Written by
Billy Collins |
This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,
as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.
In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude
to Tommy Potter for taking the time
to join us on this breezy afternoon
with his most unwieldy bass
and to the esteemed Arthur Taylor
who is somehow managing to navigate
this crowd with his cumbersome drums.
And I bow deeply to Thelonious Monk
for figuring out a way
to motorize -- or whatever -- his huge piano
so he could be with us today.
This music is loud yet so confidential.
I cannot help feeling even more
like the center of the universe
than usual as I walk along to a rapid
little version of "The Way You Look Tonight,"
and all I can say to my fellow pedestrians,
to the woman in the white sweater,
the man in the tan raincoat and the heavy glasses,
who mistake themselves for the center of the universe --
all I can say is watch your step,
because the five of us, instruments and all,
are about to angle over
to the south side of the street
and then, in our own tightly knit way,
turn the corner at Sixth Avenue.
And if any of you are curious
about where this aggregation,
this whole battery-powered crew,
is headed, let us just say
that the real center of the universe,
the only true point of view,
is full of hope that he,
the hub of the cosmos
with his hair blown sideways,
will eventually make it all the way downtown.
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Written by
Billy Collins |
It is possible to be struck by a
meteor or a single-engine plane while
reading in a chair at home. Pedestrians
are flattened by safes falling from
rooftops mostly within the panels of
the comics, but still, we know it is
possible, as well as the flash of
summer lightning, the thermos toppling
over, spilling out on the grass.
And we know the message can be
delivered from within. The heart, no
valentine, decides to quit after
lunch, the power shut off like a
switch, or a tiny dark ship is
unmoored into the flow of the body's
rivers, the brain a monastery,
defenseless on the shore. This is
what I think about when I shovel
compost into a wheelbarrow, and when
I fill the long flower boxes, then
press into rows the limp roots of red
impatiens -- the instant hand of Death
always ready to burst forth from the
sleeve of his voluminous cloak. Then
the soil is full of marvels, bits of
leaf like flakes off a fresco,
red-brown pine needles, a beetle quick
to burrow back under the loam. Then
the wheelbarrow is a wilder blue, the
clouds a brighter white, and all I
hear is the rasp of the steel edge
against a round stone, the small
plants singing with lifted faces, and
the click of the sundial as one hour
sweeps into the next.
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Written by
John Betjeman |
I am a young executive. No cuffs than mine are cleaner;
I have a Slimline brief-case and I use the firm's Cortina.
In every roadside hostelry from here to Burgess Hill
The ma?tres d'h?tel all know me well, and let me sign the bill.
You ask me what it is I do. Well, actually, you know,
I'm partly a liaison man, and partly P. R. O.
Essentially, I integrate the current export drive
And basically I'm viable from ten o'clock till five.
For vital off-the-record work - that's talking transport-wise -
I've a scarlet Aston-Martin - and does she go? She flies!
Pedestrians and dogs and cats, we mark them down for slaughter.
I also own a speedboat which has never touched the water.
She's built of fibre-glass, of course. I call her 'Mandy Jane'
After a bird I used to know - No soda, please, just plain -
And how did I acquire her? Well, to tell you about that
And to put you in the picture, I must wear my other hat.
I do some mild developing. The sort of place I need
Is a quiet country market town that's rather run to seed
A luncheon and a drink or two, a little savoir faire -
I fix the Planning Officer, the Town Clerk and the Mayor.
And if some Preservationist attempts to interfere
A 'dangerous structure' notice from the Borough Engineer
Will settle any buildings that are standing in our way -
The modern style, sir, with respect, has really come to stay.
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Written by
David Lehman |
The old war is over the new one has begun
between drivers and pedestrians on a Friday
in New York light is the variable and structure
the content according to Rodrigo Moynihan's
self-portraits at the Robert Miller Gallery where
the painter is serially pictured holding a canvas,
painting his mirror image, shirtless in summer,
with a nude, etc. , it's two o'clock and I'm walking
at top speed from the huddled tourists yearning to be
a mass to Les Halles on Park and 28th for a Salade
Niçoise I've just watched The Singing Detective all
six hours of it and can't get it out of my mind,
the scarecrow that turns into Hitler, the sad-eyed
father wearing a black arm-band, the yellow umbrellas
as Bing Crosby's voice comes out of Michael Gambon's
mouth, "you've got to ac-cent-tchu-ate the positive,
e-lim-inate the negative" advice as sound today
as in 1945 though it also remains true that
the only thing to do with good advice is pass it on
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Written by
Osip Mandelstam |
Today, my love,
leaves are thrashing the wind
just as pedestrians are erecting again the buildings of this drab
forbidding city,
and our lives, as I lose track of them,
are the lives of others derailing in time and
getting things done.
Impossible to make sense of any one face
or mouth, though
each distance
is clear, and you are miles
from here.
Let your pure
space crowd my heart,
that we might stay awhile longer amid the flying
debris.
This moment,
I swear it,
isn't going anywhere.
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Written by
Arthur Hugh Clough |
Ye flags of Piccadilly,
Where I posted up and down,
And wished myself so often
Well away from you and town--
Are the people walking quietly
And steady on their feet,
Cabs and omnibuses plying
Just as usual in the street?
Do the houses look as upright
As of old they used to be,
And does nothing seem affected
By the pitching of the sea?
Through the Green Park iron railings
Do the quick pedestrians pass?
Are the little children playing
Round the plane-tree in the grass?
This squally wild northwester
With which our vessel fights,
Does it merely serve with you to
Carry up some paper kites?
Ye flags of Piccadilly,
Which I hated so, I vow
I could wish with all my heart
You were underneath me now!
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Written by
Andrew Barton Paterson |
We're away! and the wind whistles shrewd
In our whiskers and teeth;
And the granite-like grey of the road
Seems to slide underneath.
As an eagle might sweep through the sky,
So we sweep through the land;
And the pallid pedestrians fly
When they hear us at hand.
We outpace, we outlast, we outstrip!
Not the fast-fleeing hare,
Nor the racehorses under the whip,
Nor the birds of the air
Can compete with our swiftness sublime,
Our ease and our grace.
We annihilate chickens and time
And policemen and space.
Do you mind that fat grocer who crossed?
How he dropped down to pray
In the road when he saw he was lost;
How he melted away
Underneath, and there rang through the fog
His earsplitting squeal
As he went -- Is that he or a dog,
That stuff on the wheel?
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