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Best Famous Petty Poems

Here is a collection of the all-time best famous Petty poems. This is a select list of the best famous Petty poetry. Reading, writing, and enjoying famous Petty poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of petty poems.

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Written by Rudyard Kipling | Create an image from this poem

A Song of Travel

 Where's the lamp that Hero lit
 Once to call Leander home?
Equal Time hath shovelled it
 'Neath the wrack of Greece and Rome.
Neither wait we any more That worn sail which Argo bore.
Dust and dust of ashes close All the Vestal Virgin's care; And the oldest altar shows But an older darkness there.
Age-encamped Oblivion Tenteth every light that shone.
Yet shall we, for Suns that die, Wall our wanderings from desire? Or, because the Moon is high, Scorn to use a nearer fire? Lest some envious Pharaoh stir, Make our lives our sepulcher? Nay! Though Time with petty Fate Prison us and Emperors, By our Arts do we create That which Time himself devours-- Such machines as well may run 'Gainst the Horses of the Sun.
When we would a new abode, Space, our tyrant King no more, Lays the long lance of the road At our feet and flees before, Breathless, ere we overwhelm, To submit a further realm!


Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted mind, a pecarious upbringing.
I was hard as granite,I leered at the sun.
I trusted no man and especially no woman.
I was living a hell in small rooms, I broke things, smashed things, walked through glass, cursed.
I challenged everything, was continually being evicted,jailed,in and out of fights,in and aout of my mind.
women were something to screw and rail at,i had no male freinds, I changed jobs and cities,I hated holidays, babies,history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents,spain, france,italy,walnuts and the color orange.
algebra angred me, opera sickened me, charlie chaplin was a fake and flowers were for pansies.
peace an happiness to me were signs of inferiority, tenants of the weak an addled mind.
but as I went on with my alley fights, my suicidal years, my passage through any number of women-it gradually began to occur to me that I wasn't diffrent from the others, I was the same, they were all fulsome with hatred, glossed over with petty greivances, the men I fought in alleys had hearts of stone.
everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was emptey, darkness was the dictator.
cautiously, I allowed myself to feel good at times.
I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark.
the less i needed the better i felt.
maybe the other life had worn me down.
I no longer found glamour in topping somebody in conversation.
or in mounting the body of some poor drunken female whose life had slipped away into sorrow.
I could never accept life as it was, i could never gobble down all its poisons but there were parts, tenous magic parts open for the asking.
I re formulated I don't know when, date,time,all that but the change occured.
something in me relaxed, smoothed out.
i no longer had to prove that i was a man, I did'nt have to prove anything.
I began to see things: coffe cups lined up behind a counter in a cafe.
or a dog walking along a sidewalk.
or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful.
then- it was gone.
I began to feel good, I began to feel good in the worst situations and there were plenty of those.
like say, the boss behind his desk, he is going to have to fire me.
I've missed too many days.
he is dressed in a suit, necktie, glasses, he says, "i am going to have to let you go" "it's all right" i tell him.
He must do what he must do, he has a wife, a house, children.
expenses, most probably a girlfreind.
I am sorry for him he is caught.
I walk onto the blazing sunshine.
the whole day is mine temporailiy, anyhow.
(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, dissillusioned) I welcomed shots of peace, tattered shards of happiness.
I embraced that stuff like the hottest number, like high heels,breasts, singing,the works.
(dont get me wrong, there is such a thing as cockeyed optimism that overlooks all basic problems justr for the sake of itself- this is a sheild and a sickness.
) The knife got near my throat again, I almost turned on the gas again but when the good moments arrived again I did'nt fight them off like an alley adversary.
I let them take me, i luxuriated in them, I bade them welcome home.
I even looked into the mirror once having thought myself to be ugly, I now liked what I saw,almost handsome,yes, a bit ripped and ragged, scares,lumps, odd turns, but all in all, not too bad, almost handsome, better at least than some of those movie star faces like the cheeks of a babys butt.
and finally I discovered real feelings fo others, unhearleded, like latley, like this morning, as I was leaving, for the track, i saw my wif in bed, just the shape of her head there (not forgetting centuries of the living and the dead and the dying, the pyarimids, Mozart dead but his music still there in the room, weeds growing, the earth turning, the toteboard waiting for me) I saw the shape of my wife's head, she so still, i ached for her life, just being there under the covers.
i kissed her in the, forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive.
feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and emptey of people, i saw the mailman, honked, he waved back at me.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Four Quartets 2: East Coker

 I

In my beginning is my end.
In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto.
In my beginning is my end.
Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised.
In a warm haze the sultry light Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament.
Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde.
Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn.
Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts.
Feet rising and falling.
Eating and drinking.
Dung and death.
Dawn points, and another day Prepares for heat and silence.
Out at sea the dawn wind Wrinkles and slides.
I am here Or there, or elsewhere.
In my beginning.
II What is the late November doing With the disturbance of the spring And creatures of the summer heat, And snowdrops writhing under feet And hollyhocks that aim too high Red into grey and tumble down Late roses filled with early snow? Thunder rolled by the rolling stars Simulates triumphal cars Deployed in constellated wars Scorpion fights against the Sun Until the Sun and Moon go down Comets weep and Leonids fly Hunt the heavens and the plains Whirled in a vortex that shall bring The world to that destructive fire Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory: A periphrastic study in a worn-out poetical fashion, Leaving one still with the intolerable wrestle With words and meanings.
The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to, Long hoped for calm, the autumnal serenity And the wisdom of age? Had they deceived us Or deceived themselves, the quiet-voiced elders, Bequeathing us merely a receipt for deceit? The serenity only a deliberate hebetude, The wisdom only the knowledge of dead secrets Useless in the darkness into which they peered Or from which they turned their eyes.
There is, it seems to us, At best, only a limited value In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies, For the pattern is new in every moment And every moment is a new and shocking Valuation of all we have been.
We are only undeceived Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way But all the way, in a dark wood, in a bramble, On the edge of a grimpen, where is no secure foothold, And menaced by monsters, fancy lights, Risking enchantment.
Do not let me hear Of the wisdom of old men, but rather of their folly, Their fear of fear and frenzy, their fear of possession, Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III O dark dark dark.
They all go into the dark, The vacant interstellar spaces, the vacant into the vacant, The captains, merchant bankers, eminent men of letters, The generous patrons of art, the statesmen and the rulers, Distinguished civil servants, chairmen of many committees, Industrial lords and petty contractors, all go into the dark, And dark the Sun and Moon, and the Almanach de Gotha And the Stock Exchange Gazette, the Directory of Directors, And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral, Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God.
As, in a theatre, The lights are extinguished, for the scene to be changed With a hollow rumble of wings, with a movement of darkness on darkness, And we know that the hills and the trees, the distant panorama And the bold imposing façade are all being rolled away— Or as, when an underground train, in the tube, stops too long between stations And the conversation rises and slowly fades into silence And you see behind every face the mental emptiness deepen Leaving only the growing terror of nothing to think about; Or when, under ether, the mind is conscious but conscious of nothing— I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love, For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth.
You say I am repeating Something I have said before.
I shall say it again.
Shall I say it again? In order to arrive there, To arrive where you are, to get from where you are not, You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know You must go by a way which is the way of ignorance.
In order to possess what you do not possess You must go by the way of dispossession.
In order to arrive at what you are not You must go through the way in which you are not.
And what you do not know is the only thing you know And what you own is what you do not own And where you are is where you are not.
IV The wounded surgeon plies the steel That questions the distempered part; Beneath the bleeding hands we feel The sharp compassion of the healer's art Resolving the enigma of the fever chart.
Our only health is the disease If we obey the dying nurse Whose constant care is not to please But to remind of our, and Adam's curse, And that, to be restored, our sickness must grow worse.
The whole earth is our hospital Endowed by the ruined millionaire, Wherein, if we do well, we shall Die of the absolute paternal care That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees, The fever sings in mental wires.
If to be warmed, then I must freeze And quake in frigid purgatorial fires Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink, The bloody flesh our only food: In spite of which we like to think That we are sound, substantial flesh and blood— Again, in spite of that, we call this Friday good.
V So here I am, in the middle way, having had twenty years— Twenty years largely wasted, the years of l'entre deux guerres Trying to use words, and every attempt Is a wholly new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it.
And so each venture Is a new beginning, a raid on the inarticulate With shabby equipment always deteriorating In the general mess of imprecision of feeling, Undisciplined squads of emotion.
And what there is to conquer By strength and submission, has already been discovered Once or twice, or several times, by men whom one cannot hope To emulate—but there is no competition— There is only the fight to recover what has been lost And found and lost again and again: and now, under conditions That seem unpropitious.
But perhaps neither gain nor loss.
For us, there is only the trying.
The rest is not our business.
Home is where one starts from.
As we grow older The world becomes stranger, the pattern more complicated Of dead and living.
Not the intense moment Isolated, with no before and after, But a lifetime burning in every moment And not the lifetime of one man only But of old stones that cannot be deciphered.
There is a time for the evening under starlight, A time for the evening under lamplight (The evening with the photograph album).
Love is most nearly itself When here and now cease to matter.
Old men ought to be explorers Here or there does not matter We must be still and still moving Into another intensity For a further union, a deeper communion Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters Of the petrel and the porpoise.
In my end is my beginning.
Written by Sidney Lanier | Create an image from this poem

Corn

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress Like women's hands; the embracing boughs express A subtlety of mighty tenderness; The copse-depths into little noises start, That sound anon like beatings of a heart, Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song; Through that vague wafture, expirations strong Throb from young hickories breathing deep and long With stress and urgence bold of prisoned spring And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry, Forth venture odors of more quality And heavenlier giving.
Like Jove's locks awry, Long muscadines Rich-wreathe the spacious foreheads of great pines, And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy That hide like gentle nuns from human eye To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green Dying to silent hints of kisses keen As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown From undertalks of leafy souls unknown, Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between Old companies of oaks that inward lean To join their radiant amplitudes of green I slowly move, with ranging looks that pass Up from the matted miracles of grass Into yon veined complex of space Where sky and leafage interlace So close, the heaven of blue is seen Inwoven with a heaven of green.
I wander to the zigzag-cornered fence Where sassafras, intrenched in brambles dense, Contests with stolid vehemence The march of culture, setting limb and thorn As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes Take harvests, where the stately corn-ranks rise, Of inward dignities And large benignities and insights wise, Graces and modest majesties.
Thus, without theft, I reap another's field; Thus, without tilth, I house a wondrous yield, And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands Advanced beyond the foremost of his bands, And waves his blades upon the very edge And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk, Still shalt thou type the poet-soul sublime That leads the vanward of his timid time And sings up cowards with commanding rhyme -- Soul calm, like thee, yet fain, like thee, to grow By double increment, above, below; Soul homely, as thou art, yet rich in grace like thee, Teaching the yeomen selfless chivalry That moves in gentle curves of courtesy; Soul filled like thy long veins with sweetness tense, By every godlike sense Transmuted from the four wild elements.
Drawn to high plans, Thou lift'st more stature than a mortal man's, Yet ever piercest downward in the mould And keepest hold Upon the reverend and steadfast earth That gave thee birth; Yea, standest smiling in thy future grave, Serene and brave, With unremitting breath Inhaling life from death, Thine epitaph writ fair in fruitage eloquent, Thyself thy monument.
As poets should, Thou hast built up thy hardihood With universal food, Drawn in select proportion fair From honest mould and vagabond air; From darkness of the dreadful night, And joyful light; From antique ashes, whose departed flame In thee has finer life and longer fame; From wounds and balms, From storms and calms, From potsherds and dry bones And ruin-stones.
Into thy vigorous substance thou hast wrought Whate'er the hand of Circumstance hath brought; Yea, into cool solacing green hast spun White radiance hot from out the sun.
So thou dost mutually leaven Strength of earth with grace of heaven; So thou dost marry new and old Into a one of higher mould; So thou dost reconcile the hot and cold, The dark and bright, And many a heart-perplexing opposite, And so, Akin by blood to high and low, Fitly thou playest out thy poet's part, Richly expending thy much-bruised heart In equal care to nourish lord in hall Or beast in stall: Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot Where thou wast born, that still repinest not -- Type of the home-fond heart, the happy lot! -- Deeply thy mild content rebukes the land Whose flimsy homes, built on the shifting sand Of trade, for ever rise and fall With alternation whimsical, Enduring scarce a day, Then swept away By swift engulfments of incalculable tides Whereon capricious Commerce rides.
Look, thou substantial spirit of content! Across this little vale, thy continent, To where, beyond the mouldering mill, Yon old deserted Georgian hill Bares to the sun his piteous aged crest And seamy breast, By restless-hearted children left to lie Untended there beneath the heedless sky, As barbarous folk expose their old to die.
Upon that generous-rounding side, With gullies scarified Where keen Neglect his lash hath plied, Dwelt one I knew of old, who played at toil, And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain, He sowed his heart with hopes of swifter gain, Then sat him down and waited for the rain.
He sailed in borrowed ships of usury -- A foolish Jason on a treacherous sea, Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance He lay, content that unthrift Circumstance Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell, He staked his life on games of Buy-and-Sell, And turned each field into a gambler's hell.
Aye, as each year began, My farmer to the neighboring city ran; Passed with a mournful anxious face Into the banker's inner place; Parleyed, excused, pleaded for longer grace; Railed at the drought, the worm, the rust, the grass; Protested ne'er again 'twould come to pass; With many an `oh' and `if' and `but alas' Parried or swallowed searching questions rude, And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed, He issues smiling from the fatal door, And buys with lavish hand his yearly store Till his small borrowings will yield no more.
Aye, as each year declined, With bitter heart and ever-brooding mind He mourned his fate unkind.
In dust, in rain, with might and main, He nursed his cotton, cursed his grain, Fretted for news that made him fret again, Snatched at each telegram of Future Sale, And thrilled with Bulls' or Bears' alternate wail -- In hope or fear alike for ever pale.
And thus from year to year, through hope and fear, With many a curse and many a secret tear, Striving in vain his cloud of debt to clear, At last He woke to find his foolish dreaming past, And all his best-of-life the easy prey Of squandering scamps and quacks that lined his way With vile array, From rascal statesman down to petty knave; Himself, at best, for all his bragging brave, A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest, He fled away into the oblivious West, Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer -- King, that no subject man nor beast may own, Discrowned, undaughtered and alone -- Yet shall the great God turn thy fate, And bring thee back into thy monarch state And majesty immaculate.
Lo, through hot waverings of the August morn, Thou givest from thy vasty sides forlorn Visions of golden treasuries of corn -- Ripe largesse lingering for some bolder heart That manfully shall take thy part, And tend thee, And defend thee, With antique sinew and with modern art.
Written by Paul Laurence Dunbar | Create an image from this poem

Frederick Douglass

 A hush is over all the teeming lists,
And there is pause, a breath-space in the strife;
A spirit brave has passed beyond the mists
And vapors that obscure the sun of life.
And Ethiopia, with bosom torn, Laments the passing of her noblest born.
She weeps for him a mother's burning tears-- She loved him with a mother's deepest love He was her champion thro' direful years, And held her weal all other ends above.
When Bondage held her bleeding in the dust, He raised her up and whispered, 'Hope and Trust.
' For her his voice, a fearless clarion, rung That broke in warning on the ears of men; For her the strong bow of his pow'r he strung And sent his arrows to the very den Where grim Oppression held his bloody place And gloated o'er the mis'ries of a race.
And he was no soft-tongued apologist; He spoke straight-forward, fearlessly uncowed; The sunlight of his truth dispelled the mist And set in bold relief each dark-hued cloud; To sin and crime he gave their proper hue, And hurled at evil what was evil's due.
Thro' good and ill report he cleaved his way Right onward, with his face set toward the heights, Nor feared to face the foeman's dread array-- The lash of scorn, the sting of petty spites.
He dared the lightning in the lightning's track, And answered thunder with his thunder back.
When men maligned him and their torrent wrath In furious imprecations o'er him broke, He kept his counsel as he kept his path; 'Twas for his race, not for himself, he spoke.
He knew the import of his Master's call And felt himself too mighty to be small.
No miser in the good he held was he-- His kindness followed his horizon's rim.
His heart, his talents and his hands were free To all who truly needed aught of him.
Where poverty and ignorance were rife, He gave his bounty as he gave his life.
The place and cause that first aroused his might Still proved its pow'r until his latest day.
In Freedom's lists and for the aid of Right Still in the foremost rank he waged the fray; Wrong lived; His occupation was not gone.
He died in action with his armor on! We weep for him, but we have touched his hand, And felt the magic of his presence nigh, The current that he sent thro' out the land, The kindling spirit of his battle-cry O'er all that holds us we shall triumph yet And place our banner where his hopes were set! Oh, Douglass, thou hast passed beyond the shore, But still thy voice is ringing o'er the gale! Thou 'st taught thy race how high her hopes may soar And bade her seek the heights, nor faint, nor fail.
She will not fail, she heeds thy stirring cry, She knows thy guardian spirit will be nigh, And rising from beneath the chast'ning rod, She stretches out her bleeding hands to God!


Written by Henry Van Dyke | Create an image from this poem

The Vain King

 In robes of Tyrian blue the King was drest,
A jewelled collar shone upon his breast,
A giant ruby glittered in his crown -----
Lord of rich lands and many a splendid town.
In him the glories of an ancient line Of sober kings, who ruled by right divine, Were centred; and to him with loyal awe The people looked for leadership and law.
Ten thousand knights, the safeguard of the land, Lay like a single sword within his hand; A hundred courts, with power of life and death, Proclaimed decrees justice by his breath; And all the sacred growths that men had known Of order and of rule upheld his throne.
Proud was the King: yet not with such a heart As fits a man to play a royal part.
Not his the pride that honours as a trust The right to rule, the duty to be just: Not his the dignity that bends to bear The monarch's yoke, the master's load of care, And labours like the peasant at his gate, To serve the people and protect the State.
Another pride was his, and other joys: To him the crown and sceptre were but toys, With which he played at glory's idle game, To please himself and win the wreaths of fame.
The throne his fathers held from age to age Built for King Martin to diplay at will, His mighty strength and universal skill.
No conscious child, that, spoiled with praising, tries At every step to win admiring eyes, ---- No favourite mountebank, whose acting draws From gaping crowds loud thunder of applause, Was vainer than the King: his only thirst Was to be hailed, in every race, the first.
When tournament was held, in knightly guise The King would ride the lists and win the prize; When music charmed the court, with golden lyre The King would take the stage and lead the choir; In hunting, his the lance to slay the boar; In hawking, see his falcon highest soar; In painting, he would wield the master's brush; In high debate, -----"the King is speaking! Hush!" Thus, with a restless heart, in every field He sought renown, and found his subjects yield As if he were a demi-god revealed.
But while he played the petty games of life His kingdom fell a prey to inward strife; Corruption through the court unheeded crept, And on the seat of honour justice slept.
The strong trod down the weak; the helpless poor Groaned under burdens grievous to endure.
The nation's wealth was spent in vain display, And weakness wore the nation's heart away.
Yet think not Earth is blind to human woes --- Man has more friends and helpers than he knows; And when a patient people are oppressed, The land that bore them feels it in her breast.
Spirits of field and flood, of heath and hill, Are grieved and angry at the spreading ill; The trees complain together in the night, Voices of wrath are heard along the height, And secret vows are sworn, by stream and strand, To bring the tyrant low and liberate the land.
But little recked the pampered King of these; He heard no voice but such as praise and please.
Flattered and fooled, victor in every sport, One day he wandered idly with his court Beside the river, seeking to devise New ways to show his skill to wondering eyes.
There in the stream a patient fisher stood, And cast his line across the rippling flood.
His silver spoil lay near him on the green: "Such fish," the courtiers cried, "were never seen!" "Three salmon larger than a cloth-yard shaft--- "This man must be the master of his craft!" "An easy art!" the jealous King replied: "Myself could learn it better, if I tried, "And catch a hundred larger fish a week--- "Wilt thou accept the challenge, fellow? Speak!" The fisher turned, came near, and bent his knee: "'Tis not for kings to strive with such as me; "Yet if the King commands it, I obey.
"But one condition of the strife I pray: "The fisherman who brings the least to land "Shall do whate'er the other may command.
" Loud laughed the King: "A foolish fisher thou! "For I shall win and rule thee then as now.
" So to Prince John, a sober soul, sedate And slow, King Martin left the helm of state, While to the novel game with eager zest He all his time and all his powers addrest.
Sure such a sight was never seen before! For robed and crowned the monarch trod the shore; His golden hooks were decked with feathers fine, His jewelled reel ran out a silken line.
With kingly strokes he flogged the crystal stream, Far-off the salmon saw his tackle gleam; Careless of kings, they eyed with calm disdain The gaudy lure, and Martin fished in vain.
On Friday, when the week was almost spent, He scanned his empty creel with discontent, Called for a net, and cast it far and wide, And drew --- a thousand minnows from the tide! Then came the fisher to conclude the match, And at the monarch's feet spread out his catch --- A hundred salmon, greater than before --- "I win!" he cried: "the King must pay the score.
" Then Martin, angry, threw his tackle down: "Rather than lose this game I'd lose me crown!" "Nay, thou has lost them both," the fisher said; And as he spoke a wondrous light was shed Around his form; he dropped his garments mean, And in his place the River-god was seen.
"Thy vanity hast brought thee in my power, "And thou shalt pay the forfeit at this hour: "For thou hast shown thyself a royal fool, "Too proud to angle, and too vain to rule.
"Eager to win in every trivial strife, --- "Go! Thou shalt fish for minnows all thy life!" Wrathful, the King the scornful sentence heard; He strove to answer, but he only chirr-r-ed: His Tyrian robe was changed to wings of blue, His crown became a crest, --- away he flew! And still, along the reaches of the stream, The vain King-fisher flits, an azure gleam, --- You see his ruby crest, you hear his jealous scream.
Written by William Topaz McGonagall | Create an image from this poem

Saving a Train

 'Twas in the year of 1869, and on the 19th of November,
Which the people in Southern Germany will long remember,
The great rain-storm which for twenty hours did pour down,
That the rivers were overflowed and petty streams all around.
The rain fell in such torrents as had never been seen before, That it seemed like a second deluge, the mighty torrents' roar, At nine o'clock at night the storm did rage and moan When Carl Springel set out on his crutches all alone -- From the handsome little hut in which he dwelt, With some food to his father, for whom he greatly felt, Who was watching at the railway bridge, Which was built upon a perpendicular rocky ridge.
The bridge was composed of iron and wooden blocks, And crossed o'er the Devil's Gulch, an immense cleft of rocks, Two hundred feet wide and one hundred and fifty feet deep, And enough to make one's flesh to creep.
Far beneath the bridge a mountain-stream did boil and rumble, And on that night did madly toss and tumble; Oh! it must have been an awful sight To see the great cataract falling from such a height.
It was the duty of Carl's father to watch the bridge on stormy nights, And warn the on-coming trains of danger with the red lights; So, on this stormy night, the boy Carl hobbled along Slowly and fearlessly upon his crutches, because he wasn't strong.
He struggled on manfully with all his might Through the fearful darkness of the night, And half-blinded by the heavy rain, But still resolved the bridge to gain.
But when within one hundred yards of the bridge, it gave way with an awful crash, And fell into the roaring flood below, and made a fearful splash, Which rose high above the din of the storm, The like brave Carl never heard since he was born.
Then; 'Father! father!' cried Carl in his loudest tone, 'Father! father!' he shouted again in very pitiful moans; But no answering voice did reply, Which caused him to heave a deep-fetched sigh.
And now to brave Carl the truth was clear That he had lost his father dear, And he cried, 'My poor father's lost, and cannot be found, He's gone down with the bridge, and has been drowned.
' But he resolves to save the on-coming train, So every nerve and muscle he does strain, And he trudges along dauntlessly on his crutches, And tenaciously to them he clutches.
And just in time he reaches his father's car To save the on-coming train from afar, So he seizes the red light, and swings it round, And cried with all his might, 'The bridge is down! The bridge is down!' So forward his father's car he drives, Determined to save the passengers' lives, Struggling hard with might and main, Hoping his struggle won't prove in vain.
So on comes the iron-horse snorting and rumbling, And the mountain-torrent at the bridge kept roaring and tumbling; While brave Carl keeps shouting, 'The bridge is down! The bridge is down!' He cried with a pitiful wail and sound.
But, thank heaven, the engine-driver sees the red light That Carl keeps swinging round his head with all his might; But bang! bang! goes the engine with a terrible crash, And the car is dashed all to smash.
But the breaking of the car stops the train, And poor Carl's struggle is not in vain; But, poor soul, he was found stark dead, Crushed and mangled from foot to head! And the passengers were all loud in Carl's praise, And from the cold wet ground they did him raise, And tears for brave Carl fell silently around, Because he had saved two hundred passengers from being drowned.
In a quiet village cemetery he now sleeps among the silent dead, In the south of Germany, with a tombstone at his head, Erected by the passengers he saved in the train, And which to his memory will long remain.
Written by Robert Browning | Create an image from this poem

The Last Ride Together

 I.
I said---Then, dearest, since 'tis so, Since now at length my fate I know, Since nothing all my love avails, Since all, my life seemed meant for, fails, Since this was written and needs must be--- My whole heart rises up to bless Your name in pride and thankfulness! Take back the hope you gave,---I claim ---Only a memory of the same, ---And this beside, if you will not blame, Your leave for one more last ride with me.
II.
My mistress bent that brow of hers; Those deep dark eyes where pride demurs When pity would be softening through, Fixed me, a breathing-while or two, With life or death in the balance: right! The blood replenished me again; My last thought was at least not vain: I and my mistress, side by side Shall be together, breathe and ride, So, one day more am I deified.
Who knows but the world may end tonight? III.
Hush! if you saw some western cloud All billowy-bosomed, over-bowed By many benedictions---sun's And moon's and evening-star's at once--- And so, you, looking and loving best, Conscious grew, your passion drew Cloud, sunset, moonrise, star-shine too, Down on you, near and yet more near, Till flesh must fade for heaven was here!--- Thus leant she and lingered---joy and fear! Thus lay she a moment on my breast.
IV.
Then we began to ride.
My soul Smoothed itself out, a long-cramped scroll Freshening and fluttering in the wind.
Past hopes already lay behind.
What need to strive with a life awry? Had I said that, had I done this, So might I gain, so might I miss.
Might she have loved me? just as well She might have hated, who can tell! Where had I been now if the worst befell? And here we are riding, she and I.
V.
Fail I alone, in words and deeds? Why, all men strive and who succeeds? We rode; it seemed my spirit flew, Saw other regions, cities new, As the world rushed by on either side.
I thought,---All labour, yet no less Bear up beneath their unsuccess.
Look at the end of work, contrast The petty done, the undone vast, This present of theirs with the hopeful past! I hoped she would love me; here we ride.
VI.
What hand and brain went ever paired? What heart alike conceived and dared? What act proved all its thought had been? What will but felt the fleshly screen? We ride and I see her bosom heave.
There's many a crown for who can reach, Ten lines, a statesman's life in each! The flag stuck on a heap of bones, A soldier's doing! what atones? They scratch his name on the Abbey-stones.
My riding is better, by their leave.
VII.
What does it all mean, poet? Well, Your brains beat into rhythm, you tell What we felt only; you expressed You hold things beautiful the best, And pace them in rhyme so, side by side.
'Tis something, nay 'tis much: but then, Have you yourself what's best for men? Are you---poor, sick, old ere your time--- Nearer one whit your own sublime Than we who never have turned a rhyme? Sing, riding's a joy! For me, I ride.
VIII.
And you, great sculptor---so, you gave A score of years to Art, her slave, And that's your Venus, whence we turn To yonder girl that fords the burn! You acquiesce, and shall I repine? What, man of music, you grown grey With notes and nothing else to say, Is this your sole praise from a friend, ``Greatly his opera's strains intend, ``Put in music we know how fashions end!'' I gave my youth; but we ride, in fine.
IX.
Who knows what's fit for us? Had fate Proposed bliss here should sublimate My being---had I signed the bond--- Still one must lead some life beyond, Have a bliss to die with, dim-descried.
This foot once planted on the goal, This glory-garland round my soul, Could I descry such? Try and test! I sink back shuddering from the quest.
Earth being so good, would heaven seem best? Now, heaven and she are beyond this ride.
X.
And yet---she has not spoke so long! What if heaven be that, fair and strong At life's best, with our eyes upturned Whither life's flower is first discerned, We, fixed so, ever should so abide? What if we still ride on, we two With life for ever old yet new, Changed not in kind but in degree, The instant made eternity,--- And heaven just prove that I and she Ride, ride together, for ever ride?
Written by Countee Cullen | Create an image from this poem

Yet Do I Marvel

 I doubt not God is good, well-meaning, kind
And did He stoop to quibble could tell why
The little buried mole continues blind,
Why flesh that mirrors Him must some day die,
Make plain the reason tortured Tantalus
Is baited by the fickle fruit, declare
If merely brute caprice dooms Sisyphus
To struggle up a never-ending stair.
Inscrutable His ways are, and immune To catechism by a mind too strewn With petty cares to slightly understand What awful brain compels His awful hand.
Yet do I marvel at this curious thing: To make a poet black, and bid him sing!
Written by Robert Browning | Create an image from this poem

Childe Roland to the Dark Tower Came

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare, If at his council I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower.
Yet acquiescingly I did turn as he pointed: neither pride Nor hope rekindling at the end descried, So much as gladness that some end might be.
For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, - I hardly tried now to rebuke the spring My heart made, finding failure in its scope.
As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bid the other go, draw breath Freelier outside, ('since all is o'er,' he saith, 'And the blow fallen no grieving can amend';) While some discuss if near the other graves Be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves: And still the man hears all, and only craves He may not shame such tender love and stay.
Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' - to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? So, quiet as despair, I turned from him, That hateful cripple, out of his highway Into the path he pointed.
All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray.
For mark! no sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backward a last view O'er the safe road, 'twas gone; grey plain all round: Nothing but plain to the horizon's bound.
I might go on; naught else remained to do.
So, on I went.
I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind, with none to awe, You'd think: a burr had been a treasure-trove.
No! penury, inertness and grimace, In some strange sort, were the land's portion.
'See Or shut your eyes,' said Nature peevishly, 'It nothing skills: I cannot help my case: 'Tis the Last Judgement's fire must cure this place, Calcine its clods and set my prisoners free.
' If there pushed any ragged thistle-stalk Above its mates, the head was chopped; the bents Were jealous else.
What made those holes and rents In the dock's harsh swarth leaves, bruised as to balk All hope of greeness? 'tis a brute must walk Pushing their life out, with a brute's intents.
As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare, Stood stupefied, however he came there: Thrust out past service from the devil's stud! Alive? he might be dead for aught I know, With that red gaunt and colloped neck a-strain, And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain.
I shut my eyes and turned them on my heart.
As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part.
Think first, fight afterwards - this soldier's art: One taste of the old time sets all to rights.
Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm in mine to fix me to the place, That way he used.
Alas, one night's disgrace! Out went my heart's new fire and left it cold.
Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman-hands Pin to his breast a parchment? His own bands Read it.
Poor traitor, spit upon and curst! Better this present than a past like that; Back therefore to my darkening path again! No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train.
A sudden little river crossed my path As unexpected as a serpent comes.
No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes.
So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit.
Which, while I forded, - good saints, how I feared To set my foot upon a dead man's cheek, Each step, or feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek.
Glad was I when I reached the other bank.
Now for a better country.
Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank Soil to a plash? Toads in a poisoned tank, Or wild cats in a red-hot iron cage - The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose? No foot-print leading to that horrid mews, None out of it.
Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? with all the air Of Tophet's tool, on earth left unaware, Or brought to sharpen its rusty teeth of steel.
Then came a bit of stubbed ground, once a wood, Next a marsh, it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand and stark black dearth.
Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils.
And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom-friend, Sailed past, not beat his wide wing dragon-penned That brushed my cap - perchance the guide I sought.
For, looking up, aware I somehow grew, 'Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view.
How thus they had surprised me, - solve it, you! How to get from then was no clearer case.
Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps.
Here ended, the, Progress this way.
When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den! Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left, a tall scalped mountain.
.
.
Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world.
The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start.
Not see? because of night perhaps? - why, day Came back again for that! before it left, The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - 'Now stab and end the creature - to the heft!' Not hear? when noise was everywhere! it tolled Increasing like a bell.
Names in my ears Of all the lost adventurers my peers, - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years.
There they stood, ranged along the hill-sides, met To view the last of me, a living frame For one more picture! in a sheet of flame I saw them and I knew them all.
And yet Dauntless the slug-horn to my lips I set, And blew.
'Childe Roland to the Dark Tower came.
'

Book: Reflection on the Important Things