Written by
Laura Riding Jackson |
The secrets of the mind convene splendidly,
Though the mind is meek.
To be aware inwardly
of brain and beauty
Is dark too recognizable.
Thought looking out on thought
Makes one an eye:
Which it shall be, both decide.
One is with the mind alone,
The other is with other thoughts gone
To be seen from afar and not known.
When openly these inmost sights
Flash and speak fully,
Each head at home shakes hopelessly
Of being never ready to see self
And sees a universe too soon.
The immense surmise swims round and round
And heads grow wise
With their own bigness beatified
In cosmos, and the idiot size
Of skulls spells Nature on the ground,
While ears listening the wrong way report
Echoes first and hear words before sounds
Because the mind, being quiet, seems late.
By ears words are copied into books,
By letters minds are taught self-ignorance.
From mouths spring forth vocabularies
To the assemblage of strange objects
Grown foreign to the faithful countryside
Of one king, poverty,
Of one line, humbleness.
Unavowed and false horizons claim pride
For spaces in the head
The native head sees outside.
The flood of wonder rushing from the eyes
Returns lesson by lesson.
The mind, shrunken of time,
Overflows too soon.
The complete vision is the same
As when the world-wideness began
Worlds to describe
The excessiveness of man.
But man's right portion rejects
The surplus in the whole.
This much, made secret first,
Now makes
The knowable, which was
Thought's previous flesh,
And gives instruction of substance to its intelligence
As far as flesh itself,
As bodies upon themselves to where
Understanding is the head
And the identity of breath and breathing are established
And the voice opening to cry: I know,
Closes around the entire declaration
With this evidence of immortality—
The total silence to say:
I am dead.
For death is all ugly, all lovely,
Forbids mysteries to make
Science of splendor, or any separate disclosing
Of beauty to the mind out of body's book
That page by page flutters a world in fragments,
Permits no scribbling in of more
Where spaces are,
Only to look.
Body as Body lies more than still.
The rest seems nothing and nothing is
If nothing need be.
But if need be,
Thought not divided anyway
Answers itself, thinking
All open and everything.
Dead is the mind that parted each head.
But now the secrets of the mind convene
Without pride, without pain
To any onlookers.
What they ordain alone
Cannot be known
The ordinary way of eyes and ears
But only prophesied
If an unnatural mind, refusing to divide,
Dies immediately
Of too plain beauty
Foreseen within too suddenly,
And lips break open of astonishment
Upon the living mouth and rehearse
Death, that seems a simple verse
And, of all ways to know,
Dead or alive, easiest.
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Written by
Rudyard Kipling |
There is sorrow enough in the natural way
From men and women to fill our day;
And when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers and Sisters, I bid you beware
Of giving your heart to a dog to tear.
Buy a pup and your money will buy
Love unflinching that cannot lie --
Perfect passion and worship fed
By a kick in the ribs or a pat on the head.
Nevertheless it is hardly fair
To risk your heart for a dog to tear.
When the fourteen years which Nature permits
Are closing in asthma, or tumour, or fits,
And the vet's unspoken prescription runs
To lethal chambers or loaded guns,
Then you will find -- it's your own affair --
But .
.
.
you've given your heart to a dog to tear.
When the body that lived at your single will,
With its whimper of welcome, is stilled (how still!)
When the spirit hat answered your every mood
Is gone -- wherever it goes -- for good,
You will discover how much you care,
And will give your heart to a dog to tear.
We've sorrow enough in the natural way,
When it comes to burying Christian clay.
Our loves are not given, but only lent,
At compound interest of cent per cent.
Though it is not always the case, I believe,
That the longer we've kept'em, the more do we grieve;
For, when debts are payable, right or wrong,
A short-time loan is as bad as a long --
So why in -- Heaven (before we are there)
Should we give our hearts to a dog to tear?
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Written by
Stephen Dunn |
When Mother died
I thought: now I'll have a death poem.
That was unforgivable.
Yet I've since forgiven myself
as sons are able to do
who've been loved by their mothers.
I stared into the coffin
knowing how long she'd live,
how many lifetimes there are
in the sweet revisions of memory.
It's hard to know exactly
how we ease ourselves back from sadness,
but I remembered when I was twelve,
1951, before the world
unbuttoned its blouse.
I had asked my mother (I was trembling)
If I could see her breasts
and she took me into her room
without embarrassment or coyness
and I stared at them,
afraid to ask for more.
Now, years later, someone tells me
Cancers who've never had mother love
are doomed and I, a Cancer
feel blessed again.
What luck
to have had a mother
who showed me her breasts
when girls my age were developing
their separate countries,
what luck
she didn't doom me
with too much or too little.
Had I asked to touch,
Perhaps to suck them,
What would she have done?
Mother, dead woman
Who I think permits me
to love women easily
this poem
is dedicated to where
we stopped, to the incompleteness
that was sufficient
and to how you buttoned up,
began doing the routine things
around the house.
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Written by
Francesco Petrarch |
SONNET CLXVI.
O bella man, che mi distringi 'l core.
THE STOLEN GLOVE.
O beauteous hand! that dost my heart subdue,
And in a little space my life confine;
Hand where their skill and utmost efforts join
Nature and Heaven, their plastic powers to show!
Sweet fingers, seeming pearls of orient hue,
To my wounds only cruel, fingers fine!
Love, who towards me kindness doth design,
For once permits ye naked to our view.
Thou glove most dear, most elegant and white,
Encasing ivory tinted with the rose;
More precious covering ne'er met mortal sight.
Would I such portion of thy veil had gain'd!
O fleeting gifts which fortune's hand bestows!
'Tis justice to restore what theft alone obtain'd.
Nott.
O beauteous hand! which robb'st me of my heart,
And holdest all my life in little space;
Hand! which their utmost effort and best art
Nature and Heaven alike have join'd to grace;
O sister pearls of orient hue, ye fine
And fairy fingers! to my wounds alone
Cruel and cold, does Love awhile incline
In my behalf, that naked ye are shown?
O glove! most snowy, delicate, and dear,
Which spotless ivory and fresh roses set,
[Pg 180]Where can on earth a sweeter spoil be met,
Unless her fair veil thus reward us here?
Inconstancy of human things! the theft
Late won and dearly prized too soon from me is reft!
Macgregor.
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Written by
Lewis Carroll |
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form.
The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.
For truly, just as the genuine Epicure lingers lovingly over a
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also -
I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH?
To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL!
But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE
And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.
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Written by
Emily Dickinson |
God permits industrious Angels --
Afternoons -- to play --
I met one -- forgot my Schoolmates --
All -- for Him -- straightway --
God calls home -- the Angels -- promptly --
At the Setting Sun --
I missed mine -- how dreary -- Marbles --
After playing Crown!
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Written by
Christopher Marlowe |
Ah, Faustus,
Now hast thou but one bare hour to live,
And then thou must be damned perpetually!
Stand still, you ever-moving spheres of heaven,
That time may cease, and midnight never come:
Fair Nature’s eye, rise, rise again and make
Perpetual day; or let this hour be but
A year, a month, a week, a natural day,
That Faustus may repent and save his soul!
O lente, lente, currite noctis equi!
The stars move still, time runs, the clock will strike,
The Devil will come, and Faustus will be damned.
Oh I’ll leap up to my God! Who pulls me dowm?
See, see where Christ’s blood streams in the firmament!
One drop would save my soul--half a drop. Ah, my Christ!
Ah, rend not my heart for naming of my Christ!
Yet will I call on him: Oh spare me, Lucifer!--
Where is it now? ‘Tis gone; and see where God
Stretcheth out his arm, and bends his ireful brows!
Mountains and hills, come, come and fall on me,
And hide me from the heavy wrath of God!
No! No!
Then will I headlong run into the earth;
Earth gape! On, no, it will not habor me!
You stars that reigned at my nativity,
Whose influence hath alloted death and hell,
Now draw up Faustus like a foggy mist
Into the entrails of yon laboring clouds,
That when you vomit forth into the air,
My limbs may issue from your smoky mouths,
So that my soul may but ascend to heaven.
(The clock strikes the half hour)
An, half the hour is past! ‘Twill all be past anon!
O God!
If thou wilt not have mercy on my soul,
Yet for Christ’s sake whose blood hath ransomed me,
Impose some end to my incessant pain;
Let Faustus live in hell a thousand years--
A hundred thousand, and--at last--be saved!
Oh, no end is limited to damned souls!
Why wert thou not a creature wanting soul?
Or why is this immortal that thou hast?
An, Pythagoras’ metempsychosis! Were that true,
This soul should fly from me, and I be changed
Unto some brutish beast! all beasts are happy,
For, when they die,
Their souls are soon dissolved in elements;
But mine must live, still to be plagued in hell.
Cursed be the parents that engendered me!
No, Faustus: curse thyself; curse Lucifer
That hath deprived thee of the joys of Heaven.
(The clock strikes twelve)
Oh, it strikes, it strikes! Now, body, turn to air,
Or Lucifer will bear thee quick to hell.
(Thunder and lightning)
O soul, be changed into little water-drops,
And fall into the ocean--ne’er be found.
My God! my God! look not so fierce on me!
Enter Devils
Adders and serpents, let me breathe awhile!
Ugly hell, gape not! Come not, Lucifer!
I’ll burn my books!--Ah, Mephistopheles!
Enter C HORUS .
Chorus . Cut is the branch that might have grown full straight,
And burned is Apollo's laurel bough,
That sometime grew within this learned man.
Faustus is gone: regard his hellish fall,
Whose fiendful fortune may exhort the wise,
Onely to wonder at unlawful things,
Whose deepnesse doth intise such forward wits,
To practise more than heavenly power permits.
Terminat hora diem, Terminat Author opus.
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