Written by
Philip Larkin |
Slowly the women file to where he stands
Upright in rimless glasses, silver hair,
Dark suit, white collar.
Stewards tirelessly
Persuade them onwards to his voice and hands,
Within whose warm spring rain of loving care
Each dwells some twenty seconds.
Now, dear child,
What's wrong, the deep American voice demands,
And, scarcely pausing, goes into a prayer
Directing God about this eye, that knee.
Their heads are clasped abruptly; then, exiled
Like losing thoughts, they go in silence; some
Sheepishly stray, not back into their lives
Just yet; but some stay stiff, twitching and loud
With deep hoarse tears, as if a kind of dumb
And idiot child within them still survives
To re-awake at kindness, thinking a voice
At last calls them alone, that hands have come
To lift and lighten; and such joy arrives
Their thick tongues blort, their eyes squeeze grief, a crowd
Of huge unheard answers jam and rejoice -
What's wrong! Moustached in flowered frocks they shake:
By now, all's wrong.
In everyone there sleeps
A sense of life lived according to love.
To some it means the difference they could make
By loving others, but across most it sweeps
As all they might have done had they been loved.
That nothing cures.
An immense slackening ache,
As when, thawing, the rigid landscape weeps,
Spreads slowly through them - that, and the voice above
Saying Dear child, and all time has disproved.
|
Written by
Rg Gregory |
from late december onwards the day comes back
but not till february do we see those glimpses
that let us take deep darkness off the rack
and shake it free of lethargy that cramps us
through those dim months we’re made amanuensis
to what loud rain and bitter spells dictate
we seek bed early and must get up late
long january’s puffing in the right direction
but its early mornings keep that midnight feel
it still is subject to the date’s dejection
but once it’s over – see how light can steal
through cracks of trees and curtains - beneath the keel
of the eastern skyline (rocking like a boat
surprised so early to find itself afloat)
and from the earth presentiments are rustling
as cheeky snowdrops hoist their periscopes
within a week a mass of them is bustling
and white becomes the flavour of the slopes
and people flock invigorating hopes
seasons (they say) have forfeited effect on
one snowdrop-look and instantly dejection
is whipped (though biting winds and brooding skies)
away from the pure white cream the eyes are lapping
a frisson blooms as every bloodstream tries
to come to terms with its own natural sapping
and from the earth reorganise that mapping
that reaches out to plot those far endeavours
a spirit yearns for (wishing its forevers)
so walk away – no spread of simple flowers
can change the limitations we must live with
snowdrops come and go – our fickle powers
play havoc with the talents we can thrive with
it’s just that february comes and lo - forthwith
for one brief snowdrop moment there’s a blaze
that lights the world up with its splash of praise
|
Written by
Du Fu |
Wagons rumble rumble
Hhorses whinny whinny
Foot person bow arrow each at waist
Father mother wife children go mutual see off
Dust dust not see Xianyang bridge
Pull clothes stamp foot bar way weep
Weep sound directly up strike clouds clouds
Road side passerby ask foot person
Foot person only say mark down often
Some from ten five north guard river
Even until four ten west army fields
Leave time village chief give bind head
Return come head white go back garrison border
Border post shed blood become sea water
Warlike emperor expand border idea no end
Gentleman not see Han homes hill east two hundred districts
1000 villages 10000 hamlets grow thorns trees
Though be strong women hold hoe plough
Seed grow dyked field not order
Besides again Qin soldier withstand bitter fighting
Be driven not different dogs and chickens
Venerable elder though be ask
Battle person dare state bitterness
Even like this year winter
Not stop pass west soldier
District official urgent demand tax
Tax tax way how pay
True know produce males bad
Contrast be produce females good
Produce female still get married neighbour
Produce male bury follow hundred grass
Gentleman not see Qinghai edge
Past come white skeleton no person gather
New ghost vexed injustice old ghosts weep
Heaven dark rain wet sound screech screech The wagons rumble and roll,
The horses whinny and neigh,
The conscripts each have bows and arrows at their waists.
Their parents, wives and children run to see them off,
So much dust's stirred up, it hides the Xianyang bridge.
They pull clothes, stamp their feet and, weeping, bar the way,
The weeping voices rise straight up and strike the clouds.
A passer-by at the roadside asks a conscript why,
The conscript answers only that drafting happens often.
"At fifteen, many were sent north to guard the river,
Even at forty, they had to till fields in the west.
When we went away, the elders bound our heads,
Returning with heads white, we're sent back off to the frontier.
At the border posts, shed blood becomes a sea,
The martial emperor's dream of expansion has no end.
Have you not seen the two hundred districts east of the mountains,
Where thorns and brambles grow in countless villages and hamlets?
Although there are strong women to grasp the hoe and the plough,
They grow some crops, but there's no order in the fields.
What's more, we soldiers of Qin withstand the bitterest fighting,
We're always driven onwards just like dogs and chickens.
Although an elder can ask me this,
How can a soldier dare to complain?
Even in this winter time,
Soldiers from west of the pass keep moving.
The magistrate is eager for taxes,
But how can we afford to pay?
We know now having boys is bad,
While having girls is for the best;
Our girls can still be married to the neighbours,
Our sons are merely buried amid the grass.
Have you not seen on the border of Qinghai,
The ancient bleached bones no man's gathered in?
The new ghosts are angered by injustice, the old ghosts weep,
Moistening rain falls from dark heaven on the voices' screeching.
"
|
Written by
D. H. Lawrence |
The shorn moon trembling indistinct on her path,
Frail as a scar upon the pale blue sky,
Draws towards the downward slope: some sorrow hath
Worn her down to the quick, so she faintly fares
Along her foot-searched way without knowing why
She creeps persistent down the sky’s long stairs.
Some day they see, though I have never seen,
The dead moon heaped within the new moon’s arms;
For surely the fragile, fine young thing had been
Too heavily burdened to mount the heavens so.
But my heart stands still, as a new, strong dread alarms
Me; might a young girl be heaped with such shadow of woe?
Since Death from the mother moon has pared us down to the quick,
And cast us forth like shorn, thin moons, to travel
An uncharted way among the myriad thick
Strewn stars of silent people, and luminous litter
Of lives which sorrows like mischievous dark mice chavel
To nought, diminishing each star’s glitter,
Since Death has delivered us utterly, naked and white,
Since the month of childhood is over, and we stand alone,
Since the beloved, faded moon that set us alight
Is delivered from us and pays no heed though we moan
In sorrow, since we stand in bewilderment, strange
And fearful to sally forth down the sky’s long range.
We may not cry to her still to sustain us here,
We may not hold her shadow back from the dark.
Oh, let us here forget, let us take the sheer
Unknown that lies before us, bearing the ark
Of the covenant onwards where she cannot go.
Let us rise and leave her now, she will never know.
|
Written by
D. H. Lawrence |
As we live, we are transmitters of life.
And when we fail to transmit life, life fails to flow through us.
That is part of the mystery of sex, it is a flow onwards.
Sexless people transmit nothing.
And if, as we work, we can transmit life into our work,
life, still more life, rushes into us to compensate, to be ready
and we ripple with life through the days.
Even if it is a woman making an apple dumpling, or a man a stool,
if life goes into the pudding, good is the pudding
good is the stool,
content is the woman, with fresh life rippling in to her,
content is the man.
Give, and it shall be given unto you
is still the truth about life.
But giving life is not so easy.
It doesn't mean handing it out to some mean fool, or letting the living dead eat you up.
It means kindling the life-quality where it was not,
even if it's only in the whiteness of a washed pocket-handkerchief.
|
Written by
Rg Gregory |
wandering around milan my father
i know that (bred in the bone) i'm you
i walk and think - my legs roll onwards
i take in the atmosphere but not the view
but now you're dead - and i've been silent
for the past five months since you were burned
a numbness that called itself acceptance
sat in my heart and outward yearned
with other deaths i've not been stingy
when my mother died and then my daughter
a kind of celebration knew me
and words flowed upwards like clear water
but you were ninety-two in dying
when nature came proudly to claim its own
you went as rightly as you'd journeyed
and words had best leave well alone
but as i sit on this sunny sunday
watching an italian family pass
i am this small boy holding tightly
his father's hand across the grass
and here as i sit now weeping lightly
i'm sorry for those speechless tomes
that only now dare dredge that language
to honour your presence in my bones
and child to you i am a father
and my own children i tightly need
for all those deaths i deal them daily
may these green words a little bleed
|
Written by
George (Lord) Byron |
River, that rollest by the ancient walls,
Where dwells the lady of my love, when she
Walks by thy brink, and there perchance recalls
A faint and fleeting memory of me;
What if thy deep and ample stream should be
A mirror of my heart, where she may read
The thousand thoughts I now betray to thee,
Wild as thy wave, and headlong as thy speed!
What do I say—a mirror of my heart?
Are not thy waters sweeping, dark, and strong?
Such as my feelings were and are, thou art;
And such as thou art were my passions long.
Time may have somewhat tamed them,—not for ever;
Thou overflow'st thy banks, and not for aye
The bosom overboils, congenial river!
Thy floods subside, and mine have sunk away.
But left long wrecks behind, and now again,
Born in our old unchanged career, we move;
Thou tendest wildly onwards to the main,
And I—to loving one I should not love.
The current I behold will sweep beneath
Her native walls and murmur at her feet;
Her eyes will look on thee, when she shall breathe
The twilight air, unharmed by summer's heat.
She will look on thee,—I have looked on thee,
Full of that thought; and, from that moment, ne'er
Thy waters could I dream of, name, or see,
Without the inseparable sigh for her!
Her bright eyes will be imaged in thy stream,—
Yes! they will meet the wave I gaze on now:
Mine cannot witness, even in a dream,
That happy wave repass me in its flow!
The wave that bears my tears returns no more:
Will she return by whom that wave shall sweep?
Both tread thy banks, both wander on thy shore,
I by thy source, she by the dark-blue deep.
But that which keepeth us apart is not
Distance, nor depth of wave, nor space of earth,
But the distraction of a various lot,
As various as the climates of our birth.
A stranger loves the lady of the land,
Born far beyond the mountains, but his blood
Is all meridian, as if never fanned
By the black wind that chills the polar flood.
My blood is all meridian; were it not,
I had not left my clime, nor should I be,
In spite of tortures, ne'er to be forgot,
A slave again of love,—at least of thee.
'Tis vain to struggle—let me perish young—
Live as I lived, and love as I have loved;
To dust if I return, from dust I sprung,
And then, at least, my heart can ne'er be moved.
|
Written by
T Wignesan |
for Léon Vanier*
(The texts I use for my translations are from: Yves-Alain Favre, Ed.
Paul Verlaine: Œuvres Poétiques Complètes.
Paris: Robert Laffont,1992, XCIX-939p.
)
Some few in all this Paris:
We live off pride, yet flat broke we’re
Even if with the bottle a bit too free
We drink above all fresh water
Being very sparing when taken with hunger.
With other fine fare and wines of high-estate
Likewise with beauty: sour-tempered never.
We are the writers of good taste.
Phoebé when all the cats gray be
Highly sharpened to a point much harsher
Our bodies nourrished by glory
Hell licks its lips and in ambush does cower
And with his dart Phoebus pierces us ever
The night cradling us through dreamy waste
Strewn with seeds of peach beds over.
We are the writers of good taste.
A good many of the best minds rally
Holding high Man’s standard: toffee-nosed scoffer
And Lemerre* retains with success poetry’s destiny.
More than one poet then helter-skelter
Sought to join the rest through the narrow fissure;
But Vanier at the very end made haste
The only lucky one to assume the rôle of Fisher*.
We are the writers of good taste.
ENVOI
Even if our stock exchange tends to dither
Princes hold sway: gentle folk and the divining caste.
Whatever one might say or pours forth the preacher,
We are the writers of good taste.
*One of Verlaine’s publishers who first published his near-collected works at 19, quai Saint-Michel, Paris-V.
* Alphonse Lemerre (1838-1912) , one of Verlaine’s publishers at 47, Passage Choiseul, Paris, where from 1866 onwards the Parnassians met regularly.
*Vanier first specialised in articles for fishing as a sport.
© T.
Wignesan – Paris,2013
|
Written by
Thomas Hardy |
I
Only a man harrowing clods
In a slow silent walk
With an old horse that stumbles and nods
Half asleep as they stalk.
II
Only thin smoke without flame
From the heaps of couch-grass;
Yet this will go onwards the same
Though Dynasties pass.
III
Yonder a maid and her wight
Go whispering by:
War's annals will cloud into night
Ere their story die.
|
Written by
William Topaz McGonagall |
Alas! Prince Henry of Battenberg is dead!
And, I hope, has gone to heaven, its streets to tread,
And to sing with God's saints above,
Where all is joy and peace and love.
'Twas in the year of 1896, and on the 5th of February,
Prince Henry was buried at Whippingham- a solemn sight to see.
As the funeral moved off, it was a very impressive sight-
First came the military, and police, and volunteers from the Isle of Wight.
Then came the carriage party of the Scots Guards;
While the people uncovered their heads as it passed onwards
And many of them did sob and sigh
When the gun carriage with the coffin was passing by.
Prince Henry's charger was led by Richter, his stud groom;
And depicted in the people's faces there was a sad gloom
When they saw the noble charger of the dead-
It seemed that all joy from them had fled.
The Queen's carriage was followed by the Princess of Wales, and other Princesses,
All clad in gorgeous mourning dresses;
And there was a number of military representatives, which enhanced the scene;
And as the procession moved along it was solemn in the extreme.
Her Majesty looked very sad and serene,
Leaning back in her carriage could plainly be seen;
And the carriage was drawn by a pair of greys in grand harness;
And Her Majesty seemed to be in deep distress.
By Her Majesty's side sat the Princess Beatrice
And the two younger Battenberg children, looking very nice;
And by the coffin walked the elder Prince, immediately
Between Prince Louis and Prince Joseph, holding their hands tenderly.
The "Dead March" was played by the Marine Band;
And the music was solemn and very grand,
And accompanied by the roll of muffled drums;
Whilst among the spectators were heard sighs and hums.
And when the procession arrived at the church of Whippingham,
Then the coffin was carried inside- of the good man-
And was then laid in its resting place,
While sorrow was depicted in every face.
Then there was the firing of guns, with their earthly Thunder
Which made the people start and wonder;
And the tolling of the village bells,
While the solemn music on the air swells.
And the people said, "Prince Henry was a good man,
But now he's laid low in the church of Whippingham.
"
But when the Grim King his dart does throw,
None can escape death, high or low.
The funeral service was certainly very nice-
Which was by the request of Princess Beatrice-
Which was the rendering of Sullivan's anthem, "Brother, before us thou art gone"-
I hope unto thy heavenly home.
No Doubt the Princess Beatrice will mourn for him-
But to mourn for the dead it is a sin!
Therefore I hope God will comfort her always,
And watch o'er her children night and day.
Prince Henry was a God-fearing man-
And to deny it few people can-
And very kind to his children dear,
And for the loss of him they will drop a tear.
His relatives covered the coffin lid with wreaths of flowers,
While adown their cheeks flowed tears in showers.
Then the service concluded with "Christ will gather His own";
And each one left with a sad heart and went home.
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