Written by
Walt Whitman |
1
BROTHER of all, with generous hand,
Of thee, pondering on thee, as o’er thy tomb, I and my Soul,
A thought to launch in memory of thee,
A burial verse for thee.
What may we chant, O thou within this tomb?
What tablets, pictures, hang for thee, O millionaire?
—The life thou lived’st we know not,
But that thou walk’dst thy years in barter, ’mid the haunts of brokers;
Nor heroism thine, nor war, nor glory.
Yet lingering, yearning, joining soul with thine,
If not thy past we chant, we chant the future,
Select, adorn the future.
2
Lo, Soul, the graves of heroes!
The pride of lands—the gratitudes of men,
The statues of the manifold famous dead, Old World and New,
The kings, inventors, generals, poets, (stretch wide thy vision, Soul,)
The excellent rulers of the races, great discoverers, sailors,
Marble and brass select from them, with pictures, scenes,
(The histories of the lands, the races, bodied there,
In what they’ve built for, graced and graved,
Monuments to their heroes.
)
3
Silent, my Soul,
With drooping lids, as waiting, ponder’d,
Turning from all the samples, all the monuments of heroes.
While through the interior vistas,
Noiseless uprose, phantasmic (as, by night, Auroras of the North,)
Lambent tableaux, prophetic, bodiless scenes,
Spiritual projections.
In one, among the city streets, a laborer’s home appear’d,
After his day’s work done, cleanly, sweet-air’d, the gaslight burning,
The carpet swept, and a fire in the cheerful stove.
In one, the sacred parturition scene,
A happy, painless mother birth’d a perfect child.
In one, at a bounteous morning meal,
Sat peaceful parents, with contented sons.
In one, by twos and threes, young people,
Hundreds concentering, walk’d the paths and streets and roads,
Toward a tall-domed school.
In one a trio, beautiful,
Grandmother, loving daughter, loving daughter’s daughter, sat,
Chatting and sewing.
In one, along a suite of noble rooms,
’Mid plenteous books and journals, paintings on the walls, fine statuettes,
Were groups of friendly journeymen, mechanics, young and old,
Reading, conversing.
All, all the shows of laboring life,
City and country, women’s, men’s and children’s,
Their wants provided for, hued in the sun, and tinged for once with joy,
Marriage, the street, the factory, farm, the house-room, lodging-room,
Labor and toil, the bath, gymnasium, play-ground, library, college,
The student, boy or girl, led forward to be taught;
The sick cared for, the shoeless shod—the orphan father’d and mother’d,
The hungry fed, the houseless housed;
(The intentions perfect and divine,
The workings, details, haply human.
)
4
O thou within this tomb,
From thee, such scenes—thou stintless, lavish Giver,
Tallying the gifts of Earth—large as the Earth,
Thy name an Earth, with mountains, fields and rivers.
Nor by your streams alone, you rivers,
By you, your banks, Connecticut,
By you, and all your teeming life, Old Thames,
By you, Potomac, laving the ground Washington trod—by you Patapsco,
You, Hudson—you, endless Mississippi—not by you alone,
But to the high seas launch, my thought, his memory.
5
Lo, Soul, by this tomb’s lambency,
The darkness of the arrogant standards of the world,
With all its flaunting aims, ambitions, pleasures.
(Old, commonplace, and rusty saws,
The rich, the gay, the supercilious, smiled at long,
Now, piercing to the marrow in my bones,
Fused with each drop my heart’s blood jets,
Swim in ineffable meaning.
)
Lo, Soul, the sphere requireth, portioneth,
To each his share, his measure,
The moderate to the moderate, the ample to the ample.
Lo, Soul, see’st thou not, plain as the sun,
The only real wealth of wealth in generosity,
The only life of life in goodness?
|
Written by
John Greenleaf Whittier |
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, -
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, -
Blessings on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
|
Written by
Philip Levine |
The doctor fingers my bruise.
"Magnificent," he says, "black
at the edges and purple
cored.
" Seated, he spies for clues,
gingerly probing the slack
flesh, while I, standing, fazed, pull
for air, losing the battle.
Faced by his aged diploma,
the heavy head of the X-
ray, and the iron saddle,
I grow lonely.
He finds my
secrets common and my sex
neither objectionable
nor lovely, though he is on
the hunt for significance.
The shelved cutlery twinkles
behind glass, and I am on
the way out, "an instance
of the succumbed through extreme
fantasy.
" He is alarmed
at last, and would raise me, but
I am floorward in a dream
of lowered trousers, unarmed
and weakly fighting to shut
the window of my drawers.
There are others in the room,
voices of women above
white oxfords; and the old floor,
the friendly linoleum,
departs.
I whisper, "my love,"
and am safe, tabled, sniffing
spirits of ammonia
in the land of my fellows.
"Open house!" my openings
sing: pores, nose, anus let go
their charges, a shameless flow
into the outer world;
and the ceiling, equipped with
intelligence, surveys my
produce.
The doctor is thrilled
by my display, for he is half
the slave of necessity;
I, enormous in my need,
justify his sciences.
"We have alternatives," he
says, "Removal.
.
.
" (And my blood
whitens as on their dull trays
the tubes dance.
I must study
the dark bellows of the gas
machine, the painless maker.
)
".
.
.
and learning to live with it.
"
Oh, but I am learning fast
to live with any pain, ache,
growth to keep myself intact;
and in imagination
I hug my bruise like an old
Pooh Bear, already attuned
to its moods.
"Oh, my dark one,
tell of the coming of cold
and of Kings, ancient and ruined.
"
|