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Best Famous Panoply Poems

Here is a collection of the all-time best famous Panoply poems. This is a select list of the best famous Panoply poetry. Reading, writing, and enjoying famous Panoply poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of panoply poems.

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Written by Andre Breton | Create an image from this poem

Freedom of Love

 (Translated from the French by Edouard Rodti)

My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire


Written by Sir Walter Scott | Create an image from this poem

Rosabelle

 O listen, listen, ladies gay! 
No haughty feat of arms I tell; 
Soft is the note, and sad the lay 
That mourns the lovely Rosabelle.
‘Moor, moor the barge, ye gallant crew! And, gentle lady, deign to stay! Rest thee in Castle Ravensheuch, Nor tempt the stormy firth to-day.
‘The blackening wave is edged with white; To inch and rock the sea-mews fly; The fishers have heard the Water-Sprite, Whose screams forebode that wreck is nigh.
‘Last night the gifted Seer did view A wet shroud swathed round lady gay; Then stay thee, Fair, in Ravensheuch; Why cross the gloomy firth to-day?’ ’Tis not because Lord Lindesay’s heir Tonight at Roslin leads the ball, But that my lady-mother there Sits lonely in her castle-hall.
’Tis not because the ring they ride, And Lindesay at the ring rides well, But that my sire the wine will chide If ’tis not fill’d by Rosabelle.
’ —O’er Roslin all that dreary night A wondrous blaze was seen to gleam; ’Twas broader than the watch-fire’s light, And redder than the bright moonbeam.
It glared on Roslin’s castled rock, It ruddied all the copse-wood glen; ’Twas seen from Dryden’s groves of oak, And seen from cavern’d Hawthornden.
Seem’d all on fire that chapel proud Where Roslin’s chiefs uncoffin’d lie, Each Baron, for a sable shroud, Sheathed in his iron panoply.
Seem’d all on fire within, around, Deep sacristy and altar’s pale; Shone every pillar foliage-bound, And glimmer’d all the dead men’s mail.
Blazed battlement and pinnet high, Blazed every rose-carved buttress fair— So still they blaze, when fate is nigh The lordly line of high Saint Clair.
There are twenty of Roslin’s barons bold Lie buried within that proud chapelle; Each one the holy vault doth hold But the sea holds lovely Rosabelle! And each Saint Clair was buried there With candle, with book, and with knell; But the sea-caves rung, and the wild winds sung The dirge of lovely Rosabelle.
Written by Mary Darby Robinson | Create an image from this poem

The Hermit of Mont-Blanc

 High, on the Solitude of Alpine Hills,
O'er-topping the grand imag'ry of Nature,
Where one eternal winter seem'd to reign;
An HERMIT'S threshold, carpetted with moss,
Diversified the Scene.
Above the flakes Of silv'ry snow, full many a modest flow'r Peep'd through its icy veil, and blushing ope'd Its variegated hues; The ORCHIS sweet, The bloomy CISTUS, and the fragrant branch Of glossy MYRTLE.
In his rushy cell, The lonely ANCHORET consum'd his days, Unnotic'd, and unblest.
In early youth, Cross'd in the fond affections of his soul By false Ambition, from his parent home He, solitary, wander'd; while the Maid Whose peerless beauty won his yielding heart Pined in monastic horrors ! Near his sill A little cross he rear'd, where, prostrate low At day's pale glimpse, or when the setting Sun Tissued the western sky with streamy gold, His Orisons he pour'd, for her, whose hours Were wasted in oblivion.
Winters pass'd, And Summers faded, slow, unchearly all To the lone HERMIT'S sorrows: For, still, Love A dark, though unpolluted altar, rear'd On the white waste of wonders! From the peak Which mark'd his neighb'ring Hut, his humid Eye Oft wander'd o'er the rich expanse below; Oft trac'd the glow of vegetating Spring, The full-blown Summer splendours, and the hue Of tawny scenes Autumnal: Vineyards vast, Clothing the upland scene, and spreading wide The promised tide nectareous; while for him The liquid lapse of the slow brook was seen Flashing amid the trees, its silv'ry wave! Far distant, the blue mist of waters rose Veiling the ridgy outline, faintly grey, Blended with clouds, and shutting out the Sun.
The Seasons still revolv'd, and still was he By all forgotten, save by her, whose breast Sigh'd in responsive sadness to the gale That swept her prison turrets.
Five long years, Had seen his graces wither ere his Spring Of life was wasted.
From the social scenes Of human energy an alien driv'n, He almost had forgot the face of Man.
-- No voice had met his ear, save, when perchance The Pilgrim wand'rer, or the Goatherd Swain, Bewilder'd in the starless midnight hour Implored the HERMIT'S aid, the HERMIT'S pray'rs; And nothing loath by pity or by pray'r Was he, to save the wretched.
On the top Of his low rushy Dome, a tinkling bell Oft told the weary Trav'ller to approach Fearless of danger.
The small silver sound In quick vibrations echo'd down the dell To the dim valley's quiet, while the breeze Slept on the glassy LEMAN.
Thus he past His melancholy days, an alien Man From all the joys of social intercourse, Alone, unpitied, by the world forgot! His Scrip each morning bore the day's repast Gather'd on summits, mingling with the clouds, From whose bleak altitude the Eye look'd down While fast the giddy brain was rock'd by fear.
Oft would he start from visionary rest When roaming wolves their midnight chorus howl'd, Or blasts infuriate shatter'd the white cliffs, While the huge fragments, rifted by the storm, Plung'd to the dell below.
Oft would he sit In silent sadness on the jutting block Of snow-encrusted ice, and, shudd'ring mark (Amid the wonders of the frozen world) Dissolving pyramids, and threatening peaks, Hang o'er his hovel, terribly Sublime.
And oft, when Summer breath'd ambrosial gales, Soft sailing o'er the waste of printless dew Or twilight gossamer, his pensive gaze Trac'd the swift storm advancing, whose broad wing Blacken'd the rushy dome of his low Hut; While the pale lightning smote the pathless top Of tow'ring CENIS, scatt'ring high and wide A mist of fleecy Snow.
Then would he hear, (While MEM'RY brought to view his happier days) The tumbling torrent, bursting wildly forth From its thaw'd prison, sweep the shaggy cliff Vast and Stupendous ! strength'ning as it fell, And delving, 'mid the snow, a cavern rude! So liv'd the HERMIT, like an hardy Tree Plac'd on a mountain's solitary brow, And destin'd, thro' the Seasons, to endure Their wond'rous changes.
To behold the face Of ever-varying Nature, and to mark In each grand lineament, the work of GOD! And happier he, in total Solitude Than the poor toil-worn wretch, whose ardent Soul That GOD has nobly organiz'd, but taught, For purposes unknown, to bear the scourge Of sharp adversity, and vulgar pride.
Happier, O ! happier far, than those who feel, Yet live amongst the unfeeling ! feeding still The throbbing heart, with anguish, or with Scorn.
One dreary night when Winter's icy breath Half petrified the scene, when not a star Gleam'd o'er the black infinity of space, Sudden, the HERMIT started from his couch Fear-struck and trembling! Ev'ry limb was shook With painful agitation.
On his cheek The blanch'd interpreter of horror mute Sat terribly impressive! In his breast The ruddy fount of life convulsive flow'd And his broad eyes, fix'd motionless as death, Gaz'd vacantly aghast ! His feeble lamp Was wasting rapidly; the biting gale Pierc'd the thin texture of his narrow cell; And Silence, like a fearful centinel Marking the peril which awaited near, Conspir'd with sullen Night, to wrap the scene In tenfold horrors.
Thrice he rose; and thrice His feet recoil'd; and still the livid flame Lengthen'd and quiver'd as the moaning wind Pass'd thro' the rushy crevice, while his heart Beat, like the death-watch, in his shudd'ring breast.
Like the pale Image of Despair he sat, The cold drops pacing down his hollow cheek, When a deep groan assail'd his startled ear, And rous'd him into action.
To the sill Of his low hovel he rush'd forth, (for fear Will sometimes take the shape of fortitude, And force men into bravery) and soon The wicker bolt unfasten'd.
The swift blast, Now unrestrain'd, flew by; and in its course The quiv'ring lamp extinguish'd, and again His soul was thrill'd with terror.
On he went, E'en to the snow-fring'd margin of the cragg, Which to his citadel a platform made Slipp'ry and perilous! 'Twas darkness, all! All, solitary gloom!--The concave vast Of Heav'n frown'd chaos; for all varied things Of air, and earth, and waters, blended, lost Their forms, in blank oblivion ! Yet not long Did Nature wear her sable panoply, For, while the HERMIT listen'd, from below A stream of light ascended, spreading round A partial view of trackless solitudes; And mingling voices seem'd, with busy hum, To break the spell of horrors.
Down the steep The HERMIT hasten'd, when a shriek of death Re-echoed to the valley.
As he flew, (The treach'rous pathway yielding to his speed,) Half hoping, half despairing, to the scene Of wonder-waking anguish, suddenly The torches were extinct; and second night Came doubly hideous, while the hollow tongues Of cavern'd winds, with melancholy sound Increas'd the HERMIT'S fears.
Four freezing hours He watch'd and pray'd: and now the glimm'ring dawn Peer'd on the Eastern Summits; (the blue light Shedding cold lustre on the colder brows Of Alpine desarts;) while the filmy wing Of weeping Twilight, swept the naked plains Of the Lombardian landscape.
On his knees The ANCHORET blest Heav'n, that he had 'scap'd The many perilous and fearful falls Of waters wild and foamy, tumbling fast From the shagg'd altitude.
But, ere his pray'rs Rose to their destin'd Heav'n, another sight, Than all preceding far more terrible, Palsied devotion's ardour.
On the Snow, Dappled with ruby drops, a track was made By steps precipitate; a rugged path Down the steep frozen chasm had mark'd the fate Of some night traveller, whose bleeding form Had toppled from the Summit.
Lower still The ANCHORET descended, 'till arrived At the first ridge of silv'ry battlements, Where, lifeless, ghastly, paler than the snow On which her cheek repos'd, his darling Maid Slept in the dream of Death ! Frantic and wild He clasp'd her stiff'ning form, and bath'd with tears The lilies of her bosom,--icy cold-- Yet beautiful and spotless.
Now, afar The wond'ring HERMIT heard the clang of arms Re-echoing from the valley: the white cliffs Trembled as though an Earthquake shook their base With terrible concussion ! Thund'ring peals From warfare's brazen throat, proclaim'd th' approach Of conquering legions: onward they extend Their dauntless columns ! In the foremost group A Ruffian met the HERMIT'S startled Eyes Like Hell's worst Demon ! For his murd'rous hands Were smear'd with gore; and on his daring breast A golden cross, suspended, bore the name Of his ill-fated Victim!--ANCHORET! Thy VESTAL Saint, by his unhallow'd hands Torn from RELIGION'S Altar, had been made The sport of a dark Fiend, whose recreant Soul Had sham'd the cause of Valour ! To his cell The Soul-struck Exile turn'd his trembling feet, And after three lone weeks, of pain and pray'r, Shrunk from the scene of Solitude--and DIED!
Written by Walt Whitman | Create an image from this poem

To a Locomotive in Winter

 THEE for my recitative! 
Thee in the driving storm, even as now—the snow—the winter-day declining; 
Thee in thy panoply, thy measured dual throbbing, and thy beat convulsive; 
Thy black cylindric body, golden brass, and silvery steel; 
Thy ponderous side-bars, parallel and connecting rods, gyrating, shuttling at thy sides;
Thy metrical, now swelling pant and roar—now tapering in the distance; 
Thy great protruding head-light, fix’d in front; 
Thy long, pale, floating vapor-pennants, tinged with delicate purple; 
The dense and murky clouds out-belching from thy smoke-stack; 
Thy knitted frame—thy springs and valves—the tremulous twinkle of thy wheels;
Thy train of cars behind, obedient, merrily-following, 
Through gale or calm, now swift, now slack, yet steadily careering: 
Type of the modern! emblem of motion and power! pulse of the continent! 
For once, come serve the Muse, and merge in verse, even as here I see thee, 
With storm, and buffeting gusts of wind, and falling snow;
By day, thy warning, ringing bell to sound its notes, 
By night, thy silent signal lamps to swing.
Fierce-throated beauty! Roll through my chant, with all thy lawless music! thy swinging lamps at night; Thy piercing, madly-whistled laughter! thy echoes, rumbling like an earthquake, rousing all! Law of thyself complete, thine own track firmly holding; (No sweetness debonair of tearful harp or glib piano thine,) Thy trills of shrieks by rocks and hills return’d, Launch’d o’er the prairies wide—across the lakes, To the free skies, unpent, and glad, and strong.
Written by Mary Darby Robinson | Create an image from this poem

Sonnet III: Turn to Yon Vale Beneath

 Turn to yon vale beneath, whose tangled shade
Excludes the blazing torch of noon-day light,
Where sportive Fawns, and dimpled Loves invite,
The bow'r of Pleasure opens to the glade:
Lull'd by soft flutes, on leaves of violets laid,
There witching beauty greets the ravish'd sight,
More gentle than the arbitress of night
In all her silv'ry panoply array'd!
The birds breathe bliss! light zephyrs kiss the ground,
Stealing the hyacinth's divine perfume;
While from the pellucid fountains glitt'ring round,
Small tinkling rills bid rival flow'rets bloom!
HERE, laughing Cupids bathe the bosom's wound;
THERE, tyrant passion finds a glorious tomb!


Written by Dorothy Parker | Create an image from this poem

I Shall Come Back

 I shall come back without fanfaronade
Of wailing wind and graveyard panoply;
But, trembling, slip from cool Eternity-
A mild and most bewildered little shade.
I shall not make sepulchral midnight raid, But softly come where I had longed to be In April twilight's unsung melody, And I, not you, shall be the one afraid.
Strange, that from lovely dreamings of the dead I shall come back to you, who hurt me most.
You may not feel my hand upon your head, I'll be so new and inexpert a ghost.
Perhaps you will not know that I am near- And that will break my ghostly heart, my dear.
Written by Constantine P Cavafy | Create an image from this poem

Aemilianus Monae Alexandrian 628 - 655 A.D

 With words, with countenance, and with manners
I shall build an excellent panoply;
and in this way I shall face evil men
without having any fear or weakness.
They will want to harm me.
But of those who approach me none will know where my wounds are, my vulnerable parts, under all the lies that will cover me.
-- Boastful words of Aemilianus Monae.
Did he ever build this panoply? In any case, he did not wear it much.
He died in Sicily, at the age of twenty-seven.
Written by Amy Lowell | Create an image from this poem

To John Keats

 Great master! Boyish, sympathetic man!
Whose orbed and ripened genius lightly hung
From life's slim, twisted tendril and there swung
In crimson-sphered completeness; guardian
Of crystal portals through whose openings fan
The spiced winds which blew when earth was young,
Scattering wreaths of stars, as Jove once flung
A golden shower from heights cerulean.
Crumbled before thy majesty we bow.
Forget thy empurpled state, thy panoply Of greatness, and be merciful and near; A youth who trudged the highroad we tread now Singing the miles behind him; so may we Faint throbbings of thy music overhear.
Written by Robert William Service | Create an image from this poem

The Headliner And The Breadliner

 Moko, the Educated Ape is here,
The pet of vaudeville, so the posters say,
 And every night the gaping people pay
To see him in his panoply appear;
To see him pad his paunch with dainty cheer,
 Puff his perfecto, swill champagne, and sway
 Just like a gentleman, yet all in play,
Then bow himself off stage with brutish leer.
And as to-night, with noble knowledge crammed, I 'mid this human compost take my place, I, once a poet, now so dead and damned, The woeful tears half freezing on my face: "O God!" I cry, "let me but take his shape, Moko's, the Blest, the Educated Ape.
"

Book: Reflection on the Important Things