Written by
Victor Hugo |
("Vous êtes singulier.")
{MARION DELORME, Act I., June, 1829, played 1831.}
MARION (smiling.) You're strange, and yet I love you thus.
DIDIER. You love me?
Beware, nor with light lips utter that word.
You love me!—know you what it is to love
With love that is the life-blood in one's veins,
The vital air we breathe, a love long-smothered,
Smouldering in silence, kindling, burning, blazing,
And purifying in its growth the soul.
A love that from the heart eats every passion
But its sole self; love without hope or limit,
Deep love that will outlast all happiness;
Speak, speak; is such the love you bear me?
MARION. Truly.
DIDIER. Ha! but you do not know how I love you!
The day that first I saw you, the dark world
Grew shining, for your eyes lighted my gloom.
Since then, all things have changed; to me you are
Some brightest, unknown creature from the skies.
This irksome life, 'gainst which my heart rebelled,
Seems almost fair and pleasant; for, alas!
Till I knew you wandering, alone, oppressed,
I wept and struggled, I had never loved.
FANNY KEMBLE-BUTLER.
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Written by
Rainer Maria Rilke |
Come let us watch the sun go down
and walk in twilight through the orchard's green.
Does it not seem as if we had for long
collected, saved and harbored within us
old memories? To find releases and seek
new hopes, remembering half-forgotten joys,
mingled with darkness coming from within,
as we randomly voice our thoughts aloud
wandering beneath these harvest-laden trees
reminiscent of Durer woodcuts, branches
which, bent under the fully ripened fruit,
wait patiently, trying to outlast, to
serve another season's hundred days of toil,
straining, uncomplaining, by not breaking
but succeeding, even though the burden
should at times seem almost past endurance.
Not to falter! Not to be found wanting!
Thus must it be, when willingly you strive
throughout a long and uncomplaining life,
committed to one goal: to give yourself!
And silently to grow and to bear fruit.
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Written by
Kathleen Raine |
Strange that the self’s continuum should outlast
The Virgin, Aphrodite, and the Mourning Mother,
All loves and griefs, successive deities
That hold their kingdom in the human breast.
Abandoned by the gods, woman with an ageing body
That half remembers the Annunciation
The passion and the travail and the grief
That wore the mask of my humanity,
I marvel at the soul’s indifference.
For in her theatre the play is done,
The tears are shed; the actors, the immortals
In their ceaseless manifestation, elsewhere gone,
And I who have been Virgin and Aphrodite,
The mourning Isis and the queen of corn
Wait for the last mummer, dread Persephone
To dance my dust at last into the tomb.
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Written by
Rudyard Kipling |
1919
As I pass through my incarnations in every age and race,
Make my proper prostrations to the Gods of the Market-Place.
'eering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.
Ne were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly bum:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Manlund.
We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market-Place;
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.
Nith the Hopes that our@ World is built on they were utterly out of touch
They denied that the Moon was Stilton; they denied she was even Dutch
They denied that Wishes were Horses; they denied that a Pig had Wings
S we worshipped the Gods of the Market Who promised these beautiful things.
When the Cambrian measurres were forming They pr@omised perpetual peace.
They swore, if we gave them our weapons that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Heading said: "Stick to the Devil yox know."
On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: "The Wages of Sin is Death."
In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: "If you don't work you die."
Then the Gods of the Market tumbled, and their@ smooth-tongued wizards withdrew,
And the hearts of the meanest wer@e humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four --
And the Gods of the Copybook Headings limped up to explain it once more.
* * * * *
As it will be in the future, it was at the birth of Man --
There are only four things certain since Social Pr@ogress began --
That the Dog returns to his Vomit and the Sow returns to her Mice,
And the burnt Fool's bandaged finger goes wabbling back to the Fire --
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins
As surely as Water will wet us, as surely as Fire will burn
The Gods of the Copybook Headings with terror and slaughter return!
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Written by
Ezra Pound |
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start--
No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;
Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events,"
He passed from men's memory in l'an trentuniesme
de son eage;the case presents
No adjunct to the Muses' diadem.
II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;
Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing
Sage Heracleitus say;
But a tawdry cheapness
Shall outlast our days.
Even the Christian beauty
Defects--after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an eunuch
To rule over us.
O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!
IV
These fought in any case,
And some believing,
pro domo, in any case...
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later...
some in fear, learning love of slaughter;
Died some, pro patria,
non "dulce" not "et decor"...
walked eye-deep in hell
believing old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
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Written by
D. H. Lawrence |
A faint, sickening scent of irises
Persists all morning. Here in a jar on the table
A fine proud spike of purple irises
Rising above the class-room litter, makes me unable
To see the class’s lifted and bended faces
Save in a broken pattern, amid purple and gold and sable.
I can smell the gorgeous bog-end, in its breathless
Dazzle of may-blobs, when the marigold glare overcast you
With fire on your cheeks and your brow and your chin as you dipped
Your face in the marigold bunch, to touch and contrast you,
Your own dark mouth with the bridal faint lady-smocks,
Dissolved on the golden sorcery you should not outlast.
You amid the bog-end’s yellow incantation,
You sitting in the cowslips of the meadow above,
Me, your shadow on the bog-flame, flowery may-blobs,
Me full length in the cowslips, muttering you love;
You, your soul like a lady-smock, lost, evanescent,
You with your face all rich, like the sheen of a dove.
You are always asking, do I remember, remember
The butter-cup bog-end where the flowers rose up
And kindled you over deep with a cast of gold?
You ask again, do the healing days close up
The open darkness which then drew us in,
The dark which then drank up our brimming cup.
You upon the dry, dead beech-leaves, in the fire of night
Burnt like a sacrifice; you invisible;
Only the fire of darkness, and the scent of you!
—And yes, thank God, it still is possible
The healing days shall close the darkness up
Wherein we fainted like a smoke or dew.
Like vapour, dew, or poison. Now, thank God,
The fire of night is gone, and your face is ash
Indistinguishable on the grey, chill day;
The night had burst us out, at last the good
Dark fire burns on untroubled, without clash
Of you upon the dead leaves saying me Yea.
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Written by
Andrew Barton Paterson |
We're away! and the wind whistles shrewd
In our whiskers and teeth;
And the granite-like grey of the road
Seems to slide underneath.
As an eagle might sweep through the sky,
So we sweep through the land;
And the pallid pedestrians fly
When they hear us at hand.
We outpace, we outlast, we outstrip!
Not the fast-fleeing hare,
Nor the racehorses under the whip,
Nor the birds of the air
Can compete with our swiftness sublime,
Our ease and our grace.
We annihilate chickens and time
And policemen and space.
Do you mind that fat grocer who crossed?
How he dropped down to pray
In the road when he saw he was lost;
How he melted away
Underneath, and there rang through the fog
His earsplitting squeal
As he went -- Is that he or a dog,
That stuff on the wheel?
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