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Best Famous Outrageous Poems

Here is a collection of the all-time best famous Outrageous poems. This is a select list of the best famous Outrageous poetry. Reading, writing, and enjoying famous Outrageous poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of outrageous poems.

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Written by Stephen Vincent Benet | Create an image from this poem

Portrait of a Boy

 After the whipping he crawled into bed, 
Accepting the harsh fact with no great weeping. 
How funny uncle's hat had looked striped red! 
He chuckled silently. The moon came, sweeping 
A black, frayed rag of tattered cloud before 
In scorning; very pure and pale she seemed, 
Flooding his bed with radiance. On the floor 
Fat motes danced. He sobbed, closed his eyes and dreamed. 

Warm sand flowed round him. Blurts of crimson light 
Splashed the white grains like blood. Past the cave's mouth 
Shone with a large, fierce splendor, wildly bright, 
The crooked constellations of the South; 
Here the Cross swung; and there, affronting Mars, 
The Centaur stormed aside a froth of stars. 
Within, great casks, like wattled aldermen, 
Sighed of enormous feasts, and cloth of gold 
Glowed on the walls like hot desire. Again, 
Beside webbed purples from some galleon's hold, 
A black chest bore the skull and bones in white 
Above a scrawled "Gunpowder!" By the flames, 
Decked out in crimson, gemmed with syenite, 
Hailing their fellows with outrageous names, 
The pirates sat and diced. Their eyes were moons. 
"Doubloons!" they said. The words crashed gold. "Doubloons!"


Written by Andrew Barton Paterson | Create an image from this poem

A Bush Christening

 On the outer Barcoo where the churches are few,
 And men of religion are scanty,
On a road never cross'd 'cept by folk that are lost,
 One Michael Magee had a shanty. 

Now this Mike was the dad of a ten year old lad,
 Plump, healthy, and stoutly conditioned;
He was strong as the best, but poor Mike had no rest
 For the youngster had never been christened. 

And his wife used to cry, "If the darlin' should die
 Saint Peter would not recognise him."
But by luck he survived till a preacher arrived,
 Who agreed straightaway to baptise him. 

Now the artful young rogue, while they held their collogue,
 With his ear to the keyhole was listenin',
And he muttered in fright, while his features turned white,
 "What the divil and all is this christenin'?" 

He was none of your dolts, he had seen them brand colts,
 And it seemed to his small understanding,
If the man in the frock made him one of the flock,
 It must mean something very like branding. 

So away with a rush he set off for the bush,
 While the tears in his eyelids they glistened—
"'Tis outrageous," says he, "to brand youngsters like me,
 I'll be dashed if I'll stop to be christened!" 

Like a young native dog he ran into a log,
 And his father with language uncivil,
Never heeding the "praste" cried aloud in his haste,
 "Come out and be christened, you divil!" 

But he lay there as snug as a bug in a rug,
 And his parents in vain might reprove him,
Till his reverence spoke (he was fond of a joke)
 "I've a notion," says he, "that'll move him." 

"Poke a stick up the log, give the spalpeen a prog;
 Poke him aisy—don't hurt him or maim him,
'Tis not long that he'll stand, I've the water at hand,
 As he rushes out this end I'll name him. 

"Here he comes, and for shame! ye've forgotten the name—
 Is it Patsy or Michael or Dinnis?"
Here the youngster ran out, and the priest gave a shout—
 "Take your chance, anyhow, wid 'Maginnis'!" 

As the howling young cub ran away to the scrub
 Where he knew that pursuit would be risky,
The priest, as he fled, flung a flask at his head
 That was labelled "Maginnis's Whisky"! 

And Maginnis Magee has been made a J.P.,
 And the one thing he hates more than sin is
To be asked by the folk, who have heard of the joke,
 How he came to be christened Maginnis!
Written by Elinor Wylie | Create an image from this poem

Now let no charitable hope

 Now let no charitable hope 
Confuse my mind with images 
Of eagle and of antelope: 
I am by nature none of these. 

I was, being human, born alone; 
I am, being woman, hard beset; 
I live by squeezing from a stone 
What little nourishment I get. 

In masks outrageous and austere 
The years go by in single file; 
But none has merited my fear, 
And none has quite escaped my smile.
Written by Kenneth Patchen | Create an image from this poem

The Artists Duty

 So it is the duty of the artist to discourage all traces of shame
To extend all boundaries
To fog them in right over the plate
To kill only what is ridiculous
To establish problem
To ignore solutions
To listen to no one
To omit nothing
To contradict everything
To generate the free brain
To bear no cross
To take part in no crucifixion
To tinkle a warning when mankind strays
To explode upon all parties
To wound deeper than the soldier
To heal this poor obstinate monkey once and for all

To verify the irrational
To exaggerate all things
To inhibit everyone
To lubricate each proportion
To experience only experience

To set a flame in the high air
To exclaim at the commonplace alone
To cause the unseen eyes to open

To admire only the abrsurd
To be concerned with every profession save his own
To raise a fortuitous stink on the boulevards of truth and beauty
To desire an electrifiable intercourse with a female alligator
To lift the flesh above the suffering
To forgive the beautiful its disconsolate deceit

To flash his vengeful badge at every abyss

To HAPPEN

It is the artist’s duty to be alive
To drag people into glittering occupations

To blush perpetually in gaping innocence
To drift happily through the ruined race-intelligence
To burrow beneath the subconscious
To defend the unreal at the cost of his reason
To obey each outrageous inpulse
To commit his company to all enchantments.
Written by William Butler Yeats | Create an image from this poem

Shepherd And Goatherd

 Shepherd. That cry's from the first cuckoo of the year.
I wished before it ceased.

Goatherd. Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's providence.
Let the young wish. But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to Stone.

Shepherd. I am looking for strayed sheep;
Something has troubled me and in my rrouble
I let them stray. I thought of rhyme alone,
For rhme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its Place
The sheep had gone from theirs.

Goatherd. I know right well
What turned so good a shepherd from his charge.

Shepherd. He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth,
Is dead.

Goatherd. The boy that brings my griddle-cake
Brought the bare news.

Shepherd. He had thrown the crook away
And died in the great war beyond the sea.

Goatherd. He had often played his pipes among my hills,
And when he played it was their loneliness,
The exultation of their stone, that died
Under his fingers.

Shepherd. I had it from his mother,
And his own flock was browsing at the door.

Goatherd. How does she bear her grief? There is not a
 shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife?

Shepherd. She goes about her house erect and calm
Between the pantry and the linen-chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived,
But for her grandson now; there is no change
But such as I have Seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.

Goatherd. Sing your song.
I too have rhymed my reveries, but youth
Is hot to show whatever it has found,
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.

Shepherd. You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking-shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
No settled man. And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.

Goatherd. You have put the thought in rhyme.

Shepherd. I worked all day,
And when 'twas done so little had I done
That maybe "I am sorry' in plain prose
Had Sounded better to your mountain fancy.

 [He sings.]

"Like the speckled bird that steers
Thousands of leagues oversea,
And runs or a while half-flies
On his yellow legs through our meadows.
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape at the rinsing-pool
Among the evening shadows,
When he vanished from ears and eyes.
I might have wished on the day
He came, but man is a fool.'

Goatherd. You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.

Shepherd. They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.

Goatherd. Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.

Shepherd. Sing, for it may be that your thoughts have
 plucked
Some medicable herb to make our grief
Less bitter.

Goatherd. They have brought me from that ridge
Seed-pods and flowers that are not all wild poppy.

 [Sings.]

"He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practise on the shepherd's flute,
Or on the close-cropped grass
Court his shepherd lass,
Or put his heart into some game
Till daytime, playtime seem the same;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle-side,
He dreams himself hsi mother's pride,
All knowledge lost in trance
Of sweeter ignorance.'

Shepherd. When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
To know the mountain and the valley have grieved
May be a quiet thought to wife and mother,
And children when they spring up shoulder-high.


Written by Stephen Dunn | Create an image from this poem

Named

 He'd spent his life trying to control the names
  people gave him;
oh the unfair and the accurate equally hurt.

Just recently he'd been a son-of-a-*****
  and sweetheart in the same day,
and once again knew what antonyms

love and control are, and how comforting
  it must be to have a business card -
Manager, Specialist - and believe what it says.

Who, in fact, didn't want his most useful name
  to enter with him,
when he entered a room, who didn't want to be

that kind of lie? A man who was a sweetheart
  and a son-of-a-*****
was also more or less every name

he'd ever been called, and when you die, he thought,
  that's when it happens,
you're collected forever into a few small words.

But never to have been outrageous or exquisite,
  no grand mistake
so utterly yours it causes whispers

in the peripheries of your presence - that was
   his fear.
"Reckless"; he wouldn't object to such a name

if it came from the right voice with the right
  amount of reverence.
Someone nearby, of course, certain to add "fool."
Written by Edgar Lee Masters | Create an image from this poem

Roscoe Purkapile

 She loved me. Oh! how she loved me!
I never had a chance to escape
From the day she first saw me.
But then after we were married I thought
She might prove her mortality and let me out,
Or she might divorce me.
But few die, none resign.
Then I ran away and was gone a year on a lark.
But she never complained. She said all would be well,
That I would return. And I did return.
I told her that while taking a row in a boat
I had been captured near Van Buren Street
By pirates on Lake Michigan,
And kept in chains, so I could not write her.
She cried and kissed me, and said it was cruel,
Outrageous, inhuman!
I then concluded our marriage
Was a divine dispensation
And could not be dissolved,
Except by death.
I was right.
Written by Richard Hugo | Create an image from this poem

The Church On Comiaken Hill

 for Sydney Pettit

The lines are keen against today's bad sky
about to rain. We're white and understand
why Indians sold butter for the funds
to build this church. Four hens and a rooster
huddle on the porch. We are dark
and know why no one climbed to pray. The priest
who did his best to imitate a bell
watched the river, full of spirits, coil
below the hill, relentless for the bay.

A church abandoned to the wind is portent.
In high wind, ruins make harsh music.
The priest is tending bar. His dreams have paid
outrageous fees for stone and mortar.
His eyes are empty as a chapel
roofless in a storm. Greek temples seem
the same as forty centuries ago.
If we used one corner for a urinal,
he wouldn't swear we hadn't worshipped here.

The chickens cringe. Rain sprays chaos where
the altar and the stained glass would have gone
had Indians not eaten tribal cows
one hungry fall. Despite the chant,
salmon hadn't come. The first mass
and a phone line cursed the river.
If rain had rhythm, it would not be Latin.

Children do not wave as we drive out.
Like these graves ours may go unmarked.
Can we be satisfied when dead
with daffodils for stones? These Indians--
whatever they once loved or used for God--
the hill--the river--the bay burned by the moon--
they knew that when you die you lose your name.
Written by Sidney Lanier | Create an image from this poem

Nirvana

 Through seas of dreams and seas of phantasies,
Through seas of solitudes and vacancies,
And through my Self, the deepest of the seas,
I strive to thee, Nirvana.

Oh long ago the billow-flow of sense,
Aroused by passion's windy vehemence,
Upbore me out of depths to heights intense,
But not to thee, Nirvana.

By waves swept on, I learned to ride the waves.
I served my masters till I made them slaves.
I baffled Death by hiding in his graves,
His watery graves, Nirvana.

And once I clomb a mountain's stony crown
And stood, and smiled no smile and frowned no frown,
Nor ate, nor drank, nor slept, nor faltered down,
Five days and nights, Nirvana.

Sunrise and noon and sunset and strange night
And shadow of large clouds and faint starlight
And lonesome Terror stalking round the height,
I minded not, Nirvana.

The silence ground my soul keen like a spear.
My bare thought, whetted as a sword, cut sheer
Through time and life and flesh and death, to clear
My way unto Nirvana.

I slew gross bodies of old ethnic hates
That stirred long race-wars betwixt States and States.
I stood and scorned these foolish dead debates,
Calmly, calmly, Nirvana.

I smote away the filmy base of Caste.
I thrust through antique blood and riches vast,
And all big claims of the pretentious Past
That hindered my Nirvana.

Then all fair types, of form and sound and hue,
Up-floated round my sense and charmed anew.
-- I waved them back into the void blue:
I love them not, Nirvana.

And all outrageous ugliness of time,
Excess and Blasphemy and squinting Crime
Beset me, but I kept my calm sublime:
I hate them not, Nirvana.

High on the topmost thrilling of the surge
I saw, afar, two hosts to battle urge.
The widows of the victors sang a dirge,
But I wept not, Nirvana.

I saw two lovers sitting on a star.
He kissed her lip, she kissed his battle-scar.
They quarrelled soon, and went two ways, afar.
O Life! I laughed, Nirvana.

And never a king but had some king above,
And never a law to right the wrongs of Love,
And ever a fanged snake beneath a dove,
Saw I on earth, Nirvana.

But I, with kingship over kings, am free.
I love not, hate not: right and wrong agree:
And fangs of snakes and lures of doves to me
Are vain, are vain, Nirvana.

So by mine inner contemplation long,
By thoughts that need no speech nor oath nor song,
My spirit soars above the motley throng
Of days and nights, Nirvana.

O Suns, O Rains, O Day and Night, O Chance,
O Time besprent with seven-hued circumstance,
I float above ye all into the trance
That draws me nigh Nirvana.

Gods of small worlds, ye little Deities
Of humble Heavens under my large skies,
And Governor-Spirits, all, I rise, I rise,
I rise into Nirvana.

The storms of Self below me rage and die.
On the still bosom of mine ecstasy,
A lotus on a lake of balm, I lie
Forever in Nirvana.
Written by Rudyard Kipling | Create an image from this poem

The Legend of Evil

 I
This is the sorrowful story
 Told when the twilight fails
And the monkeys walk together
 Holding their neighbours' tails: --

"Our fathers lived in the forest,
 Foolish people were they,
They went down to the cornland
 To teach the farmers to play.

"Our fathers frisked in the millet,
 Our fathers skipped in the wheat,
Our fathers hung from the branches,
 Our fathers danced in the street.

"Then came the terrible farmers,
 Nothing of play they knew,
Only. . .they caught our fathers
 And set them to labour too!

"Set them to work in the cornland
 With ploughs and sickles and flails,
Put them in mud-walled prisons
 And -- cut off their beautiful tails!

"Now, we can watch our fathers,
 Sullen and bowed and old,
Stooping over the millet,
 Sharing the silly mould,

"Driving a foolish furrow,
 Mending a muddy yoke,
Sleeping in mud-walled prisons,
 Steeping their food in smoke.

"We may not speak to our fathers,
 For if the farmers knew
They would come up to the forest
 And set us to labour too."

This is the horrible story
 Told as the twilight fails
And the monkeys walk together
 Holding their kinsmen's tails.


 II

'Twas when the rain fell steady an' the Ark was pitched an' ready,
 That Noah got his orders for to take the bastes below;
He dragged them all together by the horn an' hide an' feather,
 An' all excipt the Donkey was agreeable to go.

Thin Noah spoke him fairly, thin talked to him sevarely,
 An' thin he cursed him squarely to the glory av the Lord: --
"Divil take the ass that bred you, and the greater ass that fed you --
 Divil go wid you, ye spalpeen!" an' the Donkey went aboard.

But the wind was always failin', an' 'twas most onaisy sailin',
 An' the ladies in the cabin couldn't stand the stable air;
An' the bastes betwuxt the hatches, they tuk an' died in batches,
 Till Noah said: -- "There's wan av us that hasn't paid his fare!"

For he heard a flusteration 'mid the bastes av all creation --
 The trumpetin' av elephints an' bellowin' av whales;
An' he saw forninst the windy whin he wint to stop the shindy
 The Divil wid a stable-fork bedivillin' their tails.

The Divil cursed outrageous, but Noah said umbrageous: --
 "To what am I indebted for this tenant-right invasion?"
An' the Divil gave for answer: -- "Evict me if you can, sir,
 For I came in wid the Donkey -- on Your Honour's invitation."

Book: Radiant Verses: A Journey Through Inspiring Poetry