Written by
Elizabeth Bishop |
The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters,
and when dead strew white swamps with skeletons,
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass.
The state full of long S-shaped birds, blue and white,
and unseen hysterical birds who rush up the scale
every time in a tantrum.
Tanagers embarrassed by their flashiness,
and pelicans whose delight it is to clown;
who coast for fun on the strong tidal currents
in and out among the mangrove islands
and stand on the sand-bars drying their damp gold wings
on sun-lit evenings.
Enormous turtles, helpless and mild,
die and leave their barnacled shells on the beaches,
and their large white skulls with round eye-sockets
twice the size of a man's.
The palm trees clatter in the stiff breeze
like the bills of the pelicans. The tropical rain comes down
to freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia,
parti-colored pectins and Ladies' Ears,
arranged as on a gray rag of rotted calico,
the buried Indian Princess's skirt;
with these the monotonous, endless, sagging coast-line
is delicately ornamented.
Thirty or more buzzards are drifting down, down, down,
over something they have spotted in the swamp,
in circles like stirred-up flakes of sediment
sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes
go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh
until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,
and the careless, corrupt state is all black specks
too far apart, and ugly whites; the poorest
post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:
friendliness, love, mating, war, and a warning--
whimpers and speaks in the throat
of the Indian Princess.
|
Written by
Matthew Prior |
Releas'd from the noise of the butcher and baker
Who, my old friends be thanked, did seldom forsake her,
And from the soft duns of my landlord the Quaker,
From chiding the footmen and watching the lasses,
From Nell that burn'd milk, and Tom that broke glasses
(Sad mischiefs thro' which a good housekeeper passes!)
From some real care but more fancied vexation,
From a life parti-colour'd half reason half passion,
Here lies after all the best wench in the nation.
From the Rhine to the Po, from the Thames to the Rhone,
Joanna or Janneton, Jinny or Joan,
'Twas all one to her by what name she was known.
For the idiom of words very little she heeded,
Provided the matter she drove at succeeded,
She took and gave languages just as she needed.
So for kitchen and market, for bargain and sale,
She paid English or Dutch or French down on the nail,
But in telling a story she sometimes did fail;
Then begging excuse as she happen'd to stammer,
With respect to her betters but none to her grammar,
Her blush helped her out and her jargon became her.
Her habit and mien she endeavor'd to frame
To the different gout of the place where she came;
Her outside still chang'd, but her inside the same:
At the Hague in her slippers and hair as the mode is,
At Paris all falbalow'd fine as a goddess,
And at censuring London in smock sleeves and bodice.
She order'd affairs that few people could tell
In what part about her that mixture did dwell
Of Frow, or Mistress, or Mademoiselle.
For her surname and race let the herald's e'en answer;
Her own proper worth was enough to advance her,
And he who liked her, little value her grandsire.
But from what house so ever her lineage may come
I wish my own Jinny but out of her tomb,
Tho' all her relations were there in her room.
Of such terrible beauty she never could boast
As with absolute sway o'er all hearts rules the roast
When J___ bawls out to the chair for a toast;
But of good household features her person was made,
Nor by faction cried up nor of censure afraid,
And her beauty was rather for use than parade.
Her blood so well mix't and flesh so well pasted
That, tho' her youth faded, her comeliness lasted;
The blue was wore off, but the plum was well tasted.
Less smooth than her skin and less white than her breast
Was this polished stone beneath which she lies pressed:
Stop, reader, and sigh while thou thinkst on the rest.
With a just trim of virtue her soul was endued,
Not affectedly pious nor secretly lewd
She cut even between the coquette and the prude.
Her will with her duty so equally stood
That, seldom oppos'd, she was commonly good,
And did pretty well, doing just what she would.
Declining all power she found means to persuade,
Was then most regarded when most she obey'd,
The mistress in truth when she seem'd but the maid.
Such care of her own proper actions she took
That on other folk's lives she had not time to look,
So censure and praise were struck out of her book.
Her thought still confin'd to its own little sphere,
She minded not who did excel or did err
But just as the matter related to her.
Then too when her private tribunal was rear'd
Her mercy so mix'd with her judgment appear'd
That her foes were condemn'd and her friends always clear'd.
Her religion so well with her learning did suit
That in practice sincere, and in controverse mute,
She showed she knew better to live than dispute.
Some parts of the Bible by heart she recited,
And much in historical chapters delighted,
But in points about Faith she was something short sighted;
So notions and modes she refer'd to the schools,
And in matters of conscience adher'd to two rules,
To advise with no bigots, and jest with no fools.
And scrupling but little, enough she believ'd,
By charity ample small sins she retriev'd,
And when she had new clothes she always receiv'd.
Thus still whilst her morning unseen fled away
In ord'ring the linen and making the tea
That scarce could have time for the psalms of the day;
And while after dinner the night came so soon
That half she propos'd very seldom was done;
With twenty God bless me's, how this day is gone! --
While she read and accounted and paid and abated,
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated,
As answer'd the end of her being created:
In the midst of her age came a cruel disease
Which neither her juleps nor receipts could appease;
So down dropp'd her clay -- may her Soul be at peace!
Retire from this sepulchre all the profane,
You that love for debauch, or that marry for gain,
Retire lest ye trouble the Manes of J___.
But thou that know'st love above int'rest or lust,
Strew the myrle and rose on this once belov'd dust,
And shed one pious tear upon Jinny the Just.
Tread soft on her grave, and do right to her honor,
Let neither rude hand nor ill tongue light upon her,
Do all the small favors that now can be done her.
And when what thou lik'd shall return to her clay,
For so I'm persuaded she must do one day
-- Whatever fantastic John Asgill may say --
When as I have done now, thou shalt set up a stone
For something however distinguished or known,
May some pious friend the misfortune bemoan,
And make thy concern by reflexion his own.
|
Written by
Andrew Marvell |
An Horatian Ode upon Cromwell's Return From Ireland
The forward youth that would appear
Must now forsake his muses dear,
Nor in the shadows sing,
His numbers languishing.
'Tis time to leave the books in dust,
And oil the unus?d armour's rust:
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urg?d his active star.
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side
His fiery way divide.
(For 'tis all one to courage high
The emulous or enemy:
And with such to inclose
Is more than to oppose.)
Then burning through the air he went,
And palaces and temples rent:
And C?sar's head at last
Did through his laurels blast.
'Tis madness to resist or blame
The force of angry heaven's flame:
And, if we would speak true,
Much to the man is due,
Who from his private gardens, where
He lived reserv?d and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of time,
And cast the kingdoms old
Into another mould.
Though justice against fate complain,
And plead the ancient rights in vain:
But those do hold or break
As men are strong or weak.
Nature, that hateth emptiness,
Allows of penetration less:
And therefore must make room
Where greater spirits come.
What field of all the Civil Wars,
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art,
Where, twining subtle fears with hope,
He wove a net of such a scope,
That Charles himself might chase
To Carisbrooke's narrow case:
That then the royal actor born
The tragic scaffold might adorn:
While round the arm?d bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene:
But with his keener eye
The axe's edge did try:
Nor called the gods with vulgar spite
To vindicate his helpless right,
But bowed his comely head,
Down, as upon a bed.
This was that memorable hour
Which first assured the forc?d power.
So when they did design
The Capitol's first line,
A bleeding head where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
And fit for highest trust:
Nor yet grown stiffer with command,
But still in the Republic's hand:
How fit he is to sway
That can so well obey.
He to the Commons feet presents
A kingdom, for his first year's rents:
And, what he may, forbears
His fame, to make it theirs:
And has his sword and spoils ungirt,
To lay them at the public's skirt.
So when the falcon high
Falls heavy from the sky,
She, having killed, no more does search
But on the next green bough to perch,
Where, when he first does lure,
The falc'ner has her sure.
What may not then our isle presume
While Victory his crest does plume?
What may not others fear
If thus he crowns each year?
A C?.sar, he, ere long to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climact?ric be.
The Pict no shelter now whall find
Within his parti-coloured mind,
But from this valour sad
Shrink underneath the plaid:
Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the Wars' and Fortune's son,
March indefatigably on,
And for the last effect
Still keep thy sword erect:
Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.
|
Written by
Alexander Pope |
Close by those meads, for ever crown'd with flow'rs,
Where Thames with pride surveys his rising tow'rs,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom
Of foreign tyrants and of nymphs at home;
Here thou, great Anna! whom three realms obey,
Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort,
To taste awhile the pleasures of a court;
In various talk th' instructive hours they pass'd,
Who gave the ball, or paid the visit last;
One speaks the glory of the British queen,
And one describes a charming Indian screen;
A third interprets motions, looks, and eyes;
At ev'ry word a reputation dies.
Snuff, or the fan, supply each pause of chat,
With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day,
The sun obliquely shoots his burning ray;
The hungry judges soon the sentence sign,
And wretches hang that jury-men may dine;
The merchant from th' Exchange returns in peace,
And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites,
Burns to encounter two adventrous knights,
At ombre singly to decide their doom;
And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join,
Each band the number of the sacred nine.
Soon as she spreads her hand, th' aerial guard
Descend, and sit on each important card:
First Ariel perch'd upon a Matadore,
Then each, according to the rank they bore;
For Sylphs, yet mindful of their ancient race,
Are, as when women, wondrous fond of place.
Behold, four Kings in majesty rever'd,
With hoary whiskers and a forky beard;
And four fair Queens whose hands sustain a flow'r,
Th' expressive emblem of their softer pow'r;
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberds in their hand;
And parti-colour'd troops, a shining train,
Draw forth to combat on the velvet plain.
The skilful nymph reviews her force with care:
"Let Spades be trumps!" she said, and trumps they were.
Now move to war her sable Matadores,
In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord!
Led off two captive trumps, and swept the board.
As many more Manillio forc'd to yield,
And march'd a victor from the verdant field.
Him Basto follow'd, but his fate more hard
Gain'd but one trump and one plebeian card.
With his broad sabre next, a chief in years,
The hoary Majesty of Spades appears;
Puts forth one manly leg, to sight reveal'd;
The rest, his many-colour'd robe conceal'd.
The rebel Knave, who dares his prince engage,
Proves the just victim of his royal rage.
Ev'n mighty Pam, that kings and queens o'erthrew
And mow'd down armies in the fights of loo,
Sad chance of war! now destitute of aid,
Falls undistinguish'd by the victor Spade!
Thus far both armies to Belinda yield;
Now to the baron fate inclines the field.
His warlike Amazon her host invades,
Th' imperial consort of the crown of Spades.
The Club's black tyrant first her victim died,
Spite of his haughty mien, and barb'rous pride:
What boots the regal circle on his head,
His giant limbs, in state unwieldy spread;
That long behind he trails his pompous robe,
And of all monarchs, only grasps the globe?
The baron now his diamonds pours apace;
Th' embroider'd King who shows but half his face,
And his refulgent Queen, with pow'rs combin'd
Of broken troops an easy conquest find.
Clubs, Diamonds, Hearts, in wild disorder seen,
With throngs promiscuous strow the level green.
Thus when dispers'd a routed army runs,
Of Asia's troops, and Afric's sable sons,
With like confusion diff'rent nations fly,
Of various habit, and of various dye,
The pierc'd battalions disunited fall.
In heaps on heaps; one fate o'erwhelms them all.
The Knave of Diamonds tries his wily arts,
And wins (oh shameful chance!) the Queen of Hearts.
At this, the blood the virgin's cheek forsook,
A livid paleness spreads o'er all her look;
She sees, and trembles at th' approaching ill,
Just in the jaws of ruin, and codille.
And now (as oft in some distemper'd state)
On one nice trick depends the gen'ral fate.
An Ace of Hearts steps forth: The King unseen
Lurk'd in her hand, and mourn'd his captive Queen:
He springs to vengeance with an eager pace,
And falls like thunder on the prostrate Ace.
The nymph exulting fills with shouts the sky;
The walls, the woods, and long canals reply.
Oh thoughtless mortals! ever blind to fate,
Too soon dejected, and too soon elate!
Sudden, these honours shall be snatch'd away,
And curs'd for ever this victorious day.
For lo! the board with cups and spoons is crown'd,
The berries crackle, and the mill turns round.
On shining altars of Japan they raise
The silver lamp; the fiery spirits blaze.
From silver spouts the grateful liquors glide,
While China's earth receives the smoking tide.
At once they gratify their scent and taste,
And frequent cups prolong the rich repast.
Straight hover round the fair her airy band;
Some, as she sipp'd, the fuming liquor fann'd,
Some o'er her lap their careful plumes display'd,
Trembling, and conscious of the rich brocade.
Coffee, (which makes the politician wise,
And see through all things with his half-shut eyes)
Sent up in vapours to the baron's brain
New stratagems, the radiant lock to gain.
Ah cease, rash youth! desist ere 'tis too late,
Fear the just gods, and think of Scylla's fate!
Chang'd to a bird, and sent to flit in air,
She dearly pays for Nisus' injur'd hair!
But when to mischief mortals bend their will,
How soon they find fit instruments of ill!
Just then, Clarissa drew with tempting grace
A two-edg'd weapon from her shining case;
So ladies in romance assist their knight
Present the spear, and arm him for the fight.
He takes the gift with rev'rence, and extends
The little engine on his fingers' ends;
This just behind Belinda's neck he spread,
As o'er the fragrant steams she bends her head.
Swift to the lock a thousand sprites repair,
A thousand wings, by turns, blow back the hair,
And thrice they twitch'd the diamond in her ear,
Thrice she look'd back, and thrice the foe drew near.
Just in that instant, anxious Ariel sought
The close recesses of the virgin's thought;
As on the nosegay in her breast reclin'd,
He watch'd th' ideas rising in her mind,
Sudden he view'd, in spite of all her art,
An earthly lover lurking at her heart.
Amaz'd, confus'd, he found his pow'r expir'd,
Resign'd to fate, and with a sigh retir'd.
The peer now spreads the glitt'ring forfex wide,
T' inclose the lock; now joins it, to divide.
Ev'n then, before the fatal engine clos'd,
A wretched Sylph too fondly interpos'd;
Fate urg'd the shears, and cut the Sylph in twain,
(But airy substance soon unites again).
The meeting points the sacred hair dissever
From the fair head, for ever, and for ever!
Then flash'd the living lightning from her eyes,
And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying Heav'n are cast,
When husbands or when lap-dogs breathe their last,
Or when rich China vessels, fall'n from high,
In glitt'ring dust and painted fragments lie!
"Let wreaths of triumph now my temples twine,"
The victor cried, "the glorious prize is mine!
While fish in streams, or birds delight in air,
Or in a coach and six the British fair,
As long at Atalantis shall be read,
Or the small pillow grace a lady's bed,
While visits shall be paid on solemn days,
When num'rous wax-lights in bright order blaze,
While nymphs take treats, or assignations give,
So long my honour, name, and praise shall live!
What time would spare, from steel receives its date,
And monuments, like men, submit to fate!
Steel could the labour of the gods destroy,
And strike to dust th' imperial tow'rs of Troy;
Steel could the works of mortal pride confound,
And hew triumphal arches to the ground.
What wonder then, fair nymph! thy hairs should feel
The conqu'ring force of unresisted steel?"
|
Written by
Andrew Marvell |
The forward youth that would appear
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.
'Tis time to leave the books in dust,
And oil th' unused armour's rust,
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through advent'rous war
Urged his active star:
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side
His fiery way divide.
For 'tis all one to courage high,
The emulous or enemy;
And with such, to enclose
Is more than to oppose.
Then burning through the air he went,
And palaces and temples rent;
And Caesar's head at last
Did through his laurels blast.
'Tis madness to resist or blame
The force of angry Heaven's flame;
And, if we would speak true,
Much to the man is due,
Who, from his private gardens, where
He lived reserved and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of time,
And cast the Kingdom old
Into another mould.
Though Justice against Fate complain,
And plead the ancient Rights in vain:
But those do hold or break
As men are strong or weak.
Nature, that hateth emptiness,
Allows of penetration less;
And therefore must make room
Where greater spirits come.
What field of all the Civil Wars
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art;
Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrook's narrow case;
That thence the Royal Actor borne
The tragic scaffold might adorn:
While round the armed bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try;
Nor called the Gods with vulgar spite
To vindicate his helpless right;
But bowed his comely head
Down as upon a bed.
This was that memorable hour
Which first assured the forced pow'r.
So when they did design
The Capitol's first line,
A Bleeding Head, where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
And fit for highest trust;
Nor yet grown stiffer with command,
But still in the Republic's hand:
How fit he is to sway
That can so well obey!
He to the Commons' feet presents
A kingdom for his first year's rents:
And, what he may, forbears
His fame to make it theirs:
And has his sword and spoils ungirt,
To lay them at the Public's skirt.
So when the falcon high
Falls heavy from the sky,
She, having killed, no more does search,
But on the next green bough to perch,
Where, when he first does lure,
The falcon'r has her sure.
What may not then our Isle presume
While victory his crest does plume!
What may not others fear
If thus he crown each year!
A Caesar he ere long to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climacteric be.
The Pict no shelter now shall find
Within his parti-coloured mind;
But from this valour sad
Shrink underneath the plaid:
Happy if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the War's and Fortune's son,
March indefatigably on;
And for the last effect
Still keep thy sword erect:
Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A pow'r must it maintain.
|
Written by
Arthur Hugh Clough |
Truth is a golden thread, seen here and there
In small bright specks upon the visible side
Of our strange being's parti-coloured web.
How rich the universe! 'Tis a vein of ore
Emerging now and then on Earth's rude breast,
But flowing full below. Like islands set
At distant intervals on Ocean's face,
We see it on our course; but in the depths
The mystic colonnade unbroken keeps
Its faithful way, invisible but sure.
Oh, if it be so, wherefore do we men
Pass by so many marks, so little heeding?
|
Written by
Matthew Prior |
AS doctors give physic by way of prevention,
Mat, alive and in health, of his tombstone took care;
For delays are unsafe, and his pious intention
May haply be never fulfill'd by his heir.
Then take Mat's word for it, the sculptor is paid;
That the figure is fine, pray believe your own eye;
Yet credit but lightly what more may be said,
For we flatter ourselves, and teach marble to lie.
Yet counting as far as to fifty his years,
His virtues and vices were as other men's are;
High hopes he conceived, and he smother'd great fears,
In a life parti-colour'd, half pleasure, half care.
Nor to business a drudge, nor to faction a slave,
He strove to make int'rest and freedom agree;
In public employments industrious and grave,
And alone with his friends, Lord! how merry was he!
Now in equipage stately, now humbly on foot,
Both fortunes he tried, but to neither would trust;
And whirl'd in the round as the wheel turn'd about,
He found riches had wings, and knew man was but dust.
This verse, little polish'd, tho' mighty sincere,
Sets neither his titles nor merit to view;
It says that his relics collected lie here,
And no mortal yet knows too if this may be true.
Fierce robbers there are that infest the highway,
So Mat may be kill'd, and his bones never found;
False witness at court, and fierce tempests at sea,
So Mat may yet chance to be hang'd or be drown'd.
If his bones lie in earth, roll in sea, fly in air,
To Fate we must yield, and the thing is the same;
And if passing thou giv'st him a smile or a tear,
He cares not--yet, prithee, be kind to his fame.
|
Written by
Walter Savage Landor |
Years, many parti-colour’d years,
Some have crept on, and some have flown
Since first before me fell those tears
I never could see fall alone.
Years, not so many, are to come,
Years not so varied, when from you
One more will fall: when, carried home,
I see it not, nor hear Adieu.
|