Written by
Lucy Maud Montgomery |
Genius, like gold and precious stones,
is chiefly prized because of its rarity.
Geniuses are people who dash of weird, wild,
incomprehensible poems with astonishing facility,
and get booming drunk and sleep in the gutter.
Genius elevates its possessor to ineffable spheres
far above the vulgar world and fills his soul
with regal contempt for the gross and sordid things of earth.
It is probably on account of this
that people who have genius
do not pay their board, as a general thing.
Geniuses are very singular.
If you see a young man who has frowsy hair
and distraught look, and affects eccentricity in dress,
you may set him down for a genius.
If he sings about the degeneracy of a world
which courts vulgar opulence
and neglects brains,
he is undoubtedly a genius.
If he is too proud to accept assistance,
and spurns it with a lordly air
at the very same time
that he knows he can't make a living to save his life,
he is most certainly a genius.
If he hangs on and sticks to poetry,
notwithstanding sawing wood comes handier to him,
he is a true genius.
If he throws away every opportunity in life
and crushes the affection and the patience of his friends
and then protests in sickly rhymes of his hard lot,
and finally persists,
in spite of the sound advice of persons who have got sense
but not any genius,
persists in going up some infamous back alley
dying in rags and dirt,
he is beyond all question a genius.
But above all things,
to deftly throw the incoherent ravings of insanity into verse
and then rush off and get booming drunk,
is the surest of all the different signs
of genius.
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Written by
Amy Clampitt |
In memory of Father Flye, 1884-1985
The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?
The exotic is everywhere, it comes to us
before there is a yen or a need for it. The green-
grocers, uptown and down, are from South Korea.
Orchids, opulence by the pailful, just slightly
fatigued by the plane trip from Hawaii, are
disposed on the sidewalks; alstroemerias, freesias
fattened a bit in translation from overseas; gladioli
likewise estranged from their piercing ancestral crimson;
as well as, less altered from the original blue cornflower
of the roadsides and railway embankments of Europe, these
bachelor's buttons. But it isn't the railway embankments
their featherweight wheels of cobalt remind me of, it's
a row of them among prim colonnades of cosmos,
snapdragon, nasturtium, bloodsilk red poppies,
in my grandmother's garden: a prairie childhood,
the grassland shorn, overlaid with a grid,
unsealed, furrowed, harrowed and sown with immigrant grasses,
their massive corduroy, their wavering feltings embroidered
here and there by the scarlet shoulder patch of cannas
on a courthouse lawn, by a love knot, a cross stitch
of living matter, sown and tended by women,
nurturers everywhere of the strange and wonderful,
beneath whose hands what had been alien begins,
as it alters, to grow as though it were indigenous.
But at this remove what I think of as
strange and wonderful, strolling the side streets of Manhattan
on an April afternoon, seeing hybrid pear trees in blossom,
a tossing, vertiginous colonnade of foam, up above—
is the white petalfall, the warm snowdrift
of the indigenous wild plum of my childhood.
Nothing stays put. The world is a wheel.
All that we know, that we're
made of, is motion.
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Written by
Katherine Philips |
If honor to an ancient name be due,
Or riches challenge it for one that's new,
The British language claims in either sense
Both for its age, and for its opulence.
But all great things must be from us removed,
To be with higher reverence beloved.
So landskips which in prospects distant lie,
With greater wonder draw the pleasèd eye.
Is not great Troy to one dark ruin hurled?
Once the fam'd scene of all the fighting world.
Where's Athens now, to whom Rome learning owes,
And the safe laurels that adorned her brows?
A strange reverse of fate she did endure,
Never once greater, than she's now obscure.
Even Rome her self can but some footsteps show
Of Scipio's times, or those of Cicero.
And as the Roman and the Grecian state,
The British fell, the spoil of time and fate.
But though the language hath the beauty lost,
Yet she has still some great remains to boast,
For 'twas in that, the sacred bards of old,
In deathless numbers did their thoughts unfold.
In groves, by rivers, and on fertile plains,
They civilized and taught the listening swains;
Whilst with high raptures, and as great success,
Virtue they clothed in music's charming dress.
This Merlin spoke, who in his gloomy cave,
Even Destiny her self seemed to enslave.
For to his sight the future time was known,
Much better than to others is their own;
And with such state, predictions from him fell,
As if he did decree, and not foretell.
This spoke King Arthur, who, if fame be true,
Could have compelled mankind to speak it too.
In this one Boadicca valor taught,
And spoke more nobly than her soldiers fought:
Tell me what hero could be more than she,
Who fell at once for fame and liberty?
Nor could a greater sacrifice belong,
Or to her children's, or her country's wrong.
This spoke Caractacus, who was so brave,
That to the Roman fortune check he gave:
And when their yoke he could decline no more,
He it so decently and nobly wore,
That Rome her self with blushes did believe,
A Britain would the law of honor give;
And hastily his chains away she threw,
Lest her own captive else should her subdue.
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Written by
Delmore Schwartz |
I
If nature is life, nature is death:
It is winter as it is spring:
Confusion is variety, variety
And confusion in everything
Make experience the true conclusion
Of all desire and opulence,
All satisfaction and poverty.
II
When a hundred years had passed nature seemed to man
a clock
Another century sank away and nature seemed a jungle
in a rock
And now that nature has become a ticking and hidden
bomb how we must mock
Newton, Democritus, the Deity
The heart's ingenuity and the mind's infinite
uncontrollable
insatiable curiosity.
III
Purple black cloud at sunset: it is late August
and the light begins to look cold, and as we look,
listen and look, we hear the first drums of autumn.
|
Written by
Ella Wheeler Wilcox |
Begin each morning with a talk to God,
And ask for your divine inheritance
Of usefulness, contentment, and success.
Resign all fear, all doubt, and all despair.
The stars doubt not, and they are undismayed,
Though whirled through space for countless centuries,
And told not why or wherefore: and the sea
With everlasting ebb and flow obeys,
And leaves the purpose with the unseen Cause.
The star sheds its radiance on a million worlds,
The sea is prodigal with waves, and yet
No lustre from the star is lost, and not
One dropp missing from the ocean tides.
Oh! brother to the star and sea, know all
God’s opulence is held in trust for those
Who wait serenely and who work in faith.
|
Written by
Ella Wheeler Wilcox |
He never made a fortune, or a noise
In the world where men are seeking after fame;
But he had a healthy brood of girls and boys
Who loved the very ground on which he trod.
They thought him just little short of God;
Oh you should have heard the way they said his name –
‘Father.’
There seemed to be a loving little prayer
In their voices, even when they called him ‘Dad.’
Though the man was never heard of anywhere,
As a hero, yet somehow understood
He was doing well his part and making good;
And you knew it, by the way his children had
Of saying ‘Father.’
He gave them neither eminence nor wealth,
But he gave them blood untainted with a vice,
And opulence of undiluted health.
He was honest, and unpurchable and kind;
He was clean in heart, and body, and in mind.
So he made them heirs to riches without price –
This father.
He never preached or scolded; and the rod –
Well, he used it as a turning pole in play.
But he showed the tender sympathy of God.
To his children in their troubles, and their joys.
He was always chum and comrade with his boys,
And his daughters – oh, you ought to hear them say
‘Father.’
Now I think of all achievements ‘tis the least
To perpetuate the species; it is done
By the insect and the serpent, and the beast.
But the man who keeps his body, and his thought,
Worth bestowing on an offspring love-begot,
Then the highest earthly glory he was won,
When in pride a grown-up daughter or a son
Says ‘That’s Father.’
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Written by
Emily Dickinson |
Doubt Me! My Dim Companion!
Why, God, would be content
With but a fraction of the Life --
Poured thee, without a stint --
The whole of me -- forever --
What more the Woman can,
Say quick, that I may dower thee
With last Delight I own!
It cannot be my Spirit --
For that was thine, before --
I ceded all of Dust I knew --
What Opulence the more
Had I -- a freckled Maiden,
Whose farthest of Degree,
Was -- that she might --
Some distant Heaven,
Dwell timidly, with thee!
Sift her, from Brow to Barefoot!
Strain till your last Surmise --
Drop, like a Tapestry, away,
Before the Fire's Eyes --
Winnow her finest fondness --
But hallow just the snow
Intact, in Everlasting flake --
Oh, Caviler, for you!
|
Written by
Constantine P Cavafy |
The Alexandrians were gathered
to see Cleopatra's children,
Caesarion, and his little brothers,
Alexander and Ptolemy, whom for the first
time they lead out to the Gymnasium,
there to proclaim kings,
in front of the grand assembly of the soldiers.
Alexander -- they named him king
of Armenia, Media, and the Parthians.
Ptolemy -- they named him king
of Cilicia, Syria, and Phoenicia.
Caesarion stood more to the front,
dressed in rose-colored silk,
on his breast a bouquet of hyacinths,
his belt a double row of sapphires and amethysts,
his shoes fastened with white
ribbons embroidered with rose pearls.
Him they named more than the younger ones,
him they named King of Kings.
The Alexandrians of course understood
that those were theatrical words.
But the day was warm and poetic,
the sky was a light azure,
the Alexandrian Gymnasium was
a triumphant achievement of art,
the opulence of the courtiers was extraordinary,
Caesarion was full of grace and beauty
(son of Cleopatra, blood of the Lagidae);
and the Alexandrians rushed to the ceremony,
and got enthusiastic, and cheered
in greek, and egyptian, and some in hebrew,
enchanted by the beautiful spectacle --
although they full well knew what all these were worth,
what hollow words these kingships were.
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Written by
Duncan Campbell Scott |
Set within a desert lone,
Circled by an arid sea,
Stands a figure carved in stone,
Where a fountain used to be.
Two abraded, pleading hands
Held below a shapeless mouth,
Human-like the fragment stands,
Tortured by perpetual drouth.
Once the form was drenched with spray,
Deluged with the rainbow flushes;
Surplus water dashed away
To the lotus and the rushes.
Time was clothed in rippling fashion,.
Opulence of light and air,
Beauty changing into passion
Every hour and everywhere.
And the yearning of that race
Was for something deep and tender,
Life replete with power, with grace,
Touched with vision and with splendour.
Now no rain dissolves and cools,
Dew is even as a dream,
The enticing far-off pools
In a mirage only seem.
All the traces that remain,
Of the longings of that land,
Are two hands that plead in vain
Filled with burning sand.
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Written by
Victor Hugo |
("L'homme auquel on vous destina.")
{HERNANI, Act I.}
Listen. The man for whom your youth is destined,
Your uncle, Ruy de Silva, is the Duke
Of Pastrana, Count of Castile and Aragon.
For lack of youth, he brings you, dearest girl,
Treasures of gold, jewels, and precious gems,
With which your brow might outshine royalty;
And for rank, pride, splendor, and opulence,
Might many a queen be envious of his duchess!
Here is one picture. I am poor; my youth
I passed i' the woods, a barefoot fugitive.
My shield, perchance, may bear some noble blazons
Spotted with blood, defaced though not dishonored.
Perchance I, too, have rights, now veiled in darkness,—
Rights, which the heavy drapery of the scaffold
Now hides beneath its black and ample folds;
Rights which, if my intent deceive me not,
My sword shall one day rescue. To be brief:—
I have received from churlish Fortune nothing
But air, light, water,—Nature's general boon.
Choose, then, between us two, for you must choose;—
Say, will you wed the duke, or follow me?
DONNA SOL. I'll follow you.
HERN. What, 'mongst my rude companions,
Whose names are registered in the hangman's book?
Whose hearts are ever eager as their swords,
Edged by a personal impulse of revenge?
Will you become the queen, dear, of my band?
Will you become a hunted outlaw's bride?
When all Spain else pursued and banished me,—
In her proud forests and air-piercing mountains,
And rocks the lordly eagle only knew,
Old Catalonia took me to her bosom.
Among her mountaineers, free, poor, and brave,
I ripened into manhood, and, to-morrow,
One blast upon my horn, among her hills,
Would draw three thousand of her sons around me.
You shudder,—think upon it. Will you tread
The shores, woods, mountains, with me, among men
Like the dark spirits of your haunted dreams,—
Suspect all eyes, all voices, every footstep,—
Sleep on the grass, drink of the torrent, hear
By night the sharp hiss of the musket-ball
Whistling too near your ear,—a fugitive
Proscribed, and doomed mayhap to follow me
In the path leading to my father's scaffold?
DONNA SOL. I'll follow you.
HERN. This duke is rich, great, prosperous,
No blot attaches to his ancient name.
He is all-powerful. He offers you
His treasures, titles, honors, with his hand.
DONNA SOL. We will depart to-morrow. Do not blame
What may appear a most unwomanly boldness.
CHARLES SHERRY.
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