Written by
Walt Whitman |
1
OF these years I sing,
How they pass and have pass’d, through convuls’d pains as through parturitions;
How America illustrates birth, muscular youth, the promise, the sure fulfillment, the
Absolute
Success, despite of people—Illustrates evil as well as good;
How many hold despairingly yet to the models departed, caste, myths, obedience,
compulsion, and
to infidelity;
How few see the arrived models, the Athletes, the Western States—or see freedom or
spirituality—or hold any faith in results,
(But I see the Athletes—and I see the results of the war glorious and
inevitable—and
they again leading to other results;)
How the great cities appear—How the Democratic masses, turbulent, wilful, as I love
them;
How the whirl, the contest, the wrestle of evil with good, the sounding and resounding,
keep on
and on;
How society waits unform’d, and is for awhile between things ended and things begun;
How America is the continent of glories, and of the triumph of freedom, and of the
Democracies,
and of the fruits of society, and of all that is begun;
And how The States are complete in themselves—And how all triumphs and glories are
complete in themselves, to lead onward,
And how these of mine, and of The States, will in their turn be convuls’d, and serve
other
parturitions and transitions,
And how all people, sights, combinations, the Democratic masses, too, serve—and how
every
fact, and war itself, with all its horrors, serves,
And how now, or at any time, each serves the exquisite transition of death.
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OF seeds dropping into the ground—of birth,
Of the steady concentration of America, inland, upward, to impregnable and swarming
places,
Of what Indiana, Kentucky, Ohio and the rest, are to be,
Of what a few years will show there in Nebraska, Colorado, Nevada, and the rest;
(Or afar, mounting the Northern Pacific to Sitka or Aliaska;)
Of what the feuillage of America is the preparation for—and of what all sights,
North,
South, East and West, are;
Of This Union, soak’d, welded in blood—of the solemn price paid—of the
unnamed
lost, ever present in my mind;
—Of the temporary use of materials, for identity’s sake,
Of the present, passing, departing—of the growth of completer men than any yet,
Of myself, soon, perhaps, closing up my songs by these shores,
Of California, of Oregon—and of me journeying to live and sing there;
Of the Western Sea—of the spread inland between it and the spinal river,
Of the great pastoral area, athletic and feminine,
of all sloping down there where the fresh free giver, the mother, the Mississippi flows,
Of future women there—of happiness in those high plateaus, ranging three thousand
miles,
warm and cold;
Of mighty inland cities yet unsurvey’d and unsuspected, (as I am also, and as it must
be;)
Of the new and good names—of the modern developments—of inalienable homesteads;
Of a free and original life there—of simple diet and clean and sweet blood;
Of litheness, majestic faces, clear eyes, and perfect physique there;
Of immense spiritual results, future years, far west, each side of the Anahuacs;
Of these leaves, well understood there, (being made for that area;)
Of the native scorn of grossness and gain there;
(O it lurks in me night and day—What is gain, after all, to savageness and freedom?)
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Written by
Oliver Wendell Holmes |
Behold the rocky wall
That down its sloping sides
Pours the swift rain-drops, blending, as they fall,
In rushing river-tides!
Yon stream, whose sources run
Turned by a pebble's edge,
Is Athabasca, rolling toward the sun
Through the cleft mountain-ledge.
The slender rill had strayed,
But for the slanting stone,
To evening's ocean, with the tangled braid
Of foam-flecked Oregon.
So from the heights of Will
Life's parting stream descends,
And, as a moment turns its slender rill,
Each widening torrent bends, --
From the same cradle's side,
From the same mother's knee, --
One to long darkness and the frozen tide,
One to the Peaceful Sea!
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Written by
Walt Whitman |
AS consequent from store of summer rains,
Or wayward rivulets in autumn flowing,
Or many a herb-lined brook’s reticulations,
Or subterranean sea-rills making for the sea,
Songs of continued years I sing.
Life’s ever-modern rapids first, (soon, soon to blend,
With the old streams of death.)
Some threading Ohio’s farm-fields or the woods,
Some down Colorado’s cañons from sources of perpetual snow,
Some half-hid in Oregon, or away southward in Texas,
Some in the north finding their way to Erie, Niagara, Ottawa,
Some to Atlantica’s bays, and so to the great salt brine.
In you whoe’er you are my book perusing,
In I myself, in all the world, these currents flowing,
All, all toward the mystic ocean tending.
Currents for starting a continent new,
Overtures sent to the solid out of the liquid,
Fusion of ocean and land, tender and pensive waves,
(Not safe and peaceful only, waves rous’d and ominous too,
Out of the depths the storm’s abysmic waves, who knows whence?
Raging over the vast, with many a broken spar and tatter’d sail.)
Or from the sea of Time, collecting vasting all, I bring,
A windrow-drift of weeds and shells.
O little shells, so curious-convolute, so limpid-cold and voiceless,
Will you not little shells to the tympans of temples held,
Murmurs and echoes still call up, eternity’s music faint and far,
Wafted inland, sent from Atlantica’s rim, strains for the soul of the prairies,
Whisper’d reverberations, chords for the ear of the West joyously sounding,
Your tidings old, yet ever new and untranslatable,
Infinitesimals out of my life, and many a life,
(For not my life and years alone I give—all, all I give,)
These waifs from the deep, cast high and dry,
Wash’d on America’s shores?
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Written by
Vachel Lindsay |
WRITTEN FOR LORADO TAFT'S STATUE OF BLACK HAWK AT OREGON, ILLINOIS
To be given in the manner of the Indian Oration and the Indian War-Cry.
Hawk of the Rocks,
Yours is our cause to-day.
Watching your foes
Here in our war array,
Young men we stand,
Wolves of the West at bay.
Power, power for war
Comes from these trees divine;
Power from the boughs,
Boughs where the dew-beads shine,
Power from the cones
Yea, from the breath of the pine!
Power to restore
All that the white hand mars.
See the dead east
Crushed with the iron cars—
Chimneys black
Blinding the sun and stars!
Hawk of the pines,
Hawk of the plain-winds fleet,
You shall be king
There in the iron street,
Factory and forge
Trodden beneath your feet.
There will proud trees
Grow as they grow by streams.
There will proud thoughts
Walk as in warrior dreams.
There will proud deeds
Bloom as when battle gleams!
Warriors of Art,
We will hold council there,
Hewing in stone
Things to the trapper fair,
Painting the gray
Veils that the spring moons wear,
This our revenge,
This one tremendous change:
Making new towns,
Lit with a star-fire strange,
Wild as the dawn
Gilding the bison-range.
All the young men
Chanting your cause that day,
Red-men, new-made
Out of the Saxon clay,
Strong and redeemed,
Bold in your war-array!
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Written by
Robert William Service |
Where are the dames I used to know
In Dawson in the days of yore?
Alas, it's fifty years ago,
And most, I guess, have "gone before."
The swinging scythe is swift to mow
Alike the gallant and the fair;
And even I, with gouty toe,
Am glad to fill a rocking chair.
Ah me, I fear each gaysome girl
Who in champagne I used to toast,
or cozen in the waltz's whirl,
In now alas, a wistful ghost.
Oh where is Touch The Button Nell?
Or Minnie Dale or Rosa Lee,
Or Lorna Doone or Daisy Bell?
And where is Montreal Maree?
Fair ladies of my lusty youth,
I fear that you are dead and gone:
Where's Gertie of the Diamond Tooth,
And where the Mare of Oregon?
What's come of Violet de Vere,
Claw-fingered Kate and Gumboot Sue?
They've crossed the Great Divide, I fear;
Remembered now by just a few.
A few who like myself can see
Through half a century of haze
A heap of goodness in their glee
And kindness in their wanton ways.
Alas, my sourdough days are dead,
Yet let me toss a tankard down . . .
Here's hoping that you wed and bred,
And lives of circumspection led,
Gay dance-hall girls o Dawson Town!
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