Written by
Robert Burns |
GUID-MORNIN’ to our Majesty!
May Heaven augment your blisses
On ev’ry new birth-day ye see,
A humble poet wishes.
My bardship here, at your Levee
On sic a day as this is,
Is sure an uncouth sight to see,
Amang thae birth-day dresses
Sae fine this day.
I see ye’re complimented thrang,
By mony a lord an’ lady;
“God save the King” ’s a cuckoo sang
That’s unco easy said aye:
The poets, too, a venal gang,
Wi’ rhymes weel-turn’d an’ ready,
Wad gar you trow ye ne’er do wrang,
But aye unerring steady,
On sic a day.
For me! before a monarch’s face
Ev’n there I winna flatter;
For neither pension, post, nor place,
Am I your humble debtor:
So, nae reflection on your Grace,
Your Kingship to bespatter;
There’s mony waur been o’ the race,
And aiblins ane been better
Than you this day.
’Tis very true, my sovereign King,
My skill may weel be doubted;
But facts are chiels that winna ding,
An’ downa be disputed:
Your royal nest, beneath your wing,
Is e’en right reft and clouted,
And now the third part o’ the string,
An’ less, will gang aboot it
Than did ae day. 1
Far be’t frae me that I aspire
To blame your legislation,
Or say, ye wisdom want, or fire,
To rule this mighty nation:
But faith! I muckle doubt, my sire,
Ye’ve trusted ministration
To chaps wha in barn or byre
Wad better fill’d their station
Than courts yon day.
And now ye’ve gien auld Britain peace,
Her broken shins to plaister,
Your sair taxation does her fleece,
Till she has scarce a tester:
For me, thank God, my life’s a lease,
Nae bargain wearin’ faster,
Or, faith! I fear, that, wi’ the geese,
I shortly boost to pasture
I’ the craft some day.
I’m no mistrusting Willie Pitt,
When taxes he enlarges,
(An’ Will’s a true guid fallow’s get,
A name not envy spairges),
That he intends to pay your debt,
An’ lessen a’ your charges;
But, God-sake! let nae saving fit
Abridge your bonie barges
An’boats this day.
Adieu, my Liege; may freedom geck
Beneath your high protection;
An’ may ye rax Corruption’s neck,
And gie her for dissection!
But since I’m here, I’ll no neglect,
In loyal, true affection,
To pay your Queen, wi’ due respect,
May fealty an’ subjection
This great birth-day.
Hail, Majesty most Excellent!
While nobles strive to please ye,
Will ye accept a compliment,
A simple poet gies ye?
Thae bonie bairntime, Heav’n has lent,
Still higher may they heeze ye
In bliss, till fate some day is sent
For ever to release ye
Frae care that day.
For you, young Potentate o’Wales,
I tell your highness fairly,
Down Pleasure’s stream, wi’ swelling sails,
I’m tauld ye’re driving rarely;
But some day ye may gnaw your nails,
An’ curse your folly sairly,
That e’er ye brak Diana’s pales,
Or rattl’d dice wi’ Charlie
By night or day.
Yet aft a ragged cowt’s been known,
To mak a noble aiver;
So, ye may doucely fill the throne,
For a’their clish-ma-claver:
There, him 2 at Agincourt wha shone,
Few better were or braver:
And yet, wi’ funny, ***** Sir John, 3
He was an unco shaver
For mony a day.
For you, right rev’rend Osnaburg,
Nane sets the lawn-sleeve sweeter,
Altho’ a ribbon at your lug
Wad been a dress completer:
As ye disown yon paughty dog,
That bears the keys of Peter,
Then swith! an’ get a wife to hug,
Or trowth, ye’ll stain the mitre
Some luckless day!
Young, royal Tarry-breeks, I learn,
Ye’ve lately come athwart her—
A glorious galley, 4 stem and stern,
Weel rigg’d for Venus’ barter;
But first hang out, that she’ll discern,
Your hymeneal charter;
Then heave aboard your grapple airn,
An’ large upon her quarter,
Come full that day.
Ye, lastly, bonie blossoms a’,
Ye royal lasses dainty,
Heav’n mak you guid as well as braw,
An’ gie you lads a-plenty!
But sneer na British boys awa!
For kings are unco scant aye,
An’ German gentles are but sma’,
They’re better just than want aye
On ony day.
Gad bless you a’! consider now,
Ye’re unco muckle dautit;
But ere the course o’ life be through,
It may be bitter sautit:
An’ I hae seen their coggie fou,
That yet hae tarrow’t at it.
But or the day was done, I trow,
The laggen they hae clautit
Fu’ clean that day.
Note 1. The American colonies had recently been lost. [back]
Note 2. King Henry V.—R. B. [back]
Note 3. Sir John Falstaff, vid. Shakespeare.—R. B. [back]
Note 4. Alluding to the newspaper account of a certain Royal sailor’s amour.—R. B. This was Prince William Henry, third son of George III, afterward King William IV. [back]
|
Written by
William Stafford |
The light by the barn that shines all night
pales at dawn when a little breeze comes.
A little breeze comes breathing the fields
from their sleep and waking the slow windmill.
The slow windmill sings the long day
about anguish and loss to the chickens at work.
The little breeze follows the slow windmill
and the chickens at work till the sun goes down--
Then the light by the barn again.
|
Written by
Sylvia Plath |
They are always with us, the thin people
Meager of dimension as the gray people
On a movie-screen. They
Are unreal, we say:
It was only in a movie, it was only
In a war making evil headlines when we
Were small that they famished and
Grew so lean and would not round
Out their stalky limbs again though peace
Plumped the bellies of the mice
Under the meanest table.
It was during the long hunger-battle
They found their talent to persevere
In thinness, to come, later,
Into our bad dreams, their menace
Not guns, not abuses,
But a thin silence.
Wrapped in flea-ridded donkey skins,
Empty of complaint, forever
Drinking vinegar from tin cups: they wore
The insufferable nimbus of the lot-drawn
Scapegoat. But so thin,
So weedy a race could not remain in dreams,
Could not remain outlandish victims
In the contracted country of the head
Any more than the old woman in her mud hut could
Keep from cutting fat meat
Out of the side of the generous moon when it
Set foot nightly in her yard
Until her knife had pared
The moon to a rind of little light.
Now the thin people do not obliterate
Themselves as the dawn
Grayness blues, reddens, and the outline
Of the world comes clear and fills with color.
They persist in the sunlit room: the wallpaper
Frieze of cabbage-roses and cornflowers pales
Under their thin-lipped smiles,
Their withering kingship.
How they prop each other up!
We own no wilderness rich and deep enough
For stronghold against their stiff
Battalions. See, how the tree boles flatten
And lose their good browns
If the thin people simply stand in the forest,
Making the world go thin as a wasp's nest
And grayer; not even moving their bones.
|
Written by
Robert Herrick |
MONTANO, SILVIO, AND MIRTILLO, SHEPHERDS
MON. Bad are the times. SIL. And worse than they are we.
MON. Troth, bad are both; worse fruit, and ill the tree:
The feast of shepherds fail. SIL. None crowns the cup
Of wassail now, or sets the quintel up:
And he, who used to lead the country-round,
Youthful Mirtillo, here he comes, grief-drown'd.
AMBO. Let's cheer him up. SIL. Behold him weeping-ripe.
MIRT. Ah, Amarillis! farewell mirth and pipe;
Since thou art gone, no more I mean to play
To these smooth lawns, my mirthful roundelay.
Dear Amarillis! MON. Hark! SIL. Mark! MIRT. This
earth grew sweet
Where, Amarillis, thou didst set thy feet.
AMBO Poor pitied youth! MIRT. And here the breath
of kine
And sheep grew more sweet by that breath of thine.
This dock of wool, and this rich lock of hair,
This ball of cowslips, these she gave me here.
SIL. Words sweet as love itself. MON. Hark!--
MIRT. This way she came, and this way too she went;
How each thing smells divinely redolent!
Like to a field of beans, when newly blown,
Or like a meadow being lately mown.
MON. A sweet sad passion----
MIRT. In dewy mornings, when she came this way,
Sweet bents would bow, to give my Love the day;
And when at night she folded had her sheep,
Daisies would shut, and closing, sigh and weep.
Besides (Ai me!) since she went hence to dwell,
The Voice's Daughter ne'er spake syllable.
But she is gone. SIL. Mirtillo, tell us whither?
MIRT. Where she and I shall never meet together.
MON. Fore-fend it, Pan! and Pales, do thou please
To give an end... MIRT. To what? SIL. Such griefs
as these.
MIRT. Never, O never! Still I may endure
The wound I suffer, never find a cure.
MON. Love, for thy sake, will bring her to these hills
And dales again. MIRT. No, I will languish still;
And all the while my part shall be to weep;
And with my sighs call home my bleating sheep;
And in the rind of every comely tree
I'll carve thy name, and in that name kiss thee.
MON. Set with the sun, thy woes! SIL. The day
grows old;
And time it is our full-fed flocks to fold.
CHOR. The shades grow great; but greater grows
our sorrow:--
But let's go steep
Our eyes in sleep;
And meet to weep
To-morrow.
|
Written by
Amy Lowell |
Bath
The day is fresh-washed and fair, and there is
a smell of tulips and narcissus
in the air.
The sunshine pours in at the bath-room window and
bores through the water
in the bath-tub in lathes and planes of greenish-white. It
cleaves the water
into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of
the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir
of my finger
sets them whirring, reeling. I move a foot, and the planes
of light
in the water jar. I lie back and laugh, and let the green-white
water,
the sun-flawed beryl water, flow over me. The day is
almost
too bright to bear, the green water covers me from the too bright
day.
I will lie here awhile and play with the water and the sun spots.
The sky is blue and high. A crow flaps
by the window, and there is
a whiff of tulips and narcissus in the air.
Breakfast Table
In the fresh-washed sunlight, the breakfast table
is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over
its side,
draped and wide. Wheels of white glitter in the silver
coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl --
and my eyes
begin to smart, the little white, dazzling wheels prick them like
darts.
Placid and peaceful, the rolls of bread spread themselves in the
sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white,
scream,
flutter, call: "Yellow! Yellow! Yellow!" Coffee
steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the
sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin
spiral
up the high blue sky. A crow flies by and croaks at the
coffee steam.
The day is new and fair with good smells in the air.
Walk
Over the street the white clouds meet, and sheer
away without touching.
On the sidewalks, boys are playing marbles. Glass
marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red
striped agates.
The glass marbles spit crimson when they are hit, and slip into
the gutters
under rushing brown water. I smell tulips and narcissus
in the air,
but there are no flowers anywhere, only white dust whipping up the
street,
and a girl with a gay Spring hat and blowing skirts. The
dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap,
tap,
the little heels pat the pavement, and the wind rustles among the
flowers
on her hat.
A water-cart crawls slowly on the other side of
the way. It is green and gay
with new paint, and rumbles contentedly, sprinkling clear water
over
the white dust. Clear zigzagging water, which smells
of tulips and narcissus.
The thickening branches make a pink `grisaille'
against the blue sky.
Whoop! The clouds go dashing at each
other and sheer away just in time.
Whoop! And a man's hat careers down the street in front
of the white dust,
leaps into the branches of a tree, veers away and trundles ahead
of the wind,
jarring the sunlight into spokes of rose-colour and green.
A motor-car cuts a swathe through the bright air,
sharp-beaked, irresistible,
shouting to the wind to make way. A glare of dust and
sunshine
tosses together behind it, and settles down. The sky
is quiet and high,
and the morning is fair with fresh-washed air.
Midday and Afternoon
Swirl of crowded streets. Shock and
recoil of traffic. The stock-still
brick facade of an old church, against which the waves of people
lurch and withdraw. Flare of sunshine down side-streets. Eddies
of light
in the windows of chemists' shops, with their blue, gold, purple
jars,
darting colours far into the crowd. Loud bangs and tremors,
murmurings out of high windows, whirring of machine belts,
blurring of horses and motors. A quick spin and shudder
of brakes
on an electric car, and the jar of a church-bell knocking against
the metal blue of the sky. I am a piece of the town,
a bit of blown dust,
thrust along with the crowd. Proud to feel the pavement
under me,
reeling with feet. Feet tripping, skipping, lagging,
dragging,
plodding doggedly, or springing up and advancing on firm elastic
insteps.
A boy is selling papers, I smell them clean and new from the press.
They are fresh like the air, and pungent as tulips and narcissus.
The blue sky pales to lemon, and great tongues
of gold blind the shop-windows,
putting out their contents in a flood of flame.
Night and Sleep
The day takes her ease in slippered yellow. Electric
signs gleam out
along the shop fronts, following each other. They grow,
and grow,
and blow into patterns of fire-flowers as the sky fades. Trades
scream
in spots of light at the unruffled night. Twinkle, jab,
snap, that means
a new play; and over the way: plop, drop, quiver, is
the sidelong
sliver of a watchmaker's sign with its length on another street.
A gigantic mug of beer effervesces to the atmosphere over a tall
building,
but the sky is high and has her own stars, why should she heed ours?
I leave the city with speed. Wheels
whirl to take me back to my trees
and my quietness. The breeze which blows with me is fresh-washed
and clean,
it has come but recently from the high sky. There are
no flowers
in bloom yet, but the earth of my garden smells of tulips and narcissus.
My room is tranquil and friendly. Out
of the window I can see
the distant city, a band of twinkling gems, little flower-heads
with no stems.
I cannot see the beer-glass, nor the letters of the restaurants
and shops
I passed, now the signs blur and all together make the city,
glowing on a night of fine weather, like a garden stirring and blowing
for the Spring.
The night is fresh-washed and fair and there is
a whiff of flowers in the air.
Wrap me close, sheets of lavender. Pour
your blue and purple dreams
into my ears. The breeze whispers at the shutters and
mutters
***** tales of old days, and cobbled streets, and youths leaping
their horses
down marble stairways. Pale blue lavender, you are the
colour of the sky
when it is fresh-washed and fair . . . I smell the stars . . . they
are like
tulips and narcissus . . . I smell them in the air.
|
Written by
Thomas Hardy |
While the far farewell music thins and fails,
And the broad bottoms rip the bearing brine -
All smalling slowly to the gray sea line -
And each significant red smoke-shaft pales,
Keen sense of severance everywhere prevails,
Which shapes the late long tramp of mounting men
To seeming words that ask and ask again:
"How long, O striving Teutons, Slavs, and Gaels
Must your wroth reasonings trade on lives like these,
That are as puppets in a playing hand? -
When shall the saner softer polities
Whereof we dream, have play in each proud land,
And patriotism, grown Godlike, scorn to stand
Bondslave to realms, but circle earth and seas?"
|
Written by
G K Chesterton |
Are they clinging to their crosses,
F. E. Smith,
Where the Breton boat-fleet tosses,
Are they, Smith?
Do they, fasting, trembling, bleeding,
Wait the news from this our city?
Groaning "That's the Second Reading!"
Hissing "There is still Committee!"
If the voice of Cecil falters,
If McKenna's point has pith,
Do they tremble for their altars?
Do they, Smith?
Russian peasants round their pope
Huddled, Smith,
Hear about it all, I hope,
Don't they, Smith?
In the mountain hamlets clothing
Peaks beyond Caucasian pales,
Where Establishment means nothing
And they never heard of Wales,
Do they read it all in Hansard --
With a crib to read it with --
"Welsh Tithes: Dr. Clifford answered."
Really, Smith?
In the lands where Christians were,
F. E. Smith,
In the little lands laid bare,
Smith, O Smith!
Where the Turkish bands are busy
And the Tory name is blessed
Since they hailed the Cross of Dizzy
On the banners from the West!
Men don't think it half so hard if
Islam burns their kin and kith,
Since a curate lives in Cardiff
Saved by Smith.
It would greatly, I must own,
Soothe me, Smith!
If you left this theme alone,
Holy Smith!
For your legal cause or civil
You fight well and get your fee;
For your God or dream or devil
You will answer, not to me.
Talk about the pews and steeples
And the cash that goes therewith!
But the souls of Christian peoples...
Chuck it, Smith!
|
Written by
Mark Doty |
The priest never used blueprints, but worked all
the many designs out of his head.
Father Wilerus,
transplanted Alsatian,
built around
this plain Wisconsin
redbrick church
a coral-reef en-
crustation--meant,
the brochure says,
to glorify America
and heaven simul-
taneously. Thus:
Mary and Columbus
and the Sacred Heart
equally enthroned
in a fantasia of quartz
and seashells, broken
dishes, stalactites
and stick-shift knobs--
no separation
of nature and art
for Father Wilerus!
He's built fabulous blooms
--bristling mosaic tiles
bunched into chipped,
permanent roses---
and more glisteny
stuff than I can catalogue,
which seems to he the point:
a spectacle, saints
and Stars and Stripes
billowing in hillocks
of concrete. Stubborn
insistence on rendering
invisibles solid. What's
more frankly actual
than cement? Surfaced,
here, in pure decor:
even the railings
curlicued with rows
of identical whelks,
even the lampposts
and birdhouses,
and big encrusted urns
wagging with lunar flowers!
A little dizzy,
the world he's made,
and completely
unapologetic, high
on a hill in Dickeyville
so the wind whips
around like crazy.
A bit pigheaded,
yet full of love
for glitter qua glitter,
sheer materiality;
a bit foolhardy
and yet -- sly sparkle --
he's made matter giddy.
Exactly what he wanted,
I'd guess: the very stones
gone lacy and beaded,
an airy intricacy
of froth and glimmer.
For God? Country?
Lucky man:
his purpose pales
beside the fizzy,
weightless fact of rock.
|
Written by
Robert Browning |
OVER the sea our galleys went,
With cleaving prows in order brave
To a speeding wind and a bounding wave--
A gallant armament:
Each bark built out of a forest-tree
Left leafy and rough as first it grew,
And nail'd all over the gaping sides,
Within and without, with black bull-hides,
Seethed in fat and suppled in flame,
To bear the playful billows' game;
So, each good ship was rude to see,
Rude and bare to the outward view.
But each upbore a stately tent
Where cedar pales in scented row
Kept out the flakes of the dancing brine,
And an awning droop'd the mast below,
In fold on fold of the purple fine,
That neither noontide nor star-shine
Nor moonlight cold which maketh mad,
Might pierce the regal tenement.
When the sun dawn'd, O, gay and glad
We set the sail and plied the oar;
But when the night-wind blew like breath,
For joy of one day's voyage more,
We sang together on the wide sea,
Like men at peace on a peaceful shore;
Each sail was loosed to the wind so free,
Each helm made sure by the twilight star,
And in a sleep as calm as death,
We, the voyagers from afar,
Lay stretch'd along, each weary crew
In a circle round its wondrous tent
Whence gleam'd soft light and curl'd rich scent,
And with light and perfume, music too:
So the stars wheel'd round, and the darkness past,
And at morn we started beside the mast,
And still each ship was sailing fast!
Now, one morn, land appear'd--a speck
Dim trembling betwixt sea and sky--
'Avoid it,' cried our pilot, 'check
The shout, restrain the eager eye!'
But the heaving sea was black behind
For many a night and many a day,
And land, though but a rock, drew nigh;
So we broke the cedar pales away,
Let the purple awning flap in the wind,
And a statue bright was on every deck!
We shouted, every man of us,
And steer'd right into the harbour thus,
With pomp and paean glorious.
A hundred shapes of lucid stone!
All day we built its shrine for each,
A shrine of rock for ever one,
Nor paused till in the westering sun
We sat together on the beach
To sing because our task was done;
When lo! what shouts and merry songs!
What laughter all the distance stirs!
A loaded raft with happy throngs
Of gentle islanders!
'Our isles are just at hand,' they cried,
'Like cloudlets faint in even sleeping;
Our temple-gates are open'd wide,
Our olive-groves thick shade are keeping
For these majestic forms'--they cried.
O, then we awoke with sudden start
From our deep dream, and knew, too late,
How bare the rock, how desolate,
Which had received our precious freight:
Yet we call'd out--'Depart!
Our gifts, once given, must here abide:
Our work is done; we have no heart
To mar our work,'--we cried.
|
Written by
Aleister Crowley |
[Dedicated to G. M. Marston]
Pale as the night that pales
In the dawn's pearl-pure pavillion,
I wait for thee, with my dove's breast
Shuddering, a god its bitter guest-
Have I not gilded my nails
And painted my lips with vermillion ?
Am I not wholly stript
Of the deeds and thoughts that obscure thee?
I wait for thee, my soul distraught
With aching for some nameless naught
In its most arcane crypt-
Am I not fit to endure thee?
Girded about the paps
With a golden girdle of glory,
Dost thou wait me, thy slave who am,
As a wolf lurks for a strayed white lamb?
The chain of the stars snaps,
And the deep of night is hoary!
Thou whose mouth is a flame
With its seven-edged sword proceeding,
Come ! I am writhing with despair
Like a snake taken in a snare,
Moaning thy mystical name
Till my tongue is torn and bleeding!
Have I not gilded my nails
And painted my lips with vermillion?
Yea ! thou art I; the deed awakes,
Thy lightening strikes; thy thunder breaks
Wild as the bride that wails
In the bridegroom's plumed pavillion!
|