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Best Famous Pawn Poems

Here is a collection of the all-time best famous Pawn poems. This is a select list of the best famous Pawn poetry. Reading, writing, and enjoying famous Pawn poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of pawn poems.

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Written by Edward Estlin (E E) Cummings | Create an image from this poem

Humanity i love you

Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both

parties and because you 
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard

Humanity i love you because
when you're hard up you pawn your
intelligence to buy a drink and when
you're flush pride keeps 

you from the pawn shops and
because you are continually committing
nuisances but more
especially in your own house

Humanity i love you because you 
are perpetually putting the secret of
life in your pants and forgetting
it's there and sitting down

on it
and because you are 
forever making poems in the lap
of death Humanity

i hate you


Written by Maya Angelou | Create an image from this poem

Weekend Glory

 Some clichty folks
don't know the facts,
posin' and preenin'
and puttin' on acts,
stretchin' their backs.
They move into condos up over the ranks, pawn their souls to the local banks.
Buying big cars they can't afford, ridin' around town actin' bored.
If they want to learn how to live life right they ought to study me on Saturday night.
My job at the plant ain't the biggest bet, but I pay my bills and stay out of debt.
I get my hair done for my own self's sake, so I don't have to pick and I don't have to rake.
Take the church money out and head cross town to my friend girl's house where we plan our round.
We meet our men and go to a joint where the music is blue and to the point.
Folks write about me.
They just can't see how I work all week at the factory.
Then get spruced up and laugh and dance And turn away from worry with sassy glance.
They accuse me of livin' from day to day, but who are they kiddin'? So are they.
My life ain't heaven but it sure ain't hell.
I'm not on top but I call it swell if I'm able to work and get paid right and have the luck to be Black on a Saturday night.
Written by Jorge Luis Borges | Create an image from this poem

Limits

 Of all the streets that blur in to the sunset,
There must be one (which, I am not sure)
That I by now have walked for the last time
Without guessing it, the pawn of that Someone

Who fixes in advance omnipotent laws,
Sets up a secret and unwavering scale
for all the shadows, dreams, and forms
Woven into the texture of this life.
If there is a limit to all things and a measure And a last time and nothing more and forgetfulness, Who will tell us to whom in this house We without knowing it have said farewell? Through the dawning window night withdraws And among the stacked books which throw Irregular shadows on the dim table, There must be one which I will never read.
There is in the South more than one worn gate, With its cement urns and planted cactus, Which is already forbidden to my entry, Inaccessible, as in a lithograph.
There is a door you have closed forever And some mirror is expecting you in vain; To you the crossroads seem wide open, Yet watching you, four-faced, is a Janus.
There is among all your memories one Which has now been lost beyond recall.
You will not be seen going down to that fountain Neither by white sun nor by yellow moon.
You will never recapture what the Persian Said in his language woven with birds and roses, When, in the sunset, before the light disperses, You wish to give words to unforgettable things.
And the steadily flowing Rhone and the lake, All that vast yesterday over which today I bend? They will be as lost as Carthage, Scourged by the Romans with fire and salt.
At dawn I seem to hear the turbulent Murmur of crowds milling and fading away; They are all I have been loved by, forgotten by; Space, time, and Borges now are leaving me.
Written by Edna St Vincent Millay | Create an image from this poem

Renascence

 All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line Of the horizon, thin and fine, Straight around till I was come Back to where I'd started from; And all I saw from where I stood Was three long mountains and a wood.
Over these things I could not see; These were the things that bounded me; And I could touch them with my hand, Almost, I thought, from where I stand.
And all at once things seemed so small My breath came short, and scarce at all.
But, sure, the sky is big, I said; Miles and miles above my head; So here upon my back I'll lie And look my fill into the sky.
And so I looked, and, after all, The sky was not so very tall.
The sky, I said, must somewhere stop, And—sure enough!—I see the top! The sky, I thought, is not so grand; I 'most could touch it with my hand! And reaching up my hand to try, I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity Came down and settled over me; Forced back my scream into my chest, Bent back my arm upon my breast, And, pressing of the Undefined The definition on my mind, Held up before my eyes a glass Through which my shrinking sight did pass Until it seemed I must behold Immensity made manifold; Whispered to me a word whose sound Deafened the air for worlds around, And brought unmuffled to my ears The gossiping of friendly spheres, The creaking of the tented sky, The ticking of Eternity.
I saw and heard, and knew at last The How and Why of all things, past, And present, and forevermore.
The Universe, cleft to the core, Lay open to my probing sense That, sick'ning, I would fain pluck thence But could not,—nay! But needs must suck At the great wound, and could not pluck My lips away till I had drawn All venom out.
—Ah, fearful pawn! For my omniscience paid I toll In infinite remorse of soul.
All sin was of my sinning, all Atoning mine, and mine the gall Of all regret.
Mine was the weight Of every brooded wrong, the hate That stood behind each envious thrust, Mine every greed, mine every lust.
And all the while for every grief, Each suffering, I craved relief With individual desire,— Craved all in vain! And felt fierce fire About a thousand people crawl; Perished with each,—then mourned for all! A man was starving in Capri; He moved his eyes and looked at me; I felt his gaze, I heard his moan, And knew his hunger as my own.
I saw at sea a great fog bank Between two ships that struck and sank; A thousand screams the heavens smote; And every scream tore through my throat.
No hurt I did not feel, no death That was not mine; mine each last breath That, crying, met an answering cry From the compassion that was I.
All suffering mine, and mine its rod; Mine, pity like the pity of God.
Ah, awful weight! Infinity Pressed down upon the finite Me! My anguished spirit, like a bird, Beating against my lips I heard; Yet lay the weight so close about There was no room for it without.
And so beneath the weight lay I And suffered death, but could not die.
Long had I lain thus, craving death, When quietly the earth beneath Gave way, and inch by inch, so great At last had grown the crushing weight, Into the earth I sank till I Full six feet under ground did lie, And sank no more,—there is no weight Can follow here, however great.
From off my breast I felt it roll, And as it went my tortured soul Burst forth and fled in such a gust That all about me swirled the dust.
Deep in the earth I rested now; Cool is its hand upon the brow And soft its breast beneath the head Of one who is so gladly dead.
And all at once, and over all The pitying rain began to fall; I lay and heard each pattering hoof Upon my lowly, thatched roof, And seemed to love the sound far more Than ever I had done before.
For rain it hath a friendly sound To one who's six feet underground; And scarce the friendly voice or face: A grave is such a quiet place.
The rain, I said, is kind to come And speak to me in my new home.
I would I were alive again To kiss the fingers of the rain, To drink into my eyes the shine Of every slanting silver line, To catch the freshened, fragrant breeze From drenched and dripping apple-trees.
For soon the shower will be done, And then the broad face of the sun Will laugh above the rain-soaked earth Until the world with answering mirth Shakes joyously, and each round drop Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here, While overhead the sky grows clear And blue again after the storm? O, multi-colored, multiform, Beloved beauty over me, That I shall never, never see Again! Spring-silver, autumn-gold, That I shall never more behold! Sleeping your myriad magics through, Close-sepulchred away from you! O God, I cried, give me new birth, And put me back upon the earth! Upset each cloud's gigantic gourd And let the heavy rain, down-poured In one big torrent, set me free, Washing my grave away from me! I ceased; and through the breathless hush That answered me, the far-off rush Of herald wings came whispering Like music down the vibrant string Of my ascending prayer, and—crash! Before the wild wind's whistling lash The startled storm-clouds reared on high And plunged in terror down the sky, And the big rain in one black wave Fell from the sky and struck my grave.
I know not how such things can be; I only know there came to me A fragrance such as never clings To aught save happy living things; A sound as of some joyous elf Singing sweet songs to please himself, And, through and over everything, A sense of glad awakening.
The grass, a-tiptoe at my ear, Whispering to me I could hear; I felt the rain's cool finger-tips Brushed tenderly across my lips, Laid gently on my sealed sight, And all at once the heavy night Fell from my eyes and I could see,— A drenched and dripping apple-tree, A last long line of silver rain, A sky grown clear and blue again.
And as I looked a quickening gust Of wind blew up to me and thrust Into my face a miracle Of orchard-breath, and with the smell,— I know not how such things can be!— I breathed my soul back into me.
Ah! Up then from the ground sprang I And hailed the earth with such a cry As is not heard save from a man Who has been dead, and lives again.
About the trees my arms I wound; Like one gone mad I hugged the ground; I raised my quivering arms on high; I laughed and laughed into the sky, Till at my throat a strangling sob Caught fiercely, and a great heart-throb Sent instant tears into my eyes; O God, I cried, no dark disguise Can e'er hereafter hide from me Thy radiant identity! Thou canst not move across the grass But my quick eyes will see Thee pass, Nor speak, however silently, But my hushed voice will answer Thee.
I know the path that tells Thy way Through the cool eve of every day; God, I can push the grass apart And lay my finger on Thy heart! The world stands out on either side No wider than the heart is wide; Above the world is stretched the sky,— No higher than the soul is high.
The heart can push the sea and land Farther away on either hand; The soul can split the sky in two, And let the face of God shine through.
But East and West will pinch the heart That can not keep them pushed apart; And he whose soul is flat—the sky Will cave in on him by and by.
Written by Anne Sexton | Create an image from this poem

Demon

 A young man is afraid of his demon and puts his hand
over the demon's mouth sometimes.
.
.
-- D.
H.
Lawrence I mentioned my demon to a friend and the friend swam in oil and came forth to me greasy and cryptic and said, "I'm thinking of taking him out of hock.
I pawned him years ago.
" Who would buy? The pawned demon, Yellowing with forgetfulness and hand at his throat? Take him out of hock, my friend, but beware of the grief that will fly into your mouth like a bird.
My demon, too often undressed, too often a crucifix I bring forth, too often a dead daisy I give water to too often the child I give birth to and then abort, nameless, nameless.
.
.
earthless.
Oh demon within, I am afraid and seldom put my hand up to my mouth and stitch it up covering you, smothering you from the public voyeury eyes of my typewriter keys.
If I should pawn you, what bullion would they give for you, what pennies, swimming in their copper kisses what bird on its way to perishing? No.
No.
I accept you, you come with the dead who people my dreams, who walk all over my desk (as in Mother, cancer blossoming on her Best & Co.
****-- waltzing with her tissue paper ghost) the dead, who give sweets to the diabetic in me, who give bolts to the seizure of roses that sometimes fly in and out of me.
Yes.
Yes.
I accept you, demon.
I will not cover your mouth.
If it be man I love, apple laden and foul or if it be woman I love, sick unto her blood and its sugary gasses and tumbling branches.
Demon come forth, even if it be God I call forth standing like a carrion, wanting to eat me, starting at the lips and tongue.
And me wanting to glide into His spoils, I take bread and wine, and the demon farts and giggles, at my letting God out of my mouth anonymous woman at the anonymous altar.


Written by Rudyard Kipling | Create an image from this poem

The Old Issue

 Here is nothing new nor aught unproven," say the Trumpets,
 "Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! " (Trumpets in the marshes-in the eyot at Runnymede!) "Here is neither haste, nor hate, nor anger," peal the Trumpets, "Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets-- (Trumpets round the scaffold af the dawning by Whitehall!) .
.
.
.
.
.
.
"He hath veiled the Crown And hid the Scepter," warn (he Trum pets, "He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets, Trumpets at the gang-plank where the brawling troop-decks fill! Ancient and Unteachable, abide--abide the Trumpets! Once again the Trumpets, for the shuddering ground-swell brings Clamour over ocean of the harsh, pursuing Trumpets-- Trumpets of the Vanguard that have sworn no truce with Kings! All we have of freedom, all we use or know-- This our fathers bought for us long and long ago.
Ancient Right unnoticed as the breath we draw-- Leave to live by no man's leave, underneath the Law.
Lance and torch and tumult, steel and grey-goose wing Wrenched it, inch and ell and all, slowly from the king.
Till our fathers 'stablished,, after bloody years, How our King is one with us, first among his peers.
So they bought us freedom-not at little cost-- Wherefore must we watch the King, lest our gain be lost.
Over all things certain, this is sure indeed, Suffer not the old King: for we know the breed.
Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure.
" (Time himself is witness, till the battle joins, Deeper strikes the rottenness in the people's loins.
) Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.
They that beg us barter--wait his yielding mood-- Pledge the years we hold in trust-pawn our brother's blood-- Howso' great their clamour, whatsoe'er their claim, Suffer not the old King under any name! Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.
He shall mark our goings, question whence we came, Set his guards about us, as in Freedom's name.
He shall take a tribute, toll of all our ware; He shall change our gold for arms--arms we may not bear.
He shall break his Judges if they cross his word; He shall rule above the Law calling on the Lord.
He shall peep and mutter; and the night shall bring Watchers 'neath our window, lest we mock the King -- Hate and all division; hosts of hurrying spies; Money poured in secret, carrion breeding flies.
Strangers of his counsel, hirelings of his pay, These shall deal our Justice: sell-deny-delay.
We shall drink dishonour, we shall eat abuse For the Land we look to--for the Tongue we use.
We shall take our station, dirt beneath his feet, While his hired captains jeer us in the street.
Cruel in the shadow, crafty in the sun, Far beyond his borders shall his teachings run.
Sloven, sullen, savage, secret, uncontrolled, Laying on a new land evil of the old-- Long-forgotten bondage, dwarfing heart and brain-- All our fathers died to loose he shall bind again.
Here is nought at venture, random nor untrue Swings the wheel full-circle, brims the cup anew.
Here is naught unproven, here is nothing hid: Step for step and word for word--so the old Kings did! Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed-- All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King !
Written by Jonathan Swift | Create an image from this poem

A Beautiful Young Nymph Going To Bed

 Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair: 
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide, Stuck on with Art on either Side, Pulls off with Care, and first displays 'em, Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws, That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess Unlaces next her Steel-Rib'd Bodice; Which by the Operator's Skill, Press down the Lumps, the Hollows fill, Up hoes her Hand, and off she slips The Bolsters that supply her Hips.
With gentlest Touch, she next explores Her Shankers, Issues, running Sores, Effects of many a sad Disaster; And then to each applies a Plaster.
But must, before she goes to Bed, Rub off the Daubs of White and Red; And smooth the Furrows in her Front, With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps; And then between two Blankets creeps.
With pains of love tormented lies; Or if she chance to close her Eyes, Of Bridewell and the Compter dreams, And feels the Lash, and faintly screams; Or, by a faithless Bully drawn, At some Hedge-Tavern lies in Pawn; Or to Jamaica seems transported, Alone, and by no Planter courted; Or, near Fleet-Ditch's oozy Brinks, Surrounded with a Hundred Stinks, Belated, seems on watch to lie, And snap some Cull passing by; Or, struck with Fear, her Fancy runs On Watchmen, Constables and Duns, From whom she meets with frequent Rubs; But, never from Religious Clubs; Whose Favour she is sure to find, Because she pays them all in Kind.
CORINNA wakes.
A dreadful Sight! Behold the Ruins of the Night! A wicked Rat her Plaster stole, Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd; And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas; And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight, Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts To recollect the scatter'd Parts? Or show the Anguish, Toil, and Pain, Of gath'ring up herself again? The bashful Muse will never bear In such a Scene to interfere.
Corinna in the Morning dizen'd, Who sees, will spew; who smells, be poison'd.
Written by Louise Gluck | Create an image from this poem

Labor Day

 Requiring something lovely on his arm
Took me to Stamford, Connecticut, a quasi-farm,
His family's; later picking up the mammoth
Girlfriend of Charlie, meanwhile trying to pawn me off
On some third guy also up for the weekend.
But Saturday we still were paired; spent It sprawled across that sprawling acreage Until the grass grew limp with damp.
Like me.
Johnston-baby, I can still see The pelted clover, burrs' prickle fur and gorged Pastures spewing infinite tiny bells.
You pimp.
Written by Omar Khayyam | Create an image from this poem

My heart is weary of hypocrisy,

My heart is weary of hypocrisy,
Cupbearer, bring some wine, I beg of thee!
This hooded cowl and prayer-mat pawn for wine,
Then will I boast me in security.
Written by Du Fu | Create an image from this poem

Winding River (2)

Court return every day pawn spring clothes
Every day river area utmost drunk return
Wine debt common go place have
Life seventy always rare
Through flowers vanessa butterfly deep deep see
Drop water dragonfly leisurely fly
Pass on speech time all be on move
Brief time mutual recognise not mutual separate


I come back from the court each day and pawn some spring clothing,
Every day I return to the river as drunk as I can be.
I have many debts for wine all over the place,
For men to live to seventy has always been unusual.
I see the butterflies go deeper and deeper between the flowers,
And dragonflies in leisured flight between drops of water.
As we're told, passing time is always on the move,
So little time to know each other: we should not be apart.

Book: Shattered Sighs