Written by
Derek Walcott |
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
"Herefords at Sunset in the valley of the Wye."
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
"Herefords at Sunset in the Valley of the Wye."
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
the tenants, the good ******* down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside. He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name. No vowels left
in the mill wheel, the river. Rock stone. Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
"San Salvador, pray for us,St. Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes," and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
"Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America."
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls. Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth. He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,"I am powerless, except for love."
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain. He rose in his dream.
(to be continued)
|
Written by
Elizabeth Barrett Browning |
I.
Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Dead ! both my boys ! When you sit at the feast
And are wanting a great song for Italy free,
Let none look at me !
II.
Yet I was a poetess only last year,
And good at my art, for a woman, men said ;
But this woman, this, who is agonized here,
-- The east sea and west sea rhyme on in her head
For ever instead.
III.
What art can a woman be good at ? Oh, vain !
What art is she good at, but hurting her breast
With the milk-teeth of babes, and a smile at the pain ?
Ah boys, how you hurt ! you were strong as you pressed,
And I proud, by that test.
IV.
What art's for a woman ? To hold on her knees
Both darlings ! to feel all their arms round her throat,
Cling, strangle a little ! to sew by degrees
And 'broider the long-clothes and neat little coat ;
To dream and to doat.
V.
To teach them ... It stings there ! I made them indeed
Speak plain the word country. I taught them, no doubt,
That a country's a thing men should die for at need.
I prated of liberty, rights, and about
The tyrant cast out.
VI.
And when their eyes flashed ... O my beautiful eyes ! ...
I exulted ; nay, let them go forth at the wheels
Of the guns, and denied not. But then the surprise
When one sits quite alone ! Then one weeps, then one kneels !
God, how the house feels !
VII.
At first, happy news came, in gay letters moiled
With my kisses, -- of camp-life and glory, and how
They both loved me ; and, soon coming home to be spoiled
In return would fan off every fly from my brow
With their green laurel-bough.
VIII.
Then was triumph at Turin : `Ancona was free !'
And some one came out of the cheers in the street,
With a face pale as stone, to say something to me.
My Guido was dead ! I fell down at his feet,
While they cheered in the street.
IX.
I bore it ; friends soothed me ; my grief looked sublime
As the ransom of Italy. One boy remained
To be leant on and walked with, recalling the time
When the first grew immortal, while both of us strained
To the height he had gained.
X.
And letters still came, shorter, sadder, more strong,
Writ now but in one hand, `I was not to faint, --
One loved me for two -- would be with me ere long :
And Viva l' Italia ! -- he died for, our saint,
Who forbids our complaint."
XI.
My Nanni would add, `he was safe, and aware
Of a presence that turned off the balls, -- was imprest
It was Guido himself, who knew what I could bear,
And how 'twas impossible, quite dispossessed,
To live on for the rest."
XII.
On which, without pause, up the telegraph line
Swept smoothly the next news from Gaeta : -- Shot.
Tell his mother. Ah, ah, ` his, ' ` their ' mother, -- not ` mine, '
No voice says "My mother" again to me. What !
You think Guido forgot ?
XIII.
Are souls straight so happy that, dizzy with Heaven,
They drop earth's affections, conceive not of woe ?
I think not. Themselves were too lately forgiven
Through THAT Love and Sorrow which reconciled so
The Above and Below.
XIV.
O Christ of the five wounds, who look'dst through the dark
To the face of Thy mother ! consider, I pray,
How we common mothers stand desolate, mark,
Whose sons, not being Christs, die with eyes turned away,
And no last word to say !
XV.
Both boys dead ? but that's out of nature. We all
Have been patriots, yet each house must always keep one.
'Twere imbecile, hewing out roads to a wall ;
And, when Italy 's made, for what end is it done
If we have not a son ?
XVI.
Ah, ah, ah ! when Gaeta's taken, what then ?
When the fair wicked queen sits no more at her sport
Of the fire-balls of death crashing souls out of men ?
When the guns of Cavalli with final retort
Have cut the game short ?
XVII.
When Venice and Rome keep their new jubilee,
When your flag takes all heaven for its white, green, and red,
When you have your country from mountain to sea,
When King Victor has Italy's crown on his head,
(And I have my Dead) --
XVIII.
What then ? Do not mock me. Ah, ring your bells low,
And burn your lights faintly ! My country is there,
Above the star pricked by the last peak of snow :
My Italy 's THERE, with my brave civic Pair,
To disfranchise despair !
XIX.
Forgive me. Some women bear children in strength,
And bite back the cry of their pain in self-scorn ;
But the birth-pangs of nations will wring us at length
Into wail such as this -- and we sit on forlorn
When the man-child is born.
XX.
Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Both ! both my boys ! If in keeping the feast
You want a great song for your Italy free,
Let none look at me !
[This was Laura Savio, of Turin, a poetess and patriot, whose sonswere killed at Ancona and Gaeta.]
|
Written by
William Cowper |
Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears that trickled down the writer's cheeks
Fast as the periods from his fluent quill,
Or charg'd with am'rous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh th' important budget! usher'd in
With such heart-shaking music, who can say
What are its tidings? have our troops awak'd?
Or do they still, as if with opium drugg'd,
Snore to the murmurs of th' Atlantic wave?
Is India free? and does she wear her plum'd
And jewell'd turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh--I long to know them all;
I burn to set th' imprison'd wranglers free,
And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face
Sweats in the crowded theatre, and, squeez'd
And bor'd with elbow-points through both his sides,
Out-scolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquility and smiles.
This folio of four pages, happy work!
Which not ev'n critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it, but a map of busy life,
Its fluctuations, and its vast concerns?...
Oh winter, ruler of th' inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fring'd with a beard made white with other snows
Than those of age, thy forehead wrapp'd in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urg'd by storms along its slipp'ry way,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A pris'ner in the yet undawning east,
Short'ning his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gath'ring, at short notice, in one group
The family dispers'd, and fixing thought,
Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates;
No powder'd pert proficient in the art
Of sounding an alarm, assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for th' amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still;
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites
Of the last meal commence. A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoy'd--spare feast!--a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with mem'ry's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
The disappointed foe, deliv'rance found
Unlook'd for, life preserv'd and peace restor'd--
Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd
The Sabine bard. Oh ev'nings, I reply,
More to be priz'd and coveted than yours,
As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy....
|
Written by
Sir Walter Scott |
TO mute and to material things
New life revolving summer brings;
The genial call dead Nature hears,
And in her glory reappears.
But oh, my Country's wintry state
What second spring shall renovate?
What powerful call shall bid arise
The buried warlike and the wise;
The mind that thought for Britain's weal,
The hand that grasp'd the victor steel?
The vernal sun new life bestows
Even on the meanest flower that blows;
But vainly, vainly may he shine
Where glory weeps o'er NELSON'S shrine;
And vainly pierce the solemn gloom
That shrouds, O PITT, thy hallow'd tomb!
Deep graved in every British heart,
O never let those names depart!
Say to your sons,--Lo, here his grave,
Who victor died on Gadite wave!
To him, as to the burning levin,
Short, bright, resistless course was given.
Where'er his country's foes were found
Was heard the fated thunder's sound,
Till burst the bolt on yonder shore,
Roll'd, blazed, destroy'd--and was no more.
Nor mourn ye less his perish'd worth,
Who bade the conqueror go forth,
And launch'd that thunderbolt of war
On Egypt, Hafnia, Trafalgar;
Who, born to guide such high emprise,
For Britain's weal was early wise;
Alas! to whom the Almighty gave,
For Britain's sins, an early grave!
--His worth, who in his mightiest hour
A bauble held the pride of power,
Spurn'd at the sordid lust of pelf,
And served his Albion for herself;
Who, when the frantic crowd amain
Strain'd at subjection's bursting rein,
O'er their wild mood full conquest gain'd,
The pride he would not crush, restrain'd,
Show'd their fierce zeal a worthier cause,
And brought the freeman's arm to aid the freeman's laws.
Hadst thou but lived, though stripp'd of power,
A watchman on the lonely tower,
Thy thrilling trump had roused the land,
When fraud or danger were at hand;
By thee, as by the beacon-light,
Our pilots had kept course aright;
As some proud column, though alone,
Thy strength had propp'd the tottering throne.
Now is the stately column broke,
The beacon-light is quench'd in smoke,
The trumpet's silver voice is still,
The warder silent on the hill!
O think, how to his latest day,
When Death, just hovering, claim'd his prey,
With Palinure's unalter'd mood
Firm at his dangerous post he stood;
Each call for needful rest repell'd,
With dying hand the rudder held,
Till in his fall with fateful sway
The steerage of the realm gave way.
Then--while on Britain's thousand plains
One polluted church remains,
Whose peaceful bells ne'er sent around
The bloody tocsin's maddening sound,
But still upon the hallow'd day
Convoke the swains to praise and pray;
While faith and civil peace are dear,
Grace this cold marble with a tear:--
He who preserved them, PITT, lies here!
Nor yet suppress the generous sigh,
Because his rival slumbers nigh;
Nor be thy Requiescat dumb
Lest it be said o'er Fox's tomb.
For talents mourn, untimely lost,
When best employ'd, and wanted most;
Mourn genius high, and lore profound,
And wit that loved to play, not wound;
And all the reasoning powers divine
To penetrate, resolve, combine;
And feelings keen, and fancy's glow--
They sleep with him who sleeps below:
And, if thou mourn'st they could not save
From error him who owns this grave,
Be every harsher thought suppress'd,
And sacred be the last long rest.
Here, where the end of earthly things
Lays heroes, patriots, bards, and kings;
Where stiff the hand, and still the tongue,
Of those who fought, and spoke, and sung;
Here, where the fretted vaults prolong
The distant notes of holy song,
As if some angel spoke agen,
'All peace on earth, good-will to men';
If ever from an English heart,
O, here let prejudice depart,
And, partial feeling cast aside,
Record that Fox a Briton died!
When Europe crouch'd to France's yoke,
And Austria bent, and Prussia broke,
And the firm Russian's purpose brave
Was barter'd by a timorous slave--
Even then dishonour's peace he spurn'd,
The sullied olive-branch return'd,
Stood for his country's glory fast,
And nail'd her colours to the mast!
Heaven, to reward his firmness, gave
A portion in this honour'd grave;
And ne'er held marble in its trust
Of two such wondrous men the dust.
With more than mortal powers endow'd,
How high they soar'd above the crowd!
Theirs was no common party race,
Jostling by dark intrigue for place;
Like fabled gods, their mighty war
Shook realms and nations in its jar;
Beneath each banner proud to stand,
Look'd up the noblest of the land,
Till through the British world were known
The names of PITT and Fox alone.
Spells of such force no wizard grave
E'er framed in dark Thessalian cave,
Though his could drain the ocean dry,
And force the planets from the sky.
These spells are spent, and, spent with these,
The wine of life is on the lees.
Genius, and taste, and talent gone,
For ever tomb'd beneath the stone,
Where--taming thought to human pride!--
The mighty chiefs sleep side by side.
Drop upon Fox's grave the tear,
'Twill trickle to his rival's bier;
O'er PITT'S the mournful requiem sound,
And Fox's shall the notes rebound.
The solemn echo seems to cry,
'Here let their discord with them die.
Speak not for those a separate doom
Whom fate made Brothers in the tomb;
But search the land of living men,
Where wilt thou find their like agen?'
|
Written by
Joyce Kilmer |
(In memory of Joseph Mary Plunkett)
("Romantic Ireland's dead and gone,
It's with O'Leary in the grave.")
William Butler Yeats.
"Romantic Ireland's dead and gone,
It's with O'Leary in the grave."
Then, Yeats, what gave that Easter dawn
A hue so radiantly brave?
There was a rain of blood that day,
Red rain in gay blue April weather.
It blessed the earth till it gave birth
To valour thick as blooms of heather.
Romantic Ireland never dies!
O'Leary lies in fertile ground,
And songs and spears throughout the years
Rise up where patriot graves are found.
Immortal patriots newly dead
And ye that bled in bygone years,
What banners rise before your eyes?
What is the tune that greets your ears?
The young Republic's banners smile
For many a mile where troops convene.
O'Connell Street is loudly sweet
With strains of Wearing of the Green.
The soil of Ireland throbs and glows
With life that knows the hour is here
To strike again like Irishmen
For that which Irishmen hold dear.
Lord Edward leaves his resting place
And Sarsfield's face is glad and fierce.
See Emmet leap from troubled sleep
To grasp the hand of Padraic Pearse!
There is no rope can strangle song
And not for long death takes his toll.
No prison bars can dim the stars
Nor quicklime eat the living soul.
Romantic Ireland is not old.
For years untold her youth will shine.
Her heart is fed on Heavenly bread,
The blood of martyrs is her wine.
|
Written by
Walt Whitman |
1
SUDDENLY, out of its stale and drowsy lair, the lair of slaves,
Like lightning it le’pt forth, half startled at itself,
Its feet upon the ashes and the rags—its hands tight to the throats of kings.
O hope and faith!
O aching close of exiled patriots’ lives!
O many a sicken’d heart!
Turn back unto this day, and make yourselves afresh.
And you, paid to defile the People! you liars, mark!
Not for numberless agonies, murders, lusts,
For court thieving in its manifold mean forms, worming from his simplicity the poor
man’s
wages,
For many a promise sworn by royal lips, and broken, and laugh’d at in the breaking,
Then in their power, not for all these, did the blows strike revenge, or the heads of the
nobles fall;
The People scorn’d the ferocity of kings.
2
But the sweetness of mercy brew’d bitter destruction, and the frighten’d
monarchs
come back;
Each comes in state, with his train—hangman, priest, tax-gatherer,
Soldier, lawyer, lord, jailer, and sycophant.
Yet behind all, lowering, stealing—lo, a Shape,
Vague as the night, draped interminably, head, front and form, in scarlet folds,
Whose face and eyes none may see,
Out of its robes only this—the red robes, lifted by the arm,
One finger, crook’d, pointed high over the top, like the head of a snake appears.
3
Meanwhile, corpses lie in new-made graves—bloody corpses of young men;
The rope of the gibbet hangs heavily, the bullets of princes are flying, the creatures of
power
laugh aloud,
And all these things bear fruits—and they are good.
Those corpses of young men,
Those martyrs that hang from the gibbets—those hearts pierc’d by the gray lead,
Cold and motionless as they seem, live elsewhere with unslaughter’d vitality.
They live in other young men, O kings!
They live in brothers, again ready to defy you!
They were purified by death—they were taught and exalted.
Not a grave of the murder’d for freedom, but grows seed for freedom, in its turn to
bear
seed,
Which the winds carry afar and re-sow, and the rains and the snows nourish.
Not a disembodied spirit can the weapons of tyrants let loose,
But it stalks invisibly over the earth, whispering, counseling, cautioning.
4
Liberty! let others despair of you! I never despair of you.
Is the house shut? Is the master away?
Nevertheless, be ready—be not weary of watching;
He will soon return—his messengers come anon.
|
Written by
Robert Burns |
I SING of a Whistle, a Whistle of worth,
I sing of a Whistle, the pride of the North.
Was brought to the court of our good Scottish King,
And long with this Whistle all Scotland shall ring.
Old Loda, still rueing the arm of Fingal,
The god of the bottle sends down from his hall—
“The Whistle’s your challenge, to Scotland get o’er,
And drink them to hell, Sir! or ne’er see me more!”
Old poets have sung, and old chronicles tell,
What champions ventur’d, what champions fell:
The son of great Loda was conqueror still,
And blew on the Whistle their requiem shrill.
Till Robert, the lord of the Cairn and the Scaur,
Unmatch’d at the bottle, unconquer’d in war,
He drank his poor god-ship as deep as the sea;
No tide of the Baltic e’er drunker than he.
Thus Robert, victorious, the trophy has gain’d;
Which now in his house has for ages remain’d;
Till three noble chieftains, and all of his blood,
The jovial contest again have renew’d.
Three joyous good fellows, with hearts clear of flaw
Craigdarroch, so famous for with, worth, and law;
And trusty Glenriddel, so skill’d in old coins;
And gallant Sir Robert, deep-read in old wines.
Craigdarroch began, with a tongue smooth as oil,
Desiring Downrightly to yield up the spoil;
Or else he would muster the heads of the clan,
And once more, in claret, try which was the man.
“By the gods of the ancients!” Downrightly replies,
“Before I surrender so glorious a prize,
I’ll conjure the ghost of the great Rorie More,
And bumper his horn with him twenty times o’er.”
Sir Robert, a soldier, no speech would pretend,
But he ne’er turn’d his back on his foe, or his friend;
Said, “Toss down the Whistle, the prize of the field,”
And, knee-deep in claret, he’d die ere he’d yield.
To the board of Glenriddel our heroes repair,
So noted for drowning of sorrow and care;
But, for wine and for welcome, not more known to fame,
Than the sense, wit, and taste, of a sweet lovely dame.
A bard was selected to witness the fray,
And tell future ages the feats of the day;
A Bard who detested all sadness and spleen,
And wish’d that Parnassus a vineyard had been.
The dinner being over, the claret they ply,
And ev’ry new cork is a new spring of joy;
In the bands of old friendship and kindred so set,
And the bands grew the tighter the more they were wet.
Gay Pleasure ran riot as bumpers ran o’er:
Bright Phoebus ne’er witness’d so joyous a core,
And vow’d that to leave them he was quite forlorn,
Till Cynthia hinted he’d see them next morn.
Six bottles a-piece had well wore out the night,
When gallant Sir Robert, to finish the fight,
Turn’d o’er in one bumper a bottle of red,
And swore ’twas the way that their ancestor did.
Then worthy Glenriddel, so cautious and sage,
No longer the warfare ungodly would wage;
A high Ruling Elder to wallow in wine;
He left the foul business to folks less divine.
The gallant Sir Robert fought hard to the end;
But who can with Fate and quart bumpers contend!
Though Fate said, a hero should perish in light;
So uprose bright Phoebus-and down fell the knight.
Next uprose our Bard, like a prophet in drink:—
“Craigdarroch, thou’lt soar when creation shall sink!
But if thou would flourish immortal in rhyme,
Come—one bottle more—and have at the sublime!
“Thy line, that have struggled for freedom with Bruce,
Shall heroes and patriots ever produce:
So thine be the laurel, and mine be the bay;
The field thou hast won, by yon bright god of day!”
|
Written by
Thomas Moore |
'Twas grav'd on the Stone of Destiny,
In letters four, and letters three;
And ne'er did the King of the Gulls go by
But those awful letters scar'd his eye;
For he knew that a Prophet Voice had said
"As long as those words by man were read,
The ancient race of the Gulls should ne'er
One hour of peace or plenty share."
But years and years successive flew
And the letters still more legible grew, --
At top, a T, an H, an E,
And underneath, D. E. B. T.
Some thought them Hebrew, -- such as Jews,
More skill'd in Scrip than Scripture use;
While some surmis'd 'twas an ancient way
Of keeping accounts, (well known in the day
Of the fam'd Didlerius Jeremias,
Who had thereto a wonderful bias,)
And prov'd in books most learnedly boring,
'Twas called the Pontick way of scoring.
Howe'er this be, there never were yet
Seven letters of the alphabet,
That, 'twixt them form'd so grim a spell,
Or scar'd a Land of Gulls so well,
As did this awful riddle-me-ree
Of T.H.E.D.E.B.T.
Hark! - it is struggling Freedom's cry;
"Help, help, ye nations, or I die;
'Tis freedom's fight, and on the field
Where I expire, your doom is seal'd."
The Gull-King hears the awakening call,
He hath summon'd his Peers and Patriots all,
And he asks, "Ye noble Gulls, shall we
Stand basely by at the fall of the Free,
Nor utter a curse, nor deal a blow?"
And they answer, with voice of thunder, "No."
Out fly their flashing swords in the air! -
But, -- why do they rest suspended there?
What sudden blight, what baleful charm,
Hath chill'd each eye and check'd each arm?
Alas! some withering hand hath thrown
The veil from off that fatal stone,
And pointing now, with sapless finger,
Showeth where dark those letters linger, --
Letters four, and letters three,
T.H.E. D.E.B.T.
At sight thereof, each lifted brand
Powerless falls from every hand;
In vain the Patriot knits his brow, --
Even talk, his staple, fails him now.
In vain the King like a hero treads,
His Lords of the Treasury shake their heads;
And to all his talk of "brave and free",
No answer getteth His Majesty
But "T.H.E. D.E.B.T."
In short, the whole Gull nation feels
The're fairly spell-bound, neck and heels;
And so, in the face of the laughing world,
Must e'en sit down, with banners furled,
Adjourning all their dreams sublime
Of glory and war to -- some other time.
|
Written by
William Butler Yeats |
They hold their public meetings where
Our most renowned patriots stand,
One among the birds of the air,
A stumpier on either hand;
And all the popular statesmen say
That purity built up the State
And after kept it from decay;
And let all base ambition be,
For intellect would make us proud
And pride bring in impurity:
The three old rascals laugh aloud.
|
Written by
Thomas Moore |
Shall the Harp then be silent, when he who first gave
To our country a name, is withdrawn from all eyes?
Shall a Minstrel of Erin stand mute by the grave
Where the first -- where the last of her Patriots lies?
No -- faint though the death-song may fall from his lips,
Though his Harp, like his soul, may with shadows be crost,
Yet, yet shall it sound, 'mid a nation's eclipse,
And proclaim to the world what a star hath been lost; --
What a union of all the affections and powers
By which life is exalted, embellish'd, refined,
Was embraced in that spirit -- whose centre was ours,
While its mighty circumference circled mankind.
Oh, who that loves Erin, or who that can see,
Through the waste of her annals, that epoch sublime --
Like a pyramid raised in the desert -- where he
And his glory stand out to the eyes of all time;
That one lucid interval, snatch'd from the gloom
And the madness of ages, when fill'd with his soul,
A Nation o'erleap'd the dark bounds of her doom,
And for one sacred instant, touch'd Liberty's goal?
Who, that ever hath heard him -- hath drunk at the source
Of that wonderful eloquence, all Erin's own,
In whose high-thoughted daring, the fire, and the force,
And the yet untamed spring of her spirit are shown?
An eloquence rich, wheresoever its wave
Wander'd free and triumphant, with thoughts that shone through
As clear as the brook's "stone of lustre," and gave,
With the flash of the gem, its solidity too.
Who, what ever approach'd him, when free from the crowd,
In a home full of love, he delighted to read
'Mong the trees which a nation had given, and which bow'd,
As if each brought a new civic crown for his head --
Is there one, who hath thus, through his orbit of life
But at distance observed him -- through glory, through blame,
In the calm of retreat, in the grandeur of strife,
Whether shining or clouded, still high and the same? --
Oh no, not a heart that e'er knew him but mourns
Deep, deep, o'er the grave where such glory is shrined --
O'er a monument Fame will preserve 'mong the urns
Of the wisest, the bravest, the best of mankind!
|