Written by
Robert Frost |
A lantern light from deeper in the barn
Shone on a man and woman in the door
And threw their lurching shadows on a house
Near by, all dark in every glossy window.
A horse's hoof pawed once the hollow floor,
And the back of the gig they stood beside
Moved in a little.
The man grasped a wheel,
The woman spoke out sharply, "Whoa, stand still!"
"I saw it just as plain as a white plate,"
She said, "as the light on the dashboard ran
Along the bushes at the roadside--a man's face.
You must have seen it too.
"
"I didn't see it.
Are you sure----"
"Yes, I'm sure!"
"--it was a face?"
"Joel, I'll have to look.
I can't go in,
I can't, and leave a thing like that unsettled.
Doors locked and curtains drawn will make no difference.
I always have felt strange when we came home
To the dark house after so long an absence,
And the key rattled loudly into place
Seemed to warn someone to be getting out
At one door as we entered at another.
What if I'm right, and someone all the time--
Don't hold my arm!"
"I say it's someone passing.
"
"You speak as if this were a travelled road.
You forget where we are.
What is beyond
That he'd be going to or coming from
At such an hour of night, and on foot too.
What was he standing still for in the bushes?"
"It's not so very late--it's only dark.
There's more in it than you're inclined to say.
Did he look like----?"
"He looked like anyone.
I'll never rest to-night unless I know.
Give me the lantern.
"
"You don't want the lantern.
"
She pushed past him and got it for herself.
"You're not to come," she said.
"This is my business.
If the time's come to face it, I'm the one
To put it the right way.
He'd never dare--
Listen! He kicked a stone.
Hear that, hear that!
He's coming towards us.
Joel, go in--please.
Hark!--I don't hear him now.
But please go in.
"
"In the first place you can't make me believe it's----"
"It is--or someone else he's sent to watch.
And now's the time to have it out with him
While we know definitely where he is.
Let him get off and he'll be everywhere
Around us, looking out of trees and bushes
Till I sha'n't dare to set a foot outdoors.
And I can't stand it.
Joel, let me go!"
"But it's nonsense to think he'd care enough.
"
"You mean you couldn't understand his caring.
Oh, but you see he hadn't had enough--
Joel, I won't--I won't--I promise you.
We mustn't say hard things.
You mustn't either.
"
"I'll be the one, if anybody goes!
But you give him the advantage with this light.
What couldn't he do to us standing here!
And if to see was what he wanted, why
He has seen all there was to see and gone.
"
He appeared to forget to keep his hold,
But advanced with her as she crossed the grass.
"What do you want?" she cried to all the dark.
She stretched up tall to overlook the light
That hung in both hands hot against her skirt.
"There's no one; so you're wrong," he said.
"There is.
--
What do you want?" she cried, and then herself
Was startled when an answer really came.
"Nothing.
" It came from well along the road.
She reached a hand to Joel for support:
The smell of scorching woollen made her faint.
"What are you doing round this house at night?"
"Nothing.
" A pause: there seemed no more to say.
And then the voice again: "You seem afraid.
I saw by the way you whipped up the horse.
I'll just come forward in the lantern light
And let you see.
"
"Yes, do.
--Joel, go back!"
She stood her ground against the noisy steps
That came on, but her body rocked a little.
"You see," the voice said.
"Oh.
" She looked and looked.
"You don't see--I've a child here by the hand.
"
"What's a child doing at this time of night----?"
"Out walking.
Every child should have the memory
Of at least one long-after-bedtime walk.
What, son?"
"Then I should think you'd try to find
Somewhere to walk----"
"The highway as it happens--
We're stopping for the fortnight down at Dean's.
"
"But if that's all--Joel--you realize--
You won't think anything.
You understand?
You understand that we have to be careful.
This is a very, very lonely place.
Joel!" She spoke as if she couldn't turn.
The swinging lantern lengthened to the ground,
It touched, it struck it, clattered and went out.
|
Written by
Robert William Service |
Beyond the Rocking Bridge it lies, the burg of evil fame,
The huts where hive and swarm and thrive the sisterhood of shame.
Through all the night each cabin light goes out and then goes in,
A blood-red heliograph of lust, a semaphore of sin.
From Dawson Town, soft skulking down, each lewdster seeks his mate;
And glad and bad, kimono clad, the wanton women wait.
The Klondike gossips to the moon, and sinners o'er its bars;
Each silent hill is dark and chill, and chill the patient stars.
Yet hark! upon the Rocking Bridge a bacchanalian step;
A whispered: "Come," the skirl of some hell-raking demirep.
.
.
* * * * * * * * * * *
They gave a dance in Lousetown, and the Tenderloin was there,
The girls were fresh and frolicsome, and nearly all were fair.
They flaunted on their back the spoil of half-a-dozen towns;
And some they blazed in gems of price, and some wore Paris gowns.
The voting was divided as to who might be the belle;
But all opined, the winsomest was Touch-the-Button Nell.
Among the merry mob of men was one who did not dance,
But watched the "light fantastic" with a sour sullen glance.
They saw his white teeth gleam, they saw his thick lips twitch;
They knew him for the giant Slav, one Riley Dooleyvitch.
"Oh Riley Dooleyvitch, come forth," quoth Touch-the-Button Nell,
"And dance a step or two with me - the music's simply swell,"
He crushed her in his mighty arms, a meek, beguiling witch,
"With you, oh Nell, I'd dance to hell," said Riley Dooleyvitch.
He waltzed her up, he waltzed her down, he waltzed her round the hall;
His heart was putty in her hands, his very soul was thrall.
As Antony of old succumbed to Cleopatra's spell,
So Riley Dooleyvitch bowed down to Touch-the-Button Nell.
"And do you love me true?" she cried.
"I love you as my life.
"
"How can you prove your love?" she sighed.
"I beg you be my wife.
I stake big pay up Hunker way; some day I be so rich;
I make you shine in satins fine," said Riley Dooleyvitch.
"Some day you'll be so rich," she mocked; "that old pipe-dream don't go.
Who gets an option on this kid must have some coin to show.
You work your ground.
When Spring comes round, our wedding bells will ring.
I'm on the square, and I'll take care of all the gold you bring.
"
So Riley Dooleyvitch went back and worked upon his claim;
He ditched and drifted, sunk and stoped, with one unswerving aim;
And when his poke of raw moose-hide with dust began to swell,
He bought and laid it at the feet of Touch-the-Button Nell.
* * * * * * * * * * *
Now like all others of her ilk, the lady had a friend,
And what she made my way of trade, she gave to him to spend;
To stake him in a poker game, or pay his bar-room score;
He was a pimp from Paris.
and his name was Lew Lamore.
And so as Dooleyvitch went forth and worked as he was bid,
And wrested from the frozen muck the yellow stuff it hid,
And brought it to his Lady Nell, she gave him love galore -
But handed over all her gains to festive Lew Lamore.
* * * * * * * * * * *
A year had gone, a weary year of strain and bloody sweat;
Of pain and hurt in dark and dirt, of fear that she forget.
He sought once more her cabin door: "I've laboured like a beast;
But now, dear one, the time has come to go before the priest.
"I've brought you gold - a hundred fold I'll bring you bye and bye;
But oh I want you, want you bad; I want you till I die.
Come, quit this life with evil rife - we'll joy while yet we can.
.
.
"
"I may not wed with you," she said; "I love another man.
"I love him and I hate him so.
He holds me in a spell.
He beats me - see my bruisèd brest; he makes my life a hell.
He bleeds me, as by sin and shame I earn my daily bread:
Oh cruel Fate, I cannot mate till Lew Lamore is dead!"
* * * * * * * * * * *
The long lean flume streaked down the hill, five hundred feet of fall;
The waters in the dam above chafed at their prison wall;
They surged and swept, they churned and leapt, with savage glee and strife;
With spray and spume the dizzy flume thrilled like a thing of life.
"We must be free," the waters cried, and scurried down the slope;
"No power can hold us back," they roared, and hurried in their hope.
Into a mighty pipe they plunged, like maddened steers they ran,
And crashed out through a shard of steel - to serve the will of Man.
And there, by hydraulicking his ground beside a bedrock ditch,
With eye aflame and savage aim was Riley Dooleyvitch.
In long hip-boots and overalls, and dingy denim shirt,
Behind a giant monitor he pounded at the dirt.
A steely shaft of water shot, and smote the face of clay;
It burrowed in the frozen muck, and scooped the dirt away;
It gored the gravel from its bed, it bellowed like a bull;
It hurled the heavy rock aloft like heaps of fleecy wool.
Strength of a hundred men was there, resistess might and skill,
And only Riley Dooleyvitch to swing it at his will.
He played it up, he played it down, nigh deafened by its roar,
'Til suddenly he raised his eyes, and there stood Lew Lamore.
Pig-eyed and heavy jowled he stood and puffed a big cigar;
As cool as though he ruled the roost in some Montmartre bar.
He seemed to say, "I've got a cinch, a double diamond hitch:
I'll skin this Muscovitish oaf, this Riley Dooleyvitch.
He shouted: "Stop ze water gun; it stun me.
.
.
Sacré damn!
I like to make one beezness deal; you know ze man I am.
Zat leetle girl, she loves me so - I tell you what I do:
You geeve to me zees claim.
.
.
Jeecrize! I geeve zat girl to you.
"
"I'll see you damned," says Dooleyvitch; but e'er he checked his tongue,
(It may have been an accident) the little Giant swung;
Swift as a lightning flash it swung, until it plumply bore
And met with an obstruction in the shape of Lew lamore.
It caught him up, and spun him round, and tossed him like a ball;
It played and pawed him in the air, before it let him fall.
Then just to show what it could do, with savage rend and thud,
It ripped the entrails from his spine, and dropped him in the mud.
They gathered up the broken bones, and sadly in a sack,
They bore to town the last remains of Lew Lamore, the macque.
And would you hear the full details of how it all befell,
Ask Missis Riley Dooleyvitch (late Touch-the-Button Nell).
|
Written by
Rudyard Kipling |
Cain and Abel were brothers born.
(Koop-la! Come along, cows!)
One raised cattle and one raised corn.
(Koop-la! Come along! Co-hoe!)
And Cain he farmed by the river-side,
So he did not care how much it dried.
For he banked, and he sluiced, and he ditched and he led
(And the Corn don't care for the Horn)--
A-half Euphrates out of her bed
To water his dam' Corn!
But Abel herded out on the plains
Where you have to go by the dams and rains.
It happened, after a three-year drought,
The wells, and the springs, and the dams gave out.
The Herd-bulls came to Cain's new house
( They wanted water so!--)
With the hot red Sun between their brows,
Sayin' "Give us water for our pore cows!"
But Cain he told 'em--"No!"
The Cows they came to Cain's big house
With the cold white Moon between their brows,
Sayin' "Give some water to us pore cows!"
But Cain he told 'em--"No?"
The li'l Calves came to Cain's fine house
With the Evenin' Star between their brows,
Sayin' "'Give us water an' we'll be cows.
"
But Cain he told 'em--"No!"
The Herd-bulls led 'em back again,
An' Abel went an' said to Cain: --
"Oh sell me water, my brother dear,
Or there will be no beef this year.
"
And Cain he answered--"No! "
"Then draw your hatches, my brother true,
An' let a little water through.
"
But Cain he answered: -"No!
"My dams are tight an' my ditches are sound,
An' not a drop goes through or round
Till she's done her duty by the Corn.
"I will not sell, an' I will not draw,
An' if you breach, I'll have the Law,
As sure as you are borne! "
Then Abel took his best bull-goad,
An' holed a dyke on the Eden road.
He opened her up with foot an' hand,
An' let Euphrates loose on the land.
He spilled Euphrates out on the plain,
So's all his cattle could drink again.
Then Cain he saw what Abel done--
But, in those days, there was no Gun!
So he made him a club of a hickory-limb,
An' halted Abel an' said to him: --
"I did not sell an' I did not draw,
An' now you've breached I'll have the Law.
"You ride abroad in your hat and spurs,
Hell-hoofin' over my cucumbers!
"You pray to the Lord to send you luck
An' you loose your steers in my garden-truck:
"An' now you're bust, as you ought to be,
You can keep on prayin' but not to me!"
Then Abel saw it meant the life;
But, in those days, there was no Knife:
So he up with his big bull-goad instead,
But--Cain hit first and dropped him dead!
The Herd-bulls ran when they smelt the blood,
An' horned an' pawed in that Red Mud.
The Calves they bawled, and the Steers they milled,
Because it was the First Man Killed; -
An' the whole Herd broke for the Land of Nod,
An' Cain was left to be judged by God!
But, seein' all he had had to bear,
I never could call the Judgment fair!
|
Written by
Paul Laurence Dunbar |
'T was three an' thirty year ago,
When I was ruther young, you know,
I had my last an' only fight
About a gal one summer night.
'T was me an' Zekel Johnson; Zeke
'N' me 'd be'n spattin' 'bout a week,
Each of us tryin' his best to show
That he was Liza Jones's beau.[Pg 28]
We could n't neither prove the thing,
Fur she was fur too sharp to fling
One over fur the other one
An' by so doin' stop the fun
That we chaps did n't have the sense
To see she got at our expense,
But that's the way a feller does,
Fur boys is fools an' allus was.
An' when they's females in the game
I reckon men's about the same.
Well, Zeke an' me went on that way
An' fussed an' quarrelled day by day;
While Liza, mindin' not the fuss,
Jest kep' a-goin' with both of us,
Tell we pore chaps, that's Zeke an' me,
Was jest plum mad with jealousy.
Well, fur a time we kep' our places,
An' only showed by frownin' faces
An' looks 'at well our meanin' boded
How full o' fight we both was loaded.
At last it come, the thing broke out,
An' this is how it come about.
One night ('t was fair, you'll all agree)
I got Eliza's company,
An' leavin' Zekel in the lurch,
Went trottin' off with her to church.
An' jest as we had took our seat
(Eliza lookin' fair an' sweet),
Why, I jest could n't help but grin
When Zekel come a-bouncin' in
As furious as the law allows.
He 'd jest be'n up to Liza's house,
To find her gone, then come to church
To have this end put to his search.
I guess I laffed that meetin' through,
An' not a mortal word I knew
Of what the preacher preached er read
Er what the choir sung er said.
Fur every time I 'd turn my head
I could n't skeercely help but see
'At Zekel had his eye on me.
An' he 'ud sort o' turn an' twist
An' grind his teeth an' shake his fist.
I laughed, fur la! the hull church seen us,
An' knowed that suthin' was between us.
Well, meetin' out, we started hum,
I sorter feelin' what would come.
We 'd jest got out, when up stepped Zeke,
An' said, "Scuse me, I 'd like to speak[Pg 29]
To you a minute." "Cert," said I—
A-nudgin' Liza on the sly
An' laughin' in my sleeve with glee,
I asked her, please, to pardon me.
We walked away a step er two,
Jest to git out o' Liza's view,
An' then Zeke said, "I want to know
Ef you think you 're Eliza's beau,
An' 'at I 'm goin' to let her go
Hum with sich a chap as you?"
An' I said bold, "You bet I do."
Then Zekel, sneerin', said 'at he
Did n't want to hender me.
But then he 'lowed the gal was his
An' 'at he guessed he knowed his biz,
An' was n't feared o' all my kin
With all my friends an' chums throwed in.
Some other things he mentioned there
That no born man could no ways bear
Er think o' ca'mly tryin' to stan'
Ef Zeke had be'n the bigges' man
In town, an' not the leanest runt
'At time an' labor ever stunt.
An' so I let my fist go "bim,"
I thought I 'd mos' nigh finished him.
But Zekel did n't take it so.
He jest ducked down an' dodged my blow
An' then come back at me so hard,
I guess I must 'a' hurt the yard,
Er spilet the grass plot where I fell,
An' sakes alive it hurt me; well,
It would n't be'n so bad, you see,
But he jest kep' a-hittin' me.
An' I hit back an' kicked an' pawed,
But 't seemed 't was mostly air I clawed,
While Zekel used his science well
A-makin' every motion tell.
He punched an' hit, why, goodness lands,
Seemed like he had a dozen hands.
Well, afterwhile they stopped the fuss,
An' some one kindly parted us.
All beat an' cuffed an' clawed an' scratched,
An' needin' both our faces patched,
Each started hum a different way;
An' what o' Liza, do you say,
Why, Liza—little humbug—dern her,
Why, she 'd gone home with Hiram Turner.
|
Written by
Vachel Lindsay |
(A ***** Sermon.
)
Once, in a night as black as ink,
She drove him out when he would not drink.
Round the house there were men in wait
Asleep in rows by the Gaza gate.
But the Holy Spirit was in this man.
Like a gentle wind he crept and ran.
("It is midnight," said the big town clock.
)
He lifted the gates up, post and lock.
The hole in the wall was high and wide
When he bore away old Gaza's pride
Into the deep of the night: —
The bold Jack Johnson Israelite, —
Samson —
The Judge,
The Nazarite.
The air was black, like the smoke of a dragon.
Samson's heart was as big as a wagon.
He sang like a shining golden fountain.
He sweated up to the top of the mountain.
He threw down the gates with a noise like judgment.
And the quails all ran with the big arousement.
But he wept — "I must not love tough queens,
And spend on them my hard earned means.
I told that girl I would drink no more.
Therefore she drove me from her door.
Oh sorrow!
Sorrow!
I cannot hide.
Oh Lord look down from your chariot side.
You made me Judge, and I am not wise.
I am weak as a sheep for all my size.
"
Let Samson
Be coming
Into your mind.
The moon shone out, the stars were gay.
He saw the foxes run and play.
He rent his garments, he rolled around
In deep repentance on the ground.
Then he felt a honey in his soul.
Grace abounding made him whole.
Then he saw the Lord in a chariot blue.
The gorgeous stallions whinnied and flew.
The iron wheels hummed an old hymn-tune
And crunched in thunder over the moon.
And Samson shouted to the sky:
"My Lord, my Lord is riding high.
"
Like a steed, he pawed the gates with his hoof.
He rattled the gates like rocks on the roof,
And danced in the night
On the mountain-top,
Danced in the deep of the night:
The Judge, the holy Nazarite,
Whom ropes and chains could never bind.
Let Samson
Be coming
Into your mind.
Whirling his arms, like a top he sped.
His long black hair flew round his head
Like an outstretched net of silky cord,
Like a wheel of the chariot of the Lord.
Let Samson
Be coming
Into your mind.
Samson saw the sun anew.
He left the gates in the grass and dew.
He went to a county-seat a-nigh.
Found a harlot proud and high:
Philistine that no man could tame —
Delilah was her lady-name.
Oh sorrow,
Sorrow,
She was too wise.
She cut off his hair,
She put out his eyes.
Let Samson
Be coming
Into your mind.
|
Written by
Carl Sandburg |
THE BUFFALOES are gone.
And those who saw the buffaloes are gone.
Those who saw the buffaloes by thousands and how they pawed the prairie sod into dust with their hoofs, their great heads down pawing on in a great pageant of dusk,
Those who saw the buffaloes are gone.
And the buffaloes are gone.
|
Written by
Siegfried Sassoon |
Three hours ago he blundered up the trench,
Sliding and poising, groping with his boots;
Sometimes he tripped and lurched against the walls
With hands that pawed the sodden bags of chalk.
He couldn't see the man who walked in front;
Only he heard the drum and rattle of feet
Stepping along barred trench boards, often splashing
Wretchedly where the sludge was ankle-deep.
Voices would grunt `Keep to your right -- make way!'
When squeezing past some men from the front-line:
White faces peered, puffing a point of red;
Candles and braziers glinted through the chinks
And curtain-flaps of dug-outs; then the gloom
Swallowed his sense of sight; he stooped and swore
Because a sagging wire had caught his neck.
A flare went up; the shining whiteness spread
And flickered upward, showing nimble rats
And mounds of glimmering sand-bags, bleached with rain;
Then the slow silver moment died in dark.
The wind came posting by with chilly gusts
And buffeting at the corners, piping thin.
And dreary through the crannies; rifle-shots
Would split and crack and sing along the night,
And shells came calmly through the drizzling air
To burst with hollow bang below the hill.
Three hours ago, he stumbled up the trench;
Now he will never walk that road again:
He must be carried back, a jolting lump
Beyond all needs of tenderness and care.
He was a young man with a meagre wife
And two small children in a Midland town,
He showed their photographs to all his mates,
And they considered him a decent chap
Who did his work and hadn't much to say,
And always laughed at other people's jokes
Because he hadn't any of his own.
That night when he was busy at his job
Of piling bags along the parapet,
He thought how slow time went, stamping his feet
And blowing on his fingers, pinched with cold.
He thought of getting back by half-past twelve,
And tot of rum to send him warm to sleep
In draughty dug-out frowsty with the fumes
Of coke, and full of snoring weary men.
He pushed another bag along the top,
Craning his body outward; then a flare
Gave one white glimpse of No Man's Land and wire;
And as he dropped his head the instant split
His startled life with lead, and all went out.
|
Written by
Siegfried Sassoon |
Three hours ago he blundered up the trench,
Sliding and poising, groping with his boots;
Sometimes he tripped and lurched against the walls
With hands that pawed the sodden bags of chalk.
He couldn't see the man who walked in front;
Only he heard the drum and rattle of feet
Stepping along barred trench boards, often splashing
Wretchedly where the sludge was ankle-deep.
Voices would grunt `Keep to your right -- make way!'
When squeezing past some men from the front-line:
White faces peered, puffing a point of red;
Candles and braziers glinted through the chinks
And curtain-flaps of dug-outs; then the gloom
Swallowed his sense of sight; he stooped and swore
Because a sagging wire had caught his neck.
A flare went up; the shining whiteness spread
And flickered upward, showing nimble rats
And mounds of glimmering sand-bags, bleached with rain;
Then the slow silver moment died in dark.
The wind came posting by with chilly gusts
And buffeting at the corners, piping thin.
And dreary through the crannies; rifle-shots
Would split and crack and sing along the night,
And shells came calmly through the drizzling air
To burst with hollow bang below the hill.
Three hours ago, he stumbled up the trench;
Now he will never walk that road again:
He must be carried back, a jolting lump
Beyond all needs of tenderness and care.
He was a young man with a meagre wife
And two small children in a Midland town,
He showed their photographs to all his mates,
And they considered him a decent chap
Who did his work and hadn't much to say,
And always laughed at other people's jokes
Because he hadn't any of his own.
That night when he was busy at his job
Of piling bags along the parapet,
He thought how slow time went, stamping his feet
And blowing on his fingers, pinched with cold.
He thought of getting back by half-past twelve,
And tot of rum to send him warm to sleep
In draughty dug-out frowsty with the fumes
Of coke, and full of snoring weary men.
He pushed another bag along the top,
Craning his body outward; then a flare
Gave one white glimpse of No Man's Land and wire;
And as he dropped his head the instant split
His startled life with lead, and all went out.
|