Written by
Andre Breton |
Less time than it takes to say it, less tears than it takes to die; I've taken account of everything,
there you have it.
I've made a census of the stones, they are as numerous as my fingers and some
others; I've distributed some pamphlets to the plants, but not all were willing to accept them.
I've
kept company with music for a second only and now I no longer know what to think of suicide, for
if I ever want to part from myself, the exit is on this side and, I add mischievously, the entrance, the
re-entrance is on the other.
You see what you still have to do.
Hours, grief, I don't keep a
reasonable account of them; I'm alone, I look out of the window; there is no passerby, or rather no
one passes (underline passes).
You don't know this man? It's Mr.
Same.
May I introduce Madam
Madam? And their children.
Then I turn back on my steps, my steps turn back too, but I don't
know exactly what they turn back on.
I consult a schedule; the names of the towns have been
replaced by the names of people who have been quite close to me.
Shall I go to A, return to B,
change at X? Yes, of course I'll change at X.
Provided I don't miss the connection with boredom!
There we are: boredom, beautiful parallels, ah! how beautiful the parallels are under God's
perpendicular.
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Written by
Richard Brautigan |
Less time than it takes to say it, less tears than it takes to die; I've taken account
of everything, there you have it.
I've made a census of the stones, they are as numerous
as my fingers and some others; I've distributed some pamphelts to the plants, but not all
were willing to accpet them.
I've kept company with music for a second only and now I no
longer know what to think of suicide, for if I ever want to part from myself, the exit is
on this side and, I add mischievously, the entrance, the re-entrance is on the other.
You
see what you still have to do.
Hours, grief, I don't keep a reasonable account of them;
I'm alone, I look out of the window; there is no passerby, or rather no one passes
(underline passes).
You don't know this man? It's Mr.
Same.
May I introduce Madam Madam? And their children.
Then I turn back on my steps, my steps
turn back too, but I don't know exactly what they turn back on.
I consult a schedule; the
names of the towns have been replaced by the names of people who have been quite close to
me.
Shall I go to A, return to B, change at X? Yes, of course I'll change at X.
Provided I
don't miss the connection with boredom! There we are: boredom, beautiful parallels, ah!
how beautiful the parallels are under God's perpendicular.
|
Written by
Du Fu |
Wagons rumble rumble
Hhorses whinny whinny
Foot person bow arrow each at waist
Father mother wife children go mutual see off
Dust dust not see Xianyang bridge
Pull clothes stamp foot bar way weep
Weep sound directly up strike clouds clouds
Road side passerby ask foot person
Foot person only say mark down often
Some from ten five north guard river
Even until four ten west army fields
Leave time village chief give bind head
Return come head white go back garrison border
Border post shed blood become sea water
Warlike emperor expand border idea no end
Gentleman not see Han homes hill east two hundred districts
1000 villages 10000 hamlets grow thorns trees
Though be strong women hold hoe plough
Seed grow dyked field not order
Besides again Qin soldier withstand bitter fighting
Be driven not different dogs and chickens
Venerable elder though be ask
Battle person dare state bitterness
Even like this year winter
Not stop pass west soldier
District official urgent demand tax
Tax tax way how pay
True know produce males bad
Contrast be produce females good
Produce female still get married neighbour
Produce male bury follow hundred grass
Gentleman not see Qinghai edge
Past come white skeleton no person gather
New ghost vexed injustice old ghosts weep
Heaven dark rain wet sound screech screech The wagons rumble and roll,
The horses whinny and neigh,
The conscripts each have bows and arrows at their waists.
Their parents, wives and children run to see them off,
So much dust's stirred up, it hides the Xianyang bridge.
They pull clothes, stamp their feet and, weeping, bar the way,
The weeping voices rise straight up and strike the clouds.
A passer-by at the roadside asks a conscript why,
The conscript answers only that drafting happens often.
"At fifteen, many were sent north to guard the river,
Even at forty, they had to till fields in the west.
When we went away, the elders bound our heads,
Returning with heads white, we're sent back off to the frontier.
At the border posts, shed blood becomes a sea,
The martial emperor's dream of expansion has no end.
Have you not seen the two hundred districts east of the mountains,
Where thorns and brambles grow in countless villages and hamlets?
Although there are strong women to grasp the hoe and the plough,
They grow some crops, but there's no order in the fields.
What's more, we soldiers of Qin withstand the bitterest fighting,
We're always driven onwards just like dogs and chickens.
Although an elder can ask me this,
How can a soldier dare to complain?
Even in this winter time,
Soldiers from west of the pass keep moving.
The magistrate is eager for taxes,
But how can we afford to pay?
We know now having boys is bad,
While having girls is for the best;
Our girls can still be married to the neighbours,
Our sons are merely buried amid the grass.
Have you not seen on the border of Qinghai,
The ancient bleached bones no man's gathered in?
The new ghosts are angered by injustice, the old ghosts weep,
Moistening rain falls from dark heaven on the voices' screeching.
"
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Written by
Robert Desnos |
I have dreamed of you so much that you are no longer real.
Is there still time for me to reach your breathing body, to kiss your mouth and make
your dear voice come alive again?
I have dreamed of you so much that my arms, grown used to being crossed on my
chest as I hugged your shadow, would perhaps not bend to the shape of your body.
For faced with the real form of what has haunted me and governed me for so many
days and years, I would surely become a shadow.
O scales of feeling.
I have dreamed of you so much that surely there is no more time for me to wake up.
I sleep on my feet prey to all the forms of life and love, and you, the only one who
counts for me today, I can no more touch your face and lips than touch the lips and
face of some passerby.
I have dreamed of you so much, have walked so much, talked so much, slept so much
with your phantom, that perhaps the only thing left for me is to become a phantom
among phantoms, a shadow a hundred times more shadow than the shadow the
moves and goes on moving, brightly, over the sundial of your life.
|
Written by
Anne Sexton |
It comes oozing
out of flowers at night,
it comes out of the rain
if a snake looks skyward,
it comes out of chairs and tables
if you don't point at them and say their names.
It comes into your mouth while you sleep,
pressing in like a washcloth.
Beware.
Beware.
If you meet a cross-eyed person
you must plunge into the grass,
alongside the chilly ants,
fish through the green fingernails
and come up with the four-leaf clover
or your blood with congeal
like cold gravy.
If you run across a horseshoe,
passerby,
stop, take your hands out of your pockets
and count the nails
as you count your children
or your money.
Otherwise a sand flea will crawl in your ear
and fly into your brain
and the only way you'll keep from going mad
is to be hit with a hammer every hour.
If a hunchback is in the elevator with you
don't turn away,
immediately touch his hump
for his child will be born from his back tomorrow
and if he promptly bites the baby's nails off
(so it won't become a thief)
that child will be holy
and you, simple bird that you are,
may go on flying.
When you knock on wood,
and you do,
you knock on the Cross
and Jesus gives you a fragment of His body
and breaks an egg in your toilet,
giving up one life
for one life.
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