Written by
Emily Brontë |
On a sunny brae, alone I lay
One summer afternoon;
It was the marriage-time of May
With her young lover, June.
From her mother's heart, seemed loath to part
That queen of bridal charms,
But her father smiled on the fairest child
He ever held in his arms.
The trees did wave their plumy crests,
The glad birds caroled clear;
And I, of all the wedding guests,
Was only sullen there!
There was not one, but wished to shun
My aspect void of cheer;
The very grey rocks, looking on,
Asked, "What do you here?"
And I could utter no reply;
In sooth, I did not know
Why I had brought a clouded eye
To greet the general glow.
So, resting on a heathy bank,
I took my heart to me;
And we together sadly sank
Into a reverie.
We thought, "When winter comes again,
Where will these bright things be?
All vanished, like a vision vain,
An unreal mockery!
The birds that now so blithely sing,
Through deserts, frozen dry,
Poor spectres of the perished spring,
In famished troops, will fly.
And why should we be glad at all?
The leaf is hardly green,
Before a token of its fall
Is on the surface seen!"
Now, whether it were really so,
I never could be sure;
But as in fit of peevish woe,
I stretched me on the moor.
A thousand thousand gleaming fires
Seemed kindling in the air;
A thousand thousand silvery lyres
Resounded far and near:
Methought, the very breath I breathed
Was full of sparks divine,
And all my heather-couch was wreathed
By that celestial shine!
And, while the wide earth echoing rung
To their strange minstrelsy,
The little glittering spirits sung,
Or seemed to sing, to me.
"O mortal! mortal! let them die;
Let time and tears destroy,
That we may overflow the sky
With universal joy!
Let grief distract the sufferer's breast,
And night obscure his way;
They hasten him to endless rest,
And everlasting day.
To thee the world is like a tomb,
A desert's naked shore;
To us, in unimagined bloom,
It brightens more and more!
And could we lift the veil, and give
One brief glimpse to thine eye,
Thou wouldst rejoice for those that live,
Because they live to die."
The music ceased; the noonday dream,
Like dream of night, withdrew;
But Fancy, still, will sometimes deem
Her fond creation true.
|
Written by
Edwin Arlington Robinson |
“Do I hear them? Yes, I hear the children singing—and what of it?
Have you come with eyes afire to find me now and ask me that?
If I were not their father and if you were not their mother,
We might believe they made a noise…. What are you—driving at!”
“Well, be glad that you can hear them, and be glad they are so near us,—
For I have heard the stars of heaven, and they were nearer still.
All within an hour it is that I have heard them calling,
And though I pray for them to cease, I know they never will;
For their music on my heart, though you may freeze it, will fall always,
Like summer snow that never melts upon a mountain-top.
Do you hear them? Do you hear them overhead—the children—singing?
Do you hear the children singing?… God, will you make them stop!”
“And what now in His holy name have you to do with mountains?
We’re back to town again, my dear, and we’ve a dance tonight.
Frozen hearts and falling music? Snow and stars, and—what the devil!
Say it over to me slowly, and be sure you have it right.”
“God knows if I be right or wrong in saying what I tell you,
Or if I know the meaning any more of what I say.
All I know is, it will kill me if I try to keep it hidden—
Well, I met him…. Yes, I met him, and I talked with him—today.”
“You met him? Did you meet the ghost of someone you had poisoned,
Long ago, before I knew you for the woman that you are?
Take a chair; and don’t begin your stories always in the middle.
Was he man, or was he demon? Anyhow, you’ve gone too far
To go back, and I’m your servant. I’m the lord, but you’re the master.
Now go on with what you know, for I’m excited.”
“Do you mean—
Do you mean to make me try to think that you know less than I do?”
“I know that you foreshadow the beginning of a scene.
Pray be careful, and as accurate as if the doors of heaven
Were to swing or to stay bolted from now on for evermore.”
“Do you conceive, with all your smooth contempt of every feeling,
Of hiding what you know and what you must have known before?
Is it worth a woman’s torture to stand here and have you smiling,
With only your poor fetish of possession on your side?
No thing but one is wholly sure, and that’s not one to scare me;
When I meet it I may say to God at last that I have tried.
And yet, for all I know, or all I dare believe, my trials
Henceforward will be more for you to bear than are your own;
And you must give me keys of yours to rooms I have not entered.
Do you see me on your threshold all my life, and there alone?
Will you tell me where you see me in your fancy—when it leads you
Far enough beyond the moment for a glance at the abyss?”
“Will you tell me what intrinsic and amazing sort of nonsense
You are crowding on the patience of the man who gives you—this?
Look around you and be sorry you’re not living in an attic,
With a civet and a fish-net, and with you to pay the rent.
I say words that you can spell without the use of all your letters;
And I grant, if you insist, that I’ve a guess at what you meant.”
“Have I told you, then, for nothing, that I met him? Are you trying
To be merry while you try to make me hate you?”
“Think again,
My dear, before you tell me, in a language unbecoming
To a lady, what you plan to tell me next. If I complain,
If I seem an atom peevish at the preference you mention—
Or imply, to be precise—you may believe, or you may not,
That I’m a trifle more aware of what he wants than you are.
But I shouldn’t throw that at you. Make believe that I forgot.
Make believe that he’s a genius, if you like,—but in the meantime
Don’t go back to rocking-horses. There, there, there, now.”
“Make believe!
When you see me standing helpless on a plank above a whirlpool,
Do I drown, or do I hear you when you say it? Make believe?
How much more am I to say or do for you before I tell you
That I met him! What’s to follow now may be for you to choose.
Do you hear me? Won’t you listen? It’s an easy thing to listen….”
“And it’s easy to be crazy when there’s everything to lose.”
“If at last you have a notion that I mean what I am saying,
Do I seem to tell you nothing when I tell you I shall try?
If you save me, and I lose him—I don’t know—it won’t much matter.
I dare say that I’ve lied enough, but now I do not lie.”
“Do you fancy me the one man who has waited and said nothing
While a wife has dragged an old infatuation from a tomb?
Give the thing a little air and it will vanish into ashes.
There you are—piff! presto!”
“When I came into this room,
It seemed as if I saw the place, and you there at your table,
As you are now at this moment, for the last time in my life;
And I told myself before I came to find you, ‘I shall tell him,
If I can, what I have learned of him since I became his wife.’
And if you say, as I’ve no doubt you will before I finish,
That you have tried unceasingly, with all your might and main,
To teach me, knowing more than I of what it was I needed,
Don’t think, with all you may have thought, that you have tried in vain;
For you have taught me more than hides in all the shelves of knowledge
Of how little you found that’s in me and was in me all along.
I believed, if I intruded nothing on you that I cared for,
I’d be half as much as horses,—and it seems that I was wrong;
I believed there was enough of earth in me, with all my nonsense
Over things that made you sleepy, to keep something still awake;
But you taught me soon to read my book, and God knows I have read it—
Ages longer than an angel would have read it for your sake.
I have said that you must open other doors than I have entered,
But I wondered while I said it if I might not be obscure.
Is there anything in all your pedigrees and inventories
With a value more elusive than a dollar’s? Are you sure
That if I starve another year for you I shall be stronger
To endure another like it—and another—till I’m dead?”
“Has your tame cat sold a picture?—or more likely had a windfall?
Or for God’s sake, what’s broke loose? Have you a bee-hive in your head?
A little more of this from you will not be easy hearing
Do you know that? Understand it, if you do; for if you won’t….
What the devil are you saying! Make believe you never said it,
And I’ll say I never heard it…. Oh, you…. If you….”
“If I don’t?”
“There are men who say there’s reason hidden somewhere in a woman,
But I doubt if God himself remembers where the key was hung.”
“He may not; for they say that even God himself is growing.
I wonder if He makes believe that He is growing young;
I wonder if He makes believe that women who are giving
All they have in holy loathing to a stranger all their lives
Are the wise ones who build houses in the Bible….”
“Stop—you devil!”
“…Or that souls are any whiter when their bodies are called wives.
If a dollar’s worth of gold will hoop the walls of hell together,
Why need heaven be such a ruin of a place that never was?
And if at last I lied my starving soul away to nothing,
Are you sure you might not miss it? Have you come to such a pass
That you would have me longer in your arms if you discovered
That I made you into someone else…. Oh!…Well, there are worse ways.
But why aim it at my feet—unless you fear you may be sorry….
There are many days ahead of you.”
“I do not see those days.”
“I can see them. Granted even I am wrong, there are the children.
And are they to praise their father for his insight if we die?
Do you hear them? Do you hear them overhead—the children—singing?
Do you hear them? Do you hear the children?”
“Damn the children!”
“Why?
What have they done?…Well, then,—do it…. Do it now, and have it over.”
“Oh, you devil!…Oh, you….”
“No, I’m not a devil, I’m a prophet—
One who sees the end already of so much that one end more
Would have now the small importance of one other small illusion,
Which in turn would have a welcome where the rest have gone before.
But if I were you, my fancy would look on a little farther
For the glimpse of a release that may be somewhere still in sight.
Furthermore, you must remember those two hundred invitations
For the dancing after dinner. We shall have to shine tonight.
We shall dance, and be as happy as a pair of merry spectres,
On the grave of all the lies that we shall never have to tell;
We shall dance among the ruins of the tomb of our endurance,
And I have not a doubt that we shall do it very well.
There!—I’m glad you’ve put it back; for I don’t like it. Shut the drawer now.
No—no—don’t cancel anything. I’ll dance until I drop.
I can’t walk yet, but I’m going to…. Go away somewhere, and leave me….
Oh, you children! Oh, you children!…God, will they never stop!”
|
Written by
Mary Darby Robinson |
A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!
This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!
'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.
It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.
This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full many a timid Swain grew bold;
Full many a roguish eye askance
Beheld it with impatient glance,
And many a ruddy cheek confest,
The triumphs of the beating breast;
And many a rustic rover sigh'd
Who ask'd the kiss, and was denied.
First MARG'RY smil'd and gave her Lover
A Kiss; then thank'd her stars, 'twas over!
Next, KATE, with a reluctant pace,
Was tempted to the mystic place;
Then SUE, a merry laughing jade
A dimpled yielding blush betray'd;
While JOAN her chastity to shew
Wish'd "the bold knaves would serve her so,"
She'd "teach the rogues such wanton play!"
And well she could, she knew the way.
The FARMER, mute with jealous care,
Sat sullen, in his wicker chair;
Hating the noisy gamesome host
Yet, fearful to resign his post;
He envied all their sportive strife
But most he watch'd his blooming wife,
And trembled, lest her steps should go,
Incautious, near the MISTLETOE.
Now HODGE, a youth of rustic grace
With form athletic; manly face;
On MISTRESS HOMESPUN turn'd his eye
And breath'd a soul-declaring sigh!
Old HOMESPUN, mark'd his list'ning Fair
And nestled in his wicker chair;
HODGE swore, she might his heart command--
The pipe was dropp'd from HOMESPUN'S hand!
HODGE prest her slender waist around;
The FARMER check'd his draught, and frown'd!
And now beneath the MISTLETOE
'Twas MISTRESS HOMESPUN'S turn to go;
Old Surly shook his wicker chair,
And sternly utter'd--"Let her dare!"
HODGE, to the FARMER'S wife declar'd
Such husbands never should be spar'd;
Swore, they deserv'd the worst disgrace,
That lights upon the wedded race;
And vow'd--that night he would not go
Unblest, beneath the MISTLETOE.
The merry group all recommend
An harmless Kiss, the strife to end:
"Why not ?" says MARG'RY, "who would fear,
"A dang'rous moment, once a year?"
SUSAN observ'd, that "ancient folks
"Were seldom pleas'd with youthful jokes;"
But KATE, who, till that fatal hour,
Had held, o'er HODGE, unrivall'd pow'r,
With curving lip and head aside
Look'd down and smil'd in conscious pride,
Then, anxious to conceal her care,
She humm'd--"what fools some women are!"
Now, MISTRESS HOMESPUN, sorely vex'd,
By pride and jealous rage perplex'd,
And angry, that her peevish spouse
Should doubt her matrimonial vows,
But, most of all, resolved to make
An envious rival's bosom ache;
Commanded Hodge to let her go,
Nor lead her to the Mistletoe;
"Why should you ask it o'er and o'er?"
Cried she, "we've been there twice before!"
'Tis thus, to check a rival's sway,
That Women oft themselves betray;
While VANITY, alone, pursuing,
They rashly prove, their own undoing.
|
Written by
Emile Verhaeren |
As with others, an hour has its ill-humour: the peevish hour or a malevolent humour has sometimes stamped our hearts with its black seals; and yet, in spite of all, even at the close of the darkest days, never have our hearts said the irrevocable words.
A radiant and glowing sincerity was our joy and counsel, and our passionate soul found therein ever new strength, as in a ruddy flood.
And we recounted each to the other our wretchedest woes, telling them like some harsh rosary, as we stood facing one another, with our love rising in sobs; and our two mouths, at each avowal, gently and in turn kissed our faults on the lips that uttered them aloud.
Thus, very simply, without baseness or bitter words, we escaped from the world and from ourselves, sparing ourselves all grief and gnawing cares, and watching the rebirth of our soul, as the purity of glass and gold of a window-pane is reborn after the rain, when the sun warms it and gently dries it.
|
Written by
T S (Thomas Stearns) Eliot |
Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.
HERE I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
I an old man,
A dull head among windy spaces.
Signs are taken for wonders. “We would see a sign!”
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.
After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.
The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.
Tenants of the house,
Thoughts of a dry brain in a dry season.
|
Written by
Robert William Service |
Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St. Denis
The bells of Paris chime to me;
"You're young," they say, "and strong and free."
I do not turn with sighs and groans
To ease my limbs, to rest my bones,
As if my bed were stuffed with stones,
No peevish murmur tips my tongue --
Ah no! for every sound upflung
Says: "Lad, you're free and strong and young."
And so beneath the sheet's caress
My body purrs with happiness;
Joy bubbles in my veins. . . . Ah yes,
My very blood that leaps along
Is chiming in a joyous song,
Because I'm young and free and strong.
Maybe it is the springtide. I am so happy I am afraid.
The sense of living fills me with exultation. I want to sing,
to dance; I am dithyrambic with delight.
I think the moon must be to blame:
It fills the room with fairy flame;
It paints the wall, it seems to pour
A dappled flood upon the floor.
I rise and through the window stare . . .
Ye gods! how marvelously fair!
From Montrouge to the Martyr's Hill,
A silver city rapt and still;
Dim, drowsy deeps of opal haze,
And spire and dome in diamond blaze;
The little lisping leaves of spring
Like sequins softly glimmering;
Each roof a plaque of argent sheen,
A gauzy gulf the space between;
Each chimney-top a thing of grace,
Where merry moonbeams prank and chase;
And all that sordid was and mean,
Just Beauty, deathless and serene.
O magic city of a dream!
From glory unto glory gleam;
And I will gaze and pity those
Who on their pillows drowse and doze . . .
And as I've nothing else to do,
Of tea I'll make a rousing brew,
And coax my pipes until they croon,
And chant a ditty to the moon.
There! my tea is black and strong. Inspiration comes with
every sip. Now for the moon.
The moon peeped out behind the hill
As yellow as an apricot;
Then up and up it climbed until
Into the sky it fairly got;
The sky was vast and violet;
The poor moon seemed to faint in fright,
And pale it grew and paler yet,
Like fine old silver, rinsed and bright.
And yet it climbed so bravely on
Until it mounted heaven-high;
Then earthward it serenely shone,
A silver sovereign of the sky,
A bland sultana of the night,
Surveying realms of lily light.
|
Written by
Hilaire Belloc |
Who was too Freely Moved to Tears, and thereby ruined his Political Career
Lord Lundy from his earliest years
Was far too freely moved to Tears.
For instance if his Mother said,
"Lundy! It's time to go to Bed!"
He bellowed like a Little Turk.
Or if his father Lord Dunquerque
Said "Hi!" in a Commanding Tone,
"Hi, Lundy! Leave the Cat alone!"
Lord Lundy, letting go its tail,
Would raise so terrible a wail
As moved His Grandpapa the Duke
To utter the severe rebuke:
"When I, Sir! was a little Boy,
An Animal was not a Toy!"
His father's Elder Sister, who
Was married to a Parvenoo,
Confided to Her Husband, Drat!
The Miserable, Peevish Brat!
Why don't they drown the Little Beast?"
Suggestions which, to say the least,
Are not what we expect to hear
From Daughters of an English Peer.
His Grandmamma, His Mother's Mother,
Who had some dignity or other,
The Garter, or no matter what,
I can't remember all the Lot!
Said "Oh! That I were Brisk and Spry
To give him that for which to cry!"
(An empty wish, alas! For she
Was Blind and nearly ninety-three).
The Dear Old Butler thought-but there!
I really neither know nor care
For what the Dear Old Butler thought!
In my opinion, Butlers ought
To know their place, and not to play
The Old Retainer night and day.
I'm getting tired and so are you,
Let's cut the poem into two!
Second Part
It happened to Lord Lundy then,
As happens to so many men:
Towards the age of twenty-six,
They shoved him into politics;
In which profession he commanded
The Income that his rank demanded
In turn as Secretary for
India, the Colonies, and War.
But very soon his friends began
To doubt is he were quite the man:
Thus if a member rose to say
(As members do from day to day),
"Arising out of that reply . . .!"
Lord Lundy would begin to cry.
A Hint at harmless little jobs
Would shake him with convulsive sobs.
While as for Revelations, these
Would simply bring him to his knees,
And leave him whimpering like a child.
It drove his colleagues raving wild!
They let him sink from Post to Post,
From fifteen hundred at the most
To eight, and barely six--and then
To be Curator of Big Ben!. . .
And finally there came a Threat
To oust him from the Cabinet!
The Duke -- his aged grand-sire -- bore
The shame till he could bear no more.
He rallied his declining powers,
Summoned the youth to Brackley Towers,
And bitterly addressed him thus--
"Sir! you have disappointed us!
We had intended you to be
The next Prime Minister but three:
The stocks were sold; the Press was squared:
The Middle Class was quite prepared.
But as it is! . . . My language fails!
Go out and govern New South Wales!"
The Aged Patriot groaned and died:
And gracious! how Lord Lundy cried!
|
Written by
Robert Burns |
WHAT can a young lassie, what shall a young lassie,
What can a young lassie do wi’ an auld man?
Bad luck on the penny that tempted my minnie
To sell her puir Jenny for siller an’ lan’.
Bad luck on the penny that tempted my minnie
To sell her puir Jenny for siller an’ lan’!
He’s always compleenin’ frae mornin’ to e’enin’,
He hoasts and he hirples the weary day lang;
He’s doylt and he’s dozin, his blude it is frozen,—
O dreary’s the night wi’ a crazy auld man!
He’s doylt and he’s dozin, his blude it is frozen,
O dreary’s the night wi’ a crazy auld man.
He hums and he hankers, he frets and he cankers,
I never can please him do a’ that I can;
He’s peevish an’ jealous o’ a’ the young fellows,—
O dool on the day I met wi’ an auld man!
He’s peevish an’ jealous o’ a’ the young fellows,
O dool on the day I met wi’ an auld man.
My auld auntie Katie upon me taks pity,
I’ll do my endeavour to follow her plan;
I’ll cross him an’ wrack him, until I heartbreak him
And then his auld brass will buy me a new pan,
I’ll cross him an’ wrack him, until I heartbreak him,
And then his auld brass will buy me a new pan.
|
Written by
Mary Darby Robinson |
I.
A Shepherd's Dog there was; and he
Was faithful to his master's will,
For well he lov'd his company,
Along the plain or up the hill;
All Seasons were, to him, the same
Beneath the Sun's meridian flame;
Or, when the wintry wind blew shrill and keen,
Still the Old Shepherd's Dog, was with his Master seen.
II.
His form was shaggy clothed; yet he
Was of a bold and faithful breed;
And kept his master company
In smiling days, and days of need;
When the long Ev'ning slowly clos'd,
When ev'ry living thing repos'd,
When e'en the breeze slept on the woodlands round,
The Shepherd's watchful Dog, was ever waking found.
III.
All night, upon the cold turf he
Contented lay, with list'ning care;
And though no stranger company,
Or lonely traveller rested there;
Old Trim was pleas'd to guard it still,
For 'twas his aged master's will;--
And so pass'd on the chearful night and day,
'Till the poor Shepherd's Dog, was very old, and grey.
IV.
Among the villagers was he
Belov'd by all the young and old,
For he was chearful company,
When the north-wind blew keen and cold;
And when the cottage scarce was warm,
While round it flew, the midnight storm,
When loudly, fiercely roll'd the swelling tide--
The Shepherd's faithful Dog, crept closely by his side.
V.
When Spring in gaudy dress would be,
Sporting across the meadows green,
He kept his master company,
And all amid the flow'rs was seen;
Now barking loud, now pacing fast,
Now, backward he a look would cast,
And now, subdu'd and weak, with wanton play,
Amid the waving grass, the Shepherd's Dog would stay.
VI.
Now, up the rugged path would he
The steep hill's summit slowly gain,
And still be chearful company,
Though shiv'ring in the pelting rain;
And when the brook was frozen o'er,
Or the deep snow conceal'd the moor,
When the pale moon-beams scarcely shed a ray,
The Shepherd's faithful Dog, would mark the dang'rous way.
VII.
On Sunday, at the old Yew Tree,
Which canopies the church-yard stile,
Forc'd from his master's company,
The faithful TRIM would mope awhile;
For then his master's only care
Was the loud Psalm, or fervent Pray'r,
And, 'till the throng the church-yard path retrod,
The Shepherd's patient guard, lay silent on the sod.
VIII.
Near their small hovel stood a tree,
Where TRIM was ev'ry morning found--
Waiting his master's company,
And looking wistfully around;
And if, along the upland mead,
He heard him tune the merry reed,
O, then ! o'er hedge and ditch, thro' brake and briar,
The Shepherd's dog would haste, with eyes that seem'd on fire.
IX.
And now he pac'd the valley, free,
And now he bounded o'er the dew,
For well his master's company
Would recompence his toil he knew;
And where a rippling rill was seen
Flashing the woody brakes between,
Fearless of danger, thro' the lucid tide,
The Shepherd's eager dog, yelping with joy, would glide.
X.
Full many a year, the same was he
His love still stronger every day,
For, in his master's company,
He had grown old, and very grey;
And now his sight grew dim: and slow
Up the rough mountain he would go,
And his loud bark, which all the village knew,
With ev'ry wasting hour, more faint, and peevish grew.
XI.
One morn, to the low mead went he,
Rous'd from his threshold-bed to meet
A gay and lordly company!
The Sun was bright, the air was sweet;
Old TRIM was watchful of his care,
His master's flocks were feeding there,
And, fearful of the hounds, he yelping stood
Beneath a willow Tree, that wav'd across the flood.
XII.
Old TRIM was urg'd to wrath; for he
Was guardian of the meadow bounds;
And, heedless of the company,
With angry snarl attack'd the hounds!
Some felt his teeth, though they were old,
For still his ire was fierce and bold,
And ne'er did valiant chieftain feel more strong
Than the Old Shepherd's dog, when daring foes among.
XIII.
The Sun was setting o'er the Sea
The breezes murmuring sad, and slow,
When a gay lordly company,
Came to the Shepherd's hovel low;
Their arm'd associates stood around
The sheep-cote fence's narrow bound,
While its poor master heard, with fix'd despair,
That TRIM, his friend, deem'd MAD, was doom'd to perish there!
XIV.
The kind old Shepherd wept, for he
Had no such guide, to mark his way,
And kneeling pray'd the company,
To let him live, his little day !
"For many a year my Dog has been
"The only friend these eyes have seen,
"We both are old and feeble, he and I--
"Together we have liv'd, together let us die!
XV.
"Behold his dim, yet speaking eye!
"Which ill befits his visage grim
"He cannot from your anger fly,
"For slow and feeble is old TRIM!
"He looks, as though he fain would speak,
"His beard is white--his voice is weak--
"He IS NOT MAD! O! then, in pity spare
"The only watchful friend, of my small fleecy care!"
XVI.
The Shepherd ceas'd to speak, for He
Leant on his maple staff, subdu'd;
While pity touch'd the company,
And all, poor TRIM with sorrow view'd:
Nine days upon a willow bed
Old TRIM was doom'd to lay his head,
Oppress'd and sever'd from his master's door,
Enough to make him MAD--were he not so before!
XVII.
But not forsaken yet, was he,
For ev'ry morn, at peep of day,
To keep his old friend company,
The lonely Shepherd bent his way:
A little boat, across the stream,
Which glitter'd in the sunny beam,
Bore him, where foes no longer could annoy,
Where TRIM stood yelping loud, and ALMOST MAD with joy!
XVIII.
Six days had pass'd and still was he
Upon the island left to roam,
When on the stream a wither'd tree
Was gliding rapid midst the foam!
The little Boat now onward prest,
Danc'd o'er the river's bounding breast,
Till dash'd impetuous, 'gainst the old tree's side,
The Shepherd plung'd and groan'd, then sunk amid the tide.
XIX.
Old TRIM, now doom'd his friend to see
Beating the foam with wasted breath,
Resolv'd to bear him company,
E'en in the icy arms of death;
Soon with exulting cries he bore
His feeble master to the shore,
And, standing o'er him, howl'd in cadence sad,
For, fear and fondness, now, had nearly made him MAD.
XX.
Together, still their flocks they tend,
More happy than the proudly great;
The Shepherd has no other friend--
No Lordly home, no bed of state!
But on a pallet, clean and low,
They hear, unmov'd, the wild winds blow,
And though they ne'er another spring may see;
The Shepherd, and his Dog, are chearful company.
|
Written by
Robert Burns |
DEAR SMITH, the slee’st, pawkie thief,
That e’er attempted stealth or rief!
Ye surely hae some warlock-brief
Owre human hearts;
For ne’er a bosom yet was prief
Against your arts.
For me, I swear by sun an’ moon,
An’ ev’ry star that blinks aboon,
Ye’ve cost me twenty pair o’ shoon,
Just gaun to see you;
An’ ev’ry ither pair that’s done,
Mair taen I’m wi’ you.
That auld, capricious carlin, Nature,
To mak amends for scrimpit stature,
She’s turn’d you off, a human creature
On her first plan,
And in her freaks, on ev’ry feature
She’s wrote the Man.
Just now I’ve ta’en the fit o’ rhyme,
My barmie noddle’s working prime.
My fancy yerkit up sublime,
Wi’ hasty summon;
Hae ye a leisure-moment’s time
To hear what’s comin?
Some rhyme a neibor’s name to lash;
Some rhyme (vain thought!) for needfu’ cash;
Some rhyme to court the countra clash,
An’ raise a din;
For me, an aim I never fash;
I rhyme for fun.
The star that rules my luckless lot,
Has fated me the russet coat,
An’ damn’d my fortune to the groat;
But, in requit,
Has blest me with a random-shot
O’countra wit.
This while my notion’s taen a sklent,
To try my fate in guid, black prent;
But still the mair I’m that way bent,
Something cries “Hooklie!”
I red you, honest man, tak tent?
Ye’ll shaw your folly;
“There’s ither poets, much your betters,
Far seen in Greek, deep men o’ letters,
Hae thought they had ensur’d their debtors,
A’ future ages;
Now moths deform, in shapeless tatters,
Their unknown pages.”
Then farewell hopes of laurel-boughs,
To garland my poetic brows!
Henceforth I’ll rove where busy ploughs
Are whistlin’ thrang,
An’ teach the lanely heights an’ howes
My rustic sang.
I’ll wander on, wi’ tentless heed
How never-halting moments speed,
Till fate shall snap the brittle thread;
Then, all unknown,
I’ll lay me with th’ inglorious dead
Forgot and gone!
But why o’ death being a tale?
Just now we’re living sound and hale;
Then top and maintop crowd the sail,
Heave Care o’er-side!
And large, before Enjoyment’s gale,
Let’s tak the tide.
This life, sae far’s I understand,
Is a’ enchanted fairy-land,
Where Pleasure is the magic-wand,
That, wielded right,
Maks hours like minutes, hand in hand,
Dance by fu’ light.
The magic-wand then let us wield;
For ance that five-an’-forty’s speel’d,
See, crazy, weary, joyless eild,
Wi’ wrinkl’d face,
Comes hostin, hirplin owre the field,
We’ creepin pace.
When ance life’s day draws near the gloamin,
Then fareweel vacant, careless roamin;
An’ fareweel cheerfu’ tankards foamin,
An’ social noise:
An’ fareweel dear, deluding woman,
The Joy of joys!
O Life! how pleasant, in thy morning,
Young Fancy’s rays the hills adorning!
Cold-pausing Caution’s lesson scorning,
We frisk away,
Like school-boys, at th’ expected warning,
To joy an’ play.
We wander there, we wander here,
We eye the rose upon the brier,
Unmindful that the thorn is near,
Among the leaves;
And tho’ the puny wound appear,
Short while it grieves.
Some, lucky, find a flow’ry spot,
For which they never toil’d nor swat;
They drink the sweet and eat the fat,
But care or pain;
And haply eye the barren hut
With high disdain.
With steady aim, some Fortune chase;
Keen hope does ev’ry sinew brace;
Thro’ fair, thro’ foul, they urge the race,
An’ seize the prey:
Then cannie, in some cozie place,
They close the day.
And others, like your humble servan’,
Poor wights! nae rules nor roads observin,
To right or left eternal swervin,
They zig-zag on;
Till, curst with age, obscure an’ starvin,
They aften groan.
Alas! what bitter toil an’ straining—
But truce with peevish, poor complaining!
Is fortune’s fickle Luna waning?
E’n let her gang!
Beneath what light she has remaining,
Let’s sing our sang.
My pen I here fling to the door,
And kneel, ye Pow’rs! and warm implore,
“Tho’ I should wander Terra o’er,
In all her climes,
Grant me but this, I ask no more,
Aye rowth o’ rhymes.
“Gie dreepin roasts to countra lairds,
Till icicles hing frae their beards;
Gie fine braw claes to fine life-guards,
And maids of honour;
An’ yill an’ whisky gie to cairds,
Until they sconner.
“A title, Dempster 1 merits it;
A garter gie to Willie Pitt;
Gie wealth to some be-ledger’d cit,
In cent. per cent.;
But give me real, sterling wit,
And I’m content.
“While ye are pleas’d to keep me hale,
I’ll sit down o’er my scanty meal,
Be’t water-brose or muslin-kail,
Wi’ cheerfu’ face,
As lang’s the Muses dinna fail
To say the grace.”
An anxious e’e I never throws
Behint my lug, or by my nose;
I jouk beneath Misfortune’s blows
As weel’s I may;
Sworn foe to sorrow, care, and prose,
I rhyme away.
O ye douce folk that live by rule,
Grave, tideless-blooded, calm an’cool,
Compar’d wi’ you—O fool! fool! fool!
How much unlike!
Your hearts are just a standing pool,
Your lives, a dyke!
Nae hair-brain’d, sentimental traces
In your unletter’d, nameless faces!
In arioso trills and graces
Ye never stray;
But gravissimo, solemn basses
Ye hum away.
Ye are sae grave, nae doubt ye’re wise;
Nae ferly tho’ ye do despise
The hairum-scairum, ram-stam boys,
The rattling squad:
I see ye upward cast your eyes—
Ye ken the road!
Whilst I—but I shall haud me there,
Wi’ you I’ll scarce gang ony where—
Then, Jamie, I shall say nae mair,
But quat my sang,
Content wi’ you to mak a pair.
Whare’er I gang.
Note 1. George Dempster of Dunnichen, M.P. [back]
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