Written by
Walt Whitman |
1
TO think of time—of all that retrospection!
To think of to-day, and the ages continued henceforward!
Have you guess’d you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear’d the future would be nothing to you?
Is to-day nothing? Is the beginningless past nothing?
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive!
that
everything was alive!
To think that you and I did not see, feel, think, nor bear our part!
To think that we are now here, and bear our part!
2
Not a day passes—not a minute or second, without an accouchement!
Not a day passes—not a minute or second, without a corpse!
The dull nights go over, and the dull days also,
The soreness of lying so much in bed goes over,
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for,
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,)
The faithful hand of the living does not desert the hand of the dying,
The twitching lips press lightly on the forehead of the dying,
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it,
It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight,
But without eye-sight lingers a different living, and looks curiously on the corpse.
3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
others as
upon us now—yet not act upon us!
To think of all these wonders of city and country, and others taking great interest in
them—and we taking no interest in them!
To think how eager we are in building our houses!
To think others shall be just as eager, and we quite indifferent!
(I see one building the house that serves him a few years, or seventy or eighty years at
most,
I see one building the house that serves him longer than that.)
Slow-moving and black lines creep over the whole earth—they never cease—they are
the
burial lines,
He that was President was buried, and he that is now President shall surely be buried.
4
A reminiscence of the vulgar fate,
A frequent sample of the life and death of workmen,
Each after his kind:
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
the
streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month,
A hearse and stages—other vehicles give place—the funeral of an old Broadway
stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
new-dug grave is halted at, the living alight, the hearse uncloses,
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
the
earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence,
A minute—no one moves or speaks—it is done,
He is decently put away—is there anything more?
He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
take his
own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
women,
gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
toward
the last, sicken’d, was help’d by a contribution, died, aged forty-one
years—and
that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
on
somebody, headway, man before and man behind, good day’s work, bad day’s work,
pet
stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
interest in them!
5
The markets, the government, the working-man’s wages—to think what account they
are
through our nights and days!
To think that other working-men will make just as great account of them—yet we make
little
or no account!
The vulgar and the refined—what you call sin, and what you call goodness—to
think how
wide a difference!
To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is!
Have you pleasure from looking at the sky? have you pleasure from poems?
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
election? or with your wife and family?
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?
—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are!
To think there will still be farms, profits, crops—yet for you, of what avail?
6
What will be, will be well—for what is, is well,
To take interest is well, and not to take interest shall be well.
The sky continues beautiful,
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
nor
the pleasure from poems,
The domestic joys, the daily housework or business, the building of houses—these are
not
phantasms—they have weight, form, location;
Farms, profits, crops, markets, wages, government, are none of them phantasms,
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself;
Yourself! Yourself! Yourself, forever and ever!
7
It is not to diffuse you that you were born of your mother and father—it is to
identify
you;
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you,
You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is
systematic.
The preparations have every one been justified,
The orchestra have sufficiently tuned their instruments—the baton has given the
signal.
The guest that was coming—he waited long, for reasons—he is now housed,
He is one of those who are beautiful and happy—he is one of those that to look upon
and be
with is enough.
The law of the past cannot be eluded,
The law of the present and future cannot be eluded,
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded,
The law of heroes and good-doers cannot be eluded,
The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8
Slow moving and black lines go ceaselessly over the earth,
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
they
on the Pacific, and they between, and all through the Mississippi country, and all over
the
earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well,
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
be
well,
But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing,
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing,
The infected in the immigrant hospital are not nothing—the murderer or mean person is
not
nothing,
The perpetual successions of shallow people are not nothing as they go,
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
goes.
9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed,
I have dream’d that heroes and good-doers shall be under the present and past law,
And that murderers, drunkards, liars, shall be under the present and past law,
For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d!
Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now,
Do you think I could walk pleasantly and well-suited toward annihilation?
10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good,
The whole universe indicates that it is good,
The past and the present indicate that it is good.
How beautiful and perfect are the animals!
How perfect the earth, and the minutest thing upon it!
What is called good is perfect, and what is called bad is just as perfect,
The vegetables and minerals are all perfect, and the imponderable fluids are perfect;
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
on.
11
I swear I think now that everything without exception has an eternal Soul!
The trees have, rooted in the ground! the weeds of the sea have! the animals!
I swear I think there is nothing but immortality!
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
for
it;
And all preparation is for it! and identity is for it! and life and materials are
altogether
for it
|
Written by
Phillis Wheatley |
Grim monarch! see, depriv'd of vital breath,
A young physician in the dust of death:
Dost thou go on incessant to destroy,
Our griefs to double, and lay waste our joy?
"Enough" thou never yet wast known to say,
Though millions die, the vassals of thy sway:
Nor youth, nor science, nor the ties of love,
Nor aught on earth thy flinty heart can move.
The friend, the spouse from his dire dart to save,
In vain we ask the sovereign of the grave.
Fair mourner, there see thy lov'd Leonard laid,
And o'er him spread the deep impervious shade;
Clos'd are his eyes, and heavy fetters keep
His senses bound in never-waking sleep,
Till time shall cease, till many a starry world
Shall fall from heav'n, in dire confusion hurl'd,
Till nature in her final wreck shall lie,
And her last groan shall rend the azure sky:
Not, not till then his active soul shall claim
His body, a divine immortal frame.
But see the softly-stealing tears apace
Pursue each other down the mourner's face;
But cease thy tears, bid ev'ry sigh depart,
And cast the load of anguish from thine heart:
From the cold shell of his great soul arise,
And look beyond, thou native of the skies;
There fix thy view, where fleeter than the wind
Thy Leonard mounts, and leaves the earth behind.
Thyself prepare to pass the vale of night
To join for ever on the hills of light:
To thine embrace his joyful sprit moves
To thee, the partner of his earthly loves;
He welcomes thee to pleasures more refin'd,
And better suited to th' immortal mind.
|
Written by
John Keats |
Physician Nature! Let my spirit blood!
O ease my heart of verse and let me rest;
Throw me upon thy Tripod, till the flood
Of stifling numbers ebbs from my full breast.
A theme! a theme! great nature! give a theme;
Let me begin my dream.
I come -- I see thee, as thou standest there,
Beckon me not into the wintry air.
Ah! dearest love, sweet home of all my fears,
And hopes, and joys, and panting miseries, --
To-night, if I may guess, thy beauty wears
A smile of such delight,
As brilliant and as bright,
As when with ravished, aching, vassal eyes,
Lost in soft amaze,
I gaze, I gaze!
Who now, with greedy looks, eats up my feast?
What stare outfaces now my silver moon!
Ah! keep that hand unravished at the least;
Let, let, the amorous burn --
But pr'ythee, do not turn
The current of your heart from me so soon.
O! save, in charity,
The quickest pulse for me.
Save it for me, sweet love! though music breathe
Voluptuous visions into the warm air;
Though swimming through the dance's dangerous wreath,
Be like an April day,
Smiling and cold and gay,
A temperate lilly, temperate as fair;
Then, Heaven! there will be
A warmer June for me.
Why, this, you'll say, my Fanny! is not true:
Put your soft hand upon your snowy side,
Where the heart beats: confess -- 'tis nothing new --
Must not a woman be
A feather on the sea,
Sway'd to and fro by every wind and tide?
Of as uncertain speed
As blow-ball from the mead?
I know it -- and to know it is despair
To one who loves you as I love, sweet Fanny!
Whose heart goes fluttering for you every where,
Nor, when away you roam,
Dare keep its wretched home,
Love, love alone, his pains severe and many:
Then, loveliest! keep me free,
From torturing jealousy.
Ah! if you prize my subdued soul above
The poor, the fading, brief, pride of an hour;
Let none profane my Holy See of love,
Or with a rude hand break
The sacramental cake:
Let none else touch the just new-budded flower;
If not -- may my eyes close,
Love! on their lost repose.
|
Written by
Anne Sexton |
a prayer
O Mary, fragile mother,
hear me, hear me now
although I do not know your words.
The black rosary with its silver Christ
lies unblessed in my hand
for I am the unbeliever.
Each bead is round and hard between my fingers,
a small black angel.
O Mary, permit me this grace,
this crossing over,
although I am ugly,
submerged in my own past
and my own madness.
Although there are chairs
I lie on the floor.
Only my hands are alive,
touching beads.
Word for word, I stumble.
A beginner, I feel your mouth touch mine.
I count beads as waves,
hammering in upon me.
I am ill at their numbers,
sick, sick in the summer heat
and the window above me
is my only listener, my awkward being.
She is a large taker, a soother.
The giver of breath
she murmurs,
exhaling her wide lung like an enormous fish.
Closer and closer
comes the hour of my death
as I rearrange my face, grow back,
grow undeveloped and straight-haired.
All this is death.
In the mind there is a thin alley called death
and I move through it as
through water.
My body is useless.
It lies, curled like a dog on the carpet.
It has given up.
There are no words here except the half-learned,
the Hail Mary and the full of grace.
Now I have entered the year without words.
I note the ***** entrance and the exact voltage.
Without words they exist.
Without words on my touch bread
and be handed bread
and make no sound.
O Mary, tender physician,
come with powders and herbs
for I am in the center.
It is very small and the air is gray
as in a steam house.
I am handed wine as a child is handed milk.
It is presented in a delicate glass
with a round bowl and a thin lip.
The wine itself is pitch-colored, musty and secret.
The glass rises in its own toward my mouth
and I notice this and understand this
only because it has happened.
I have this fear of coughing
but I do not speak,
a fear of rain, a fear of the horseman
who comes riding into my mouth.
The glass tilts in on its own
and I amon fire.
I see two thin streaks burn down my chin.
I see myself as one would see another.
I have been cut int two.
O Mary, open your eyelids.
I am in the domain of silence,
the kingdom of the crazy and the sleeper.
There is blood here.
and I haven't eaten it.
O mother of the womb,
did I come for blood alone?
O little mother,
I am in my own mind.
I am locked in the wrong house.
|
Written by
Claude McKay |
Oh, I have tried to laugh the pain away,
Let new flames brush my love-springs like a feather.
But the old fever seizes me to-day,
As sickness grips a soul in wretched weather.
I have given up myself to every urge,
With not a care of precious powers spent,
Have bared my body to the strangest scourge,
To soothe and deaden my heart's unhealing rent.
But you have torn a nerve out of my frame,
A gut that no physician can replace,
And reft my life of happiness and aim.
Oh what new purpose shall I now embrace?
What substance hold, what lovely form pursue,
When my thought burns through everything to you?
|
Written by
Matthew Arnold |
Goethe in Weimar sleeps, and Greece,
Long since, saw Byron's struggle cease.
But one such death remain'd to come;
The last poetic voice is dumb--
We stand to-day by Wordsworth's tomb.
When Byron's eyes were shut in death,
We bow'd our head and held our breath.
He taught us little; but our soul
Had felt him like the thunder's roll.
With shivering heart the strife we saw
Of passion with eternal law;
And yet with reverential awe
We watch'd the fount of fiery life
Which served for that Titanic strife.
When Goethe's death was told, we said:
Sunk, then, is Europe's sagest head.
Physician of the iron age,
Goethe has done his pilgrimage.
He took the suffering human race,
He read each wound, each weakness clear;
And struck his finger on the place,
And said: Thou ailest here, and here!
He look'd on Europe's dying hour
Of fitful dream and feverish power;
His eye plunged down the weltering strife,
The turmoil of expiring life--
He said: The end is everywhere,
Art still has truth, take refuge there!
And he was happy, if to know
Causes of things, and far below
His feet to see the lurid flow
Of terror, and insane distress,
And headlong fate, be happiness.
And Wordsworth!--Ah, pale ghosts, rejoice!
For never has such soothing voice
Been to your shadowy world convey'd,
Since erst, at morn, some wandering shade
Heard the clear song of Orpheus come
Through Hades, and the mournful gloom.
Wordsworth has gone from us--and ye,
Ah, may ye feel his voice as we!
He too upon a wintry clime
Had fallen--on this iron time
Of doubts, disputes, distractions, fears.
He found us when the age had bound
Our souls in its benumbing round;
He spoke, and loosed our heart in tears.
He laid us as we lay at birth
On the cool flowery lap of earth,
Smiles broke from us and we had ease;
The hills were round us, and the breeze
Went o'er the sun-lit fields again;
Our foreheads felt the wind and rain.
Our youth return'd; for there was shed
On spirits that had long been dead,
Spirits dried up and closely furl'd,
The freshness of the early world.
Ah! since dark days still bring to light
Man's prudence and man's fiery might,
Time may restore us in his course
Goethe's sage mind and Byron's force;
But where will Europe's latter hour
Again find Wordsworth's healing power?
Others will teach us how to dare,
And against fear our breast to steel;
Others will strengthen us to bear--
But who, ah! who, will make us feel?
The cloud of mortal destiny,
Others will front it fearlessly--
But who, like him, will put it by?
Keep fresh the grass upon his grave,
O Rotha, with thy living wave!
Sing him thy best! for few or none
Hears thy voice right, now he is gone.
|
Written by
Kahlil Gibran |
Your pain is the breaking of the shell that encloses
your understanding.
Even as the stone of the fruit must break, that its
heart may stand in the sun, so must you know pain.
And could you keep your heart in wonder at the
daily miracles of your life, your pain would not seem
less wondrous than your joy;
And you would accept the seasons of your heart,
even as you have always accepted the seasons that
pass over your fields.
And you would watch with serenity through the
winters of your grief.
Much of your pain is self-chosen.
It is the bitter potion by which the physician within
you heals your sick self.
Therefore trust the physician, and drink his remedy
in silence and tranquillity:
For his hand, though heavy and hard, is guided by
the tender hand of the Unseen,
And the cup he brings, though it burn your lips, has
been fashioned of the clay which the Potter has
moistened with His own sacred tears.
|
Written by
David Lehman |
My bag was missing at the airport
"Just one bag?" "Yes, but it meant a lot to me"
I had seen the bartender before, but where?
"You didn't tell me you had been to Oxford"
"Yes, I was at Magdalen College for two years"
"What did you do there?" "Drugs."
"Did you know that in Hindi the same word
(kal, pronounced 'kull') means both
yesterday and tomorrow?" "You don't say.
What'll you have?" "Bombay Martini straight up,
with olives, very dry and very cold." "I like
a man who knows what he wants" "Well, I'll
tell you. She was a handsome, self-assured woman,
a practicing physician, 48, bright, in great shape,
played tennis every Friday night,
didn't drink, smoke, or take drugs,
and was looking for a Romeo with brains.
So naturally I didn't phone her"
|
Written by
Carl Sandburg |
FOR the second time in a year this lady with the white hands is brought to the west room second floor of a famous sanatorium.
Her husband is a cornice manufacturer in an Iowa town and the lady has often read papers on Victorian poets before the local literary club.
Yesterday she washed her hands forty seven times during her waking hours and in her sleep moaned restlessly attempting to clean imaginary soiled spots off her hands.
Now the head physician touches his chin with a crooked forefinger.
|
Written by
Edwin Arlington Robinson |
Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …
Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.—
So on the seventh day
He rested, and made Pain.
—Man, if you love the Lord, and if the Lord
Love liars, I will have you at your word
And swallow it. Voilà. Bah!
Where do I say it is
That I have lain so long?
Where do I count myself among the dead,
As once above the living and the strong?
And what is this that comes and goes,
Fades and swells and overflows,
Like music underneath and overhead?
What is it in me now that rings and roars
Like fever-laden wine?
What ruinous tavern-shine
Is this that lights me far from worlds and wars
And women that were mine?
Where do I say it is
That Time has made my bed?
What lowering outland hostelry is this
For one the stars have disinherited?
An island, I have said:
A peak, where fiery dreams and far desires
Are rained on, like old fires:
A vermin region by the stars abhorred,
Where falls the flaming word
By which I consecrate with unsuccess
An acreage of God’s forgetfulness,
Left here above the foam and long ago
Made right for my duress;
Where soon the sea,
My foaming and long-clamoring enemy,
Will have within the cryptic, old embrace
Of her triumphant arms—a memory.
Why then, the place?
What forage of the sky or of the shore
Will make it any more,
To me, than my award of what was left
Of number, time, and space?
And what is on me now that I should heed
The durance or the silence or the scorn?
I was the gardener who had the seed
Which holds within its heart the food and fire
That gives to man a glimpse of his desire;
And I have tilled, indeed,
Much land, where men may say that I have planted
Unsparingly my corn—
For a world harvest-haunted
And for a world unborn.
Meanwhile, am I to view, as at a play,
Through smoke the funeral flames of yesterday
And think them far away?
Am I to doubt and yet be given to know
That where my demon guides me, there I go?
An island? Be it so.
For islands, after all is said and done,
Tell but a wilder game that was begun,
When Fate, the mistress of iniquities,
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day,
And even in such a curst and sodden way
Made my three colors one.
—So be it, and the way be as of old:
So be the weary truth again retold
Of great kings overthrown
Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled,
Say what will be the word when I am gone:
What learned little acrid archive men
Will burrow to find me out and burrow again,—
But all for naught, unless
To find there was another Island.… Yes,
There are too many islands in this world,
There are too many rats, and there is too much rain.
So three things are made plain
Between the sea and sky:
Three separate parts of one thing, which is Pain …
Bah, what a way to die!—
To leave my Queen still spinning there on high,
Still wondering, I dare say,
To see me in this way …
Madame à sa tour monte
Si haut qu’elle peut monter—
Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry,
But no, not I …
Faugh, what a way to die!
But who are these that come and go
Before me, shaking laurel as they pass?
Laurel, to make me know
For certain what they mean:
That now my Fate, my Queen,
Having found that she, by way of right reward,
Will after madness go remembering,
And laurel be as grass,—
Remembers the one thing
That she has left to bring.
The floor about me now is like a sward
Grown royally. Now it is like a sea
That heaves with laurel heavily,
Surrendering an outworn enmity
For what has come to be.
But not for you, returning with your curled
And haggish lips. And why are you alone?
Why do you stay when all the rest are gone?
Why do you bring those treacherous eyes that reek
With venom and hate the while you seek
To make me understand?—
Laurel from every land,
Laurel, but not the world?
Fury, or perjured Fate, or whatsoever,
Tell me the bloodshot word that is your name
And I will pledge remembrance of the same
That shall be crossed out never;
Whereby posterity
May know, being told, that you have come to me,
You and your tongueless train without a sound,
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor
To mirror me the demon of my days,
To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest
That was ordained and manifest,
You shake it off and wish me joy of it?
Laurel from every place,
Laurel, but not the rest?
Such are the words in you that I divine,
Such are the words of men.
So be it, and what then?
Poor, tottering counterfeit,
Are you a thing to tell me what is mine?
Grant we the demon sees
An inch beyond the line,
What comes of mine and thine?
A thousand here and there may shriek and freeze,
Or they may starve in fine.
The Old Physician has a crimson cure
For such as these,
And ages after ages will endure
The minims of it that are victories.
The wreath may go from brow to brow,
The state may flourish, flame, and cease;
But through the fury and the flood somehow
The demons are acquainted and at ease,
And somewhat hard to please.
Mine, I believe, is laughing at me now
In his primordial way,
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say.
Therefore, be what you may,
Time has no further need
Of you, or of your breed.
My demon, irretrievably astray,
Has ruined the last chorus of a play
That will, so he avers, be played again some day;
And you, poor glowering ghost,
Have staggered under laurel here to boast
Above me, dying, while you lean
In triumph awkward and unclean,
About some words of his that you have read?
Thing, do I not know them all?
He tells me how the storied leaves that fall
Are tramped on, being dead?
They are sometimes: with a storm foul enough
They are seized alive and they are blown far off
To mould on islands.—What else have you read?
He tells me that great kings look very small
When they are put to bed;
And this being said,
He tells me that the battles I have won
Are not my own,
But his—howbeit fame will yet atone
For all defect, and sheave the mystery:
The follies and the slaughters I have done
Are mine alone,
And so far History.
So be the tale again retold
And leaf by clinging leaf unrolled
Where I have written in the dawn,
With ink that fades anon,
Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
Is it time for you to poison me again?
Well, here’s our friend the rain,—
Mironton, mironton, mirontaine...
Man, I could murder you almost,
You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes. Your rat will never fail,
My punctual assassin, to prevail—
While he has power to crawl,
Or teeth to gnaw withal—
Where kings are caged. Why has a king no cats?
You say that I’ll achieve it if I try?
Swallow it?—No, not I …
God, what a way to die!
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