Written by
Elizabeth Bishop |
From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,
where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;
where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;
on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,
through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;
down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms,
to the farm, to the dog.
The bus starts. The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.
Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;
the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.
One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.
A pale flickering. Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.
On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.
A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night. Yes, sir,
all the way to Boston."
She regards us amicably.
Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.
The passengers lie back.
Snores. Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .
In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices
uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;
deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.
He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.
"Yes . . ." that peculiar
affirmative. "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."
Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.
Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."
Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
|
Written by
Walt Whitman |
1
OVER the western sea, hither from Niphon come,
Courteous, the swart-cheek’d two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,
Ride to-day through Manhattan.
Libertad!
I do not know whether others behold what I behold,
In the procession, along with the nobles of Asia, the errand-bearers,
Bringing up the rear, hovering above, around, or in the ranks marching;
But I will sing you a song of what I behold, Libertad.
2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love;
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes;
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
delicate thin haze;
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
colors;
When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows;
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
densest;
When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
thousands
at a time;
When the guests from the islands advance—when the pageant moves forward, visible;
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
them.
3
Superb-faced Manhattan!
Comrade Americanos!—to us, then, at last, the Orient comes.
To us, my city,
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
between,
To-day our Antipodes comes.
The Originatress comes,
The nest of languages, the bequeather of poems, the race of eld,
Florid with blood, pensive, rapt with musings, hot with passion,
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes,
The race of Brahma comes!
4
See, my cantabile! these, and more, are flashing to us from the procession;
As it moves, changing, a kaleidoscope divine it moves, changing, before us.
For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
dead,
The murky night morning of wonder and fable, inscrutable,
The envelop’d mysteries, the old and unknown hive-bees,
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients,
Vast desolated cities—the gliding Present—all of these, and more, are in the
pageant-procession.
Geography, the world, is in it;
The Great Sea, the brood of islands, Polynesia, the coast beyond;
The coast you, henceforth, are facing—you Libertad! from your Western golden shores
The countries there, with their populations—the millions en-masse, are curiously here;
The swarming market places—the temples, with idols ranged along the sides, or at the
end—bonze,
brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman;
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors,
Confucius himself—the great poets and heroes—the warriors, the castes, all,
Trooping up, crowding from all directions—from the Altay mountains,
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia;
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me,
And I am seiz’d by them, and friendlily held by them,
Till, as here, them all I chant, Libertad! for themselves and for you.
5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant;
I chant the world on my Western Sea;
I chant, copious, the islands beyond, thick as stars in the sky;
I chant the new empire, grander than any before—As in a vision it comes to me;
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
sea-islands;
I chant my sail-ships and steam-ships threading the archipelagoes;
I chant my stars and stripes fluttering in the wind;
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;
Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
be,
Commencing from this day, surrounded by the world.
6
And you, Libertad of the world!
You shall sit in the middle, well-pois’d, thousands of years;
As to-day, from one side, the nobles of Asia come to you;
As to-morrow, from the other side, the Queen of England sends her eldest son to you.
7
The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done;
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
whole
box.
8
Young Libertad!
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all;
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
to
you;
Bend your proud neck low for once, young Libertad.
9
Were the children straying westward so long? so wide the tramping?
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
reasons?
They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
travel toward you thence;
They shall now also march obediently eastward, for your sake, Libertad.
|
Written by
T S (Thomas Stearns) Eliot |
There's a whisper down the line at 11.39
When the Night Mail's ready to depart,
Saying "Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can't start."
All the guards and all the porters and the stationmaster's daughters
They are searching high and low,
Saying "Skimble where is Skimble for unless he's very nimble
Then the Night Mail just can't go."
At 11.42 then the signal's nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he'll saunter to the rear:
He's been busy in the luggage van!
He gives one flash of his glass-green eyes
And the signal goes "All Clear!"
And we're off at last for the northern part
Of the Northern Hemisphere!
You may say that by and large it is Skimble who's in charge
Of the Sleeping Car Express.
From the driver and the guards to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travellers in the First and the Third;
He establishes control by a regular patrol
And he'd know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it's certain that he doesn't approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He's a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.
Oh, it's very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there's not a speck of dust on the floor.
There is every sort of light-you can make it dark or bright;
There's a handle that you turn to make a breeze.
There's a funny little basin you're supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
"Do you like your morning tea weak or strong?"
But Skimble's just behind him and was ready to remind him,
For Skimble won't let anything go wrong.
And when you creep into your cosy berth
And pull up the counterpane,
You ought to reflect that it's very nice
To know that you won't be bothered by mice—
You can leave all that to the Railway Cat,
The Cat of the Railway Train!
In the watches of the night he is always fresh and bright;
Every now and then he has a cup of tea
With perhaps a drop of Scotch while he's keeping on the watch,
Only stopping here and there to catch a flea.
You were fast asleep at Crewe and so you never knew
That he was walking up and down the station;
You were sleeping all the while he was busy at Carlisle,
Where he greets the stationmaster with elation.
But you saw him at Dumfries, where he speaks to the police
If there's anything they ought to know about:
When you get to Gallowgate there you do not have to wait—
For Skimbleshanks will help you to get out!
He gives you a wave of his long brown tail
Which says: "I'll see you again!
You'll meet without fail on the Midnight Mail
The Cat of the Railway Train."
|
Written by
William Topaz McGonagall |
'Twas in the year of 1869, and on the 19th of November,
Which the people in Southern Germany will long remember,
The great rain-storm which for twenty hours did pour down,
That the rivers were overflowed and petty streams all around.
The rain fell in such torrents as had never been seen before,
That it seemed like a second deluge, the mighty torrents' roar,
At nine o'clock at night the storm did rage and moan
When Carl Springel set out on his crutches all alone --
From the handsome little hut in which he dwelt,
With some food to his father, for whom he greatly felt,
Who was watching at the railway bridge,
Which was built upon a perpendicular rocky ridge.
The bridge was composed of iron and wooden blocks,
And crossed o'er the Devil's Gulch, an immense cleft of rocks,
Two hundred feet wide and one hundred and fifty feet deep,
And enough to make one's flesh to creep.
Far beneath the bridge a mountain-stream did boil and rumble,
And on that night did madly toss and tumble;
Oh! it must have been an awful sight
To see the great cataract falling from such a height.
It was the duty of Carl's father to watch the bridge on stormy nights,
And warn the on-coming trains of danger with the red lights;
So, on this stormy night, the boy Carl hobbled along
Slowly and fearlessly upon his crutches, because he wasn't strong.
He struggled on manfully with all his might
Through the fearful darkness of the night,
And half-blinded by the heavy rain,
But still resolved the bridge to gain.
But when within one hundred yards of the bridge, it gave way with an awful crash,
And fell into the roaring flood below, and made a fearful splash,
Which rose high above the din of the storm,
The like brave Carl never heard since he was born.
Then; 'Father! father!' cried Carl in his loudest tone,
'Father! father!' he shouted again in very pitiful moans;
But no answering voice did reply,
Which caused him to heave a deep-fetched sigh.
And now to brave Carl the truth was clear
That he had lost his father dear,
And he cried, 'My poor father's lost, and cannot be found,
He's gone down with the bridge, and has been drowned.'
But he resolves to save the on-coming train,
So every nerve and muscle he does strain,
And he trudges along dauntlessly on his crutches,
And tenaciously to them he clutches.
And just in time he reaches his father's car
To save the on-coming train from afar,
So he seizes the red light, and swings it round,
And cried with all his might, 'The bridge is down! The bridge is down!'
So forward his father's car he drives,
Determined to save the passengers' lives,
Struggling hard with might and main,
Hoping his struggle won't prove in vain.
So on comes the iron-horse snorting and rumbling,
And the mountain-torrent at the bridge kept roaring and tumbling;
While brave Carl keeps shouting, 'The bridge is down! The bridge is down!'
He cried with a pitiful wail and sound.
But, thank heaven, the engine-driver sees the red light
That Carl keeps swinging round his head with all his might;
But bang! bang! goes the engine with a terrible crash,
And the car is dashed all to smash.
But the breaking of the car stops the train,
And poor Carl's struggle is not in vain;
But, poor soul, he was found stark dead,
Crushed and mangled from foot to head!
And the passengers were all loud in Carl's praise,
And from the cold wet ground they did him raise,
And tears for brave Carl fell silently around,
Because he had saved two hundred passengers from being drowned.
In a quiet village cemetery he now sleeps among the silent dead,
In the south of Germany, with a tombstone at his head,
Erected by the passengers he saved in the train,
And which to his memory will long remain.
|
Written by
Anne Sexton |
If you danced from midnight
to six A.M. who would understand?
The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.
The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing "That ole Ace down in the hole,"
would understand.
The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.
The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.
The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.M. and then lets you sit
holding the phone while he vomits
(he calls it "The Night of the Long Knives")
getting his kicks out of the death call,
would understand.
The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.
The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you "we"
and keeps vigil like a ballistic missile,
would understand.
Once
this king had twelve daughters,
each more beautiful than the other.
They slept together, bed by bed
in a kind of girls' dormitory.
At night the king locked and bolted the door
. How could they possibly escape?
Yet each morning their shoes
were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation
that anyone who could discover
where the princesses did their dancing
could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried,
each sitting outside the dormitory,
the door ajar so he could observe
what enchantment came over the shoes.
But each time the twelve dancing princesses
gave the snoopy man a Mickey Finn
and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier
heard about these strange goings on
and decided to give it a try.
On his way to the castle
he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine
and gave him a cloak that would make
him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine
but he fastened a sponge beneath his chin,
looking the opposite of Andy Gump.
The sponge soaked up the wine,
and thus he stayed awake.
He feigned sleep however
and the princesses sprang out of their beds
and fussed around like a Miss America Contest.
Then the eldest went to her bed
and knocked upon it and it sank into the earth.
They descended down the opening
one after the other. They crafty soldier
put on his invisisble cloak and followed.
Yikes, said the youngest daughter,
something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees,
each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break
and said, Oof! Who goes there?
But the oldest said, Those are
the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell
and the youngest said: Wait up! He is here!
But the oldest said: Trumpets, my dear.
Next they came to a lake where lay
twelve boats with twelve enchanted princes
waiting to row them to the underground castle.
The soldier sat in the youngest's boat
and the boat was as heavy as if an icebox
had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland
as if those tickets would run right out.
They were painted in kisses with their secret hair
and though the soldier drank from their cups
they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up
naked and angry and so they returned
by the same strange route. The soldier
went forward through the dormitory and into
his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery
like blood in a wound, his purpose brutal
as if facing a battle, hurried with his answer
as if to the Sphinx. The shoes! The shoes!
The soldier told. He brought forth
the silver leaf, the diamond the size of a plum.
He had won. The dancing shoes would dance
no more. The princesses were torn from
their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes
and sagged like old sweatshirts.
Now the runaways would run no more and never
again would their hair be tangled into diamonds,
never again their shoes worn down to a laugh,
never the bed falling down into purgatory
to let them climb in after
with their Lucifer kicking.
|
Written by
Annie Dillard |
New York: You take a train that rips through versts.
It feels as if the trains were running over your ears.
For many hours the train flies along the banks
of the Hudson about two feet from the water. At the stops,
passengers run out, buy up bunches of celery,
and run back in, chewing the stalks as they go.
Bridges leap over the train with increasing frequency.
At each stop an additional story grows
onto the roofs. Finally houses with squares
and dots of windows rise up. No matter how far
you throw back your head, there are no tops.
Time and again, the telegraph poles are made
of wood. Maybe it only seems that way.
In the narrow canyons between the buildings, a sort
of adventurer-wind howls and runs away
along the versts of the ten avenues. Below
flows a solid human mass. Only their yellow
waterproof slickers hiss like samovars and blaze.
The construction rises and with it the crane, as if
the building were being lifted up off the ground
by its pigtail. It is hard to take it seriously.
The buildings are glowing with electricity; their evenly
cut-out windows are like a stencil. Under awnings
the papers lie in heaps, delivered by trucks.
It is impossible to tear oneself away from this spectacle.
At midnight those leaving the theaters drink a last soda.
Puddles of rain stand cooling. Poor people scavenge
bones. In all directions is a labyrinth of trains
suffocated by vaults. There is no hope, your eyes
are not accustomed to seeing such things.
They are starting to evolve an American gait out
of the cautious steps of the Indians on the paths of empty
Manhattan. Maybe it only seems that way.
|
Written by
Alec Derwent (A D) Hope |
To be put on the train and kissed and given my ticket,
Then the station slid backward, the shops and the neon lighting,
Reeling off in a drunken blur, with a whole pound note in my pocket
And the holiday packed with Perhaps. It used to be very exciting.
The present and past were enough. I did not mind having my back
To the engine. I sat like a spider and spun
Time backward out of my guts - or rather my eyes - and the track
Was a Now dwindling off to oblivion. I thought it was fun:
The telegraph poles slithered up in a sudden crescendo
As we sliced the hill and scattered its grazing sheep;
The days were a wheeling delirium that led without end to
Nights when we plunged into roaring tunnels of sleep.
But now I am tired of the train. I have learned that one tree
Is much like another, one hill the dead spit of the next
I have seen tailing off behind all the various types of country
Like a clock running down. I am bored and a little perplexed;
And weak with the effort of endless evacuation
Of the long monotonous Now, the repetitive, tidy
Officialdom of each siding, of each little station
Labelled Monday, Tuesday - and goodness ! what happened to - Friday ?
And the maddening way the other passengers alter:
The schoolgirl who goes to the Ladies' comes back to her seat
A lollipop blonde who leads you on to assault her,
And you've just got her skirts round her waist and her pants round her feet
When you find yourself fumbling about the nightmare knees
Of a pink hippopotamus with a permanent wave
Who sends you for sandwiches and a couple of teas,
But by then she has whiskers, no teeth and one foot in the grave.
I have lost my faith that the ticket tells where we are going.
There are rumours the driver is mad - we are all being trucked
To the abattoirs somewhere - the signals are jammed and unknowing
We aim through the night full speed at a wrecked viaduct.
But I do not believe them. The future is rumour and drivel;
Only the past is assured. From the observation car
I stand looking back and watching the landscape shrivel,
Wondering where we are going and just where the hell we are,
Remembering how I planned to break the journey, to drive
My own car one day, to have choice in my hands and my foot upon power,
To see through the trumpet throat of vertiginous perspective
My urgent Now explode continually into flower,
To be the Eater of Time, a poet and not that sly
Anus of mind the historian. It was so simple and plain
To live by the sole, insatiable influx of the eye.
But something went wrong with the plan: I am still on the train.
|
Written by
Lascelles Abercrombie |
Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.
I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. —
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills
And stumbling forward spilt over his shoulders
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.
For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply
Their shovelling hands in earth
As nimbly as the strokes
Of a swimmer in a long dive under water.
The meadows in the sun are twice as green
For all the scatter of fresh red mounded earth,
The mischief of the moles:
No dullish red, Glostershire earth new-delved
In April! And I think shows fairest where
These rummaging small rogues have been at work.
If you will look the way the sunlight slants
Making the grass one great green gem of light,
Bright earth, crimson and even
Scarlet, everywhere tracks
The rambling underground affairs of moles:
Though 'tis but kestrel-bay
Looking against the sun.
But here's the happiest light can lie on ground,
Grass sloping under trees
Alive with yellow shine of daffodils!
If quicksilver were gold,
And troubled pools of it shaking in the sun
It were not such a fancy of bickering gleam
As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland
The spring makes golden ways,
Lead here, for here the gold
Grows brightest for our eyes,
And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.
How smooth and quick the year
Spins me the seasons round!
How many days have slid across my mind
Since we had snow pitying the frozen ground!
Then winter sunshine cheered
The bitter skies; the snow,
Reluctantly obeying lofty winds,
Drew off in shining clouds,
Wishing it still might love
With its white mercy the cold earth beneath.
But when the beautiful ground
Lights upward all the air,
Noon thaws the frozen eaves,
And makes the rime on post and paling steam
Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods
The snows slip thudding down,
Scattering in their trail
Bright icy sparkles through the glittering air;
And the fir-branches, patiently bent so long,
Sigh as they lift themselves to rights again.
Then warm moist hours steal in,
Such as can draw the year's
First fragrance from the sap of cherry wood
Or from the leaves of budless violets;
And travellers in lanes
Catch the hot tawny smell
Reynard's damp fur left as he sneakt marauding
Across from gap to gap:
And in the larch woods on the highest boughs
The long-eared owls like grey cats sitting still
Peer down to quiz the passengers below.
Light has killed the winter and all dark dreams.
Now winds live all in light,
Light has come down to earth and blossoms here,
And we have golden minds.
From out the long shade of a road high-bankt,
I came on shelving fields;
And from my feet cascading,
Streaming down the land,
Flickering lavish of daffodils flowed and fell;
Like sunlight on a water thrill'd with haste,
Such clear pale quivering flame,
But a flame even more marvellously yellow.
And all the way to Ryton here I walkt
Ankle-deep in light.
It was as if the world had just begun;
And in a mind new-made
Of shadowless delight
My spirit drank my flashing senses in,
And gloried to be made
Of young mortality.
No darker joy than this
Golden amazement now
Shall dare intrude into our dazzling lives:
Stain were it now to know
Mists of sweet warmth and deep delicious colour,
Those lovable accomplices that come
Befriending languid hours.
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Written by
Philip Levine |
The ship that took my mother to Ellis Island
Eighty-three years ago was named "The Mercy."
She remembers trying to eat a banana
without first peeling it and seeing her first orange
in the hands of a young Scot, a seaman
who gave her a bite and wiped her mouth for her
with a red bandana and taught her the word,
"orange," saying it patiently over and over.
A long autumn voyage, the days darkening
with the black waters calming as night came on,
then nothing as far as her eyes could see and space
without limit rushing off to the corners
of creation. She prayed in Russian and Yiddish
to find her family in New York, prayers
unheard or misunderstood or perhaps ignored
by all the powers that swept the waves of darkness
before she woke, that kept "The Mercy" afloat
while smallpox raged among the passengers
and crew until the dead were buried at sea
with strange prayers in a tongue she could not fathom.
"The Mercy," I read on the yellowing pages of a book
I located in a windowless room of the library
on 42nd Street, sat thirty-one days
offshore in quarantine before the passengers
disembarked. There a story ends. Other ships
arrived, "Tancred" out of Glasgow, "The Neptune"
registered as Danish, "Umberto IV,"
the list goes on for pages, November gives
way to winter, the sea pounds this alien shore.
Italian miners from Piemonte dig
under towns in western Pennsylvania
only to rediscover the same nightmare
they left at home. A nine-year-old girl travels
all night by train with one suitcase and an orange.
She learns that mercy is something you can eat
again and again while the juice spills over
your chin, you can wipe it away with the back
of your hands and you can never get enough.
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Written by
Michael Drayton |
In Ionia whence sprang old poets' fame,
From whom that sea did first derive her name,
The blessed bed whereon the Muses lay,
Beauty of Greece, the pride of Asia,
Whence Archelaus, whom times historify,
First unto Athens brought philosophy:
In this fair region on a goodly plain,
Stretching her bounds unto the bord'ring main,
The mountain Latmus overlooks the sea,
Smiling to see the ocean billows play:
Latmus, where young Endymion used to keep
His fairest flock of silver-fleeced sheep,
To whom Silvanus often would resort,
At barley-brake to see the Satyrs sport;
And when rude Pan his tabret list to sound,
To see the fair Nymphs foot it in a round,
Under the trees which on this mountain grew,
As yet the like Arabia never knew;
For all the pleasures Nature could devise
Within this plot she did imparadise;
And great Diana of her special grace
With vestal rites had hallowed all the place.
Upon this mount there stood a stately grove,
Whose reaching arms to clip the welkin strove,
Of tufted cedars, and the branching pine,
Whose bushy tops themselves do so entwine,
As seem'd, when Nature first this work begun,
She then conspir'd against the piercing sun;
Under whose covert (thus divinely made)
Ph{oe}bus' green laurel flourish'd in the shade,
Fair Venus' myrtle, Mars his warlike fir,
Minerva's olive, and the weeping myrrh,
The patient palm, which thrives in spite of hate,
The poplar, to Alcides consecrate;
Which Nature in such order had disposed,
And therewithal these goodly walks inclosed,
As serv'd for hangings and rich tapestry,
To beautify this stately gallery.
Embroidering these in curious trails along,
The cluster'd grapes, the golden citrons hung,
More glorious than the precious fruit were these,
Kept by the dragon in Hesperides,
Or gorgeous arras in rich colours wrought,
With silk from Afric, or from Indy brought.
Out of this soil sweet bubbling fountains crept,
As though for joy the senseless stones had wept,
With straying channels dancing sundry ways,
With often turns, like to a curious maze;
Which breaking forth the tender grass bedewed,
Whose silver sand with orient pearl was strewed,
Shadowed with roses and sweet eglantine,
Dipping their sprays into this crystalline;
From which the birds the purple berries pruned,
And to their loves their small recorders tuned,
The nightingale, wood's herald of the spring,
The whistling woosel, mavis carolling,
Tuning their trebles to the waters' fall,
Which made the music more angelical;
Whilst gentle Zephyr murmuring among
Kept time, and bare the burthen to the song:
About whose brims, refresh'd with dainty showers,
Grew amaranthus, and sweet gilliflowers,
The marigold, Ph{oe}bus' beloved friend,
The moly, which from sorcery doth defend,
Violet, carnation, balm, and cassia,
Idea's primrose, coronet of may.
Above this grove a gentle fair ascent,
Which by degrees of milk-white marble went:
Upon the top, a paradise was found,
With which Nature this miracle had crown'd,
Empal'd with rocks of rarest precious stone,
Which like the flames of ?tna brightly shone,
And served as lanthorns furnished with light,
To guide the wand'ring passengers by night:
For which fair Ph{oe}be, sliding from her sphere,
Used oft times to come and sport her there,
And from the azure starry-painted sky
Embalm'd the banks with precious lunary:
That now her Maenalus she quite forsook,
And unto Latmus wholly her betook,
And in this place her pleasure us'd to take,
And all was for her sweet Endymion's sake;
Endymion, the lovely shepherds' boy,
Endymion, great Ph{oe}be's only joy,
Endymion, in whose pure-shining eyes
The naked fairies danced the heydegies.
The shag-hair'd Satyrs' mountain-climbing race
Have been made tame by gazing in his face.
For this boy's love, the water-nymphs have wept,
Stealing oft times to kiss him whilst he slept,
And tasting once the nectar of his breath,
Surfeit with sweet, and languish unto death;
And Jove oft-times bent to lascivious sport,
And coming where Endymion did resort,
Hath courted him, inflamed with desire,
Thinking some nymph was cloth'd in boy's attire.
And often-times the simple rural swains,
Beholding him in crossing o'er the plains,
Imagined, Apollo from above
Put on this shape, to win some maiden's love.
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