Written by
Carl Sandburg |
SLEEP is a maker of makers. Birds sleep. Feet cling to a perch. Look at the balance. Let the legs loosen, the backbone untwist, the head go heavy over, the whole works tumbles a done bird off the perch.
Fox cubs sleep. The pointed head curls round into hind legs and tail. It is a ball of red hair. It is a **** waiting. A wind might whisk it in the air across pastures and rivers, a cocoon, a pod of seeds. The snooze of the black nose is in a circle of red hair.
Old men sleep. In chimney corners, in rocking chairs, at wood stoves, steam radiators. They talk and forget and nod and are out of talk with closed eyes. Forgetting to live. Knowing the time has come useless for them to live. Old eagles and old dogs run and fly in the dreams.
Babies sleep. In flannels the papoose faces, the bambino noses, and dodo, dodo the song of many matushkas. Babies—a leaf on a tree in the spring sun. A nub of a new thing sucks the sap of a tree in the sun, yes a new thing, a what-is-it? A left hand stirs, an eyelid twitches, the milk in the belly bubbles and gets to be blood and a left hand and an eyelid. Sleep is a maker of makers.
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Written by
Carl Sandburg |
THE BABY moon, a canoe, a silver papoose canoe, sails and sails in the Indian west.
A ring of silver foxes, a mist of silver foxes, sit and sit around the Indian moon.
One yellow star for a runner, and rows of blue stars for more runners, keep a line of watchers.
O foxes, baby moon, runners, you are the panel of memory, fire-white writing to-night of the Red Man’s dreams.
Who squats, legs crossed and arms folded, matching its look against the moon-face, the star-faces, of the West?
Who are the Mississippi Valley ghosts, of copper foreheads, riding wiry ponies in the night?—no bridles, love-arms on the pony necks, riding in the night a long old trail?
Why do they always come back when the silver foxes sit around the early moon, a silver papoose, in the Indian west?
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Written by
Robert William Service |
Now Eddie Malone got a swell grammyfone to draw all the trade to his store;
An' sez he: "Come along for a season of song, which the like ye had niver before."
Then Dogrib, an' Slave, an' Yellow-knife brave, an' Cree in his dinky canoe,
Confluated near, to see an' to hear Ed's grammyfone make its dayboo.
Then Ed turned the crank, an' there on the bank they squatted like bumps on a log.
For acres around there wasn't a sound, not even the howl of a dog.
When out of the horn there sudden was born such a marvellous elegant tone;
An' then like a spell on that auddyence fell the voice of its first grammyfone.
"Bad medicine!" cried Old Tom, the One-eyed, an' made for to jump in the lake;
But no one gave heed to his little stampede, so he guessed he had made a mistake.
Then Roll-in-the-Mud, a chief of the blood, observed in choice Chippewayan:
"You've brought us canned beef, an' it's now my belief that this here's a case of canned man."
Well, though I'm not strong on the Dago in song, that sure got me goin' for fair.
There was Crusoe an' Scotty, an' Ma'am Shoeman Hank, an' Melber an' Bonchy was there.
'Twas silver an' gold, an' sweetness untold to hear all them big guinneys sing;
An' thick all around an' inhalin' the sound, them Indians formed in a ring.
So solemn they sat, an' they smoked an' they spat, but their eyes sort o' glistened an' shone;
Yet niver a word of approvin' occurred till that guy Harry Lauder came on.
Then hunter of moose, an' squaw an' papoose jest laughed till their stummicks was sore;
Six times Eddie set back that record an' yet they hollered an' hollered for more.
I'll never forget that frame-up, you bet; them caverns of sunset agleam;
Them still peaks aglow, them shadders below, an' the lake like a petrified dream;
The teepees that stood by the edge of the wood; the evenin' star blinkin' alone;
The peace an' the rest, an' final an' best, the music of Ed's grammyfone.
Then sudden an' clear there rang on my ear a song mighty simple an' old;
Heart-hungry an' high it thrilled to the sky, all about "silver threads in the gold".
'Twas tender to tears, an' it brung back the years, the mem'ries that hallow an' yearn;
'Twas home-love an' joy, 'twas the thought of my boy . . . an' right there I vowed I'd return.
Big Four-finger Jack was right at my back, an' I saw with a kind o' surprise,
He gazed at the lake with a heartful of ache, an' the tears irrigated his eyes.
An' sez he: "Cuss me, pard! but that there hits me hard; I've a mother does nuthin' but wait.
She's turned eighty-three, an' she's only got me, an' I'm scared it'll soon be too late."
* * * * *
On Fond-du-lac's shore I'm hearin' once more that blessed old grammyfone play.
The summer's all gone, an' I'm still livin' on in the same old haphazardous way.
Oh, I cut out the booze, an' with muscles an' thews I corralled all the coin to go back;
But it wasn't to be: he'd a mother, you see, so I -- sliped it to Four-finger Jack.
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