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Best Famous Orchestral Poems

Here is a collection of the all-time best famous Orchestral poems. This is a select list of the best famous Orchestral poetry. Reading, writing, and enjoying famous Orchestral poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of orchestral poems.

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Written by Alec Derwent (A D) Hope | Create an image from this poem

Conquistador

 I sing of the decline of Henry Clay 
Who loved a white girl of uncommon size. 
Although a small man in a little way, 
He had in him some seed of enterprise. 

Each day he caught the seven-thirty train 
To work, watered his garden after tea, 
Took an umbrella if it looked like rain A 
nd was remarkably like you or me. 

He had his hair cut once a fortnight, tried 
Not to forget the birthday of his wife, 
And might have lived unnoticed till he died 
Had not ambition entered Henry's life. 

He met her in the lounge of an hotel - 
A most unusual place for him to go - 
But there he was and there she was as well 
Sitting alone. He ordered beers for two. 

She was so large a girl that when they came 
He gave the waiter twice the usual tip. 
She smiled without surprise, told him her name, 
And as the name trembled on Henry's lip, 

His parched soul, swelling like a desert root, 
Broke out its delicate dream upon the air; 
The mountains shook with earthquake under foot; 
An angel seized him suddenly by the hair; 

The sky was shrill with peril as he passed; 
A hurricane crushed his senses with its din; 
The wildfire crackled up his reeling mast; 
The trumpet of a maelstrom sucked hirn in; 

The desert shrivelled and burnt off his feet; 
His bones and buttons an enormous snake 
Vomited up; still in the shimmering heat 
The pygmies showed him their forbidden lake 

And then transfixed him with their poison darts; 
He married six black virgins in a bunch, 
Who, when they had drawn out his manly parts, 
Stewed him and ate him lovingly for lunch. 

Adventure opened wide its grisly jaws; 
Henry looked in and knew the Hero's doom. 
The huge white girl drank on without a pause 
And, just at closing time, she asked him home. 

The tram they took was full of Roaring Boys 
Announcing the world's ruin and Judgment Day; 
The sky blared with its grand orchestral voice 
The Gotterdammerung of Henry Clay. 

But in her quiet room they were alone. 
There, towering over Henry by a head, 
She stood and took her clothes off one by one, 
And then she stretched herself upon the bed. 

Her bulk of beauty, her stupendous grace 
Challenged the lion heart in his puny dust. 
Proudly his Moment looked him in the face: 
He rose to meet it as a hero must; 

Climbed the white mountain of unravished snow, 
Planted his tiny flag upon the peak. 
The smooth drifts, scarcely breathing, lay below. 
She did not take the trouble to smile or speak. 

And afterwards, it may have been in play, 
The enormous girl rolled over and squashed him flat; 
And, as she could not send him home that way, 
Used him thereafter as a bedside mat. 

Speaking at large, I will say this of her: S 
he did not spare expense to make him nice. 
Tanned on both sides and neatly edged with fur, 
The job would have been cheap at any price. 

And when, in winter, getting out of bed, 
Her large soft feet pressed warmly on the skin, 
The two glass eyes would sparkle in his head, 
The jaws extend their papier-mache grin. 

Good people, for the soul of Henry Clay 
Offer your prayers, and view his destiny! 
He was the Hero of our Time. He may 
With any luck, one day, be you or me.


Written by Marvin Bell | Create an image from this poem

I or Someone Like Me

 In a wilderness, in some orchestral swing
through trees, with a wind playing all the high notes,
and the prospect of a string bass inside the wood,
I, or someone like me, had a kind of vision.
As the person on the ground moved, bursting halos
topped first one tree, then another and another,
till the work of sight was forced to go lower
into a dark lair of fallen logs and fungi.

His was the wordless death of words, worse
for he remembered exactly where the words were
on his tongue, and before that how they fell
effortlessly from the brainpan behind his eyes.
But the music continued and the valley of forest floor
became itself an interval in a natural melody
attuned to the wind, embedded in the bass of boughs,
the tenor of branches, the percussion of twigs.

He, or someone like him, laughed at first,
dismissing what had happened as the incandescence
of youthful metabolism, as the slight fermentation
of the last of the wine, or as each excuse of love.
Learning then the constancy of music and of mind,
now he takes seriously that visionary wood
where he saw his being and his future underfoot
and someone like me listening for a resolution.

Book: Radiant Verses: A Journey Through Inspiring Poetry