Written by
Czeslaw Milosz |
I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.
In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.
That's why poetry is rightly said to be dictated by a daimonion,
though its an exaggeration to maintain that he must be an angel.
It's hard to guess where that pride of poets comes from,
when so often they're put to shame by the disclosure of their frailty.
What reasonable man would like to be a city of demons,
who behave as if they were at home, speak in many tongues,
and who, not satisfied with stealing his lips or hand,
work at changing his destiny for their convenience?
It's true that what is morbid is highly valued today,
and so you may think that I am only joking
or that I've devised just one more means
of praising Art with thehelp of irony.
There was a time when only wise books were read
helping us to bear our pain and misery.
This, after all, is not quite the same
as leafing through a thousand works fresh from psychiatric clinics.
And yet the world is different from what it seems to be
and we are other than how we see ourselves in our ravings.
People therefore preserve silent integrity
thus earning the respect of their relatives and neighbors.
The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors,
and invisible guests come in and out at will.
What I'm saying here is not, I agree, poetry,
as poems should be written rarely and reluctantly,
under unbearable duress and only with the hope
that good spirits, not evil ones, choose us for their instrument.
|
Written by
Elizabeth Bishop |
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther losing faster:
places and names and where it was your meant
to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last or
next-to-last of three loved housed went.
The art of losing isn't hard to master.
I lose two cities lovely ones. And vaster
some realms I owned two rivers a continent.
I miss them but it wasn't a disaster.
--Even losing you (the joking voice a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
|
Written by
Lewis Carroll |
"DON'T they consult the 'Victims,' though?"
I said. "They should, by rights,
Give them a chance - because, you know,
The tastes of people differ so,
Especially in Sprites."
The Phantom shook his head and smiled.
"Consult them? Not a bit!
'Twould be a job to drive one wild,
To satisfy one single child -
There'd be no end to it!"
"Of course you can't leave CHILDREN free,"
Said I, "to pick and choose:
But, in the case of men like me,
I think 'Mine Host' might fairly be
Allowed to state his views."
He said "It really wouldn't pay -
Folk are so full of fancies.
We visit for a single day,
And whether then we go, or stay,
Depends on circumstances.
"And, though we don't consult 'Mine Host'
Before the thing's arranged,
Still, if he often quits his post,
Or is not a well-mannered Ghost,
Then you can have him changed.
"But if the host's a man like you -
I mean a man of sense;
And if the house is not too new - "
"Why, what has THAT," said I, "to do
With Ghost's convenience?"
"A new house does not suit, you know -
It's such a job to trim it:
But, after twenty years or so,
The wainscotings begin to go,
So twenty is the limit."
"To trim" was not a phrase I could
Remember having heard:
"Perhaps," I said, "you'll be so good
As tell me what is understood
Exactly by that word?"
"It means the loosening all the doors,"
The Ghost replied, and laughed:
"It means the drilling holes by scores
In all the skirting-boards and floors,
To make a thorough draught.
"You'll sometimes find that one or two
Are all you really need
To let the wind come whistling through -
But HERE there'll be a lot to do!"
I faintly gasped "Indeed!
"If I 'd been rather later, I'll
Be bound," I added, trying
(Most unsuccessfully) to smile,
"You'd have been busy all this while,
Trimming and beautifying?"
"Why, no," said he; "perhaps I should
Have stayed another minute -
But still no Ghost, that's any good,
Without an introduction would
Have ventured to begin it.
"The proper thing, as you were late,
Was certainly to go:
But, with the roads in such a state,
I got the Knight-Mayor's leave to wait
For half an hour or so."
"Who's the Knight-Mayor?" I cried. Instead
Of answering my question,
"Well, if you don't know THAT," he said,
"Either you never go to bed,
Or you've a grand digestion!
"He goes about and sits on folk
That eat too much at night:
His duties are to pinch, and poke,
And squeeze them till they nearly choke."
(I said "It serves them right!")
"And folk who sup on things like these - "
He muttered, "eggs and bacon -
Lobster - and duck - and toasted cheese -
If they don't get an awful squeeze,
I'm very much mistaken!
"He is immensely fat, and so
Well suits the occupation:
In point of fact, if you must know,
We used to call him years ago,
THE MAYOR AND CORPORATION!
"The day he was elected Mayor
I KNOW that every Sprite meant
To vote for ME, but did not dare -
He was so frantic with despair
And furious with excitement.
"When it was over, for a whim,
He ran to tell the King;
And being the reverse of slim,
A two-mile trot was not for him
A very easy thing.
"So, to reward him for his run
(As it was baking hot,
And he was over twenty stone),
The King proceeded, half in fun,
To knight him on the spot."
"'Twas a great liberty to take!"
(I fired up like a rocket).
"He did it just for punning's sake:
'The man,' says Johnson, 'that would make
A pun, would pick a pocket!'"
"A man," said he, "is not a King."
I argued for a while,
And did my best to prove the thing -
The Phantom merely listening
With a contemptuous smile.
At last, when, breath and patience spent,
I had recourse to smoking -
"Your AIM," he said, "is excellent:
But - when you call it ARGUMENT -
Of course you're only joking?"
Stung by his cold and snaky eye,
I roused myself at length
To say "At least I do defy
The veriest sceptic to deny
That union is strength!"
"That's true enough," said he, "yet stay - "
I listened in all meekness -
"UNION is strength, I'm bound to say;
In fact, the thing's as clear as day;
But ONIONS are a weakness."
|
Written by
Thomas Moore |
How can you, my Lord, thus delight to torment all
The Peers of realm about cheapening their corn,
When you know, if one hasn't a very high rental,
'Tis hardly worth while being very high born?
Why bore them so rudely, each night of your life,
On a question, my Lord, there's so much to abhor in?
A question - like asking one, "How is your wife?" --
At once so confounded domestic and foreign.
As to weavers, no matter how poorly they feast;
But Peers, and such animals, fed up for show,
(Like the well-physick'd elephant, lately deceas'd,)
Take wonderful quantum of cramming, you know.
You might see, my dear Baron, how bor'd and distrest
Were their high noble hearts by your merciless tale,
When the force of the agony wrung even a jest
From the frugal Scotch wit of my Lord L-d-d-le!
Bright Peer! to whom Nature and Berwickshire gave
A humour, endow'd with effects so provoking,
That, when the whole House looks unusually grave,
You may always conclude that Lord L-d-d-le's joking!
And then, those unfortunate weavers of Perth -
Not to know the vast difference Providence dooms
Between weavers of Perth and Peers of high birth,
'Twixt those who have heir-looms, and those who've but looms!
"To talk now of starving!" - as great Ath-l said --
(and nobles all cheer'd, and the bishops all wonder'd,)
"When, some years ago, he and others had fed
Of these same hungry devils about fifteen hundred!"
It follows from hence - and the Duke's very words
Should be publish'd wherever poor rogues of this craft are --
That weavers,once rescued from starving by Lords,
Are bound to be starved by said Lords ever after.
When Rome was uproarious, her knowing patricians
Made "Bread and the Circus" a cure for each row;
But not so the plan of our noble physicians,
"No Bread and the Tread-mill" 's the regimen now.
So cease, my dear Baron of Ockham, your prose,
As I shall my poetry -- neither convinces;
And all we have spoken and written but show,
When you tread on a nobleman's corn, how he winces.
|
Written by
Robert William Service |
Oh how I'd be gay and glad
If a little house I had,
Snuggled in a shady lot,
With behind a garden plot;
Simple grub, old duds to wear,
A book, a pipe, a rocking-chair . . .
You would never hear me grouse
If I had a little house.
Oh if I had just enough
Dough to buy the needful stuff;
Milk and porridge, toast and tea,
How contented I would be!
You could have your cake and wine,
I on cabbage soup would dine,
Joking to the journey's end -
Had I just enough to spend.
Oh had I no boss to please
I'd give thanks on bended knees;
Could I to myself belong,
I would fill the day with song.
Freedom's crust is sweeter far
Than control and caviar;
How my ragged hat I'd toss
If I didn't have a boss.
So you may see my point of view,
But there's nothing I can do;
Oh the weariness of work,
Duties that I may not shirk.
Though simplicity I crave
I must go down to my grave,
Bossed by bullion, crossed by care -
Just a poor damn millionaire.
|
Written by
Robert William Service |
Three men I saw beside a bar,
Regarding o'er their bottle,
A frog who smoked a rank cigar
They'd jammed within its throttle.
A Pasha frog it must have been
So big it as and bloated;
And from its lips the nicotine
In graceful festoon floated.
And while the trio jeered and joked,
As if it quite enjoyed it,
Impassively it smoked and smoked,
(It could now well avoid it).
A ring of fire its lips were nigh
Yet it seemed all unwitting;
It could not spit, like you and I,
Who've learned the art of spitting.
It did not wink, it did not shrink,
As there serene it squatted'
Its eyes were clear, it did not fear
The fate the Gods allotted.
It squatted there with calm sublime,
Amid their cruel guying;
Grave as a god, and all the time
It knew that it was dying.
And somehow then it seemed to me
These men expectorating,
Were infinitely less than he,
The dumb thing they were baiting.
It seemed to say, despite their jokes:
"This is my hour of glory.
It isn't every frog that smokes:
My name will live in story."
Before its nose the smoke arose;
The flame grew nigher, nigher;
And then I saw its bright eyes close
Beside that ring of fire.
They turned it on its warty back,
From off its bloated belly;
It legs jerked out, then dangled slack;
It quivered like a jelly.
And then the fellows went away,
Contented with their joking;
But even as in death it lay,
The frog continued smoking.
Life's like a lighted ***, thought I;
We smoke it stale; then after
Death turns our belly to the sky:
The Gods must have their laughter.
|
Written by
Carl Sandburg |
THREE tailors of Tooley Street wrote: We, the People.
The names are forgotten. It is a joke in ghosts.
Cutters or bushelmen or armhole basters, they sat
cross-legged stitching, snatched at scissors, stole each
other thimbles.
Cross-legged, working for wages, joking each other
as misfits cut from the cloth of a Master Tailor,
they sat and spoke their thoughts of the glory of
The People, they met after work and drank beer to
The People.
Faded off into the twilights the names are forgotten.
It is a joke in ghosts. Let it ride. They wrote: We,
The People.
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Written by
Ehsan Sehgal |
"Be careful with your words and actions even in joking, that can hurt someone who loves you from the depth of the heart, when someone becomes silent, less active that means person is hurt, be polite, show excuse, give the courage so that person can back again as was, if you love too."
Ehsan Sehgal
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