Written by
Edwin Arlington Robinson |
Gawaine, aware again of Lancelot
In the King’s garden, coughed and followed him;
Whereat he turned and stood with folded arms
And weary-waiting eyes, cold and half-closed—
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend?
Few live that have too many,” Gawaine said,
And wished unsaid, so thinly came the light
Between the narrowing lids at which he gazed.
“And who of us are they that name their friends?”
Lancelot said. “They live that have not any.
Why do they live, Gawaine? Ask why, and answer.”
Two men of an elected eminence,
They stood for a time silent. Then Gawaine,
Acknowledging the ghost of what was gone,
Put out his hand: “Rather, I say, why ask?
If I be not the friend of Lancelot,
May I be nailed alive along the ground
And emmets eat me dead. If I be not
The friend of Lancelot, may I be fried
With other liars in the pans of hell.
What item otherwise of immolation
Your Darkness may invent, be it mine to endure
And yours to gloat on. For the time between,
Consider this thing you see that is my hand.
If once, it has been yours a thousand times;
Why not again? Gawaine has never lied
To Lancelot; and this, of all wrong days—
This day before the day when you go south
To God knows what accomplishment of exile—
Were surely an ill day for lies to find
An issue or a cause or an occasion.
King Ban your father and King Lot my father,
Were they alive, would shake their heads in sorrow
To see us as we are, and I shake mine
In wonder. Will you take my hand, or no?
Strong as I am, I do not hold it out
For ever and on air. You see—my hand.”
Lancelot gave his hand there to Gawaine,
Who took it, held it, and then let it go,
Chagrined with its indifference.
“Yes, Gawaine,
I go tomorrow, and I wish you well;
You and your brothers, Gareth, Gaheris,—
And Agravaine; yes, even Agravaine,
Whose tongue has told all Camelot and all Britain
More lies than yet have hatched of Modred’s envy.
You say that you have never lied to me,
And I believe it so. Let it be so.
For now and always. Gawaine, I wish you well.
Tomorrow I go south, as Merlin went,
But not for Merlin’s end. I go, Gawaine,
And leave you to your ways. There are ways left.”
“There are three ways I know, three famous ways,
And all in Holy Writ,” Gawaine said, smiling:
“The snake’s way and the eagle’s way are two,
And then we have a man’s way with a maid—
Or with a woman who is not a maid.
Your late way is to send all women scudding,
To the last flash of the last cramoisy,
While you go south to find the fires of God.
Since we came back again to Camelot
From our immortal Quest—I came back first—
No man has known you for the man you were
Before you saw whatever ’t was you saw,
To make so little of kings and queens and friends
Thereafter. Modred? Agravaine? My brothers?
And what if they be brothers? What are brothers,
If they be not our friends, your friends and mine?
You turn away, and my words are no mark
On you affection or your memory?
So be it then, if so it is to be.
God save you, Lancelot; for by Saint Stephen,
You are no more than man to save yourself.”
“Gawaine, I do not say that you are wrong,
Or that you are ill-seasoned in your lightness;
You say that all you know is what you saw,
And on your own averment you saw nothing.
Your spoken word, Gawaine, I have not weighed
In those unhappy scales of inference
That have no beam but one made out of hates
And fears, and venomous conjecturings;
Your tongue is not the sword that urges me
Now out of Camelot. Two other swords
There are that are awake, and in their scabbards
Are parching for the blood of Lancelot.
Yet I go not away for fear of them,
But for a sharper care. You say the truth,
But not when you contend the fires of God
Are my one fear,—for there is one fear more.
Therefore I go. Gawaine, I wish you well.”
“Well-wishing in a way is well enough;
So, in a way, is caution; so, in a way,
Are leeches, neatherds, and astrologers.
Lancelot, listen. Sit you down and listen:
You talk of swords and fears and banishment.
Two swords, you say; Modred and Agravaine,
You mean. Had you meant Gaheris and Gareth,
Or willed an evil on them, I should welcome
And hasten your farewell. But Agravaine
Hears little what I say; his ears are Modred’s.
The King is Modred’s father, and the Queen
A prepossession of Modred’s lunacy.
So much for my two brothers whom you fear,
Not fearing for yourself. I say to you,
Fear not for anything—and so be wise
And amiable again as heretofore;
Let Modred have his humor, and Agravaine
His tongue. The two of them have done their worst,
And having done their worst, what have they done?
A whisper now and then, a chirrup or so
In corners,—and what else? Ask what, and answer.”
Still with a frown that had no faith in it,
Lancelot, pitying Gawaine’s lost endeavour
To make an evil jest of evidence,
Sat fronting him with a remote forbearance—
Whether for Gawaine blind or Gawaine false,
Or both, or neither, he could not say yet,
If ever; and to himself he said no more
Than he said now aloud: “What else, Gawaine?
What else, am I to say? Then ruin, I say;
Destruction, dissolution, desolation,
I say,—should I compound with jeopardy now.
For there are more than whispers here, Gawaine:
The way that we have gone so long together
Has underneath our feet, without our will,
Become a twofold faring. Yours, I trust,
May lead you always on, as it has led you,
To praise and to much joy. Mine, I believe,
Leads off to battles that are not yet fought,
And to the Light that once had blinded me.
When I came back from seeing what I saw,
I saw no place for me in Camelot.
There is no place for me in Camelot.
There is no place for me save where the Light
May lead me; and to that place I shall go.
Meanwhile I lay upon your soul no load
Of counsel or of empty admonition;
Only I ask of you, should strife arise
In Camelot, to remember, if you may,
That you’ve an ardor that outruns your reason,
Also a glamour that outshines your guile;
And you are a strange hater. I know that;
And I’m in fortune that you hate not me.
Yet while we have our sins to dream about,
Time has done worse for time than in our making;
Albeit there may be sundry falterings
And falls against us in the Book of Man.”
“Praise Adam, you are mellowing at last!
I’ve always liked this world, and would so still;
And if it is your new Light leads you on
To such an admirable gait, for God’s sake,
Follow it, follow it, follow it, Lancelot;
Follow it as you never followed glory.
Once I believed that I was on the way
That you call yours, but I came home again
To Camelot—and Camelot was right,
For the world knows its own that knows not you;
You are a thing too vaporous to be sharing
The carnal feast of life. You mow down men
Like elder-stems, and you leave women sighing
For one more sight of you; but they do wrong.
You are a man of mist, and have no shadow.
God save you, Lancelot. If I laugh at you,
I laugh in envy and in admiration.”
The joyless evanescence of a smile,
Discovered on the face of Lancelot
By Gawaine’s unrelenting vigilance,
Wavered, and with a sullen change went out;
And then there was the music of a woman
Laughing behind them, and a woman spoke:
“Gawaine, you said ‘God save you, Lancelot.’
Why should He save him any more to-day
Than on another day? What has he done,
Gawaine, that God should save him?” Guinevere,
With many questions in her dark blue eyes
And one gay jewel in her golden hair,
Had come upon the two of them unseen,
Till now she was a russet apparition
At which the two arose—one with a dash
Of easy leisure in his courtliness,
One with a stately calm that might have pleased
The Queen of a strange land indifferently.
The firm incisive languor of her speech,
Heard once, was heard through battles: “Lancelot,
What have you done to-day that God should save you?
What has he done, Gawaine, that God should save him?
I grieve that you two pinks of chivalry
Should be so near me in my desolation,
And I, poor soul alone, know nothing of it.
What has he done, Gawaine?”
With all her poise,
To Gawaine’s undeceived urbanity
She was less queen than woman for the nonce,
And in her eyes there was a flickering
Of a still fear that would not be veiled wholly
With any mask of mannered nonchalance.
“What has he done? Madam, attend your nephew;
And learn from him, in your incertitude,
That this inordinate man Lancelot,
This engine of renown, this hewer down daily
Of potent men by scores in our late warfare,
Has now inside his head a foreign fever
That urges him away to the last edge
Of everything, there to efface himself
In ecstasy, and so be done with us.
Hereafter, peradventure certain birds
Will perch in meditation on his bones,
Quite as if they were some poor sailor’s bones,
Or felon’s jettisoned, or fisherman’s,
Or fowler’s bones, or Mark of Cornwall’s bones.
In fine, this flower of men that was our comrade
Shall be for us no more, from this day on,
Than a much remembered Frenchman far away.
Magnanimously I leave you now to prize
Your final sight of him; and leaving you,
I leave the sun to shine for him alone,
Whiles I grope on to gloom. Madam, farewell;
And you, contrarious Lancelot, farewell.”
|
Written by
Anne Killigrew |
Amintor. STay gentle Nymph, nor so solic'tous be,
To fly his sight that still would gaze on thee.
With other Swaines I see thee oft converse,
Content to speak, and hear what they rehearse:
But I unhappy, when I e're draw nigh,
Thou streight do'st leave both Place, and Company.
If this thy Flight, from fear of Harm doth flow,
Ah, sure thou little of my Heart dost know.
Alinda. What wonder, Swain, if the Pursu'd by Flight,
Seeks to avoid the close Pursuers Sight ?
And if no Cause I have to fly from thee,
Then thou hast none, why thou dost follow me.
Amin. If to the Cause thou wilt propitious prove,
Take it at once, fair Nymph, and know 'tis Love.
Alin. To my just Pray'r, ye favouring Gods attend,
These Vows to Heaven with equal Zeal I send,
My flocks from Wolves, my Heart from Love, defend.
Amin. The Gods which did on thee such Charms bestow,
Ne're meant thou shouldst to Love have prov'd a Foe,
That so Divine a Power thou shouldst defy.
Could there a Reason be, I'd ask thee, why ?
Alin. Why does Licoris, once so bright and gay,
Pale as a Lilly pine her self away ?
Why does Elvira, ever sad, frequent
The lonely shades ? Why does yon Monument
Which we upon our Left Hand do behold,
Hapless Amintas youthful Limbs enfold ?
Say Shepherd, say: But if thou wilt not tell,
Damon, Philisides, and Strephon well
Can speak the Cause, whose Falshood each upbraids,
And justly me from Cruel Love disswades.
Amin. Hear me ye Gods. Me and my Flocks forsake,
If e're like them my promis'd Faith I brake.
Alin. By others sad Experience wise I'le be.
Amin. But such thy Wisdom highly injures me:
And nought but Death can give a Remedy.
Yet Learn'd in Physick, what does it avail,
That you by Art (wherein ye never fail)
Present Relief have for the Mad-dogs Bite ?
The Serpents sting ? The poisonous Achonite ?
While helpless Love upbraids your baffl'd skill,
And far more certain, than the rest, doth kill.
Alin. Fond Swain, go dote upon the new blown Rose,
Whose Beauty with the Morning did disclose,
And e're Days King forsakes th'enlightened Earth,
Wither'd, returns from whence it took its Birth.
As much Excuse will there thy Love attend,
As what thou dost on Womens Beauty spend.
Amin. Ah Nymph, those Charms which I in thee admire,
Can, nor before, nor with thy Life expire.
From Heaven they are, and such as ne're can dye,
But with thy Soul they will ascend the Sky !
For though my ravisht Eye beholds in Thee,
Such beauty as I can in none else see;
That Nature there alone is without blame,
Yet did not this my faithful Heart enflame:
Nor when in Dance thou mov'st upon the Plaine,
Or other Sports pursu'st among the Train
Of choicest Nymphs, where thy attractive Grace
Shews thee alone, though thousands be in place !
Yet not for these do I Alinda love,
Hear then what 'tis, that does my Passion move.
That Thou still Earliest at the Temple art,
And still the last that does from thence depart;
Pans Altar is by thee the oftnest prest,
Thine's still the fairest Offering and the Best;
And all thy other Actions seem to be,
The true Result of Unfeign'd Piety;
Strict in thy self, to others Just and Mild;
Careful, nor to Deceive, nor be Beguil'd;
Wary, without the least Offence, to live,
Yet none than thee more ready to forgive !
Even on thy Beauty thou dost Fetters lay,
Least, unawares, it any should betray.
Far unlike, sure, to many of thy Sex,
Whose Pride it is, the doting World to vex;
Spreading their Universal Nets to take
Who e're their artifice can captive make.
But thou command'st thy Sweet, but Modest Eye,
That no Inviting Glance from thence should fly.
Beholding with a Gen'rous Disdain,
The lighter Courtships of each amorous Swain;
Knowing, true Fame, Vertue alone can give:
Nor dost thou greedily even that receive.
And what 'bove this thy Character can raise ?
Thirsty of Merit, yet neglecting Praise !
While daily these Perfections I discry,
Matchless Alinda makes me daily dy.
Thou absent, Flow'rs to me no Odours yield,
Nor find I freshness in the dewy Field;
Not Thyrsis Voice, nor Melibeus Lire,
Can my Sad Heart with one Gay Thought inspire;
My thriving Flock ('mong Shepherds Vows the Chief)
I unconcern'd behold, as they my Grief.
This I profess, if this thou not believe,
A further proof I ready am to give,
Command: there's nothing I'le not undertake,
And, thy Injunctions, Love will easie make.
Ah, if thou couldst incline a gentle Ear,
Of plighted Faith, and hated Hymen hear;
Thou hourly then my spotless Love should'st see,
That all my Study, how to please, should be;
How to protect thee from disturbing Care,
And in thy Griefs to bear the greatest share;
Nor should a Joy, my Warie Heart surprize,
That first I read not in thy charming Eyes.
Alin. If ever I to any do impart,
My, till this present hour, well-guarded Heart,
That Passion I have fear'd, I'le surely prove,
For one that does, like to Amintor love.
Amintor. Ye Gods –
Alin. Shepherd, no more: enough it is that I,
Thus long to Love, have listn'd patiently.
Farewel: Pan keep thee, Swain.
Amintor. And Blessings Thee,
Rare as thy Vertues, still accompany.
|
Written by
John Milton |
Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.
I. SONG.
Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.
Fame that her high worth to raise,
Seem'd erst so lavish and profuse,
We may justly now accuse
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.
Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be,
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare's not give her odds;
Who had thought this clime had held
A deity so unparalel'd?
As they com forward, the genius of the Wood appears, and
turning toward them, speaks.
GEN. Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse,
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;
And lead ye where ye may more neer behold
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak'n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew,
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker'd venom bites.
When Eev'ning gray doth rise, I fetch my round
Over the mount, and all this hallow'd ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless,
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law,
And the low world in measur'd motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate,
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.
2. SONG.
O're the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.
3. SONG.
Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene hoar,
Trip no more in twilight ranks,
Though Erynanth your loss deplore,
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.
Note: 22 hunderd] Milton's own spelling here is hundred. But in
the Errata to Paradise Lost (i. 760) he corrects hundred to hunderd.
|
Written by
Andrei Voznesensky |
My doc announced yesterday :
"You may have talent, though it's hidden,
your beak, however, is frost-bitten,
so stick at home on a cold day".
The nose, eh?
As irretrievable as time,
conforming to the laws of medicine,
your nose, like that of any person,
keep growing
steadily,
with triumph!
The noses of celebrities,
of guards
and ministers of ours
grow, snoring restlessly like owls
at night, along with plants and trees.
They're cool and crooked, resembling bills,
they're squeezed in doors,
get hurt by boxers,
however, our neighbour's noses
screw into keyholes, just like drills!
(Great Gogol felt by intuition
the role they play in man's ambition.)
My friend Bukashkin who was boozy
dreamed of a nose
that grew like crazy:
above him, coming like a bore,
upsetting pans and chandeliers,
a nose
was piercing
the ceilings
and threading
floor upon the floor!
"What's that? -- he thought, when out of bed.
"A sign of Judgement Day -- I said --
And the inspection of the debtors!"
He was imprisoned on the 30th.
Perpetual motion of the nose!
It's long, while life is getting shorter.
At night on faces, pale as blotter,
like a black hawk, or pumping hose,
the nose absorbs us, I suppose.
They say, the Northern Eskimos
kiss one another with the nose
It hasn't caught on here, of course.
© Copyright Alec Vagapov's translation
|
Written by
Majeed Amjad |
Sons, my native land has sons
born on soil
barren and rocky and lone
for ages lone
across the gaping wilderness tear
ruthless winds and torrents of pain
sweep in epochs. sweep them out.
Sons of mountains
radiant petals of jasmine gay
specks of time-less age-less rocks
elegant, fair and tender moulds
lumps of leathern coarsened hearts
damned by sun and wind and time
dashed from tops. they seek a home
lost in dust beneath their feet
On a heap of squalid unscrubbed pans
immersed in simmering scalding water
the toiling sweating hands do seek
the blessed home
for ages they have thought and dreamed.
In towns flourshing
along the banks of mountain brooks
stays a-while
a fleeting cloud of gloom....... The Home!
and from an urban sheeted roof
curls into waves of trailing smoke.
The brook is limpid murmuring gold
the smoke is trailing meandering gold
the killers are killers
of conscience grace and candid souls
if ever they marked
the wave of anguish
a dash, a span
among the torrents of water and sweat
the rocks in hearts
the dark sinister rocks would fall.
(Translated from Urdu By Balraj Komal, Posted By Anila A.)
|
Written by
D. H. Lawrence |
I
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
VII
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
It is the end, it is oblivion.
IX
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death. Oh build it!
for you will need it.
For the voyage of oblivion awaits you.
|
Written by
Carl Sandburg |
DRUM on your drums, batter on your banjoes, sob on the long cool winding saxophones. Go to it, O jazzmen.
Sling your knuckles on the bottoms of the happy tin pans, let your trombones ooze, and go hushahusha-hush with the slippery sand-paper.
Moan like an autumn wind high in the lonesome tree-tops, moan soft like you wanted somebody terrible, cry like a racing car slipping away from a motorcycle cop, bang-bang! you jazzmen, bang altogether drums, traps, banjoes, horns, tin cans—make two people fight on the top of a stairway and scratch each other’s eyes in a clinch tumbling down the stairs.
Can the rough stuff … now a Mississippi steamboat pushes up the night river with a hoo-hoo-hoo-oo … and the green lanterns calling to the high soft stars … a red moon rides on the humps of the low river hills … go to it, O jazzmen.
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Written by
Robert Herrick |
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
DEDICATED TO MR JOHN MERRIFIELD,
COUNSELLOR AT LAW
RARE TEMPLES THOU HAST SEEN, I KNOW,
AND RICH FOR IN AND OUTWARD SHOW;
SURVEY THIS CHAPEL BUILT, ALONE,
WITHOUT OR LIME, OR WOOD, OR STONE.
THEN SAY, IF ONE THOU'ST SEEN MORE FINE
THAN THIS, THE FAIRIES' ONCE, NOW THINE.
THE TEMPLE
A way enchaced with glass and beads
There is, that to the Chapel leads;
Whose structure, for his holy rest,
Is here the Halcyon's curious nest;
Into the which who looks, shall see
His Temple of Idolatry;
Where he of god-heads has such store,
As Rome's Pantheon had not more.
His house of Rimmon this he calls,
Girt with small bones, instead of walls.
First in a niche, more black than jet,
His idol-cricket there is set;
Then in a polish'd oval by
There stands his idol-beetle-fly;
Next, in an arch, akin to this,
His idol-canker seated is.
Then in a round, is placed by these
His golden god, Cantharides.
So that where'er ye look, ye see
No capital, no cornice free,
Or frieze, from this fine frippery.
Now this the Fairies would have known,
Theirs is a mixt religion:
And some have heard the elves it call
Part Pagan, part Papistical.
If unto me all tongues were granted,
I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis,
Who 'gainst Mab's state placed here right is.
Saint Will o' th' Wisp, of no great bigness,
But, alias, call'd here FATUUS IGNIS.
Saint Frip, Saint Trip, Saint Fill, Saint Filly;--
Neither those other saint-ships will I
Here go about for to recite
Their number, almost infinite;
Which, one by one, here set down are
In this most curious calendar.
First, at the entrance of the gate,
A little puppet-priest doth wait,
Who squeaks to all the comers there,
'Favour your tongues, who enter here.
'Pure hands bring hither, without stain.'
A second pules, 'Hence, hence, profane!'
Hard by, i' th' shell of half a nut,
The holy-water there is put;
A little brush of squirrels' hairs,
Composed of odd, not even pairs,
Stands in the platter, or close by,
To purge the fairy family.
Near to the altar stands the priest,
There offering up the holy-grist;
Ducking in mood and perfect tense,
With (much good do't him) reverence.
The altar is not here four-square,
Nor in a form triangular;
Nor made of glass, or wood, or stone,
But of a little transverse bone;
Which boys and bruckel'd children call
(Playing for points and pins) cockall.
Whose linen-drapery is a thin,
Sub|ile, and ductile codling's skin;
Which o'er the board is smoothly spread
With little seal-work damasked.
The fringe that circumbinds it, too,
Is spangle-work of trembling dew,
Which, gently gleaming, makes a show,
Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand
Something for shew-bread, and at hand
(Just in the middle of the altar)
Upon an end, the Fairy-psalter,
Graced with the trout-flies' curious wings,
Which serve for watchet ribbonings.
Now, we must know, the elves are led
Right by the Rubric, which they read:
And if report of them be true,
They have their text for what they do;
Ay, and their book of canons too.
And, as Sir Thomas Parson tells,
They have their book of articles;
And if that Fairy knight not lies
They have their book of homilies;
And other Scriptures, that design
A short, but righteous discipline.
The bason stands the board upon
To take the free-oblation;
A little pin-dust, which they hold
More precious than we prize our gold;
Which charity they give to many
Poor of the parish, if there's any.
Upon the ends of these neat rails,
Hatch'd with the silver-light of snails,
The elves, in formal manner, fix
Two pure and holy candlesticks,
In either which a tall small bent
Burns for the altar's ornament.
For sanctity, they have, to these,
Their curious copes and surplices
Of cleanest cobweb, hanging by
In their religious vestery.
They have their ash-pans and their brooms,
To purge the chapel and the rooms;
Their many mumbling mass-priests here,
And many a dapper chorister.
Their ush'ring vergers here likewise,
Their canons and their chaunteries;
Of cloister-monks they have enow,
Ay, and their abbey-lubbers too:--
And if their legend do not lie,
They much affect the papacy;
And since the last is dead, there's hope
Elve Boniface shall next be Pope.
They have their cups and chalices,
Their pardons and indulgences,
Their beads of nits, bells, books, and wax-
Candles, forsooth, and other knacks;
Their holy oil, their fasting-spittle,
Their sacred salt here, not a little.
Dry chips, old shoes, rags, grease, and bones,
Beside their fumigations.
Many a trifle, too, and trinket,
And for what use, scarce man would think it.
Next then, upon the chanter's side
An apple's-core is hung up dried,
With rattling kernels, which is rung
To call to morn and even-song.
The saint, to which the most he prays
And offers incense nights and days,
The lady of the lobster is,
Whose foot-pace he doth stroke and kiss,
And, humbly, chives of saffron brings
For his most cheerful offerings.
When, after these, he's paid his vows,
He lowly to the altar bows;
And then he dons the silk-worm's shed,
Like a Turk's turban on his head,
And reverently departeth thence,
Hid in a cloud of frankincense;
And by the glow-worm's light well guided,
Goes to the Feast that's now provided.
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Written by
Robert Bly |
(For Donald Hall)
Have you heard about the boy who walked by
The black water? I won't say much more.
Let's wait a few years. It wanted to be entered.
Sometimes a man walks by a pond, and a hand
Reaches out and pulls him in.
There was no
Intention, exactly. The pond was lonely, or needed
Calcium, bones would do. What happened then?
It was a little like the night wind, which is soft,
And moves slowly, sighing like an old woman
In her kitchen late at night, moving pans
About, lighting a fire, making some food for the cat.
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Written by
Robert Browning |
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews -- sons mine -- ah God, I know not! Well --
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
"Do I live, am I dead?" Peace, peace seems all.
Saint Praxed's ever was the church for peace;
And so, about this tomb of mine. I fought
With tooth and nail to save my niche, ye know:
-- Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o' the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam's sure to lurk:
And I shall fill my slab of basalt there,
And 'neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
-- Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
-- What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find -- Ah God, I know not, I! --
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew's head cut off at the nape,
Blue as a vein o'er the Madonna's breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father's globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver's shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black --
'Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph's last garment off,
And Moses with the tables -- but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o'er with beggar's mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me -- all of jasper, then!
'Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There's plenty jasper somewhere in the world --
And have I not Saint Praxed's ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
-- That's if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully's every word,
No gaudy ware like Gandolf's second line --
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor's work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble's language, Latin pure, discreet,
-- Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard's quick,
They glitter like your mother's for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
"Do I live, am I dead?" There, leave me, there!
For ye have stabbed me with ingratitude
To death -- ye wish it -- God, ye wish it! Stone --
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through --
And no more lapis to delight the world!
Well, go! I bless ye. Fewer tapers there,
But in a row: and, going, turn your backs
-- Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers --
Old Gandolf -- at me, from his onion-stone,
As still he envied me, so fair she was!
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