Written by
Rabindranath Tagore |
Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a
red horse.
It is evening and the sun goes down.
The waste of Joradighi
lies wan and grey before us.
The land is desolate and barren.
You are frightened and thinking-"I know not where we have come
to.
"
I say to you, "Mother, do not be afraid.
"
The meadow is prickly with spiky grass, and through it runs
a narrow broken path.
There are no cattle to be seen in the wide field; they have
gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell
where we are going.
Suddenly you call me and ask me in a whisper, "What light is
that near the bank?"
Just then there bursts out a fearful yell, and figures come
running towards us.
You sit crouched in your palanquin and repeat the names of the
gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny
bush.
I shout to you, "Don't be afraid, mother.
I am here.
"
With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are
dead men.
"
They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them.
"
I say, "Mother, just you watch me.
"
Then I spur my horse for a wild gallop, and my sword and
buckler clash against each other.
The fight becomes so fearful, mother, that it would give you
a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your
boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the
fight is over now.
"
You come out and kiss me, pressing me to your heart, and you
say to yourself,
"I don't know what I should do if I hadn't my boy to escort
me.
"
A thousand useless things happen day after day, and why
couldn't such a thing come true by chance?
It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was
so delicate!"
Our village people would all say in amazement, "Was it not
lucky that the boy was with his mother?"
|
Written by
Billy Collins |
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
"Nonsense.
" "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes.
" "Bull's-eye.
" "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs.
Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love.
"
|
Written by
Robert Frost |
Having a wheel and four legs of its own
Has never availed the cumbersome grindstone
To get it anywhere that I can see.
These hands have helped it go, and even race;
Not all the motion, though, they ever lent,
Not all tke miles it may have thought it went,
Have got it one step from the starting place.
It stands beside the same old apple tree.
The shadow of the apple tree is thin
Upon it now its feet as fast in snow.
All other farm machinery's gone in,
And some of it on no more legs and wheel
Than the grindstone can boast to stand or go.
(I'm thinking chiefly of the wheelbarrow.
)
For months it hasn't known the taste of steel
Washed down with rusty water in a tin.
.
But standing outdoors hungry, in the cold,
Except in towns at night is not a sin.
And> anyway, it's standing in the yard
Under a ruinous live apple tree
Has nothing any more to do with me,
Except that I remember how of old
One summer day, all day I drove it hard,
And someone mounted on it rode it hard
And he and I between us ground a blade.
I gave it the preliminary spin
And poured on water (tears it might have been);
And when it almost gaily jumped and flowed,
A Father-Time-like man got on and rode,
Armed with a scythe and spectacles that glowed.
He turned on will-power to increase the load
And slow me down -- and I abruptly slowed,
Like coming to a sudden railroad station.
I changed from hand to hand in desperation.
I wondered what machine of ages gone
This represented an improvement on.
For all I knew it may have sharpened spears
And arrowheads itself.
Much use.
for years
Had gradually worn it an oblate
Spheroid that kicked and struggled in its gait,
Appearing to return me hate for hate;
(But I forgive it now as easily
As any other boyhood enemy
Whose pride has failed to get him anywhere).
I wondered who it was the man thought ground
-The one who held the wheel back or the one
Who gave his life to keep it going round?
· I wondered if he really thought it fair
For him to have the say when we were done.
Such were the bitter thoughts to which I turned.
Not for myself was I so much concerned
Oh no --Although, of course, I could have found
A better way to pass the afternoon
Than grinding discord out of a grindstone,
And beating insects at their gritty tune.
Nor was I for the man so much concerned.
Once when the grindstone almost jumped its bearing
It looked as if he might be badly thrown
And wounded on his blade.
So far from caring,
I laughed inside, and only cranked the faster
(It ran as if it wasn't greased but glued);
I'd welcome any moderate disaster
That might be calculated to postpone
What evidently nothing could conclude.
The thing that made me more and more afraid
Was that we'd ground it sharp and hadn't known,
And now were only wasting precious blade.
And when he raised it dripping once and tried
The creepy edge of it with wary touch
And viewed it over his glasses funny-eyed,
Only disinterestedly to decide
It needed a turn more, I could have cried
Wasn't there a danger of a turn too much?
Mightn't we make it worse instead of better?
I was for leaving something to the whettot.
What if it wasn't all it should be? I'd
Be satisfied if he'd be satisfied.
|
Written by
Robert Browning |
A PICTURE AT FANO.
I.
Dear and great Angel, wouldst thou only leave
That child, when thou hast done with him, for me!
Let me sit all the day here, that when eve
Shall find performed thy special ministry,
And time come for departure, thou, suspending
Thy flight, mayst see another child for tending,
Another still, to quiet and retrieve.
II.
Then I shall feel thee step one step, no more,
From where thou standest now, to where I gaze,
---And suddenly my head is covered o'er
With those wings, white above the child who prays
Now on that tomb---and I shall feel thee guarding
Me, out of all the world; for me, discarding
Yon heaven thy home, that waits and opes its door.
III.
I would not look up thither past thy head
Because the door opes, like that child, I know,
For I should have thy gracious face instead,
Thou bird of God! And wilt thou bend me low
Like him, and lay, like his, my hands together,
And lift them up to pray, and gently tether
Me, as thy lamb there, with thy garment's spread?
IV.
If this was ever granted, I would rest
My bead beneath thine, while thy healing hands
Close-covered both my eyes beside thy breast,
Pressing the brain, which too much thought expands,
Back to its proper size again, and smoothing
Distortion down till every nerve had soothing,
And all lay quiet, happy and suppressed.
V.
How soon all worldly wrong would be repaired!
I think how I should view the earth and skies
And sea, when once again my brow was bared
After thy healing, with such different eyes.
O world, as God has made it! All is beauty:
And knowing this, is love, and love is duty.
What further may be sought for or declared?
VI.
Guercino drew this angel I saw teach
(Alfred, dear friend!)---that little child to pray,
Holding the little hands up, each to each
Pressed gently,---with his own head turned away
Over the earth where so much lay before him
Of work to do, though heaven was opening o'er him,
And he was left at Fano by the beach.
VII.
We were at Fano, and three times we went
To sit and see him in his chapel there,
And drink his beauty to our soul's content
---My angel with me too: and since I care
For dear Guercino's fame (to which in power
And glory comes this picture for a dower,
Fraught with a pathos so magnificent)---
VIII.
And since he did not work thus earnestly
At all times, and has else endured some wrong---
I took one thought his picture struck from me,
And spread it out, translating it to song.
My love is here.
Where are you, dear old friend?
How rolls the Wairoa at your world's far end?
This is Ancona, yonder is the sea.
|
Written by
Lucy Maud Montgomery |
Come, rest awhile, and let us idly stray
In glimmering valleys, cool and far away.
Come from the greedy mart, the troubled street,
And listen to the music, faint and sweet,
That echoes ever to a listening ear,
Unheard by those who will not pause to hear
The wayward chimes of memory's pensive bells,
Wind-blown o'er misty hills and curtained dells.
One step aside and dewy buds unclose
The sweetness of the violet and the rose;
Song and romance still linger in the green,
Emblossomed ways by you so seldom seen,
And near at hand, would you but see them, lie
All lovely things beloved in days gone by.
You have forgotten what it is to smile
In your too busy lifecome, rest awhile.
|
Written by
Ingeborg Bachmann |
For why cometh a time,
When you forget yesterday?
Forgot our vows that we made,
And turn and walk away.
*****
How can a heart forget,
The love we once had?
And turn yourself against me,
And make my soul so sad.
*****
You’ve found someone better,
And you’ll leave us behind;
You think you can change your heart,
And erase your troubled mind.
*****
How can you just quit,
And let our love just die?
I’ve done all I know to do,
But you refuse to try.
*****
If I could only be around you,
Our love would live , I bet;
But you want me to stay away,
So you can just forget.
*****
For what has happened to you,
That has torn up your mind?
From the precious girl I once loved,
The one so pure and kind.
*****
I know that you are hurting,
You can’t look at me any more;
I know I can help you,
Heal your heart that’s sore.
*****
I know I’m not perfect,
But I really try to be;
I really truly love you,
That you’ve got to see.
*****
I know I’m no studly man,
Big and tall I’m not;
I don’t have much to offer you,
But all the love I got.
*****
We’ve had our share of problems,
But troubles don’t last long;
If we work together,
From them we can be strong.
*****
Maybe you think you’ve gone too far,
And respect you’ll never get;
But if only you’d just reach out,
Forgiveness can be met.
*****
Don’t give up like other folks,
Just so you’ll fit in;
For God and I believe in you,
And beg you not to sin.
*****
I know that you’re confused now,
And don’t know how to turn;
Just take one step toward me,
And leave your pain to burn.
*****
For I so love you dearly,
I can’t watch you walk away;
Please tell me you love me too,
And that you want to stay.
*****
Written 11-12-90
|
Written by
Philip Levine |
The sun came up before breakfast,
perfectly round and yellow, and we
dressed in the soft light and shook out
our long blond curls and waited
for Maid to brush them flat and place
the part just where it belonged.
We came down the carpeted stairs
one step at a time, in single file,
gleaming in our sailor suits, two
four year olds with unscratched knees
and scrubbed teeth.
Breakfast came
on silver dishes with silver covers
and was set in table center, and Mother
handed out the portions of eggs
and bacon, toast and juice.
We could
hear the ocean, not far off, and boats
firing up their engines, and the shouts
of couples in white on the tennis courts.
I thought, Yes, this is the beginning
of another summer, and it will go on
until the sun tires of us or the moon
rises in its place on a silvered dawn
and no one wakens.
My brother flung
his fork on the polished wooden floor
and cried out, "My eggs are cold, cold!"
and turned his plate over.
I laughed
out loud, and Mother slapped my face,
and when I cleared my eyes the table
was bare of even a simple white cloth,
and the steaming plates had vanished.
My brother said, "It's time," and we
struggled into our galoshes and snapped
them up, slumped into our pea coats,
one year older now and on our way
to the top through the freezing rains
of the end of November, lunch boxes
under our arms, tight fists pocketed,
out the door and down the front stoop,
heads bent low, tacking into the wind.
|
Written by
Rainer Maria Rilke |
Every angel is terrifying.
And yet alas
I invoked you almost deadly birds of the soul
knowing about you.
Where are the days of Tobias
when one of you veiling his radiance stood at the front door
slightly disguised for the journey no longer appalling;
(a young man like the one who curiously peeked through the window).
But if the archangel now perilous from behind the stars
took even one step down toward us: our own heart beating
higher and higher would bear us to death.
Who are you?
Early successes Creation's pampered favorites
mountain-ranges peaks growing red in the dawn
of all Beginning -pollen of the flowering godhead
joints of pure light corridors stairways thrones
space formed from essence shields made of ecstasy storms
of emotion whirled into rapture and suddenly alone:
mirrors which scoop up the beauty that has streamed from their face
and gather it back into themselves entire.
But we when moved by deep feeling evaporate; we
breathe ourselves out and away; from moment to moment
our emotion grows fainter like a perfume.
Though someone may tell us:
Yes, you've entered my bloodstream, the room, the whole springtime
is filled with you¡ -what does it matter? he can't contain us
we vanish inside him and around him.
And those who are beautiful
oh who can retain them? Appearance ceaselessly rises
in their face and is gone.
Like dew from the morning grass
what is ours floats into the air like steam from a dish
of hot food.
O smile where are you going? O upturned glance:
new warm receding wave on the sea of the heart¡
alas but that is what we are.
Does the infinite space
we dissolve into taste of us then? Do the angels really
reabsorb only the radiance that streamed out from themselves or
sometimes as if by an oversight is there a trace
of our essence in it as well? Are we mixed in with their
features even as slightly as that vague look
in the faces of pregnant women? They do not notice it
(how could they notice) in their swirling return to themselves.
Lovers if they knew how might utter strange marvelous
Words in the night air.
For it seems that everything
hides us.
Look: trees do exist; the houses
that we live in still stand.
We alone
fly past all things as fugitive as the wind.
And all things conspire to keep silent about us half
out of shame perhaps half as unutterable hope.
Lovers gratified in each other I am asking you
about us.
You hold each other.
Where is your proof?
Look sometimes I find that my hands have become aware
of each other or that my time-worn face
shelters itself inside them.
That gives me a slight
sensation.
But who would dare to exist just for that?
You though who in the other's passion
grow until overwhelmed he begs you:
No more¡ ; you who beneath his hands
swell with abundance like autumn grapes;
you who may disappear because the other has wholly
emerged: I am asking you about us.
I know
you touch so blissfully because the caress preserves
because the place you so tenderly cover
does not vanish; because underneath it
you feel pure duration.
So you promise eternity almost
from the embrace.
And yet when you have survived
the terror of the first glances the longing at the window
and the first walk together once only through the garden:
lovers are you the same? When you lift yourselves up
to each other's mouth and your lips join drink against drink:
oh how strangely each drinker seeps away from his action.
Weren't you astonished by the caution of human gestures
on Attic gravestones? Wasn't love and departure
placed so gently on shoulders that is seemed to be made
of a different substance than in our world? Remember the hands
how weightlessly they rest though there is power in the torsos.
These self-mastered figures know: "We can go this far
This is ours to touch one another this lightly; the gods
Can press down harder upon us.
But that is the gods' affair.
"
If only we too could discover a pure contained
human place our own strip of fruit-bearing soil
between river and rock.
For our own heart always exceeds us
as theirs did.
And we can no longer follow it gazing
into images that soothe it into the godlike bodies
where measured more greatly if achieves a greater repose.
|
Written by
Robert Frost |
Not only sands and gravels
Were once more on their travels,
But gulping muddy gallons
Great boulders off their balance
Bumped heads together dully
And started down the gully.
Whole capes caked off in slices.
I felt my standpoint shaken
In the universal crisis.
But with one step backward taken
I saved myself from going.
A world torn loose went by me.
Then the rain stopped and the blowing,
And the sun came out to dry me.
|
Written by
Jorie Graham |
In the fairy tale the sky
makes of itself a coat
because it needs you
to put it
on.
How can it do this?
It collects its motes.
It condenses its sound-
track, all the pyrric escapes, the pilgrimages
still unconsummated,
the turreted thoughts of sky it slightly liquefies
and droops, the hum of the yellowest day alive,
office-holders in their books, their corridors,
resplendent memories of royal rooms now filtered up — by smoke, by
must — it tangles up into a weave,
tied up with votive offerings — laws, electricity —
what the speakers let loose from their tiny eternity,
what the empty streets held up as offering
when only a bit of wind
litigated in the sycamores,
oh and the flapping drafts unfinished thoughts
raked out of air,
and the leaves clawing their way after deep sleep set in,
and all formations — assonant, muscular,
chatty hurries of swarm (peoples, debris before the storm) —
things that grew loud when the street grew empty,
and breaths that let themselves be breathed
to freight a human argument,
and sidelong glances in the midst of things, and voice — yellowest
day alive — as it took place
above the telegram,
above the hand cleaving the open-air to cut its thought,
hand flung
towards open doorways into houses where
den-couch and silver tray
itch with inaction — what is there left now
to believe — the coat? — it tangles up a good tight weave,
windy yet sturdy,
a coat for the ages —
one layer a movie of bluest blue,
one layer the war-room mappers and their friends
in trenches
also blue,
one layer market-closings and one
hydrangeas turning blue
just as I say so,
and so on,
so that it flows in the sky to the letter,
you still sitting in the den below
not knowing perhaps that now is as the fairy tale
exactly, (as in the movie), foretold,
had one been on the right channel,
(although you can feel it alongside, in the house, in the food, the umbrellas,
the bicycles),
(even the leg muscles of this one grown quite remarkable),
the fairy tale beginning to hover above — onscreen fangs, at the desk
one of the older ones paying bills —
the coat in the sky above the house not unlike celestial fabric,
a snap of wind and plot to it,
are we waiting for the kinds to go to sleep?
when is it time to go outside and look?
I would like to place myself in the position
of the one suddenly looking up
to where the coat descends and presents itself,
not like the red shoes in the other story,
red from all we had stepped in,
no, this the coat all warm curves and grassy specificities,
intellectuals also there, but still indoors,
standing up smokily to mastermind,
theory emerging like a flowery hat,
there, above the head,
descending,
while outside, outside, this coat —
which I desire, which I, in the tale,
desire — as it touches the dream of reason
which I carry inevitably in my shoulders, in my very carriage, forgive me,
begins to shred like this, as you see it do, now,
as if I were too much in focus making the film shred,
it growing very hot (as in giving birth) though really
it being just evening, the movie back on the reel,
the sky one step further down into the world but only one step,
me trying to pull it down, onto this frame,
for which it seems so fitting,
for which the whole apparatus of attention had seemed to prepare us,
and then the shredding beginning
which sounds at first like the lovely hum
where sun fills the day to its fringe of stillness
but then continues, too far, too hard,
and we have to open our hands again and let it go, let it rise up
above us,
incomprehensible,
clicker still in my right hand,
the teller of the story and the shy bride,
to whom he was showing us off a little perhaps,
leaning back into their gossamer ripeness,
him touching her storm, the petticoat,
the shredded coat left mid-air, just above us,
the coat in which the teller's plot
entered this atmosphere, this rosy sphere of hope and lack,
this windiness of middle evening,
so green, oh what difference could it have made
had the teller needed to persuade her
further — so green
this torn hem in the first miles — or is it inches? — of our night,
so full of hollowness, so wild with rhetoric .
.
.
.
|