Written by
Percy Bysshe Shelley |
Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place.
Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingèd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.
This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one.
Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation.
Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!
|
Written by
Ralph Waldo Emerson |
Who gave thee, O Beauty!
The keys of this breast,
Too credulous lover
Of blest and unblest?
Say when in lapsed ages
Thee knew I of old;
Or what was the service
For which I was sold?
When first my eyes saw thee,
I found me thy thrall,
By magical drawings,
Sweet tyrant of all!
I drank at thy fountain
False waters of thirst;
Thou intimate stranger,
Thou latest and first!
Thy dangerous glances
Make women of men;
New-born we are melting
Into nature again.
Lavish, lavish promiser,
Nigh persuading gods to err,
Guest of million painted forms
Which in turn thy glory warms,
The frailest leaf, the mossy bark,
The acorn's cup, the raindrop's arc,
The swinging spider's silver line,
The ruby of the drop of wine,
The shining pebble of the pond,
Thou inscribest with a bond
In thy momentary play
Would bankrupt Nature to repay.
Ah! what avails it
To hide or to shun
Whom the Infinite One
Hath granted his throne?
The heaven high over
Is the deep's lover,
The sun and sea
Informed by thee,
Before me run,
And draw me on,
Yet fly me still,
As Fate refuses
To me the heart Fate for me chooses,
Is it that my opulent soul
Was mingled from the generous whole,
Sea valleys and the deep of skies
Furnished several supplies,
And the sands whereof I'm made
Draw me to them self-betrayed?
I turn the proud portfolios
Which hold the grand designs
Of Salvator, of Guercino,
And Piranesi's lines.
I hear the lofty Pæans
Of the masters of the shell,
Who heard the starry music,
And recount the numbers well:
Olympian bards who sung
Divine Ideas below,
Which always find us young,
And always keep us so.
Oft in streets or humblest places
I detect far wandered graces,
Which from Eden wide astray
In lowly homes have lost their way.
Thee gliding through the sea of form,
Like the lightning through the storm,
Somewhat not to be possessed,
Somewhat not to be caressed,
No feet so fleet could ever find,
No perfect form could ever bind.
Thou eternal fugitive
Hovering over all that live,
Quick and skilful to inspire
Sweet extravagant desire,
Starry space and lily bell
Filling with thy roseate smell,
Wilt not give the lips to taste
Of the nectar which thou hast.
All that's good and great with thee
Stands in deep conspiracy.
Thou hast bribed the dark and lonely
To report thy features only,
And the cold and purple morning
Itself with thoughts of thee adorning,
The leafy dell, the city mart,
Equal trophies of thine art,
E'en the flowing azure air
Thou hast touched for my despair,
And if I languish into dreams,
Again I meet the ardent beams.
Queen of things! I dare not die
In Being's deeps past ear and eye,
Lest there I find the same deceiver,
And be the sport of Fate forever.
Dread power, but dear! if God thou be,
Unmake me quite, or give thyself to me.
|
Written by
Robert Frost |
Others taught me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths--and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out.
What was that whiteness?
Truth? A pebble of quartz? For once, then, something.
|
Written by
Olu Oguibe |
I am bound to this land by blood
That's why my vision is blurred
I am rooted in its soil
And its streams flood my veins
I smell the sweat of its men
And the million feet that plod
The dust of its streets
Leave their prints on my soul
I have walked the footpaths of this land
Climbed the snake-routes of its hills
I have known the heat of its noon
And that in the fields where men toil till dusk
I have known the faces their creases
I have seen pain engraved on the foreheads of many
I have heard their agony
I have cried so often with broken men
And peered into a million faces blank
Faces without bodies bodies without faces
The owners of nothing breakers of stone
The owners who are owned I have known them all
I have heard the wailing of a million
I have stood in the crowd where men
Mixed their sweat and wiped blood
From their brows cursing silently
I have stood in the middle of silent whirlwinds
And their heat has left its mark
I bear the mark of the masses on my brow
And if I curse
If I raise this single voice
In the midst of dust and curse
If I lend a tiny voice to
The rustle of this crowd
It's because I am bound to this land
I am bound to the dying mother the widow
The man with a weight on his loins
I am tethered to their moan they are my own
I belong with they who have no voice
They who trudge outside the gate
Those who sigh in their hearts
Who only shake their heads
And if I sing not of roses and rivers
It's because I see rivers of blood
I look through the holler of the crowd
And I see blood on the ground
I see blood on the rockslabs
I look over the mangrove swamp
And I walk through fields of groundnut
And I see nothing but blood
I see blood in the face of the farmer
On the palm of the school child
I see blood on the statue
Of the Immaculate Mother
I walk through the streets and I see puddles of blood
I see blood on your shoes on your underwear
I see blood on the hands of men
And if I raise my voice to holler
It is because the grasses wither in this deluge of blood
Fishes float on their bellies with their eyes covered
By the sanguine flood
My verse spreads ungathered
In this spill of purple
Mine is the cry of a ram tethered
To the slaughterslab
There are no petals soft
No yellow centres
No polished pebble melodies
Piled into song
My words are rough-hewn from
These rocks where men toil
The plaintive voices of children
The plod of prisoners feet
The curses of the peasant woman
Are the wattle of my song
My pictures are the colour of dust
And I sing only of rust
I have swum in the flood
And I know better
For I am bound to this land
By blood.
|
Written by
Conrad Aiken |
I
The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.
II
I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.
III
The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me .
.
.
Rings of sound ebb slowly into the silence.
IV
On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.
V
When I was a boy, and saw bright rows of icicles
In many lengths along a wall
I was dissappointed to find
That I could not play music upon them:
I ran my hand lightly across them
And they fell, tinkling.
I tell you this, young man, so that your expectations of life
Will not be too great.
VI
It is now two hours since I left you,
And the perfume of your hands is still on my hands.
And though since then
I have looked at the stars, walked in the cold blue streets,
And heard the dead leaves blowing over the ground
Under the trees,
I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you
Even as long as this?
Will the dust braid your hair?
VII
The day opens with the brown light of snowfall
And past the window snowflakes fall and fall.
I sit in my chair all day and work and work
Measuring words against each other.
I open the piano and play a tune
But find it does not say what I feel,
I grow tired of measuring words against each other,
I grow tired of these four walls,
And I think of you, who write me that you have just had a daughter
And named her after your first sweetheart,
And you, who break your heart, far away,
In the confusion and savagery of a long war,
And you who, worn by the bitterness of winter,
Will soon go south.
The snowflakes fall almost straight in the brown light
Past my window,
And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside
As I measure word with word.
VIII
Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.
How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
The first word he has learned to say.
IX
This girl gave her heart to me,
And this, and this.
This one looked at me as if she loved me,
And silently walked away.
This one I saw once and loved, and never saw her again.
Shall I count them for you upon my fingers?
Or like a priest solemnly sliding beads?
Or pretend they are roses, pale pink, yellow, and white,
And arrange them for you in a wide bowl
To be set in sunlight?
See how nicely it sounds as I count them for you—
'This girl gave her heart to me
And this, and this, .
.
.
!
And nevertheless, my heart breaks when I think of them,
When I think their names,
And how, like leaves, they have changed and blown
And will lie, at last, forgotten,
Under the snow.
X
It is night time, and cold, and snow is falling,
And no wind grieves the walls.
In the small world of light around the arc-lamp
A swarm of snowflakes falls and falls.
The street grows silent.
The last stranger passes.
The sound of his feet, in the snow, is indistinct.
What forgotten sadness is it, on a night like this,
Takes possession of my heart?
Why do I think of a camellia tree in a southern garden,
With pink blossoms among dark leaves,
Standing, surprised, in the snow?
Why do I think of spring?
The snowflakes, helplessly veering,,
Fall silently past my window;
They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered
Like that camellia tree,
Beautiful still in its glittering anguish?
And spring so far away!
XI
As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;
And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.
And still, though I know this, and say this, it cannot console me.
XII
How many times have we been interrupted
Just as I was about to make up a story for you!
One time it was because we suddenly saw a firefly
Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself
A little tent of light in the darkness!
And one time it was because we saw a lilac lightning flash
Run wrinkling into the blue top of the mountain,—
We heard boulders of thunder rolling down upon us
And the plat-plat of drops on the window,
And we ran to watch the rain
Charging in wavering clouds across the long grass of the field!
Or at other times it was because we saw a star
Slipping easily out of the sky and falling, far off,
Among pine-dark hills;
Or because we found a crimson eft
Darting in the cold grass!
These things interrupted us and left us wondering;
And the stories, whatever they might have been,
Were never told.
A fairy, binding a daisy down and laughing?
A golden-haired princess caught in a cobweb?
A love-story of long ago?
Some day, just as we are beginning again,
Just as we blow the first sweet note,
Death itself will interrupt us.
XIII
My heart is an old house, and in that forlorn old house,
In the very centre, dark and forgotten,
Is a locked room where an enchanted princess
Lies sleeping.
But sometimes, in that dark house,
As if almost from the stars, far away,
Sounds whisper in that secret room—
Faint voices, music, a dying trill of laughter?
And suddenly, from her long sleep,
The beautiful princess awakes and dances.
Who is she? I do not know.
Why does she dance? Do not ask me!—
Yet to-day, when I saw you,
When I saw your eyes troubled with the trouble of happiness,
And your mouth trembling into a smile,
And your fingers pull shyly forward,—
Softly, in that room,
The little princess arose
And danced;
And as she danced the old house gravely trembled
With its vague and delicious secret.
XIV
Like an old tree uprooted by the wind
And flung down cruelly
With roots bared to the sun and stars
And limp leaves brought to earth—
Torn from its house—
So do I seem to myself
When you have left me.
XV
The music of the morning is red and warm;
Snow lies against the walls;
And on the sloping roof in the yellow sunlight
Pigeons huddle against the wind.
The music of evening is attenuated and thin—
The moon seen through a wave by a mermaid;
The crying of a violin.
Far down there, far down where the river turns to the west,
The delicate lights begin to twinkle
On the dusky arches of the bridge:
In the green sky a long cloud,
A smouldering wave of smoky crimson,
Breaks in the freezing wind: and above it, unabashed,
Remote, untouched, fierly palpitant,
Sings the first star.
|
Written by
Oliver Wendell Holmes |
I love all sights of earth and skies,
From flowers that glow to stars that shine;
The comet and the penny show,
All curious things, above, below,
Hold each in turn my wandering eyes:
I claim the Christian Pagan's line,
Humani nihil, -- even so, --
And is not human life divine?
When soft the western breezes blow,
And strolling youths meet sauntering maids,
I love to watch the stirring trades
Beneath the Vallombrosa shades
Our much-enduring elms bestow;
The vender and his rhetoric's flow,
That lambent stream of liquid lies;
The bait he dangles from his line,
The gudgeon and his gold-washed prize.
I halt before the blazoned sign
That bids me linger to admire
The drama time can never tire,
The little hero of the hunch,
With iron arm and soul of fire,
And will that works his fierce desire, --
Untamed, unscared, unconquered Punch!
My ear a pleasing torture finds
In tones the withered sibyl grinds, --
The dame sans merci's broken strain,
Whom I erewhile, perchance, have known,
When Orleans filled the Bourbon throne,
A siren singing by the Seine.
But most I love the tube that spies
The orbs celestial in their march;
That shows the comet as it whisks
Its tail across the planets' disks,
As if to blind their blood-shot eyes;
Or wheels so close against the sun
We tremble at the thought of risks
Our little spinning ball may run,
To pop like corn that children parch,
From summer something overdone,
And roll, a cinder, through the skies.
Grudge not to-day the scanty fee
To him who farms the firmament,
To whom the Milky Way is free;
Who holds the wondrous crystal key,
The silent Open Sesame
That Science to her sons has lent;
Who takes his toll, and lifts the bar
That shuts the road to sun and star.
If Venus only comes to time,
(And prophets say she must and shall,)
To-day will hear the tinkling chime
Of many a ringing silver dime,
For him whose optic glass supplies
The crowd with astronomic eyes, --
The Galileo of the Mall.
Dimly the transit morning broke;
The sun seemed doubting what to do,
As one who questions how to dress,
And takes his doublets from the press,
And halts between the old and new.
Please Heaven he wear his suit of blue,
Or don, at least, his ragged cloak,
With rents that show the azure through!
I go the patient crowd to join
That round the tube my eyes discern,
The last new-comer of the file,
And wait, and wait, a weary while,
And gape, and stretch, and shrug, and smile,
(For each his place must fairly earn,
Hindmost and foremost, in his turn,)
Till hitching onward, pace by pace,
I gain at last the envied place,
And pay the white exiguous coin:
The sun and I are face to face;
He glares at me, I stare at him;
And lo! my straining eye has found
A little spot that, black and round,
Lies near the crimsoned fire-orb's rim.
O blessed, beauteous evening star,
Well named for her whom earth adores, --
The Lady of the dove-drawn car, --
I know thee in thy white simar;
But veiled in black, a rayless spot,
Blank as a careless scribbler's blot,
Stripped of thy robe of silvery flame, --
The stolen robe that Night restores
When Day has shut his golden doors, --
I see thee, yet I know thee not;
And canst thou call thyself the same?
A black, round spot, -- and that is all;
And such a speck our earth would be
If he who looks upon the stars
Through the red atmosphere of Mars
Could see our little creeping ball
Across the disk of crimson crawl
As I our sister planet see.
And art thou, then, a world like ours,
Flung from the orb that whirled our own
A molten pebble from its zone?
How must thy burning sands absorb
The fire-waves of the blazing orb,
Thy chain so short, thy path so near,
Thy flame-defying creatures hear
The maelstroms of the photosphere!
And is thy bosom decked with flowers
That steal their bloom from scalding showers?
And hast thou cities, domes, and towers,
And life, and love that makes it dear,
And death that fills thy tribes with fear?
Lost in my dream, my spirit soars
Through paths the wandering angels know;
My all-pervading thought explores
The azure ocean's lucent shores;
I leave my mortal self below,
As up the star-lit stairs I climb,
And still the widening view reveals
In endless rounds the circling wheels
That build the horologe of time.
New spheres, new suns, new systems gleam;
The voice no earth-born echo hears
Steals softly on my ravished ears:
I hear them "singing as they shine" --
A mortal's voice dissolves my dream:
My patient neighbor, next in line,
Hints gently there are those who wait.
O guardian of the starry gate,
What coin shall pay this debt of mine?
Too slight thy claim, too small the fee
That bids thee turn the potent key
The Tuscan's hand has placed in thine.
Forgive my own the small affront,
The insult of the proffered dime;
Take it, O friend, since this thy wont,
But still shall faithful memory be
A bankrupt debtor unto thee,
And pay thee with a grateful rhyme.
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Written by
D. H. Lawrence |
On he goes, the little one,
Bud of the universe,
Pediment of life.
Setting off somewhere, apparently.
Whither away, brisk egg?
His mother deposited him on the soil as if he were no more than droppings,
And now he scuffles tinily past her as if she were an old rusty tin.
A mere obstacle,
He veers round the slow great mound of her --
Tortoises always foresee obstacles.
It is no use my saying to him in an emotional voice:
"This is your Mother, she laid you when you were an egg.
"
He does not even trouble to answer: "Woman, what have I to do with thee?"
He wearily looks the other way,
And she even more wearily looks another way still,
Each with the utmost apathy,
Incognisant,
Unaware,
Nothing.
As for papa,
He snaps when I offer him his offspring,
Just as he snaps when I poke a bit of stick at him,
Because he is irascible this morning, an irascible tortoise
Being touched with love, and devoid of fatherliness.
Father and mother,
And three little brothers,
And all rambling aimless, like little perambulating pebbles scattered in the garden,
Not knowing each other from bits of earth or old tins.
Except that papa and mama are old acquaintances, of course,
Though family feeling there is none, not even the beginnings.
Fatherless, motherless, brotherless, sisterless
Little tortoise.
Row on then, small pebble,
Over the clods of the autumn, wind-chilled sunshine,
Young gaiety.
Does he look for a companion?
No, no, don't think it.
He doesn't know he is alone;
Isolation is his birthright,
This atom.
To row forward, and reach himself tall on spiny toes,
To travel, to burrow into a little loose earth, afraid of the night,
To crop a little substance,
To move, and to be quite sure that he is moving:
Basta!
To be a tortoise!
Think of it, in a garden of inert clods
A brisk, brindled little tortoise, all to himself --
Adam!
In a garden of pebbles and insects
To roam, and feel the slow heart beat
Tortoise-wise, the first bell sounding
From the warm blood, in the dark-creation morning.
Moving, and being himself,
Slow, and unquestioned,
And inordinately there, O stoic!
Wandering in the slow triumph of his own existence,
Ringing the soundless bell of his presence in chaos,
And biting the frail grass arrogantly,
Decidedly arrogantly.
|
Written by
Elizabeth Barrett Browning |
I
The face, which, duly as the sun,
Rose up for me with life begun,
To mark all bright hours of the day
With hourly love, is dimmed away—
And yet my days go on, go on.
II
The tongue which, like a stream, could run
Smooth music from the roughest stone,
And every morning with ' Good day'
Make each day good, is hushed away,
And yet my days go on, go on.
III
The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day
With steadfast love, is caught away,
And yet my days go on, go on.
IV
And cold before my summer's done,
And deaf in Nature's general tune,
And fallen too low for special fear,
And here, with hope no longer here,
While the tears drop, my days go on.
V
The world goes whispering to its own,
‘This anguish pierces to the bone;’
And tender friends go sighing round,
‘What love can ever cure this wound ?'
My days go on, my days go on.
VI
The past rolls forward on the sun
And makes all night.
O dreams begun,
Not to be ended! Ended bliss,
And life that will not end in this!
My days go on, my days go on.
VII
Breath freezes on my lips to moan:
As one alone, once not alone,
I sit and knock at Nature's door,
Heart-bare, heart-hungry, very poor,
Whose desolated days go on.
VIII
I knock and cry, —Undone, undone!
Is there no help, no comfort, —none?
No gleaning in the wide wheat plains
Where others drive their loaded wains?
My vacant days go on, go on.
IX
This Nature, though the snows be down,
Thinks kindly of the bird of June:
The little red hip on the tree
Is ripe for such.
What is for me,
Whose days so winterly go on?
X
No bird am I, to sing in June,
And dare not ask an equal boon.
Good nests and berries red are Nature's
To give away to better creatures, —
And yet my days go on, go on.
XI
I ask less kindness to be done, —
Only to loose these pilgrim shoon,
(Too early worn and grimed) with sweet
Cool deadly touch to these tired feet.
Till days go out which now go on.
XII
Only to lift the turf unmown
From off the earth where it has grown,
Some cubit-space, and say ‘Behold,
Creep in, poor Heart, beneath that fold,
Forgetting how the days go on.
’
XIII
What harm would that do? Green anon
The sward would quicken, overshone
By skies as blue; and crickets might
Have leave to chirp there day and night
While my new rest went on, went on.
XIV
From gracious Nature have I won
Such liberal bounty? may I run
So, lizard-like, within her side,
And there be safe, who now am tried
By days that painfully go on?
XV
—A Voice reproves me thereupon,
More sweet than Nature's when the drone
Of bees is sweetest, and more deep
Than when the rivers overleap
The shuddering pines, and thunder on.
XVI
God's Voice, not Nature's! Night and noon
He sits upon the great white throne
And listens for the creatures' praise.
What babble we of days and days?
The Day-spring He, whose days go on.
XVII
He reigns above, He reigns alone;
Systems burn out and have his throne;
Fair mists of seraphs melt and fall
Around Him, changeless amid all,
Ancient of Days, whose days go on.
XVIII
He reigns below, He reigns alone,
And, having life in love forgone
Beneath the crown of sovran thorns,
He reigns the Jealous God.
Who mourns
Or rules with Him, while days go on?
XIX
By anguish which made pale the sun,
I hear Him charge his saints that none
Among his creatures anywhere
Blaspheme against Him with despair,
However darkly days go on.
XX
Take from my head the thorn-wreath brown!
No mortal grief deserves that crown.
O supreme Love, chief misery,
The sharp regalia are for Thee
Whose days eternally go on!
XXI
For us, —whatever's undergone,
Thou knowest, willest what is done,
Grief may be joy misunderstood;
Only the Good discerns the good.
I trust Thee while my days go on.
XXII
Whatever's lost, it first was won;
We will not struggle nor impugn.
Perhaps the cup was broken here,
That Heaven's new wine might show more clear.
I praise Thee while my days go on.
XXIII
I praise Thee while my days go on;
I love Thee while my days go on:
Through dark and dearth, through fire and frost,
With emptied arms and treasure lost,
I thank Thee while my days go on.
XXIV
And having in thy life-depth thrown
Being and suffering (which are one),
As a child drops his pebble small
Down some deep well, and hears it fall
Smiling—so I.
THY DAYS GO ON.
|
Written by
Marge Piercy |
The woman in the ordinary pudgy downcast girl
is crouching with eyes and muscles clenched.
Round and pebble smooth she effaces herself
under ripples of conversation and debate.
The woman in the block of ivory soap
has massive thighs that neigh,
great breasts that blare and strong arms that trumpet.
The woman of the golden fleece
laughs uproariously from the belly
inside the girl who imitates
a Christmas card virgin with glued hands,
who fishes for herself in other's eyes,
who stoops and creeps to make herself smaller.
In her bottled up is a woman peppery as curry,
a yam of a woman of butter and brass,
compounded of acid and sweet like a pineapple,
like a handgrenade set to explode,
like goldenrod ready to bloom.
|
Written by
Walt Whitman |
SPONTANEOUS me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whiten’d with blossoms of the mountain ash,
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark
green,
The rich coverlid of the grass—animals and birds—the private untrimm’d
bank—the primitive apples—the pebble-stones,
Beautiful dripping fragments—the negligent list of one after another, as I happen to
call them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty,
lurking, masculine poems;)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,
Arms and hands of love—lips of love—phallic thumb of love—breasts of
love—bellies press’d and glued together with love,
Earth of chaste love—life that is only life after love,
The body of my love—the body of the woman I love—the body of the man—the
body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds
himself tremulous and tight till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an arm slanting down
across and below the waist of the other,
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and content to the ground,
The no-form’d stings that sights, people, objects, sting me with,
The hubb’d sting of myself, stinging me as much as it ever can any one,
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be
intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of
flesh where the fingers soothingly pause and edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment—the irritable tide that will not be at rest,
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to repress what would master
him;
The mystic amorous night—the strange half-welcome pangs, visions, sweats,
The pulse pounding through palms and trembling encircling fingers—the young man all
color’d, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never
turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts;
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent, while birds and
animals never once skulk or find themselves indecent;
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce
boys to fill my place when I am through,
The wholesome relief, repose, content;
And this bunch, pluck’d at random from myself;
It has done its work—I tossed it carelessly to fall where it may.
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