Written by
Derek Walcott |
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
"Waste no compassion on these separate dead!"
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
>From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
|
Written by
Rainer Maria Rilke |
A ghost, though invisible, still is like a place
your sight can knock on, echoing; but here
within this thick black pelt, your strongest gaze
will be absorbed and utterly disappear:
just as a raving madman, when nothing else
can ease him, charges into his dark night
howling, pounds on the padded wall, and feels
the rage being taken in and pacified.
She seems to hide all looks that have ever fallen
into her, so that, like an audience,
she can look them over, menacing and sullen,
and curl to sleep with them.
But all at once
as if awakened, she turns her face to yours;
and with a shock, you see yourself, tiny,
inside the golden amber of her eyeballs
suspended, like a prehistoric fly.
|
Written by
Robert William Service |
The Elders of the Tribe were grouped
And squatted in the Council Cave;
They seemed to be extremely pooped,
And some were grim, but all were grave:
The subject of their big To-do
Was axe-man Chow, the son of Choo.
Then up spoke Tribal Wiseman Waw:
"Brothers, today I talk to grieve:
As an upholder of the Law
You know how deeply we believe
In Liberty, Fraternity,
And likewise Equality.
"A chipper of the flint am I;
I make the weapons that you use,
And though to hunt I never try,
To bow to hunters I refuse:
But stalwart Chow, the son of Choo
Is equal to us any two.
"He is the warrior supreme,
The Super-caveman, one might say;
The pride of youth, the maiden's dream,
And in the chase the first to slay.
Where we are stunted he is tall:
In short, a menace to us all.
"He struts with throwing stone and spear;
And is he not the first to wear
Around his waist with bully leer
The pelt of wolf and baby bear!
Admitting that he made the kill
Why should he so exploit his skill?
"Comrades, grave counsel we must take,
And as he struts with jest and jibe,
Let us act swiftly lest he make
Himself Dictator of our Tribe:
The Gods have built him on their plan:
Let us reduce him to a man.
"
And so they seized him in the night,
And on the sacrificial stone
The axe-men of the Tribe did smite,
Until one limb he ceased to own.
There! They had equalized the odds,
Foiling unfairness of the Gods.
So Chow has lost his throwing arm,
And goes around like every one;
No longer does he threaten harm,
And tribal justice has been done.
For men are equal, let us seek
To grade the Strong down to the weak.
|
Written by
John Wilmot |
Much wine had passed, with grave discourse
Of who fucks who, and who does worse
(Such as you usually do hear
From those that diet at the Bear),
When I, who still take care to see
Drunkenness relieved by lechery,
Went out into St.
James's Park
To cool my head and fire my heart.
But though St.
James has th' honor on 't,
'Tis consecrate to prick and ****.
There, by a most incestuous birth,
Strange woods spring from the teeming earth;
For they relate how heretofore,
When ancient Pict began to whore,
Deluded of his assignation
(Jilting, it seems, was then in fashion),
Poor pensive lover, in this place
Would frig upon his mother's face;
Whence rows of mandrakes tall did rise
Whose lewd tops fucked the very skies.
Each imitative branch does twine
In some loved fold of Aretine,
And nightly now beneath their shade
Are buggeries, rapes, and incests made.
Unto this all-sin-sheltering grove
Whores of the bulk and the alcove,
Great ladies, chambermaids, and drudges,
The ragpicker, and heiress trudges.
Carmen, divines, great lords, and tailors,
Prentices, poets, pimps, and jailers,
Footmen, fine fops do here arrive,
And here promiscuously they swive.
Along these hallowed walks it was
That I beheld Corinna pass.
Whoever had been by to see
The proud disdain she cast on me
Through charming eyes, he would have swore
She dropped from heaven that very hour,
Forsaking the divine abode
In scorn of some despairing god.
But mark what creatures women are:
How infinitely vile, when fair!
Three knights o' the' elbow and the slur
With wriggling tails made up to her.
The first was of your Whitehall baldes,
Near kin t' th' Mother of the Maids;
Graced by whose favor he was able
To bring a friend t' th' Waiters' table,
Where he had heard Sir Edward Sutton
Say how the King loved Banstead mutton;
Since when he'd ne'er be brought to eat
By 's good will any other meat.
In this, as well as all the rest,
He ventures to do like the best,
But wanting common sense, th' ingredient
In choosing well not least expedient,
Converts abortive imitation
To universal affectation.
Thus he not only eats and talks
But feels and smells, sits down and walks,
Nay looks, and lives, and loves by rote,
In an old tawdry birthday coat.
The second was a Grays Inn wit,
A great inhabiter of the pit,
Where critic-like he sits and squints,
Steals pocket handkerchiefs, and hints
From 's neighbor, and the comedy,
To court, and pay, his landlady.
The third, a lady's eldest son
Within few years of twenty-one
Who hopes from his propitious fate,
Against he comes to his estate,
By these two worthies to be made
A most accomplished tearing blade.
One, in a strain 'twixt tune and nonsense,
Cries, "Madam, I have loved you long since.
Permit me your fair hand to kiss";
When at her mouth her **** cries, "Yes!"
In short, without much more ado,
Joyful and pleased, away she flew,
And with these three confounded asses
From park to hackney coach she passes.
So a proud ***** does lead about
Of humble curs the amorous rout,
Who most obsequiously do hunt
The savory scent of salt-swoln ****.
Some power more patient now relate
The sense of this surprising fate.
Gods! that a thing admired by me
Should fall to so much infamy.
Had she picked out, to rub her **** on,
Some stiff-pricked clown or well-hung parson,
Each job of whose spermatic sluice
Had filled her **** with wholesome juice,
I the proceeding should have praised
In hope sh' had quenched a fire I raised.
Such natural freedoms are but just:
There's something generous in mere lust.
But to turn a damned abandoned jade
When neither head nor tail persuade;
To be a whore in understanding,
A passive pot for fools to spend in!
The devil played booty, sure, with thee
To bring a blot on infamy.
But why am I, of all mankind,
To so severe a fate designed?
Ungrateful! Why this treachery
To humble fond, believing me,
Who gave you privilege above
The nice allowances of love?
Did ever I refuse to bear
The meanest part your lust could spare?
When your lewd **** came spewing home
Drenched with the seed of half the town,
My dram of sperm was supped up after
For the digestive surfeit water.
Full gorged at another time
With a vast meal of slime
Which your devouring **** had drawn
From porters' backs and footmen's brawn,
I was content to serve you up
My ballock-full for your grace cup,
Nor ever thought it an abuse
While you had pleasure for excuse -
You that could make my heart away
For noise and color, and betray
The secrets of my tender hours
To such knight-errant paramours,
When, leaning on your faithless breast,
Wrapped in security and rest,
Soft kindness all my powers did move,
And reason lay dissolved in love!
May stinking vapors choke your womb
Such as the men you dote upon
May your depraved appetite,
That could in whiffling fools delight,
Beget such frenzies in your mind
You may go mad for the north wind,
And fixing all your hopes upon't
To have him bluster in your ****,
Turn up your longing **** t' th' air
And perish in a wild despair!
But cowards shall forget to rant,
Schoolboys to frig, old whores to paint;
The Jesuits' fraternity
Shall leave the use of buggery;
Crab-louse, inspired with grace divine,
From earthly cod to heaven shall climb;
Physicians shall believe in Jesus,
And disobedience cease to please us,
Ere I desist with all my power
To plague this woman and undo her.
But my revenge will best be timed
When she is married that is limed.
In that most lamentable state
I'll make her feel my scorn and hate:
Pelt her with scandals, truth or lies,
And her poor cur with jealousied,
Till I have torn him from her breech,
While she whines like a dog-drawn *****;
Loathed and despised, kicked out o' th' Town
Into some dirty hole alone,
To chew the cud of misery
And know she owes it all to me.
And may no woman better thrive
That dares prophane the **** I swive!
|
Written by
William Matthews |
"First, do no harm," the Hippocratic
Oath begins, but before she might enjoy
such balm, the docs had to harm her tumor.
It was large, rare, and so anomalous
in its behavior that at first they mis-
diagnosed it.
"Your wife will die of it
within a year.
" But in ten days or so
I sat beside her bed with hot-and-sour
soup and heard an intern congratulate
her on her new diagnosis: a children's
cancer (doesn't that possessive break
your heart?) had possessed her.
I couldn't stop
personifying it.
Devious, dour,
it had a clouded heart, like Iago's.
It loved disguise.
It was a garrison
in a captured city, a bad horror film
(The Blob), a stowaway, an inside job.
If I could make it be like something else,
I wouldn't have to think of it as what,
in fact, it was: part of my lovely wife.
Next, then, chemotherapy.
Her hair fell
out in tufts, her color dulled, she sat laced
to bags of poison she endured somewhat
better than her cancer cells could, though not
by much.
And indeed, the cancer cells waned
more slowly than the chemical "cocktails"
(one the bright color of Campari), as the chemo
nurses called them, dripped into her.
There were
three hundred days of this: a week inside
the hospital and two weeks out, the fierce
elixirs percolating all the while.
She did five weeks of radiation, too,
Monday to Friday like a stupid job.
She wouldn't eat the food the hospital
wheeled in.
"Pureed fish" and "minced fish" were worth,
I thought, a sharp surge of food snobbery,
but she'd grown averse to it all -- the nurses'
crepe soles' muffled squeaks along the hall,
the filtered air, the smothered urge to read,
the fear, the perky visitors, flowers
she'd not been sent when she was well, the room-
mate (what do "semiprivate" and "extra
virgin" have in common?) who died, the nights
she wept and sweated faster than the tubes
could moisten her with lurid poison.
One chemotherapy veteran, six
years in remission, chanced on her former
chemo nurse at a bus stop and threw up.
My wife's tumor has not come back.
I like to think of it in Tumor Hell
strapped to a dray, flat as a deflated
football, bleak and nubbled like a poorly
ironed truffle.
There's one tense in Tumor Hell:
forever, or what we call the present.
For that long the flaccid tumor marinates
in lurid toxins.
Tumor Hell Clinic
is, it turns out, a teaching hospital.
Every century or so, the way
we'd measure it, a chief doc brings a pack
of students round.
They run some simple tests:
surge current through the tumor, batter it
with mallets, push a wood-plane across its
pebbled hide and watch a scurf of tumor-
pelt kink loose from it, impale it, strafe it
with lye and napalm.
There might be nothing
left in there but a still space surrounded
by a carapace.
"This one is nearly
dead," the chief doc says.
"What's the cure for that?"
The students know: "Kill it slower, of course.
"
They sprinkle it with rock salt and move on.
Here on the aging earth the tumor's gone:
My wife is hale, though wary, and why not?
Once you've had cancer, you don't get headaches
anymore, you get brain tumors, at least
until the aspirin kicks in.
Her hair's back,
her weight, her appetite.
"And what about you?"
friends ask me.
First the fear felt like sudden
weightlessness: I couldn't steer and couldn't stay.
I couldn't concentrate: surely my spit would
dry before I could slather a stamp.
I made a list of things to do next day
before I went to bed, slept like a cork,
woke to no more memory of last night's
list than smoke has of fire, made a new list,
began to do the things on it, wept, paced,
berated myself, drove to the hospital,
and brought my wife food from the takeout joints
that ring a hospital as surely as
brothels surround a gold strike.
I drove home
rancid with anger at her luck and mine --
anger that filled me the same way nature
hates a vacuum.
"This must be hell for you,"
some said.
Hell's not other people: Sartre
was wrong about that, too.
L'enfer, c'est moi?
I've not got the ego for it.
There'd be
no hell if Dante hadn't built a model
of his rage so well, and he contrived to
get exiled from it, for it was Florence.
Why would I live in hell? I love New York.
Some even said the tumor and fierce cure
were harder on the care giver -- yes, they
said "care giver" -- than on the "sick person.
"
They were wrong who said those things.
Of course
I hated it, but some of "it" was me --
the self-pity I allowed myself,
the brave poses I struck.
The rest was dire
threat my wife met with moral stubbornness,
terror, rude jokes, nausea, you name it.
No, let her think of its name and never
say it, as if it were the name of God.
|
Written by
Seamus Heaney |
When you plunged
The light of Tuscany wavered
And swung through the pool
From top to bottom.
I loved your wet head and smashing crawl,
Your fine swimmer's back and shoulders
Surfacing and surfacing again
This year and every year since.
I sat dry-throated on the warm stones.
You were beyond me.
The mellowed clarities, the grape-deep air
Thinned and disappointed.
Thank God for the slow loadening,
When I hold you now
We are close and deep
As the atmosphere on water.
My two hands are plumbed water.
You are my palpable, lithe
Otter of memory
In the pool of the moment,
Turning to swim on your back,
Each silent, thigh-shaking kick
Re-tilting the light,
Heaving the cool at your neck.
And suddenly you're out,
Back again, intent as ever,
Heavy and frisky in your freshened pelt,
Printing the stones.
|
Written by
Robert William Service |
I
There was Claw-fingered Kitty and Windy Ike living the life of shame,
When unto them in the Long, Long Night came the man-who-had-no-name;
Bearing his prize of a black fox pelt, out of the Wild he came.
His cheeks were blanched as the flume-head foam when the brown spring freshets flow;
Deep in their dark, sin-calcined pits were his sombre eyes aglow;
They knew him far for the fitful man who spat forth blood on the snow.
"Did ever you see such a skin?" quoth he; "there's nought in the world so fine--
Such fullness of fur as black as the night, such lustre, such size, such shine;
It's life to a one-lunged man like me; it's London, it's women, it's wine.
"The Moose-hides called it the devil-fox, and swore that no man could kill;
That he who hunted it, soon or late, must surely suffer some ill;
But I laughed at them and their old squaw-tales.
Ha! Ha! I'm laughing still.
"For look ye, the skin--it's as smooth as sin, and black as the core of the Pit.
By gun or by trap, whatever the hap, I swore I would capture it;
By star and by star afield and afar, I hunted and would not quit.
"For the devil-fox, it was swift and sly, and it seemed to fleer at me;
I would wake in fright by the camp-fire light, hearing its evil glee;
Into my dream its eyes would gleam, and its shadow would I see.
"It sniffed and ran from the ptarmigan I had poisoned to excess;
Unharmed it sped from my wrathful lead ('twas as if I shot by guess);
Yet it came by night in the stark moonlight to mock at my weariness.
"I tracked it up where the mountains hunch like the vertebrae of the world;
I tracked it down to the death-still pits where the avalanche is hurled;
From the glooms to the sacerdotal snows, where the carded clouds are curled.
"From the vastitudes where the world protrudes through clouds like seas up-shoaled,
I held its track till it led me back to the land I had left of old--
The land I had looted many moons.
I was weary and sick and cold.
"I was sick, soul-sick, of the futile chase, and there and then I swore
The foul fiend fox might scathless go, for I would hunt no more;
Then I rubbed mine eyes in a vast surprise--it stood by my cabin door.
"A rifle raised in the wraith-like gloom, and a vengeful shot that sped;
A howl that would thrill a cream-faced corpse-- and the demon fox lay dead.
.
.
.
Yet there was never a sign of wound, and never a drop he bled.
"So that was the end of the great black fox, and here is the prize I've won;
And now for a drink to cheer me up--I've mushed since the early sun;
We'll drink a toast to the sorry ghost of the fox whose race is run.
"
II
Now Claw-fingered Kitty and Windy Ike, bad as the worst were they;
In their road-house down by the river-trail they waited and watched for prey;
With wine and song they joyed night long, and they slept like swine by day.
For things were done in the Midnight Sun that no tongue will ever tell;
And men there be who walk earth-free, but whose names are writ in hell--
Are writ in flames with the guilty names of Fournier and Labelle.
Put not your trust in a poke of dust would ye sleep the sleep of sin;
For there be those who would rob your clothes ere yet the dawn comes in;
And a prize likewise in a woman's eyes is a peerless black fox skin.
Put your faith in the mountain cat if you lie within his lair;
Trust the fangs of the mother-wolf, and the claws of the lead-ripped bear;
But oh, of the wiles and the gold-tooth smiles of a dance-hall wench beware!
Wherefore it was beyond all laws that lusts of man restrain,
A man drank deep and sank to sleep never to wake again;
And the Yukon swallowed through a hole the cold corpse of the slain.
III
The black fox skin a shadow cast from the roof nigh to the floor;
And sleek it seemed and soft it gleamed, and the woman stroked it o'er;
And the man stood by with a brooding eye, and gnashed his teeth and swore.
When thieves and thugs fall out and fight there's fell arrears to pay;
And soon or late sin meets its fate, and so it fell one day
That Claw-fingered Kitty and Windy Ike fanged up like dogs at bay.
"The skin is mine, all mine," she cried; "I did the deed alone.
"
"It's share and share with a guilt-yoked pair", he hissed in a pregnant tone;
And so they snarled like malamutes over a mildewed bone.
And so they fought, by fear untaught, till haply it befell
One dawn of day she slipped away to Dawson town to sell
The fruit of sin, this black fox skin that had made their lives a hell.
She slipped away as still he lay, she clutched the wondrous fur;
Her pulses beat, her foot was fleet, her fear was as a spur;
She laughed with glee, she did not see him rise and follow her.
The bluffs uprear and grimly peer far over Dawson town;
They see its lights a blaze o' nights and harshly they look down;
They mock the plan and plot of man with grim, ironic frown.
The trail was steep; 'twas at the time when swiftly sinks the snow;
All honey-combed, the river ice was rotting down below;
The river chafed beneath its rind with many a mighty throe.
And up the swift and oozy drift a woman climbed in fear,
Clutching to her a black fox fur as if she held it dear;
And hard she pressed it to her breast--then Windy Ike drew near.
She made no moan--her heart was stone--she read his smiling face,
And like a dream flashed all her life's dark horror and disgrace;
A moment only--with a snarl he hurled her into space.
She rolled for nigh an hundred feet; she bounded like a ball;
From crag to crag she carromed down through snow and timber fall; .
.
.
A hole gaped in the river ice; the spray flashed--that was all.
A bird sang for the joy of spring, so piercing sweet and frail;
And blinding bright the land was dight in gay and glittering mail;
And with a wondrous black fox skin a man slid down the trail.
IV
A wedge-faced man there was who ran along the river bank,
Who stumbled through each drift and slough, and ever slipped and sank,
And ever cursed his Maker's name, and ever "hooch" he drank.
He travelled like a hunted thing, hard harried, sore distrest;
The old grandmother moon crept out from her cloud-quilted nest;
The aged mountains mocked at him in their primeval rest.
Grim shadows diapered the snow; the air was strangely mild;
The valley's girth was dumb with mirth, the laughter of the wild;
The still, sardonic laughter of an ogre o'er a child.
The river writhed beneath the ice; it groaned like one in pain,
And yawning chasms opened wide, and closed and yawned again;
And sheets of silver heaved on high until they split in twain.
From out the road-house by the trail they saw a man afar
Make for the narrow river-reach where the swift cross-currents are;
Where, frail and worn, the ice is torn and the angry waters jar.
But they did not see him crash and sink into the icy flow;
They did not see him clinging there, gripped by the undertow,
Clawing with bleeding finger-nails at the jagged ice and snow.
They found a note beside the hole where he had stumbled in:
"Here met his fate by evil luck a man who lived in sin,
And to the one who loves me least I leave this black fox skin.
"
And strange it is; for, though they searched the river all around,
No trace or sign of black fox skin was ever after found;
Though one man said he saw the tread of HOOFS deep in the ground.
|
Written by
Alfred Lord Tennyson |
O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro' our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer'd years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.
------
O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;
Tho' I since then have number'd o'er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;
No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.
Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;
Which makes appear the songs I made
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.
But where is she, the bridal flower,
That must be made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:
On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.
O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.
And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.
But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.
For I that danced her on my knee,
That watch'd her on her nurse's arm,
That shielded all her life from harm
At last must part with her to thee;
Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life
Breathed in her ear.
The ring is on,
The "wilt thou" answer'd, and again
The "wilt thou" ask'd, till out of twain
Her sweet "I will" has made you one.
Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign'd, and overhead
Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.
O happy hour, and happier hours
Await them.
Many a merry face
Salutes them--maidens of the place,
That pelt us in the porch with flowers.
O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.
To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.
Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.
It circles round, and fancy plays,
And hearts are warm'd and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.
Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho' in silence, wishing joy.
But they must go, the time draws on,
And those white-favour'd horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.
A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,
Discussing how their courtship grew,
And talk of others that are wed,
And how she look'd, and what he said,
And back we come at fall of dew.
Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,
And last the dance,--till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:
And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,
The white-faced halls, the glancing rills,
And catch at every mountain head,
And o'er the friths that branch and spread
Their sleeping silver thro' the hills;
And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores
By which they rest, and ocean sounds,
And, star and system rolling past,
A soul shall draw from out the vast
And strike his being into bounds,
And, moved thro' life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race
Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth's, and in their hand
Is Nature like an open book;
No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer'd, is but seed
Of what in them is flower and fruit;
Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,
That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.
|
Written by
Robert Browning |
(PIANO DI SORRENTO.
)
Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,—
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
.
.
.
Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.
O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And.
.
.
what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
'Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!
Ah, see! The sun breaks o'er Calvano—
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least—
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!
.
.
.
"Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!
|
Written by
James Whitcomb Riley |
I
Who would be
A merman bold,
Sitting alone
Singing alone
Under the sea,
With a crown of gold,
On a throne?
II
I would be a merman bold,
I would sit and sing the whole of the day;
I would fill the sea-halls with a voice of power;
But at night I would roam abroad and play
With the mermaids in and out of the rocks,
Dressing their hair with the white sea-flower;
And holding them back by their flowing locks
I would kiss them often under the sea,
And kiss them again till they kiss'd me
Laughingly, laughingly;
And then we would wander away, away,
To the pale-green sea-groves straight and high,
Chasing each other merrily.
III
There would be neither moon nor star;
But the wave would make music above us afar --
Low thunder and light in the magic night --
Neither moon nor star.
We would call aloud in the dreamy dells,
Call to each other and whoop and cry
All night, merrily, merrily.
They would pelt me with starry spangles and shells,
Laughing and clapping their hands between,
All night, merrily, merrily,
But I would throw to them back in mine
Turkis and agate and almondine;
Then leaping out upon them unseen
I would kiss them often under the sea,
And kiss them again till they kiss'd me
Laughingly, laughingly.
O, what a happy life where mine
Under the hollow-hung ocean green!
Soft are the moss-beds under the sea;
We would live merrily, merrily.
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