Written by
Anne Bronte |
A prisoner in a dungeon deep
Sat musing silently;
His head was rested on his hand,
His elbow on his knee.
Turned he his thoughts to future times
Or are they backward cast?
For freedom is he pining now
Or mourning for the past?
No, he has lived so long enthralled
Alone in dungeon gloom
That he has lost regret and hope,
Has ceased to mourn his doom.
He pines not for the light of day
Nor sighs for freedom now;
Such weary thoughts have ceased at length
To rack his burning brow.
Lost in a maze of wandering thoughts
He sits unmoving there;
That posture and that look proclaim
The stupor of despair.
Yet not for ever did that mood
Of sullen calm prevail;
There was a something in his eye
That told another tale.
It did not speak of reason gone,
It was not madness quite;
It was a fitful flickering fire,
A strange uncertain light.
And sooth to say, these latter years
Strange fancies now and then
Had filled his cell with scenes of life
And forms of living men.
A mind that cannot cease to think
Why needs he cherish there?
Torpor may bring relief to pain
And madness to despair.
Such wildering scenes, such flitting shapes
As feverish dreams display:
What if those fancies still increase
And reason quite decay?
But hark, what sounds have struck his ear;
Voices of men they seem;
And two have entered now his cell;
Can this too be a dream?
'Orlando, hear our joyful news:
Revenge and liberty!
Your foes are dead, and we are come
At last to set you free.'
So spoke the elder of the two,
And in the captive's eyes
He looked for gleaming ecstasy
But only found surprise.
'My foes are dead! It must be then
That all mankind are gone.
For they were all my deadly foes
And friends I had not one.'
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Written by
Alan Seeger |
Ruggiero, to amaze the British host,
And wake more wonder in their wondering ranks,
The bridle of his winged courser loosed,
And clapped his spurs into the creature's flanks;
High in the air, even to the topmost banks
Of crudded cloud, uprose the flying horse,
And now above the Welsh, and now the Manx,
And now across the sea he shaped his course,
Till gleaming far below lay Erin's emerald shores.
There round Hibernia's fabled realm he coasted,
Where the old saint had left the holy cave,
Sought for the famous virtue that it boasted
To purge the sinful visitor and save.
Thence back returning over land and wave,
Ruggiero came where the blue currents flow,
The shores of Lesser Brittany to lave,
And, looking down while sailing to and fro,
He saw Angelica chained to the rock below.
'Twas on the Island of Complaint -- well named,
For there to that inhospitable shore,
A savage people, cruel and untamed,
Brought the rich prize of many a hateful war.
To feed a monster that bestead them sore,
They of fair ladies those that loveliest shone,
Of tender maidens they the tenderest bore,
And, drowned in tears and making piteous moan,
Left for that ravening beast, chained on the rocks alone.
Thither transported by enchanter's art,
Angelica from dreams most innocent
(As the tale mentioned in another part)
Awoke, the victim for that sad event.
Beauty so rare, nor birth so excellent,
Nor tears that make sweet Beauty lovelier still,
Could turn that people from their harsh intent.
Alas, what temper is conceived so ill
But, Pity moving not, Love's soft enthralment will?
On the cold granite at the ocean's rim
These folk had chained her fast and gone their way;
Fresh in the softness of each delicate limb
The pity of their bruising violence lay.
Over her beauty, from the eye of day
To hide its pleading charms, no veil was thrown.
Only the fragments of the salt sea-spray
Rose from the churning of the waves, wind-blown,
To dash upon a whiteness creamier than their own.
Carved out of candid marble without flaw,
Or alabaster blemishless and rare,
Ruggiero might have fancied what he saw,
For statue-like it seemed, and fastened there
By craft of cunningest artificer;
Save in the wistful eyes Ruggiero thought
A teardrop gleamed, and with the rippling hair
The ocean breezes played as if they sought
In its loose depths to hide that which her hand might not.
Pity and wonder and awakening love
Strove in the bosom of the Moorish Knight.
Down from his soaring in the skies above
He urged the tenor of his courser's flight.
Fairer with every foot of lessening height
Shone the sweet prisoner. With tightening reins
He drew more nigh, and gently as he might:
"O lady, worthy only of the chains
With which his bounden slaves the God of Love constrains,
"And least for this or any ill designed,
Oh, what unnatural and perverted race
Could the sweet flesh with flushing stricture bind,
And leave to suffer in this cold embrace
That the warm arms so hunger to replace?"
Into the damsel's cheeks such color flew
As by the alchemy of ancient days
If whitest ivory should take the hue
Of coral where it blooms deep in the liquid blue.
Nor yet so tightly drawn the cruel chains
Clasped the slim ankles and the wounded hands,
But with soft, cringing attitudes in vain
She strove to shield her from that ardent glance.
So, clinging to the walls of some old manse,
The rose-vine strives to shield her tender flowers,
When the rude wind, as autumn weeks advance,
Beats on the walls and whirls about the towers
And spills at every blast her pride in piteous showers.
And first for choking sobs she might not speak,
And then, "Alas!" she cried, "ah, woe is me!"
And more had said in accents faint and weak,
Pleading for succor and sweet liberty.
But hark! across the wide ways of the sea
Rose of a sudden such a fierce affray
That any but the brave had turned to flee.
Ruggiero, turning, looked. To his dismay,
Lo, where the monster came to claim his quivering prey!
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Written by
Edgar Lee Masters |
Oh, you young radicals and dreamers,
You dauntless fledglings
Who pass by my headstone,
Mock not its record of my captaincy in the army
And my faith in God!
They are not denials of each other.
Go by reverently, and read with sober care
How a great people, riding with defiant shouts
The centaur of Revolution,
Spurred and whipped to frenzy,
Shook with terror, seeing the mist of the sea
Over the precipice they were nearing,
And fell from his back in precipitate awe
To celebrate the Feast of the Supreme Being.
Moved by the same sense of vast reality
Of life and death, and burdened as they were
With the fate of a race,
How was I, a little blasphemer,
Caught in the drift of a nation's unloosened flood,
To remain a blasphemer,
And a captain in the army?
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Written by
William Topaz McGonagall |
Immortal! William Shakespeare, there's none can you excel,
You have drawn out your characters remarkably well,
Which is delightful for to see enacted upon the stage
For instance, the love-sick Romeo, or Othello, in a rage;
His writings are a treasure, which the world cannot repay,
He was the greatest poet of the past or of the present day
Also the greatest dramatist, and is worthy of the name,
I'm afraid the world shall never look upon his like again.
His tragedy of Hamlet is moral and sublime,
And for purity of langucge, nothing can be more fine
For instance, to hear the fair Ophelia making her moan,
At her father's grave, sad and alone....
In his beautiful play, "As You Like If," one passage is very fine,
Just for instance in fhe forest of Arden, the language is sublime,
Where Orlando speaks of his Rosilind, most lovely and divine,
And no other poet I am sure has written anything more fine;
His language is spoken in the Church and by the Advocate at the bar,
Here and there and everywhere throughout the world afar;
His writings abound with gospel truths, moral and sublime,
And I'm sure in my opinion they are surpassing fine;
In his beautiful tragedy of Othello, one passage is very fine,
Just for instance where Cassio looses his lieutenancy
... By drinking too much wine;
And in grief he exclaims, "Oh! that men should put an
Enemy in their mouths to steal away their brains."
In his great tragedy of Richard the III, one passage is very fine
Where the Duchess of York invokes the aid of the Divine
For to protect her innocent babes from the murderer's uplifted hand,
And smite him powerless, and save her babes, I'm sure 'tie really grand.
Immortal! Bard of Avon, your writings are divine,
And will live in the memories of you admirers until the end of time;
Your plays are read in family ciFcles with wonder and delight,
While seated around the fireside on a cold winter's night.
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Written by
Thomas Moore |
The Ghost of Miltiades came at night,
And he stood by the bed of the Benthamite,
And he said, in a voice, that thrill'd the frame,
"If ever the sound of Marathon's name
Hath fir'd they blood or flush'd thy brow,
Lover of Liberty, rise thee now!"
The Benthamite, yawning, left his bed --
Away to the Stock Exchange he sped,
And he found the Scrip of Greece so high,
That it fir'd his blood, it flush'd his eye,
And oh, 'twas a sight to see,
For never was Greek more Greek than he!
And still as the premium higher went,
His ecstas rose - so much per cent.,
(As we see in a glass, that tells the weather,
The heat and the silver rise together,)
And Liberty sung from the patriot's lip,
While a voice from pocket whisper'd "Scrip!"
The Ghost of Miltiades came again; --
He smil'd as the pale moon smiles through rain,
For his soul was glad at the patriot strain;
(And poor, dear ghost -- how little he knew
The jobs and the tricks of the Philhellene crew!)
"Blessings and thanks!" was all he said,
Then, melting away, like a night-dream, fled!
The Benthamite hears -- amaz'd that ghosts
Could be such fools -- and away he posts,
A patriot still? Ah no, ah no --
Goddess of Freedom, thy scrip is low,
And, warm and fond as they lovers are,
Thou triest their passion, when under par.
The Benthamite's ardour fast decays,
By turns he weeps, and swears, and prays,
And wishes the d--l had Crescent and Cross,
Ere he had been forc'd to sell at a loss.
They quote thim the Stock of various nations,
But, spite of his classical associations,
Lord how he loathes the Greek quotations!
"Who'll buy my Scrip! Who'll buy my Scrip?"
Is now the theme of the patriot's lip,
And he runs to tell how hard his lot is
To Messrs. Orlando and Luriottis,
And says, "Oh Greece, for Liberty's sake,
Do buy my Scrip and I vow to break
Those dark, unholy bonds of thine --
If you'll only consent to buy up mine!"
The Ghost of Miltiades came once more; --
His brow, like the night, was lowering o'er,
And he said, with a look that flash'd dismay,
"Of Liberty's foes the worst are they
Who turn to a trade her cause divine,
And gamble for gold on Freedom's shrine!"
Thus saying, the Ghost, as he took his flight,
Gave a Parthian kick to the Benthamite,
Which sent him, whimpering, off to Jerry --
And vanish'd away to the Stygian ferry!
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