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Best Famous Peppered Poems

Here is a collection of the all-time best famous Peppered poems. This is a select list of the best famous Peppered poetry. Reading, writing, and enjoying famous Peppered poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of peppered poems.

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Written by Philip Levine | Create an image from this poem

Late Light

 Rain filled the streets 
once a year, rising almost 
to door and window sills, 
battering walls and roofs 
until it cleaned away the mess 
we'd made.
My father told me this, he told me it ran downtown and spilled into the river, which in turn emptied finally into the sea.
He said this only once while I sat on the arm of his chair and stared out at the banks of gray snow melting as the March rain streaked past.
All the rest of that day passed on into childhood, into nothing, or perhaps some portion hung on in a tiny corner of thought.
Perhaps a clot of cinders that peppered the front yard clung to a spar of old weed or the concrete lip of the curb and worked its way back under the new growth spring brought and is a part of that yard still.
Perhaps light falling on distant houses becomes those houses, hunching them down at dusk like sheep browsing on a far hillside, or at daybreak gilds the roofs until they groan under the new weight, or after rain lifts haloes of steam from the rinsed, white aluminum siding, and those houses and all they contain live that day in the sight of heaven.
II In the blue, winking light of the International Institute of Social Revolution I fell asleep one afternoon over a book of memoirs of a Spanish priest who'd served his own private faith in a long forgotten war.
An Anarchist and a Catholic, his remembrances moved inexplicably from Castilian to Catalan, a language I couldn't follow.
That dust, fine and gray, peculiar to libraries, slipped between the glossy pages and my sight, a slow darkness calmed me, and I forgot the agony of those men I'd come to love, forgot the battles lost and won, forgot the final trek over hopeless mountain roads, defeat, surrender, the vows to live on.
I slept until the lights came on and off.
A girl was prodding my arm, for the place was closing.
A slender Indonesian girl in sweater and American jeans, her black hair falling almost to my eyes, she told me in perfect English that I could come back, and she swept up into a folder the yellowing newspaper stories and photos spilled out before me on the desk, the little chronicles of death themselves curling and blurring into death, and took away the book still unfinished of a man more confused even than I, and switched off the light, and left me alone.
III In June of 1975 I wakened one late afternoon in Amsterdam in a dim corner of a library.
I had fallen asleep over a book and was roused by a young girl whose hand lay on my hand.
I turned my head up and stared into her brown eyes, deep and gleaming.
She was crying.
For a second I was confused and started to speak, to offer some comfort or aid, but I kept still, for she was crying for me, for the knowledge that I had wakened to a life in which loss was final.
I closed my eyes a moment.
When I opened them she'd gone, the place was dark.
I went out into the golden sunlight; the cobbled streets gleamed as after rain, the street cafes crowded and alive.
Not far off the great bell of the Westerkirk tolled in the early evening.
I thought of my oldest son, who years before had sailed from here into an unknown life in Sweden, a life which failed, of how he'd gone alone to Copenhagen, Bremen, where he'd loaded trains, Hamburg, Munich, and finally -- sick and weary -- he'd returned to us.
He slept in a corner of the living room for days, and woke gaunt and quiet, still only seventeen, his face in its own shadows.
I thought of my father on the run from an older war, and wondered had he passed through Amsterdam, had he stood, as I did now, gazing up at the pale sky, distant and opaque, for the sign that never comes.
Had he drifted in the same winds of doubt and change to another continent, another life, a family, some years of peace, an early death.
I walked on by myself for miles and still the light hung on as though the day would never end.
The gray canals darkened slowly, the sky above the high, narrow houses deepened into blue, and one by one the stars began their singular voyages.


Written by Seamus Heaney | Create an image from this poem

Blackberry-Picking

 Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet Like thickened wine: summer's blood was in it Leaving stains upon the tongue and lust for Picking.
Then red ones inked up and that hunger Sent us out with milk cans, pea tins, jam-pots Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills We trekked and picked until the cans were full Until the tinkling bottom had been covered With green ones, and on top big dark blobs burned Like a plate of eyes.
Our hands were peppered With thorn pricks, our palms sticky as Bluebeard's.
We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur, A rat-grey fungus, glutting on our cache.
The juice was stinking too.
Once off the bush The fruit fermented, the sweet flesh would turn sour.
I always felt like crying.
It wasn't fair That all the lovely canfuls smelt of rot.
Each year I hoped they'd keep, knew they would not.
Written by Dorothy Parker | Create an image from this poem

Guinevere at Her Fireside

 A nobler king had never breath-
I say it now, and said it then.
Who weds with such is wed till death And wedded stays in Heaven.
Amen.
(And oh, the shirts of linen-lawn, And all the armor, tagged and tied, And church on Sundays, dusk and dawn.
And bed a thing to kneel beside!) The bravest one stood tall above The rest, and watched me as a light.
I heard and heard them talk of love; I'd naught to do but think, at night.
The bravest man has littlest brains; That chalky fool from Astolat With all her dying and her pains!- Thank God, I helped him over that.
I found him not unfair to see- I like a man with peppered hair! And thus it came about.
Ah, me, Tristram was busied otherwhere.
.
.
.
A nobler king had never breath- I say it now, and said it then.
Who weds with such is wed till death And wedded stays in Heaven.
Amen.
Written by Victor Hugo | Create an image from this poem

MARRIAGE AND FEASTS

 ("La salle est magnifique.") 
 
 {IV. Aug. 23, 1839.} 


 The hall is gay with limpid lustre bright— 
 The feast to pampered palate gives delight— 
 The sated guests pick at the spicy food, 
 And drink profusely, for the cheer is good; 
 And at that table—where the wise are few— 
 Both sexes and all ages meet the view; 
 The sturdy warrior with a thoughtful face— 
 The am'rous youth, the maid replete with grace, 
 The prattling infant, and the hoary hair 
 Of second childhood's proselytes—are there;— 
 And the most gaudy in that spacious hall, 
 Are e'er the young, or oldest of them all 
 Helmet and banner, ornament and crest, 
 The lion rampant, and the jewelled vest, 
 The silver star that glitters fair and white, 
 The arms that tell of many a nation's might— 
 Heraldic blazonry, ancestral pride, 
 And all mankind invents for pomp beside, 
 The wingèd leopard, and the eagle wild— 
 All these encircle woman, chief and child; 
 Shine on the carpet burying their feet, 
 Adorn the dishes that contain their meat; 
 And hang upon the drapery, which around 
 Falls from the lofty ceiling to the ground, 
 Till on the floor its waving fringe is spread, 
 As the bird's wing may sweep the roses' bed.— 
 
 Thus is the banquet ruled by Noise and Light, 
 Since Light and Noise are foremost on the site. 
 
 The chamber echoes to the joy of them 
 Who throng around, each with his diadem— 
 Each seated on proud throne—but, lesson vain! 
 Each sceptre holds its master with a chain! 
 Thus hope of flight were futile from that hall, 
 Where chiefest guest was most enslaved of all! 
 The godlike-making draught that fires the soul 
 The Love—sweet poison-honey—past control, 
 (Formed of the sexual breath—an idle name, 
 Offspring of Fancy and a nervous frame)— 
 Pleasure, mad daughter of the darksome Night, 
 Whose languid eye flames when is fading light— 
 The gallant chases where a man is borne 
 By stalwart charger, to the sounding horn— 
 The sheeny silk, the bed of leaves of rose, 
 Made more to soothe the sight than court repose; 
 The mighty palaces that raise the sneer 
 Of jealous mendicants and wretches near— 
 The spacious parks, from which horizon blue 
 Arches o'er alabaster statues new; 
 Where Superstition still her walk will take, 
 Unto soft music stealing o'er the lake— 
 The innocent modesty by gems undone— 
 The qualms of judges by small brib'ry won— 
 The dread of children, trembling while they play— 
 The bliss of monarchs, potent in their sway— 
 The note of war struck by the culverin, 
 That snakes its brazen neck through battle din— 
 The military millipede 
 That tramples out the guilty seed— 
 The capital all pleasure and delight— 
 And all that like a town or army chokes 
 The gazer with foul dust or sulphur smokes. 
 The budget, prize for which ten thousand bait 
 A subtle hook, that ever, as they wait 
 Catches a weed, and drags them to their fate, 
 While gleamingly its golden scales still spread— 
 Such were the meats by which these guests were fed. 
 
 A hundred slaves for lazy master cared, 
 And served each one with what was e'er prepared 
 By him, who in a sombre vault below, 
 Peppered the royal pig with peoples' woe, 
 And grimly glad went laboring till late— 
 The morose alchemist we know as Fate! 
 That ev'ry guest might learn to suit his taste, 
 Behind had Conscience, real or mock'ry, placed; 
 Conscience a guide who every evil spies, 
 But royal nurses early pluck out both his eyes! 
 
 Oh! at the table there be all the great, 
 Whose lives are bubbles that best joys inflate! 
 Superb, magnificent of revels—doubt 
 That sagest lose their heads in such a rout! 
 In the long laughter, ceaseless roaming round, 
 Joy, mirth and glee give out a maelström's sound; 
 And the astonished gazer casts his care, 
 Where ev'ry eyeball glistens in the flare. 
 
 But oh! while yet the singing Hebes pour 
 Forgetfulness of those without the door— 
 At very hour when all are most in joy, 
 And the hid orchestra annuls annoy, 
 Woe—woe! with jollity a-top the heights, 
 With further tapers adding to the lights, 
 And gleaming 'tween the curtains on the street, 
 Where poor folks stare—hark to the heavy feet! 
 Some one smites roundly on the gilded grate, 
 Some one below will be admitted straight, 
 Some one, though not invited, who'll not wait! 
 Close not the door! Your orders are vain breath— 
 That stranger enters to be known as Death— 
 Or merely Exile—clothed in alien guise— 
 Death drags away—with his prey Exile flies! 
 
 Death is that sight. He promenades the hall, 
 And casts a gloomy shadow on them all, 
 'Neath which they bend like willows soft, 
 Ere seizing one—the dumbest monarch oft, 
 And bears him to eternal heat and drouth, 
 While still the toothsome morsel's in his mouth. 
 
 G.W.M. REYNOLDS. 


 




Written by Robert William Service | Create an image from this poem

The Coward

 'Ave you seen Bill's mug in the Noos to-day?
'E's gyned the Victoriar Cross, they say;
Little Bill wot would grizzle and run away,
 If you 'it 'im a swipe on the jawr.
'E's slaughtered the Kaiser's men in tons; 'E's captured one of their quick-fire guns, And 'e 'adn't no practice in killin' 'Uns Afore 'e went off to the war.
Little Bill wot I nussed in 'is by-by clothes; Little Bill wot told me 'is childish woes; 'Ow often I've tidied 'is pore little nose Wiv the 'em of me pinnyfore.
And now all the papers 'is praises ring, And 'e's been and 'e's shaken the 'and of the King And I sawr 'im to-day in the ward, pore thing, Where they're patchin' 'im up once more.
And 'e says: "Wot d'ye think of it, Lizer Ann?" And I says: "Well, I can't make it out, old man; You'd 'ook it as soon as a scrap began, When you was a bit of a kid.
" And 'e whispers: "'Ere, on the quiet, Liz, They're makin' too much of the 'ole damn biz, And the papers is printin' me ugly phiz, But .
.
.
I'm 'anged if I know wot I did.
"Oh, the Captain comes and 'e says: 'Look 'ere! They're far too quiet out there: it's *****.
They're up to somethin' -- 'oo'll volunteer To crawl in the dark and see?' Then I felt me 'eart like a 'ammer go, And up jumps a chap and 'e says: 'Right O!' But I chips in straight, and I says 'Oh no! 'E's a missis and kids -- take me.
' "And the next I knew I was sneakin' out, And the oozy corpses was all about, And I felt so scared I wanted to shout, And me skin fair prickled wiv fear; And I sez: 'You coward! You 'ad no right To take on the job of a man this night,' Yet still I kept creepin' till ('orrid sight!) The trench of the 'Uns was near.
"It was all so dark, it was all so still; Yet somethin' pushed me against me will; 'Ow I wanted to turn! Yet I crawled until I was seein' a dim light shine.
Then thinks I: 'I'll just go a little bit, And see wot the doose I can make of it,' And it seemed to come from the mouth of a pit: 'Christmas!' sez I, 'a mine.
' "Then 'ere's the part wot I can't explain: I wanted to make for 'ome again, But somethin' was blazin' inside me brain, So I crawled to the trench instead; Then I saw the bullet 'ead of a 'Un, And 'e stood by a rapid-firer gun, And I lifted a rock and I 'it 'im one, And 'e dropped like a chunk o' lead.
"Then all the 'Uns that was underground, Comes up with a rush and on with a bound, And I swings that giddy old Maxim round And belts 'em solid and square.
You see I was off me chump wiv fear: 'If I'm sellin' me life,' sez I, 'it's dear.
' And the trench was narrow and they was near, So I peppered the brutes for fair.
"So I 'eld 'em back and I yelled wiv fright, And the boys attacked and we 'ad a fight, And we 'captured a section o' trench' that night Which we didn't expect to get; And they found me there with me Maxim gun, And I'd laid out a score if I'd laid out one, And I fainted away when the thing was done, And I 'aven't got over it yet.
" So that's the 'istory Bill told me.
Of course it's all on the strict Q.
T.
; It wouldn't do to get out, you see, As 'e hacted against 'is will.
But 'e's convalescin' wiv all 'is might, And 'e 'opes to be fit for another fight -- Say! Ain't 'e a bit of the real all right? Wot's the matter with Bill!


Written by Marriott Edgar | Create an image from this poem

Marksman Sam

 When Sam Small joined the regiment,
'E were no' but a raw recruit,
And they marched 'im away one wint'ry day,
'Is musket course to shoot.
They woke 'im up at the crack o' dawn, Wi' many a nudge and shake, 'E were dreaming that t' Sergeant 'ad broke 'is neck, And 'e didn't want to wake.
Lieutenant Bird came on parade, And chided the lads for mooning, 'E talked in a voice like a pound o' plums, 'Is tonsils needed pruning.
"Move to the right by fours," he said, Crisp like but most severe, But Sam didn't know 'is right from 'is left, So pretended 'e didn't 'ear.
Said Lieutenant, "Sergeant, take this man's name.
" The Sergeant took out 'is pencil, 'E were getting ashamed o' taking Sam's name, And were thinking o' cutting a stencil.
Sam carried a musket, a knapsack and coat, Spare boots that 'e'd managed to wangle, A 'atchet, a spade.
.
.
in fact, as Sam said, 'E'd got everything bar t'kitchen mangle.
"March easy men," Lieutenant cried, As the musket range grew near, "March easy me blushing Aunt Fanny," said Sam, "What a chance with all this 'ere.
" When they told 'im to fire at five 'undred yards, Sam nearly 'ad a fit, For a six foot wall, or the Albert 'All, Were all 'e were likely to 'it.
'E'd fitted a cork in 'is musket end, To keep 'is powder dry, And 'e didn't remember to take it out, The first time 'e let fly.
'Is gun went off with a kind o' pop, Where 'is bullet went no-one knew, But next day they spoke of a tinker's moke, Being killed by a cork.
.
.
in Crewe.
At three 'undred yards, Sam shut 'is eyes, And took a careful aim, 'E failed to score but the marker swore, And walked away quite lame.
At two 'undred yards, Sam fired so wild, That the Sergeant feared for 'is skin, And the lads all cleared int' t' neighbouring field, And started to dig 'emselves in.
"Ooh, Sergeant! I hear a scraping noise," Said Sam, "What can it be?" The noise that 'e 'eard were lieutenant Bird, 'Oo were climbing the nearest tree.
"Ooh, Sergeant!" said Sam, "I've 'it the bull! What price my shooting now?" Said the Sergeant, "A bull? Yer gormless fool, Yon isn't a bull.
.
.
it's a cow!" At fifty yards 'is musket kicked, And went off with a noise like a blizzard, And down came a crow looking fair surprised, With a ram-rod through 'is gizzard.
As 'e loaded 'is musket to fire agen, Said the Sergeant, "Don't waste shot! Yer'd best fix bayonets and charge, my lad, It's the only chance yer've got.
Sam kept loading 'is gun while the Sergeant spoke, Till the bullets peeped out of the muzzle, When all of a sudden it went off bang! What made it go were a puzzle.
The bullets flew out in a kind of a spray, And everything round got peppered, When they counted 'is score.
.
.
'e'd got eight bulls eyes, Four magpies, two lambs and a shepherd.
And the Sergeant for this got a D.
C.
M.
And the Colonel an O.
B.
E.
Lieutenant Bird got the D.
S.
O.
And Sam got.
.
.
five days C.
B.
Written by Robert William Service | Create an image from this poem

His Boys

 "I'm going, Billy, old fellow.
Hist, lad! Don't make any noise.
There's Boches to beat all creation, the pitch of a bomb away.
I've fixed the note to your collar, you've got to get back to my Boys, You've got to get back to warn 'em before it's the break of day.
" The order came to go forward to a trench-line traced on the map; I knew the brass-hats had blundered, I knew and I told 'em so; I knew if I did as they ordered I would tumble into a trap, And I tried to explain, but the answer came like a pistol: "Go.
" Then I thought of the Boys I commanded -- I always called them "my Boys" -- The men of my own recruiting, the lads of my countryside; Tested in many a battle, I knew their sorrows and joys, And I loved them all like a father, with more than a father's pride.
To march my Boys to a shambles as soon as the dawn of day; To see them helplessly slaughtered, if all that I guessed was true; My Boys that trusted me blindly, I thought and I tried to pray, And then I arose and I muttered: "It's either them or it's you.
" I rose and I donned my rain-coat; I buckled my helmet tight.
I remember you watched me, Billy, as I took my cane in my hand; I vaulted over the sandbags into the pitchy night, Into the pitted valley that served us as No Man's Land.
I strode out over the hollow of hate and havoc and death, From the heights the guns were angry, with a vengeful snarling of steel; And once in a moment of stillness I heard hard panting breath, And I turned .
.
.
it was you, old rascal, following hard on my heel.
I fancy I cursed you, Billy; but not so much as I ought! And so we went forward together, till we came to the valley rim, And then a star-shell sputtered .
.
.
it was even worse than I thought, For the trench they told me to move in was packed with Boche to the brim.
They saw me too, and they got me; they peppered me till I fell; And there I scribbled my message with my life-blood ebbing away; "Now, Billy, you fat old duffer, you've got to get back like hell; And get them to cancel that order before it's the dawn of day.
"Billy, old boy, I love you, I kiss your shiny black nose; Now, home there.
.
.
.
Hurry, you devil, or I'll cut you to ribands.
.
.
.
See .
.
.
" Poor brute! he's off! and I'm dying.
.
.
.
I go as a soldier goes.
I'm happy.
My Boys, God bless 'em! .
.
.
It had to be them or me.

Book: Shattered Sighs