Written by
Andrew Barton Paterson |
Oh, Mulligan's bar was the deuce of a place
To drink, and to fight, and to gamble and race;
The height of choice spirits from near and from far
Were all concentrated on Mulligan's bar.
There was "Jerry the Swell", and the jockey-boy Ned,
"Dog-bite-me" -- so called from the shape of his head --
And a man whom the boys, in their musical slang,
Designated the "Gaffer of Mulligan's Gang".
Now Mulligan's Gang had a racer to show,
A bad un to look at, a good un to go;
Whenever they backed her you safely might swear
She'd walk in a winner, would Mulligan's mare.
But Mulligan, having some radical views,
Neglected his business and got on the booze;
He took up with runners -- a treacherous troop --
Who gave him away, and he "fell in the soup".
And so it turned out on a fine summer day,
A bailiff turned up with a writ of "fi.
fa.
";
He walked to the bar with a manner serene,
"I levy," said he, "in the name of the Queen.
"
Then Mulligan wanted, in spite of the law,
To pay out the bailiff with "one on the jaw";
He drew out to hit him; but ere you could wink,
He changed his intention and stood him a drink.
A great consultation there straightway befell
'Twixt jockey-boy Neddy and Jerry the Swell,
And the man with the head, who remarked "Why, you bet!
Dog-bite-me!" said he, "but we'll diddle 'em yet.
"We'll slip out the mare from her stall in a crack,
And put in her place the old broken-down hack;
The hack is so like her, I'm ready to swear
The bailiff will think he has Mulligan's mare.
"So out with the racer and in with the screw,
We'll show him what Mulligan's talent can do;
And if he gets nasty and dares to say much,
I'll knock him as stiff as my grandfather's crutch.
"
Then off to the town went the mare and the lad;
The bailiff came out, never dreamt he was "had";
But marched to the stall with a confident air --
"I levy," said he, "upon Mulligan's mare.
"
He watched her by day and he watched her by night,
She was never an instant let out of his sight,
For races were coming away in the West
And Mulligan's mare had a chance with the best.
"Here's a slant," thought the bailiff, "to serve my own ends,
I'll send off a wire to my bookmaking friends:
'Get all you can borrow, beg, snavel or snare
And lay the whole lot against Mulligan's mare.
'"
The races came round, and the crowd on the course
Were laying the mare till they made themselves hoarse,
And Mulligan's party, with ardour intense,
They backed her for pounds and for shillings and pence.
But think of the grief of the bookmaking host
At the sound of the summons to go to the post --
For down to the start with her thoroughbred air
As fit as a fiddle pranced Mulligan's mare!
They started, and off went the boy to the front,
He cleared out at once, and he made it a hunt;
He steadied as rounding the corner they wheeled,
Then gave her her head -- and she smothered the field.
The race put her owner right clear of his debts;
He landed a fortune in stakes and in bets,
He paid the old bailiff the whole of his pelf,
And gave him a hiding to keep for himself.
So all you bold sportsmen take warning, I pray,
Keep clear of the running, you'll find it don't pay;
For the very best rule that you'll hear in a week
Is never to bet on a thing that can speak.
And whether you're lucky or whether you lose,
Keep clear of the cards and keep clear of the booze,
And fortune in season will answer your prayer
And send you a flyer like Mulligan's mare.
|
Written by
Conrad Aiken |
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often .
.
.
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry .
.
.
Here, by the river,
She listened to the water slapping the wall,
And felt ***** fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins .
.
.
And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out .
.
.
How could she say it? That was the hideous thing.
She'd rather die than say it! .
.
.
and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her .
.
.
well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue .
.
.
She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again .
.
.
she bit her lips, and trembled,
And looked away, and said .
.
.
'Say Paul, boy,—listen—
There's something I must tell you .
.
.
' There she stopped,
Wondering what he'd say .
.
.
What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick .
.
.
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much.
But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he .
.
.
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.
'
And then she'd die .
.
.
But that was hard on Paul .
.
.
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her .
.
.
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late.
No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
|
Written by
Andrew Barton Paterson |
Under the spreading deficit,
The Fitzroy Smithy stands;
The smith, a spendthrift man is he,
With too much on his hands;
But the muscles of his brawny jaw
Are strong as iron bands.
Pay out, pay put, from morn till night,
You can hear the sovereigns go;
Or you'll hear him singing "Old Folks at Home",
In a deep bass voice and slow,
Like a bullfrog down in the village well
When the evening sun is low.
The Australian going "home" for loans
Looks in at the open door;
He loves to see the imported plant,
And to hear the furnace roar,
And to watch the private firms smash up
Like chaff on the threshing-floor.
Toiling, rejoicing, borrowing,
Onward through life he goes;
Each morning sees some scheme begun
That never sees its close.
Something unpaid for, someone done,
Has earned a night's repose.
|