Written by
Andrei Voznesensky |
My life, like a rocket, makes a parabola
flying in darkness, -- no rainbow for traveler.
There once lived an artist, red-haired Gauguin,
he was a bohemian, a former tradesman.
To get to the Louvre
from the lanes of Montmartre
he circled around
as far as Sumatra!
He had to abandon the madness of money,
the filth of the scholars, the snarl of his honey.
The man overcame the terrestrial gravity,
The priests, drinking beer, would laugh at his "vanity":
"A straight line is short, but it is much too simple,
He'd better depict beds of roses for people.
"
And yet, like a rocket, he flew off with ease
through winds penetrating his coat and his ears.
He didn't fetch up to the Louvre through the door
but, like a parabola,
pierced the floor!
Each gets to the truth with his own parameter
a worm finds a crack, man makes a parabola.
There once lived a girl in the neighboring house.
We studied together, through books we would browse.
Why did I leave,
moved by devilish powers
amidst the equivocal
Georgian stars!
I'm sorry for making that silly parabola,
The shivering shoulders in darkness, why trouble her?.
.
.
Your rings in the dark Universe were dramatic,
and like an antenna, straight and elastic.
Meanwhile I'm flying
to land here because
I hear your earthly and shivering calls.
It doesn't come easy with a parabola!.
.
For wiping prediction, tradition, preamble off
Art, History, Love and ?esthetics
Prefer
to take parabolical paths, as it were!
He leaves for Siberia now, on a visit.
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It isn't so long as parabola, is it?
© Copyright Alec Vagapov's translation
|
Written by
Alec Derwent (A D) Hope |
Year after year the princess lies asleep
Until the hundred years foretold are done,
Easily drawing her enchanted breath.
Caught on the monstrous thorns around the keep,
Bones of the youths who sought her, one by one
Rot loose and rattle to the ground beneath.
But when the Destined Lover at last shall come,
For whom alone Fortune reserves the prize
The thorns give way; he mounts the cobwebbed stair
Unerring he finds the tower, the door, the room,
The bed where, waking at his kiss she lies
Smiling in the loose fragrance of her hair.
That night, embracing on the bed of state,
He ravishes her century of sleep
And she repays the debt of that long dream;
Future and Past compose their vast debate;
His seed now sown, her harvest ripe to reap
Enact a variation on the theme.
For in her womb another princess waits,
A sleeping cell, a globule of bright dew.
Jostling their way up that mysterious stair,
A horde of lovers bursts between the gates,
All doomed but one, the destined suitor, who
By luck first reaches her and takes her there.
A parable of all we are or do!
The life of Nature is a formal dance
In which each step is ruled by what has been
And yet the pattern emerges always new
The marriage of linked cause and random chance
Gives birth perpetually to the unforeseen.
One parable for the body and the mind:
With science and heredity to thank
The heart is quite predictable as a pump,
But, let love change its beat, the choice is blind.
'Now' is a cross-roads where all maps prove blank,
And no one knows which way the cat will jump.
So here stand I, by birth a cross between
Determined pattern and incredible chance,
Each with an equal share in what I am.
Though I should read the code stored in the gene,
Yet the blind lottery of circumstance
Mocks all solutions to its cryptogram.
As in my flesh, so in my spirit stand I
When does this hundred years draw to its close?
The hedge of thorns before me gives no clue.
My predecessor's carcass, shrunk and dry,
Stares at me through the spikes.
Oh well, here goes!
I have this thing, and only this, to do.
|
Written by
Keith Douglas |
Under the parabola of a ball,
a child turning into a man,
I looked into the air too long.
The ball fell in my hand, it sang
in the closed fist: Open Open
Behold a gift designed to kill.
Now in my dial of glass appears
the soldier who is going to die.
He smiles, and moves about in ways
his mother knows, habits of his.
The wires touch his face: I cry
NOW.
Death, like a familiar, hears
And look, has made a man of dust
of a man of flesh.
This sorcery
I do.
Being damned, I am amused
to see the centre of love diffused
and the wave of love travel into vacancy.
How easy it is to make a ghost.
The weightless mosquito touches
her tiny shadow on the stone,
and with how like, how infinite
a lightness, man and shadow meet.
They fuse.
A shadow is a man
when the mosquito death approaches
|
Written by
Galway Kinnell |
1
In late winter
I sometimes glimpse bits of steam
coming up from
some fault in the old snow
and bend close and see it is lung-colored
and put down my nose
and know
the chilly, enduring odor of bear.
2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears.
And when it has vanished
I move out on the bear tracks,
roaming in circles
until I come to the first, tentative, dark
splash on the earth.
And I set out
running, following the splashes
of blood wandering over the world.
At the cut, gashed resting places
I stop and rest,
at the crawl-marks
where he lay out on his belly
to overpass some stretch of bauchy ice
I lie out
dragging myself forward with bear-knives in my fists.
3
On the third day I begin to starve,
at nightfall I bend down as I knew I would
at a turd sopped in blood,
and hesitate, and pick it up,
and thrust it in my mouth, and gnash it down,
and rise
and go on running.
4
On the seventh day,
living by now on bear blood alone,
I can see his upturned carcass far out ahead, a scraggled,
steamy hulk,
the heavy fur riffling in the wind.
I come up to him
and stare at the narrow-spaced, petty eyes,
the dismayed
face laid back on the shoulder, the nostrils
flared, catching
perhaps the first taint of me as he
died.
I hack
a ravine in his thigh, and eat and drink,
and tear him down his whole length
and open him and climb in
and close him up after me, against the wind,
and sleep.
5
And dream
of lumbering flatfooted
over the tundra,
stabbed twice from within,
splattering a trail behind me,
splattering it out no matter which way I lurch,
no matter which parabola of bear-transcendence,
which dance of solitude I attempt,
which gravity-clutched leap,
which trudge, which groan.
6
Until one day I totter and fall --
fall on this
stomach that has tried so hard to keep up,
to digest the blood as it leaked in,
to break up
and digest the bone itself: and now the breeze
blows over me, blows off
the hideous belches of ill-digested bear blood
and rotted stomach
and the ordinary, wretched odor of bear,
blows across
my sore, lolled tongue a song
or screech, until I think I must rise up
and dance.
And I lie still.
7
I awaken I think.
Marshlights
reappear, geese
come trailing again up the flyway.
In her ravine under old snow the dam-bear
lies, licking
lumps of smeared fur
and drizzly eyes into shapes
with her tongue.
And one
hairy-soled trudge stuck out before me,
the next groaned out,
the next,
the next,
the rest of my days I spend
wandering: wondering
what, anyway,
was that sticky infusion, that rank flavor of blood, that
poetry, by which I lived?
from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967).
|
Written by
D. H. Lawrence |
At evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise .
.
.
When the tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding .
.
.
When under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno .
.
.
Look up, and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.
A circle swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
And you think:
"The swallows are flying so late!"
Swallows?
Dark air-life looping
Yet missing the pure loop .
.
.
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.
Never swallows!
Bats!
The swallows are gone.
At a wavering instant the swallows gave way to bats
By the Ponte Vecchio .
.
.
Changing guard.
Bats, and an uneasy creeping in one's scalp
As the bats swoop overhead!
Flying madly.
Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;
Wings like bits of umbrella.
Bats!
Creatures that hang themselves up like an old rag, to sleep;
And disgustingly upside down.
Hanging upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!
Not for me!
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