Written by
Delmore Schwartz |
"I have been one acquainted with the night" - Robert Frost
Rode in the train all night, in the sick light. A bird
Flew parallel with a singular will. In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.
Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling. And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar --
The bored center of this vision and condition looked and
looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and
readers.
And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed. And then the train
Like a suddenly storming rain, began to rush and thresh--
The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.
A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.
And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.
And then the bird cried as if to all of us:
0 your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will you ever do with your life before death's
knife
Provides the answer ultimate and appropriate?
As I for my part felt in my heart as one who falls,
Falls in a parachute, falls endlessly, and feel the vast
Draft of the abyss sucking him down and down,
An endlessly helplessly falling and appalled clown:
This is the way that night passes by, this
Is the overnight endless trip to the famous unfathomable
abyss.
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Written by
Carl Sandburg |
HE lived on the wings of storm.
The ashes are in Chihuahua.
Out of Ludlow and coal towns in Colorado
Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks.
Killings ran under the spoken commands of this boy
With eighty men and rifles on a hogback mountain.
They killed swearing to remember
The shot and charred wives and children
In the burnt camp of Ludlow,
And Louis Tikas, the laughing Greek,
Plugged with a bullet, clubbed with a gun butt.
As a home war
It held the nation a week
And one or two million men stood together
And swore by the retribution of steel.
It was all accidental.
He lived flecking lint off coat lapels
Of men he talked with.
He kissed the miners’ babies
And wrote a Denver paper
Of picket silhouettes on a mountain line.
He had no mother but Mother Jones
Crying from a jail window of Trinidad:
“All I want is room enough to stand
And shake my fist at the enemies of the human race.”
Named by a grand jury as a murderer
He went to Chihuahua, forgot his old Scotch name,
Smoked cheroots with Pancho Villa
And wrote letters of Villa as a rock of the people.
How can I tell how Don Magregor went?
Three riders emptied lead into him.
He lay on the main street of an inland town.
A boy sat near all day throwing stones
To keep pigs away.
The Villa men buried him in a pit
With twenty Carranzistas.
There is drama in that point…
…the boy and the pigs.
Griffith would make a movie of it to fetch sobs.
Victor Herbert would have the drums whirr
In a weave with a high fiddle-string’s single clamor.
“And the muchacho sat there all day throwing stones
To keep the pigs away,” wrote Gibbons to the Tribune.
Somewhere in Chihuahua or Colorado
Is a leather bag of poems and short stories.
|
Written by
Galway Kinnell |
He climbed to the top
of one of those million white pines
set out across the emptying pastures
of the fifties - some program to enrich the rich
and rebuke the forefathers
who cleared it all at once with ox and axe -
climbed to the top, probably to get out
of the shadow
not of those forefathers but of this father
and saw for the first time
down in its valley, Bruce Pond, giving off
its little steam in the afternoon,
pond where Clarence Akley came on Sunday mornings to cut
down
the cedars around the shore, I'd sometimes hear the slow
spondees
of his work, he's gone,
where Milton Norway came up behind me while I was
fishing and
stood awhile before I knew he was there, he's the one who
put the
cedar shingles on the house, some have curled or split, a
few have
blown off, he's gone,
where Gus Newland logged in the cold snap of '58, the only
man will-
ing to go into those woods that never got warmer than ten
below,
he's gone,
pond where two wards of the state wandered on Halloween,
the Na-
tional Guard searched for them in November, in vain, the
next fall a
hunter found their skeletons huddled together, in vain,
they're
gone,
pond where an old fisherman in a rowboat sits, drowning
hooked
worms, when he goes he's replaced and is never gone,
and when Fergus
saw the pond for the first time
in the clear evening, saw its oldness down there
in its old place in the valley, he became heavier suddenly
in his bones
the way fledglings do just before they fly,
and the soft pine cracked . . .
I would not have heard his cry
if my electric saw had been working,
its carbide teeth speeding through the bland spruce of our
time, or
burning
black arcs into some scavenged hemlock plank,
like dark circles under eyes
when the brain thinks too close to the skin,
but I was sawing by hand and I heard that cry
as though he were attacked; we ran out,
when we bent over him he said, "Galway, In¨¦s, I saw a
pond!"
His face went gray, his eyes fluttered close a frightening
moment . . .
Yes - a pond
that lets off its mist
on clear afternoons of August, in that valley
to which many have come, for their reasons,
from which many have gone, a few for their reasons, most
not,
where even now and old fisherman only the pinetops can see
sits in the dry gray wood of his rowboat, waiting for pickerel.
|
Written by
Robert William Service |
I'm scared of it all, God's truth! so I am;
It's too big and brutal for me.
My nerve's on the raw and I don't give a damn
For all the "hoorah" that I see.
I'm pinned between subway and overhead train,
Where automobillies swoop down:
Oh, I want to go back to the timber again --
I'm scared of the terrible town.
I want to go back to my lean, ashen plains;
My rivers that flash into foam;
My ultimate valleys where solitude reigns;
My trail from Fort Churchill to Nome.
My forests packed full of mysterious gloom,
My ice-fields agrind and aglare:
The city is deadfalled with danger and doom --
I know that I'm safer up there.
I watch the wan faces that flash in the street;
All kinds and all classes I see.
Yet never a one in the million I meet,
Has the smile of a comrade for me.
Just jaded and panting like dogs in a pack;
Just tensed and intent on the goal:
O God! but I'm lonesome -- I wish I was back,
Up there in the land of the Pole.
I wish I was back on the Hunger Plateaus,
And seeking the lost caribou;
I wish I was up where the Coppermine flows
To the kick of my little canoe.
I'd like to be far on some weariful shore,
In the Land of the Blizzard and Bear;
Oh, I wish I was snug in the Arctic once more,
For I know I am safer up there!
I prowl in the canyons of dismal unrest;
I cringe -- I'm so weak and so small.
I can't get my bearings, I'm crushed and oppressed
With the haste and the waste of it all.
The slaves and the madman, the lust and the sweat,
The fear in the faces I see;
The getting, the spending, the fever, the fret --
It's too bleeding cruel for me.
I feel it's all wrong, but I can't tell you why --
The palace, the hovel next door;
The insolent towers that sprawl to the sky,
The crush and the rush and the roar.
I'm trapped like a fox and I fear for my pelt;
I cower in the crash and the glare;
Oh, I want to be back in the avalanche belt,
For I know that it's safer up there!
I'm scared of it all: Oh, afar I can hear
The voice of my solitudes call!
We're nothing but brute with a little veneer,
And nature is best after all.
There's tumult and terror abroad in the street;
There's menace and doom in the air;
I've got to get back to my thousand-mile beat;
The trail where the cougar and silver-tip meet;
The snows and the camp-fire, with wolves at my feet;
Good-bye, for it's safer up there.
To be forming good habits up there;
To be starving on rabbits up there;
In your hunger and woe,
Though it's sixty below,
Oh, I know that it's safer up there!
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