have killed me.
' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind.
Napoleon is pleased, he is pleased with everything.
O Europe! O ton of honey!
Written by Robert William Service | Create an image from this poem

The Revelation

 The same old sprint in the morning, boys, to the same old din and smut;
Chained all day to the same old desk, down in the same old rut;
Posting the same old greasy books, catching the same old train:
Oh, how will I manage to stick it all, if I ever get back again?

We've bidden good-bye to life in a cage, we're finished with pushing a pen;
They're pumping us full of bellicose rage, they're showing us how to be men.
We're only beginning to find ourselves; we're wonders of brawn and thew; But when we go back to our Sissy jobs, -- oh, what are we going to do? For shoulders curved with the counter stoop will be carried erect and square; And faces white from the office light will be bronzed by the open air; And we'll walk with the stride of a new-born pride, with a new-found joy in our eyes, Scornful men who have diced with death under the naked skies.
And when we get back to the dreary grind, and the bald-headed boss's call, Don't you think that the dingy window-blind, and the dingier office wall, Will suddenly melt to a vision of space, of violent, flame-scarred night? Then .
.
.
oh, the joy of the danger-thrill, and oh, the roar of the fight! Don't you think as we peddle a card of pins the counter will fade away, And again we'll be seeing the sand-bag rims, and the barb-wire's misty grey? As a flat voice asks for a pound of tea, don't you fancy we'll hear instead The night-wind moan and the soothing drone of the packet that's overhead? Don't you guess that the things we're seeing now will haunt us through all the years; Heaven and hell rolled into one, glory and blood and tears; Life's pattern picked with a scarlet thread, where once we wove with a grey To remind us all how we played our part in the shock of an epic day? Oh, we're booked for the Great Adventure now, we're pledged to the Real Romance; We'll find ourselves or we'll lose ourselves somewhere in giddy old France; We'll know the zest of the fighter's life; the best that we have we'll give; We'll hunger and thirst; we'll die .
.
.
but first -- we'll live; by the gods, we'll live! We'll breathe free air and we'll bivouac under the starry sky; We'll march with men and we'll fight with men, and we'll see men laugh and die; We'll know such joy as we never dreamed; we'll fathom the deeps of pain: But the hardest bit of it all will be -- when we come back home again.
For some of us smirk in a chiffon shop, and some of us teach in a school; Some of us help with the seat of our pants to polish an office stool; The merits of somebody's soap or jam some of us seek to explain, But all of us wonder what we'll do when we have to go back again.


Written by Denise Duhamel | Create an image from this poem

Snow Whites Acne

 At first she was sure it was just a bit of dried strawberry juice,
or a fleck of her mother's red nail polish that had flaked off
when she'd patted her daughter to sleep the night before.
But as she scrubbed, Snow felt a bump, something festering under the surface, like a tapeworm curled up and living in her left cheek.
Doc the Dwarf was no dermatologist and besides Snow doesn't get to meet him in this version because the mint leaves the tall doctor puts over her face only make matters worse.
Snow and the Queen hope against hope for chicken pox, measles, something that would be gone quickly and not plague Snow's whole adolescence.
If only freckles were red, she cried, if only concealer really worked.
Soon came the pus, the yellow dots, multiplying like pins in a pin cushion.
Soon came the greasy hair.
The Queen gave her daughter a razor for her legs and a stick of underarm deodorant.
Snow doodled through her teenage years—"Snow + ?" in Magic Markered hearts all over her notebooks.
She was an average student, a daydreamer who might have been a scholar if she'd only applied herself.
She liked sappy music and romance novels.
She liked pies and cake instead of fruit.
The Queen remained the fairest in the land.
It was hard on Snow, having such a glamorous mom.
She rebelled by wearing torn shawls and baggy gowns.
Her mother would sometimes say, "Snow darling, why don't you pull back your hair? Show those pretty eyes?" or "Come on, I'll take you shopping.
" Snow preferred staying in her safe room, looking out of her window at the deer leaping across the lawn.
Or she'd practice her dance moves with invisible princes.
And the Queen, busy being Queen, didn't like to push it.
Written by Leonard Cohen | Create an image from this poem

Tower Of Song

 Well my friends are gone and my hair is grey 
I ache in the places where I used to play 
And I'm crazy for love but I'm not coming on 
I'm just paying my rent every day 
Oh in the Tower of Song 
I said to Hank Williams: how lonely does it get? 
Hank Williams hasn't answered yet 
But I hear him coughing all night long 
A hundred floors above me 
In the Tower of Song 
I was born like this, I had no choice 
I was born with the gift of a golden voice 
And twenty-seven angels from the Great Beyond 
They tied me to this table right here 
In the Tower of Song 
So you can stick your little pins in that voodoo doll 
I'm very sorry, baby, doesn't look like me at all 
I'm standing by the window where the light is strong 
Ah they don't let a woman kill you 
Not in the Tower of Song 
Now you can say that I've grown bitter but of this you may
be sure 
The rich have got their channels in the bedrooms of the poor 
And there's a mighty judgement coming, but I may be wrong 
You see, you hear these funny voices 
In the Tower of Song 
I see you standing on the other side 
I don't know how the river got so wide 
I loved you baby, way back when 
And all the bridges are burning that we might have crossed 
But I feel so close to everything that we lost 
We'll never have to lose it again 
Now I bid you farewell, I don't know when I'll be back 
There moving us tomorrow to that tower down the track 
But you'll be hearing from me baby, long after I'm gone 
I'll be speaking to you sweetly 
From a window in the Tower of Song 
Yeah my friends are gone and my hair is grey 
I ache in the places where I used to play 
And I'm crazy for love but I'm not coming on 
I'm just paying my rent every day 
Oh in the Tower of Song
Written by William Blake | Create an image from this poem

Blind Mans Buff

 When silver snow decks Susan's clothes,
And jewel hangs at th' shepherd's nose,
The blushing bank is all my care,
With hearth so red, and walls so fair;
`Heap the sea-coal, come, heap it higher,
The oaken log lay on the fire.
' The well-wash'd stools, a circling row, With lad and lass, how fair the show! The merry can of nut-brown ale, The laughing jest, the love-sick tale, Till, tir'd of chat, the game begins.
The lasses prick the lads with pins; Roger from Dolly twitch'd the stool, She, falling, kiss'd the ground, poor fool! She blush'd so red, with sidelong glance At hob-nail Dick, who griev'd the chance.
But now for Blind man's Buff they call; Of each encumbrance clear the hall-- Jenny her silken 'kerchief folds, And blear-eyed Will the black lot holds.
Now laughing stops, with `Silence! hush!' And Peggy Pout gives Sam a push.
The Blind man's arms, extended wide, Sam slips between:--`O woe betide Thee, clumsy Will!'--but titt'ring Kate Is penn'd up in the corner straight! And now Will's eyes beheld the play; He thought his face was t'other way.
`Now, Kitty, now! what chance hast thou, Roger so near thee!--Trips, I vow!' She catches him--then Roger ties His own head up--but not his eyes; For thro' the slender cloth he sees, And runs at Sam, who slips with ease His clumsy hold; and, dodging round, Sukey is tumbled on the ground!-- `See what it is to play unfair! Where cheating is, there's mischief there.
' But Roger still pursues the chase,-- `He sees! he sees!' cries, softly, Grace; `O Roger, thou, unskill'd in art, Must, surer bound, go thro' thy part!' Now Kitty, pert, repeats the rimes, And Roger turns him round three times, Then pauses ere he starts--but Dick Was mischief bent upon a trick; Down on his hands and knees he lay Directly in the Blind man's way, Then cries out `Hem!' Hodge heard, and ran With hood-wink'd chance--sure of his man; But down he came.
-- Alas, how frail Our best of hopes, how soon they fail! With crimson drops he stains the ground; Confusion startles all around.
Poor piteous Dick supports his head, And fain would cure the hurt he made.
But Kitty hasted with a key, And down his back they straight convey The cold relief; the blood is stay'd, And Hodge again holds up his head.
Such are the fortunes of the game, And those who play should stop the same By wholesome laws; such as all those Who on the blinded man impose Stand in his stead; as, long a-gone, When men were first a nation grown, Lawless they liv'd, till wantonness A 1000 nd liberty began t' increase, And one man lay in another's way; Then laws were made to keep fair play.
Written by Theodore Roethke | Create an image from this poem

The Geranium

 When I put her out, once, by the garbage pail,
She looked so limp and bedraggled,
So foolish and trusting, like a sick poodle,
Or a wizened aster in late September,
I brought her back in again
For a new routine--
Vitamins, water, and whatever
Sustenance seemed sensible
At the time: she'd lived
So long on gin, bobbie pins, half-smoked cigars, dead beer,
Her shriveled petals falling
On the faded carpet, the stale
Steak grease stuck to her fuzzy leaves.
(Dried-out, she creaked like a tulip.
) The things she endured!-- The dumb dames shrieking half the night Or the two of us, alone, both seedy, Me breathing booze at her, She leaning out of her pot toward the window.
Near the end, she seemed almost to hear me-- And that was scary-- So when that snuffling cretin of a maid Threw her, pot and all, into the trash-can, I said nothing.
But I sacked the presumptuous hag the next week, I was that lonely.
Written by John Clare | Create an image from this poem

Remembrances

 Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
 ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone


When I used to lie and sing by old eastwells boiling spring
When I used to tie the willow boughs together for a 'swing'
And fish with crooked pins and thread and never catch a
 thing
With heart just like a feather- now as heavy as a stone
When beneath old lea close oak I the bottom branches broke
To make our harvest cart like so many working folk
And then to cut a straw at the brook to have a soak
O I never dreamed of parting or that trouble had a sting
Or that pleasures like a flock of birds would ever take to
 wing
Leaving nothing but a little naked spring


When jumping time away on old cross berry way
And eating awes like sugar plumbs ere they had lost the may
And skipping like a leveret before the peep of day
On the rolly polly up and downs of pleasant swordy well
When in round oaks narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain
With our pockets full of peas we had stolen from the grain
How delicious was the dinner time on such a showry day
O words are poor receipts for what time hath stole away
The ancient pulpit trees and the play


When for school oer 'little field' with its brook and wooden
 brig
Where I swaggered like a man though I was not half so big
While I held my little plough though twas but a willow twig
And drove my team along made of nothing but a name
'Gee hep' and 'hoit' and 'woi'- O I never call to mind
These pleasant names of places but I leave a sigh behind
While I see the little mouldywharps hang sweeing to the wind
On the only aged willow that in all the field remains
And nature hides her face where theyre sweeing in their
 chains
And in a silent murmuring complains


Here was commons for the hills where they seek for
 freedom still
Though every commons gone and though traps are set to kill
The little homeless miners- O it turns my bosom chill
When I think of old 'sneap green' puddocks nook and hilly
 snow
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view
When we threw the pissmire crumbs when we's nothing
 else to do
All leveled like a desert by the never weary plough
All vanished like the sun where that cloud is passing now
All settled here for ever on its brow


I never thought that joys would run away from boys
Or that boys would change their minds and forsake such
 summer joys
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone
Till I found the pleasure past and a winter come at last
Then the fields were sudden bare and the sky got overcast
And boyhoods pleasing haunts like a blossom in the blast
Was shrivelled to a withered weed and trampled down and
 done
Till vanished was the morning spring and set that summer
 sun
And winter fought her battle strife and won


By Langley bush I roam but the bush hath left its hill
On cowper green I stray tis a desert strange and chill
And spreading lea close oak ere decay had penned its will
To the axe of the spoiler and self interest fell a prey
And cross berry way and old round oaks narrow lane
With its hollow trees like pulpits I shall never see again
Inclosure like a Buonaparte let not a thing remain
It levelled every bush and tree and levelled every hill
And hung the moles for traitors - though the brook is
 running still
It runs a naked brook cold and chill


O had I known as then joy had left the paths of men
I had watched her night and day besure and never slept agen
And when she turned to go O I'd caught her mantle then
And wooed her like a lover by my lonely side to stay
Aye knelt and worshipped on as love in beautys bower
And clung upon her smiles as a bee upon her flower
And gave her heart my poesys all cropt in a sunny hour
As keepsakes and pledges to fade away
But love never heeded to treasure up the may
So it went the comon road with decay

Book: Reflection on the Important Things