Get Your Premium Membership

Best Famous Outlive Poems

Here is a collection of the all-time best famous Outlive poems. This is a select list of the best famous Outlive poetry. Reading, writing, and enjoying famous Outlive poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of outlive poems.

Search and read the best famous Outlive poems, articles about Outlive poems, poetry blogs, or anything else Outlive poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by George (Lord) Byron | Create an image from this poem

The Dream

 I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power— 
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed Perchance in sleep—for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour.
II I saw two beings in the hues of youth Standing upon a hill, a gentle hill, Green and of mild declivity, the last As 'twere the cape of a long ridge of such, Save that there was no sea to lave its base, But a most living landscape, and the wave Of woods and corn-fields, and the abodes of men Scattered at intervals, and wreathing smoke Arising from such rustic roofs: the hill Was crowned with a peculiar diadem Of trees, in circular array, so fixed, Not by the sport of nature, but of man: These two, a maiden and a youth, were there Gazing—the one on all that was beneath Fair as herself—but the boy gazed on her; And both were young, and one was beautiful: And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge, The maid was on the eve of womanhood; The boy had fewer summers, but his heart Had far outgrown his years, and to his eye There was but one beloved face on earth, And that was shining on him; he had looked Upon it till it could not pass away; He had no breath, no being, but in hers: She was his voice; he did not speak to her, But trembled on her words; she was his sight, For his eye followed hers, and saw with hers, Which coloured all his objects;—he had ceased To live within himself: she was his life, The ocean to the river of his thoughts, Which terminated all; upon a tone, A touch of hers, his blood would ebb and flow, And his cheek change tempestuously—his heart Unknowing of its cause of agony.
But she in these fond feelings had no share: Her sighs were not for him; to her he was Even as a brother—but no more; 'twas much, For brotherless she was, save in the name Her infant friendship had bestowed on him; Herself the solitary scion left Of a time-honoured race.
—It was a name Which pleased him, and yet pleased him not—and why? Time taught him a deep answer—when she loved Another; even now she loved another, And on the summit of that hill she stood Looking afar if yet her lover's steed Kept pace with her expectancy, and flew.
III A change came o'er the spirit of my dream.
There was an ancient mansion, and before Its walls there was a steed caparisoned: Within an antique Oratory stood The Boy of whom I spake;—he was alone, And pale, and pacing to and fro: anon He sate him down, and seized a pen, and traced Words which I could not guess of; then he leaned His bowed head on his hands and shook, as 'twere With a convulsion—then rose again, And with his teeth and quivering hands did tear What he had written, but he shed no tears.
And he did calm himself, and fix his brow Into a kind of quiet: as he paused, The Lady of his love re-entered there; She was serene and smiling then, and yet She knew she was by him beloved; she knew— For quickly comes such knowledge—that his heart Was darkened with her shadow, and she saw That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp He took her hand; a moment o'er his face A tablet of unutterable thoughts Was traced, and then it faded, as it came; He dropped the hand he held, and with slow steps Retired, but not as bidding her adieu, For they did part with mutual smiles; he passed From out the massy gate of that old Hall, And mounting on his steed he went his way; And ne'er repassed that hoary threshold more.
IV A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds Of fiery climes he made himself a home, And his Soul drank their sunbeams; he was girt With strange and dusky aspects; he was not Himself like what he had been; on the sea And on the shore he was a wanderer; There was a mass of many images Crowded like waves upon me, but he was A part of all; and in the last he lay Reposing from the noontide sultriness, Couched among fallen columns, in the shade Of ruined walls that had survived the names Of those who reared them; by his sleeping side Stood camels grazing, and some goodly steeds Were fastened near a fountain; and a man, Glad in a flowing garb, did watch the while, While many of his tribe slumbered around: And they were canopied by the blue sky, So cloudless, clear, and purely beautiful, That God alone was to be seen in heaven.
V A change came o'er the spirit of my dream.
The Lady of his love was wed with One Who did not love her better: in her home, A thousand leagues from his,—her native home, She dwelt, begirt with growing Infancy, Daughters and sons of Beauty,—but behold! Upon her face there was a tint of grief, The settled shadow of an inward strife, And an unquiet drooping of the eye, As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved, And he who had so loved her was not there To trouble with bad hopes, or evil wish, Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not, Nor given him cause to deem himself beloved, Nor could he be a part of that which preyed Upon her mind—a spectre of the past.
VI A change came o'er the spirit of my dream.
The Wanderer was returned.
—I saw him stand Before an altar—with a gentle bride; Her face was fair, but was not that which made The Starlight of his Boyhood;—as he stood Even at the altar, o'er his brow there came The selfsame aspect and the quivering shock That in the antique Oratory shook His bosom in its solitude; and then— As in that hour—a moment o'er his face The tablet of unutterable thoughts Was traced—and then it faded as it came, And he stood calm and quiet, and he spoke The fitting vows, but heard not his own words, And all things reeled around him; he could see Not that which was, nor that which should have been— But the old mansion, and the accustomed hall, And the remembered chambers, and the place, The day, the hour, the sunshine, and the shade, All things pertaining to that place and hour, And her who was his destiny, came back And thrust themselves between him and the light; What business had they there at such a time? VII A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed, As by the sickness of the soul; her mind Had wandered from its dwelling, and her eyes, They had not their own lustre, but the look Which is not of the earth; she was become The queen of a fantastic realm; her thoughts Were combinations of disjointed things; And forms impalpable and unperceived Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise Have a far deeper madness, and the glance Of melancholy is a fearful gift; What is it but the telescope of truth? Which strips the distance of its fantasies, And brings life near in utter nakedness, Making the cold reality too real! VIII A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore, The beings which surrounded him were gone, Or were at war with him; he was a mark For blight and desolation, compassed round With Hatred and Contention; Pain was mixed In all which was served up to him, until, Like to the Pontic monarch of old days, He fed on poisons, and they had no power, But were a kind of nutriment; he lived Through that which had been death to many men, And made him friends of mountains; with the stars And the quick Spirit of the Universe He held his dialogues: and they did teach To him the magic of their mysteries; To him the book of Night was opened wide, And voices from the deep abyss revealed A marvel and a secret.
—Be it so.
IX My dream is past; it had no further change.
It was of a strange order, that the doom Of these two creatures should be thus traced out Almost like a reality—the one To end in madness—both in misery.


Written by William Shakespeare | Create an image from this poem

Sonnet 55

Not marble, nor the gilded monuments
Of princes, shall outlive this powerful rhyme;
But you shall shine more bright in these contènts
Than unswept stone, besmeared with sluttish time.
When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burn The living record of your memory.
'Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room Even in the eyes of all posterity That wear this world out to the ending doom.
So, till the judgment that yourself arise, You live in this, and dwell in lovers' eyes.
Written by Anne Sexton | Create an image from this poem

All My Pretty Ones

 Father, this year's jinx rides us apart 
where you followed our mother to her cold slumber; 
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will, 
boxes of pictures of people I do not know.
I touch their cardboard faces.
They must go.
But the eyes, as thick as wood in this album, hold me.
I stop here, where a small boy waits in a ruffled dress for someone to come.
.
.
for this soldier who holds his bugle like a toy or for this velvet lady who cannot smile.
Is this your father's father, this Commodore in a mailman suit? My father, time meanwhile has made it unimportant who you are looking for.
I'll never know what these faces are all about.
I lock them into their book and throw them out.
Tlis is the yellow scrapbook that you began the year I was born; as crackling now and wrinkly as tobacco leaves: clippings where Hoover outran the Democrats, wiggling his dry finger at me and Prohibition; news where the Hindenburg went down and recent years where you went flush on war.
This year, solvent but sick, you meant to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried on your fat shoulder.
Three days later you died.
These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now; here, with the winner's cup at the speedboat races, here, in tails at the Cotillion, you take a bow, here, by our kennel of dogs with their pink eyes, running like show-bred pigs in their chain-link pen; here, at the horseshow where my sister wins a prize; Now I fold you down, my drunkard, my navigator, my first lost keeper, to love or look at later.
I hold a five-year diary that my mother kept for three years, telling all she does not say of your alcoholic tendency.
You overslept, she writes.
My God, father, each Christmas Day with your blood, will I drink down your glass of wine? The diary of your hurly-burly years goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you, bend down my strange face to yours and forgive you.
Written by Anne Sexton | Create an image from this poem

Consorting With Angels

 I was tired of being a woman,
tired of the spoons and the post,
tired of my mouth and my breasts,
tired of the cosmetics and the silks.
There were still men who sat at my table, circled around the bowl I offered up.
The bowl was filled with purple grapes and the flies hovered in for the scent and even my father came with his white bone.
But I was tired of the gender things.
Last night I had a dream and I said to it.
.
.
"You are the answer.
You will outlive my husband and my father.
" In that dream there was a city made of chains where Joan was put to death in man's clothes and the nature of the angels went unexplained, no two made in the same species, one with a nose, one with an ear in its hand, one chewing a star and recording its orbit, each one like a poem obeying itself, performing God's functions, a people apart.
"You are the answer," I said, and entered, lying down on the gates of the city.
Then the chains were fastened around me and I lost my common gender and my final aspect.
Adam was on the left of me and Eve was on the right of me, both thoroughly inconsistent with the world of reason.
We wove our arms together and rode under the sun.
I was not a woman anymore, not one thing or the other.
O daughters of Jerusalem, the king has brought me into his chamber.
I am black and I am beautiful.
I've been opened and undressed.
I have no arms or legs.
I'm all one skin like a fish.
I'm no more a woman than Christ was a man.
Written by Lisa Zaran | Create an image from this poem

How We Are

 Pale scrapings of people 
with lipstick ringed glasses 
and cigarettes burning, 
and laughter trickling up and down 
their knotty throats.
What is this, a gathering of henhouse critics? My father's voice in the back of my head, saying, forget that I'm dead and if you can not do that than pretend.
I am standing just outside the gallery beneath the shadowy bough of a birch.
The moon is floating in the sky's dark lap.
Faraway I can hear the ocean sigh.
Now father, I am asking, what smile are you wearing? What color are your eyes again? How many teeth have you lost? Don't you think I want a kiss.
Perhaps I don't.
Perhaps I don't want to stand and pretend you not dead while the wet, champagne mouths of the living tell me how wonderful your paintings are.
As they crook their fingers and strain their necks, lose their vocabulary inside the artwork's depths and colors.
Father, I want your reputation to outlive the pursuits of others with their iron-on reviews after an hour's worth of browsing at a lifetime of your work.
Father, are you crying? Stop that sound.
Copyright © Lisa Zaran, 2005


Written by William Shakespeare | Create an image from this poem

Not marble nor the guilded monuments (Sonnet 55)

 Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time.
When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burn The living record of your memory.
'Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room, Even in the eyes of all posterity That wear this world out to the ending doom.
So, till the judgment that yourself arise, You live in this, and dwell in lovers' eyes.
Written by Robert Burns | Create an image from this poem

442. Remorseful Apology

 THE FRIEND whom, wild from Wisdom’s way,
 The fumes of wine infuriate send,
(Not moony madness more astray)
 Who but deplores that hapless friend?


Mine was th’ insensate frenzied part,
 Ah! why should I such scenes outlive?
Scenes so abhorrent to my heart!—
 ’Tis thine to pity and forgive.
Written by Rg Gregory | Create an image from this poem

absinthe and stained glass

 (i)
absinthe makes the hurt grow fonder
the green fairy burbles what's this 'ere
when vincent (sozzled) knifes his lug off
all spirits then succumb to fear
depression takes the gloss off wonder
and people (lost) tell god to bug off
the twentieth century drowns in sheer
excuse that life is comic blunder
temporality dons its gear
forbidden thought soon rips its gag off

stained glass (you think) must be bystander
its leaded eyes seek far not near
the day's bleak dirt it learns to shrug off

(ii)
the history of the race confuses
heady spirit with bloody need
nothing can stop the sky from tingling
intrinsic hope rewords its screed
assumes it must outlive its bruises

stained glass deigns to face the mingling
of atavistic search for creed
with each desire gets what it chooses
it tries to suck out truth from greed
and calmly pacifies the wrangling

lasting spirit allows no ruses
what's bottled dreads to pay much heed
between the two meek life is dangling

(from le trianon - stained glass window by berge)
Written by William Shakespeare | Create an image from this poem

Sonnet 101: O truant Muse what shall be thy amends

 O truant Muse, what shall be thy amends
For thy neglect of truth in beauty dyed?
Both truth and beauty on my love depends;
So dost thou too, and therein dignified.
Make answer, Muse.
Wilt thou not haply say, "Truth needs no colour with his colour fixed, Beauty no pencil, beauty's truth to lay, But best is best, if never intermixed"? Because he needs no praise, wilt thou be dumb? Excuse not silence so, for't lies in thee To make him much outlive a gilded tomb And to be praised of ages yet to be.
Then do thy office, Muse; I teach thee how To make him seem, long hence, as he shows now.
Written by Mark Van Doren | Create an image from this poem

Morning Worship

 I wake and hearing it raining.
Were I dead, what would I give Lazily to lie here, Like this, and live? Or better yet: birdsong, Brightening and spreading -- How far would I come then To be at the world's wedding? Now that I lie, though, Listening, living, (Oh, but not forever, Oh, end arriving) How shall I praise them: All the sweet beings Eternally that outlive Me and my dying? Mountains, I mean; wind, water, air; Grass, and huge trees; clouds, flowers, And thunder, and night.
Turtles, I mean, and toads; hawks, herons, owls; Graveyards, and towns, and trout; roads, gardens, Red berries, and deer.
Lightning, I mean, and eagles; fences; snow; Sunrise, and ferns; waterfalls, serpents, Green islands, and sleep.
Horses, I mean; butterflies, whales; Mosses, and stars and gravelly Rivers, and fruit.
Oceans, I mean; black valleys; corn; Brambles, and cliffs; rock, dirt, dust, ice; And warnings of flood.
How shall I name them? And in what order? Each would be first.
Omission is murder.
Maidens, I mean, and apples; needles; leaves; Worms, and planers, and clover; whirlwinds; dew; Bulls; geese -- Stop.
Lie still.
You will never be done.
Leave them all there.
Old lover.
Live on.

Book: Shattered Sighs